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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 512 Documents
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ASPEK-ASPEK KOMUNIKASI DALAM PROSES KEKARYAAN SENI PERTUNJUKAN Widodo, Anhar
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.65

Abstract

This research try to expose all the kind of human communications in pe,formance art—especially dance. Indeed, human communication is usefulifor creative process of idea exploration. With qualitative approach and interview method to digg various data, this research expose a kind of communication context that built in creative pmcess of dance arts. The Director of one of a masterpiece peiformance art, Kalabendu, HDwi Wahyudiarto, S. Kar, M. Hum. will be the main source.Balancing interaction and adaptation that match with each portion dan responsibility, make creative performance art process so smooth to be done. A democratic culture, full filling in purpose to reach the best, will guarantee a creative independence an searching creativity exploration to gain the beginning aim—that match with the deal in the first outline scenario. Various communication define of seven specific contextual circumstances. That was two persons communication; interview; a little communication group; public communication; organizational communication; mass communication; and inter-cultural communication. Shape of communication that built in art making process more intens to balancing reciprocal communication. Group and personal communication together in linear concept between communicator and communican in gainning the same purpose. Key words: communication contexts, art, democratic, kalabendu.
PERANAN TAN THIAM KWIE DALAM PENDIDIKAN MUSIK BARAT DI INDONESIA Surtihadi, R.M.
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.69

Abstract

What I would like to write down here is an article which strong focuses on Tan Thiam Kwie as a maestro music education. This article originally is a research based on Tan Thiam Kwie as a person who dedicated to his life in the field of music education. This article use a historical method especially in addition by using oral history method and its relation with local history perspectives. Because of the concentration range proposed to be his musical life and his dedication to the Western Music education in Indonesia, so that the article connected to the examination of Western music education and its education institutionally establised throuugh the founding of the Sekolah Musik Indonesia (SMIND) and Akademi Musik Indonesia (AM!) on 1952 in Yogyakarta. There is a logic reason when Mr. Tan as a one of founder this music education institutionally connected to his loyality and his dedication to his own life. Keywords: local history, a maestro, music education.
MAKNA TANGGUNG JAWAB SOSIAL DALAM STUDI KREATIF GENRE IKLAN DI TELEVlSI Handriyotopo, Handriyotopo
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.77

Abstract

The development of television media is quickly enough. in indonesia, many television advertisements appear to support the media. Advertisement which is formerly only comercial and non comercial (ILM) advertisement, nowadays there comes a kind of corporate advertisement but it has social nuance because of CSR (Corporat Social Responsibility) or philanthropy support so that the advertisement becomes a new advertisement called philanthropy advertisement. As the factory responsibility towards society, philanthmpy advertisement is usually presented appropriately with the suitable moment in order that the presented advertisement is exactly on target. To understand the meaning of philanthropy advertisement can be reached by catching the audiovisual advertisement by taking picture frame by frame from moving image advertisement The first thing to do is deconstructing the signs including icons, index, and symbols. The second step is interpretating denotative as well as conotative meaning of the myth from cultural values by narrative, descriptive, and inductive description. By post structuralist semiotics, television advertisement in one moment can be analized in relation to the form and content of message, moment or cultural context, artistic visual aspect offrame by frame as well as the movement in creating advertisement from its sign and signer. A sign is a game so that the signer is free from meaning. in other words, meaning presents because of intertextual sign and a text can be given a meaning freely and endlessly.Key words: meaning, philantrophy, culture
PERUBAHAN DAN KONTINUITAS SENI BARONGSAI DI SURAKARTA PASCA REFORMASI Wahyudiarto, Dwi
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.79

