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<![CDATA[PERANCANGAN INFORMASI KERIS BERUPA MULTIMEDIA INTERAKTIF BERBASIS KIOSK ]]>
<![CDATA[Panindias, Asmoro Nurhadi]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.27
<![CDATA[This art design study was inspired from Keris which is known as a World Heritage and received a honorary as a Masterpiece of The Oral and Intangible Heritage of Humanity from UNESCO. Recently the speed of enlarge information demand this nation to extend information about Keris to public. Multimedia interactive has been choosing, which is use computer function to create and join link and tool that possibly user to do a navigation, interaction, recreation and communication. More specific about multimedia interactive, this is designed with kiosk base. Kiosk is an information system base on computer that put in a place who can be access by public, offer access to information or transaction for a group of user constantly with various anonym, use a short time dialogue and user interface that typically simple.Keyword : Keris, Multimedia Interactive, Kiosk, Public Information]]>
<![CDATA[PERPADUAN JAWA-EROPA KEARTISTIKAN INTERIOR DALEM WURYANINGRATAN ]]>
<![CDATA[Budiwiyanto, Joko]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.31
<![CDATA[This article is a part of research result about Architecture Profile of Prince’s fashion: “The Artistic Value of Interior of Dalem Wuryaningratan of Kasunanan Palace Surakartaâ€. The research objective is to reveal the artistic value of interior of Dalem Wuryaningratan. The research result shows that in the matter of the artistic of its interior design, dalem pangeran always oriented toward symbolic classification based on two, four, and eight. The view of classification two always manifested with kiwa-tengen, atas-bawah, or loroning-atunggal is always combined with something bigger and absolute. The view is not contrast; it is a relationship between two different things but it is harmonious. The balance controller is a point in the middle (the third point) which is absolute or God. Symmetric conception in interior element design shows the meaning of harmony. The conception is a manifestation from the meaning of balance with a purpose to reach the harmony of live, which means living harmoniously each other, living harmoniously with nature, and living harmoniously with God. The dualism conception is reflected in the room structure, door, window and colonnade/saka arrangement, and even in the structuring of furniture.]]>
<![CDATA[SPIRITUALITAS MISTIS DI BALIK EKSPRESI KESENIAN RAKYAT JARANAN ]]>
<![CDATA[Alkaf, Mukhlas]]>
<![CDATA[ Acintya Vol. 1 No. 1 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i1.35
<![CDATA[Jaranan is a piece of dance tradition belonged to Lencoh village, Selo district, town of Boyolali in Central Java. The existence of this dance tradition kind of thing has a special reason to be researched and it’s attemption to expose a relationship among misticism and a saveral aspects of the living society itself. Through this article this research will strives the object in depth based on a discipline of anthropology in order to examine interrelation amongst a set of value belong to the village society which is supported way of live into them. From this domain a set of meaning simbolized and accompanied their way of live instead on balance values, and commnal values which is formed by their own costums, historicism, and spirit. According to this article mentioned an ethnographic method with strong emphases into several attemption optimalization of balance pattern founded by misticism values itself. In other way, it focused on the existence of jaranan dance tradition as a little tradition arts had relationship with religiousities view an misticism entirely could be studied by a stressing its cultural text can not be separated by anthropological aspects of dance studies. It will means Jaranan as a little dance tradition can be studied in the whole misticism aspects in the Lencoh village itself.Keyword : misticism, Jaranan dance, symbolism, society, ethnography]]>
<![CDATA[KARYA KARAWITAN BARANG MIRING ]]>
<![CDATA[Sosodoro, Bambang]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.41
<![CDATA[Barang Miring music composition is inspired by the musical gamelan of sekaten, a set of ancient ensamble called Kyahi GunturMadu and Kyahi Guntur Sari of Surakarta Palace. This unique musical gamelan is often used by compésers in their creations. It has also been using sources of creation, creative materials, creativity approach, imitation, etc. Gamelan itself generally accompanies other performance like dance, puppet show, and even the gamelan performance itself Based on this phenomenon 1 would like to examine a gamelan Sekaten as an object of material. Through this article I present the musical creation based on gamelan sekaten tradition and actualize through the new creation called Barang Miring. gendhing Barang Miring of gamelan sekaten will be the main sources because of its uniqueness as a major repertoire of gamelan sekaten. It is performed traditionally after the Adzan Asyhar when the Moslem does their sholat. This article also strive a reason of what kind of concept of Barang Miring (minur) into the concept of gamelan ageng performance. Using reinterpretation approach based on traditional repertoire, this article exists as a representation of a new field of creation in music creation based on karawitan traditional composition. Key words: barang miring, musiccreation, gamelan sekaten,]]>
<![CDATA[ETNOGRAFI DAN GENRE SASTRA REALISME SOSIALIS ]]>
<![CDATA[Setyobudi, Imam]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.43
<![CDATA[The ethnography writing was completely based on field (empiric) data. Anthropologist always holds on the present events. This article constitutes a beginning effort to design ethnography writing method using one genre or style in literature. Formerly, ethnography held on bourgeois realism. The writer changes realism in ethnography which doesn’t seem potential and objective with militant social realism literature. The writer labels it “liberation ethnography “. This article just takes a genre spirit of realism-socialist literature as “contrasting literature†to become “liberation ethnography†or “ethnography as a liberation movementâ€. The birth of anthropology with ethnography as its textual product represents the son of imperialist and colonialist. Along with the collapse of imperialist and colonialist, the awakening of ex-colonies to become new countries, entering post colonial era and global culture, the disorder of culture, the appearance of sub culture and counter culture, the foundation of anthropology becomes porous. The purpose of ethnography writing needs to be reviewed because there is an interest to write ethnography as a politi cal practice. Key words: Ethnography, Social Realism Literary, Liberation Ethnography]]>
