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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 512 Documents
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PEMBERDAYAAN PEREMPUAN MELALUI KESENIAN GEJOG LESUNG PADA KOMUNITAS SANGGAR SANGIR DI KABUPATEN SRAGEN Indriani, Novita; Kiswanto, Kiswanto; Utami, Fawarti Gendra Nata
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5489

Abstract

Gejog Lesung is folk traditional music that still survives and develops in various rural agricultural areas in Java. The research aims to look at the relationship or connection between the existence of women, gejog dimples, and the Sanggar Sangir group in Sragen, as well as the role and contribution of the three in maintaining traditions passed down from ancestors for more diverse development purposes. This research uses a qualitative approach, which is carried out through data collection stages, including observation, interviews and literature study, as well as data analysis stages through descriptive and analytical interpretation methods to end with drawing conclusions. The results of this research show that the art of gejog mortar in the Sanggar Sangir group has (1) become a forum for expression and self-actualization for women to appear in public; (2) provided a forum for women, especially mothers, and teenagers, to interact with each other and exchange information that is useful in maintaining close social relations; and (3) become a means of empowering women in their participation to increase progress in the economic, social and cultural fields.
Kethoprak Reog Paguyuban Seni Reog Singo Bhirowo Lakon Suminten Edan (Kolaborasi Kesenian Rakyat sebagai Ekspresi Akulturasi Budaya) Dipoyono, Achmad; Imama, Yulela Nur
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5586

Abstract

ABSTRACT The city of Surakarta has approximately 35 groups or communities dedicated to the Reog art form. One of these groups is known as "Paguyuban Seni Reog Singo Bhirowo" which comprises 45 members spanning across different generations. This quantity reflects the high level of interest among the Banjarsari community in Reog art. Moreover, the establishment of "Paguyuban Seni Reog Singo Bhirowo" is a response from urban residents living outside Surakarta who have a background in Reog art. The group aims to create a performance format that combines Reog with the traditional Javanese art form called "Kethoprak," known as "Reog Kethoprak." The fusion of Kethoprak and Reog, both rooted in folk art, is seen as a suitable step to promote intercultural understanding, tolerance, and enrich the global heritage of the arts. This cultural amalgamation in the presentation of Kethoprak and Reog is an offering to strengthen their coexistence in society, particularly in Surakarta. The process of creating the Reog Kethoprak performance, exemplified by the Suminten Edan play, involves various stages: cultural exchange, acceptance and exploration, adoption and adaptation, integration, and transformation, resulting in the final show. In the implementation of the Suminten Edan play, contemporary conflicts related to the economic situation of the Reog community are incorporated into the narrative. The collaboration between these two folk art forms, Kethoprak and Reog, serves as a reflection of cultural tolerance and a recognition that differences can come together to produce something significant and have a positive impact on each other. This collaboration is not about division or competition but rather about unity. Keywords: Acculturation, Reog Kethoprak, Local Cultural Expression. 
Kreativitas Eka Rosy dalam Penciptaan Karya Tari Jejak Fuadah, Eka Rosydatul; Rokhim, Nur
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5618

Abstract

The Jejak dance work is a new choreography that has a background from the spirit of the Jathil Ponorogo dance. The value contained in the Jejak dance work is the value of the spirit of never giving up. The Jejak dance work is presented in the form of a group dance danced by six female dancers. This dance work isdivided into four parts, namely the intro, the first scene shows anxiety about goals and what you want to achieve, the second scene is conflict within the personal sphere, the third scene is self-confidence, which shows an atmosphere of enthusiasm or fighting spirit values. This study used a qualitative research method with a choreographic approach, to dissect the form of the choreography of the Jejak danceusing Y. Sumandiyo Hadi's theory. Meanwhile, to describe the creative process of creating Jejak dance works, it uses the theory of Rhodes, 4P (person, press, process, product). The stages in the process of creating a Jejak dance work go through several stages, namely the stage of determining ideas which are refined through several phases including the phase of selecting themes, maturation ofconcepts, observation, then the process of exploration, improvisation, and composition.This is very fundamental to creating a work that can be accounted for scientificallyacademically. The results of this research show: Eka Rosy's creativity in creating Jejak dance works is influenced by several factors (internal and external), Eka Rosy's creativity is reflected in Eka Rosy's ability to actualize ideas that are compiled through a process of exploration, improvisation, and composition then implemented in the form of works Jejak dance.Keywords: Jejak, dance work, creation process, choreography. 
SOJIWAN TEMPLE RELIEF AS AN INSPIRATION FOR CERAMIC ARTWORK Arisutta, Dona Prawita; Adi, Sigit Purnomo
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5643