Abstract

This article is based On individual research focussed on barongsai and its journey in Surakarta after the reformation era. Barongsai art performance in New Orde era is paid less attention as a creative pmduct. It has developed after post reformation era. This kind of Chinese ethnic performance has changed artistically and technically after the reformation era. Barongsai, in the former~ is usedfor ritual usage and it has been changing nowadays especially for social funcion. This article examines baron gsai of Chinese ethnic through special approach and interpretative description based on its data sources empirically. Barongsai art performance as an material object would be exposed as much as possible while it is accompanied by everything which supports its existence nowdays. Several things indicate that baron gsai appearence had been supported by ritual needs, social needs, aesthetic needs, and existence needs. Barongsai and its development during the post reformation era give much impact to its existence connected to afair regulation and the changes of societiy which gradually welcoming upon this kind of art performance. Even it is often related to the frequently shows increase among Chinese ethnic who perform the barongsai and it shows us, in other way, that the creative world must be appeared in the field ofperforining arts. Keywords: barongsai, continuities, change, reformation
THE IDENTIFICATION OF CONTRIBUTION OF GOVERNMENT GALLERY IN SUPPORTING INDONESIAN FINE ARTS DEVELOPMENT (CASE STUDY OF INDONESIAN NATIONAL GALLERY MANAGEMENT SYSTEM) Cholis, Henri
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v1i2.85

Abstract

The research examines the existence of Indonesian National Gallery in Jakarta. The Indonesian National Gallery is managed by the government. The focus of the research is in the contribution of Indonesian National Gallery in Indonesian fine arts development, especially in the local fine arts development and to understand strategy or effort of Indonesian National Gallery in managing an organization for fine arts activities and its stake holder’s network. The research also discusses a glance about management problems applied in the National Gallery. The research method, research kind or research model is a qualitative descriptive research, by using phenomenology and curatorial approach which is the management of Indonesian national Gallery and phenomena of the result of the interaction between the subjects involved in the Indonesian National Gallery activities, and understand the situation, the events, and the meaning existed in Indonesian  National Gallery. Data are collected from interviews, especially person involved in the structure of Indonesian National Gallery organization and several persons related with the existence of the gallery, such as artist and curator. Another data is book taken from Indonesian National Gallery and also the books containing articles about the gallery and the pictures used as the observing technique in this research. Data collecting uses open interview technique (not structured natural interview), direct observation with situation observer, events, and everything related with the events happened in Indonesian National gallery. Data analysis uses cycle analysis related each other which is interactive analysis related with several steps: data collection, data reduction, data presentation and conclusion. Research result: Indonesian National Gallery is able to stand and exist and experience long journey because of the strong efforts from the government officials in the department of education and culture. The facilities and the infrastructures of Indonesian national gallery is quite representative even though the building used is a former school, at first it is not designed to become a gallery. The contribution of Indonesian National Gallery is very wide; it is opened for everyone for education, training, information service, and appreciation purposes. Indonesian National Gallery opens itself for cooperation inter related instances existed in several regions. It also provides place for the person wanting to held exhibition there. National Gallery management is quite good proven by many art activities held in regional, national, and even international level which has been conducted successfully. The collection of fine arts works in Indonesian National gallery is quite many with 1750 fine arts works; some of them are a grant from foreign countries. The existence of chosen curator make Indonesian National Gallery has a good image in Indonesian fine arts. And no less important, Indonesian National gallery always keeps its quality by using selection system for everyone who proposes to make exhibition there, both from the invitation from Indonesian National Gallery and from the proposal proposed by the artist who desire to held exhibition there. Key word:  Gallery , management, contribution.
PERSPEKTIF ANTROPOLOGI DALAM SENI DAN ESTETIKA Simatupang, G.L Lono Asmoro
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.87

Abstract

This article examine an aesthetic and arts as an anthropological facts related to human being culturally perfected. Originally this article has been presented as a research paper for seminar of aesthetic and arts productivities belonged to marginal ethnic in the Indonesia Institut of Arts in Surakarta, Central Java. Based on a arts productivities and aesthetic production factually this article will strives a relativities of arts product and aesthetic product through the anthropological consepts of culture. There were strong relation according to intercontextual of the termonology of arts itself, the forms and aesthetic products. Here we wont to determined what kind of the definition eventhough therminology had separated from the anthropological perspectives. Keyword arts, aesthetic, anthropological perspective
FILM DOKUMENTER SEBAGAI MEDIA PELESTARI TRADISI Utami, Citra Dewi
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.93