<![CDATA[CCTV BERBASIS WEB SEBAGAI SISTEM KEAMANAN ]]>
<![CDATA[Agung, I Putu Suhada]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.47
<![CDATA[Experiment research about CCTV under web for security system, is made to design a prototype remote security system. This security system can be develope for remote security system that can be accessedfrom intranet and internet networks. Streaming is an effective methode to send big capacity files like audio and video from intranet or internet networks. The benefitfor using streaming is a very big capacity offile(s) can be shown has no need all parts offile(s) be accessed. Ussually streaming proccess (Windows Media, Real Media, Quicktime and Flash) pass through a crucial phases and need very long time process. Else ussually streaming format needs much bandwidth and very large saving media. Unreal Streaming Server is an under windows streaming software, that has more function like online (live) features and offline (on demand) steraming than old different St reaming software. Unreal Streaming Server is the right choice for developed as CCTV under web for security system. This software needs only 1 Giga Byte / 1 GB to record online/live seasson as long as 1 month. Unreal Streaming Server no needs decode an originalfile that will be used; all offile is streamed as an originalfile format. Player can receive stream, if codec is installed on. Security level can be set from server with security choices like : password, authent~fi cation, session and blocking acccess. Other main facility is CCTVstream can be access from cellular phone (celiphone) that has Windows OIS, Symbian 0/S or Java that can be accessed everywhere. Keywords: CCT1  Streaming, Unreal Streaming Server]]>
<![CDATA[ASPEK ASPEK BUDAYA DALAM NOVEL AYAT-AYAT CINTA KARYA HABIBURRAHMAN El SHIRAZY ]]>
<![CDATA[Rosmiyati, Ana]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.51
<![CDATA[The novel entitled Ayat-ayat Cinta is a very good novel with complete contents. It is not only a literature and love novel but also a novel ofpolitics, culture, religion,flkih (laws), ethics, language, and dakwah. The interesting problem which can be raised is the complex culture in Ayat-Ayat Cinta. This research uses qualitative descriptive method and librarial study. The sources used in this research include documents containing data about things or variables covering notes, transcript, books, newspapers, etc. Social background of the novel is described by an Indonesian student who is studying in Cairn, Egypt, with the various norms and traditions. There are two social backgrounds in the novel including local social cultural background covering east and west culture and social cultural background of each characters that is east culture. Keywords: religious novel, cultural aspects, text]]>
<![CDATA[ANALISIS INDUSTRI BUDAYA PADA DESAIN PRODUK KEMASAN MAKANAN INDUSTRI KECIL MENENGAH (1KM) ]]>
<![CDATA[Hidayat, Moch. Junaidi]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.55
<![CDATA[Discussing about packaging is always interesting especially discussing topic of food packaging which grows quite fast at this time. Packaging, at this moment, is not only comprehended as a container~ apackage, orfood protector but also comprehended as a business strategy, sign jfi cation process and an understanding about difference principle of social values and packaging tradition itself. Here is the cultural industry especially an understanding of the consumptive society and packaging becomes one of the interesting objects to talk about. This article tries to describe the meaning of object as a sign through the study ofproduct semantics and the understanding ofpackaging as a critic towards industrial culture and creativity by taking food packaging that is produced by small industry. The object of this research is food packaging offruit chips ‘Nature’ in small industry, Batu, Malang. Keywords : Food Packaging, Culture Industry, Product Semantic]]>
<![CDATA[CANGGET SEBAGAI IDENTITAS KULTURAL PADA MASYARAKAT LAMPUNG ]]>
<![CDATA[Martiara, Rina]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.57
<![CDATA[This article talking about a Cangget dance of Lampung society and its identity related to the dance performance itself The Cangget dance and its specific field of its performance because of it was danced by a group of female dancers. Uniquelly the female dancers mostly the daughters of the traditional ethnic leaderand their appearance represents the unappearance of the ethnic leaders. Here! would like to examine through this article in what kind of the Cangget dance and its role as a culktural identity amongs Lampung society furthe rmore the extended role of this dance tradition presently. In other ways this article will also examine the Cangget dance by using sosio-historical approach in order to analyze the Cangget dance and its existence into the pattern of culture, system of value and its norms related to the intercontextualities of cultural diversity. Keywords: Cangget dance, cultural identity, society.]]>
<![CDATA[MULTIKULTURALISME DALAM BUDAYA SENI PERTUNJUKAN TARI DI YOGYAKARTA ]]>
<![CDATA[Pramutomo, R.M.]]>
<![CDATA[ Acintya Vol. 1 No. 2 (2009) ]]>
Publisher : <![CDATA[Institut Seni Indoensia Surakarta ]]>
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DOI: 10.33153/acy.v1i2.61
<![CDATA[This article will strive a kind of exploration studies arround multiculturalism and its impact to the dance and performance appearance in Yogyakarta dance tradition. Multiculturalism and its shaping have several elements which support the new kind of creative process. In the case of Yogyakarta dance tradition, it regards to the extra-tolerance sense of the aesthetic authority. Based on these evidences, this article will explore a study of traditional sources from the dance naration texts collected by the palace of Yogyakarta. In fact, it has been strongly emphased on the archi val studies and explanation process through the heuristic explanation. On the other hand, this article would like to examine a relationship between a sense of extra-tolerance inside the dance tradition itself and the creative requirement belong to the new kind ofprocess itself With an arts histori cal approach, this article presents an explorative study of the multiculturalism as ingredients which improve the development of new mainstream of creative process in the field of dance tradition fluently. Keywords: multiculturalism, extra-tolerance, and creative process.]]>