Abstract

the concern of tradition which is often said ancient becomes an idea of various arts. Tradition that is oftenly considered to be given things, one of them is penanggalan Jawa (Javanese calender), is sometimes ignored if is observed tradition of penanggalan jawa is still very closed to the society's social lives. Some daily activities are unconsciously planned based on the Javanese calender. Traditional is many times executed ritually. Sometimes people forget to inherit its phylosophy and use. Documentary film is one of audio visual media genres used to mediate the tradition preservation ad return which is essentially becomes a great heritage. Documentary film shows the importance of critizising the myth of various tradition.Keyword : documentary film, medition, tradition
MEMBANGUN CITY BRANDING MELALUI SOLO BATIK CARNIVAL Murfianti, Fitri
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.101

Abstract

City branding is an ejfort to establish the identity of a city. ldentiql is a construction. a consequence of B process of interaction between people, institutions, and praxis in social life; o place/region which bring:its uniqueness and may appear difierently from its competitors not only in slogans or tagline but also in its ability to ofier something which is unique and dtflerenl, crystallized as a strong identity in the customers‘ perception. Solo Batik Carnival is a creative industry that produces “symbolic goods ” in the form of ideas, experiences, and images. The event is hold as on effort to construct the image which represents the city of Solo as a city of Batik and makes the city of Solo a marketable city. Thus, SBC has a dual function. Apanfrom an attempt to potent batik culturally and oflirm brand Solo as the City of Batik, SBC also can function as a showroom or storefront that oflers a unique batik Solo as a unique selling proposition so that it can be used as a tourism pmmotion event of the city of Solo in national and international scale.Keywords: Solo Batik Carnival, City Branding, Identity
PERAN KEPALA DESA DALAM MEMAJUKAN KESENIAN TRADISIONAL STUDI KASUS DESA BANYUSIDI, PAKIS KABUPATEN MAGELANG Fitriasari, Rr. Paramitha Dyah
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.111

Abstract

A leader in this regard is the head of the village is very instrumental in developing the potential existed in his village. This research studies about the role of village head in promoting traditional arts, especially in the village of Banyusidi, Pokis, Magelang. Central Java. The research method is qualitative with multidiscipline approach. The result of this study is that the village head has u role in advancing the potency of traditional arts in the village. Thefirst is the role of village head as a motivator, that is by giving his people motivation to be able to develop the arts‘ The second is village head as a facilitator providing the opportunity for people to run the arts. The third is to become a patron and decision maker for his people. With those three things, then, head of the village is believed to promote traditional arts in his village.Key words: role, leader, traditional art.
KESENIAN RANDAI MINANGKABAU DITINJAU DARI SEGI ESTETIKA TARI Yetti, Elindra
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v2i1.113

Abstract

Randai is an art unification of movement, vocal. literature, and theater: Chairul Harun. in Pustaka Msata Budaya qfRandai Minangkabau, describes that Randai has existed through a long historical joumey sine:twentieth century. Randai more develops in the area of Darek. It is an area in central West Sumatera thatbecames a center af Minangkabau culture development. Randai represents a dance of people in gmup moving toforrn a circle, dancing while singing and doing applause and mainly presenting a story. As one of the dance cultures that becomes an icon afMinangkabau society, this research would like to convey theaesthetic substantion adhered in Randai. The aesthetic aspects that would be studied include the aspects of harmony, purity and clearance, as well as unity aspect. This article is supposed to give an idea of study which can complete the aesthetic aspects of Randai as a cultural product.Key wards: Randai, aesthetic, harmony, pure, unity

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