Abstract

This study explores the reception of monkey and crocodile figures depicted on one of the relief panels of Sojiwan Temple in Klaten, Central Java, Indonesia. The Sojiwan Temple reliefs visualize fairy tales from the Jataka, a collection of fables that often convey contextual and didactic themes. Through the lens of reception theory, this study identifies life lessons such as intelligence, dexterity, impartiality, and wisdom from the narrative panels of Sojiwan Temple and transforms them into ceramic art. Three ceramic artworks inspired by the monkey and crocodile reliefs highlight the notion that even a simple fairy tale does not possess a single, fixed meaning. Instead, there is a progressive interpretation that evolves with each reading of the reliefs at Sojiwan Temple. This research concludes that ceramics can serve as a medium to convey diverse interpretations, thereby enriching the aesthetic appreciation of the monkey and crocodile reliefs at Sojiwan Temple. Keyword: Monkey and Crocodile Relief, Sojiwan Temple, Life Learning, Reception Theory, Ceramic Art
ANAGRAM-BASED EVALUATION OF GOLEK KUDUP SARI DANCE LEARNING NEEDS FOR JUNIOR HIGH SCHOOL STUDENTS Nur Rohmayani, Wulan Suci; Lestari, Wahyu
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5681

Abstract

This research aims to discover the results of the innovation of learning evaluation of Golek Kudup Sari Dance based on anagram games at SMPN 2 Bumijawa.  In general, the dance learning model at SMPN 2 Bumijawa is still conventional including the evaluation process. Furthermore, an online media-based learning and evaluation process was developed. The research method used in this research is Research and Development. The data collected in this research is qualitative data in the form of empirical data. The results showed that anagram game-based evaluation is very efficient to be applied to dance learning at SMPN 2 Bumijawa. The conclusion obtained in the research is that anagram-based Golek Kudup Sari Dance learning is needed by teachers and students as an innovative curriculum implementation. In a sustainable manner, the process of learning dance through online games at SMPN 2 Bumijawa is expected to continue to be applied and developed further.
FLORA MOSAIC MOTIF ON CASUAL DRESS USING ITAJIME AND ECOPRINT TECHNIQUES Febriyanti, Afrida Cahya; Asiatun, Kapti
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5761

Abstract

Flora Mozaik displays the beauty of flowers with six symmetrical petals reinforced by fern leaves, the diversity of round paper mosaics in green color harmony that represents the growth and harmony of nature. The research aims to analyze the market response to fashion products developed through itajime and ecoprint techniques using natural dyes. The research method used in this study is the R&D method with the PPE (Planning, Production, and Evaluation) model to explore floral mosaic motifs on casual dresses using itajime and ecoprint techniques. This R&D research method details the steps in each stage of fashion product development from initial planning to evaluation. The results of the public test showed a positive response from the age group of 19-26 years, towards the fashion products produced through itajime and ecoprint techniques with natural dyes as indicated by the high level of preference (really like and like) of the respondents. This shows that continuous innovation in production technology makes it possible to produce products that are in demand in the market, and the results of the public testing confirmed strong acceptance among the subjects.
PENCAK JAIPONGAN BY CHOREOGRAPHER GUGUM GUMBIRA Mulyadi , Tubagus
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.6026

Abstract

Jaipongan has been recognized as a creation dance in West Java. The dance genre derived from Ketuk Tilu and Pencak Silat has made Jaipongan an icon of Sundanese Dance. The purpose of this research is to explore how the development of pencak silat movements in the Jaipongan Dance created by Gugum Gumbira the creator of Jaipongan. Qualitative research methods were applied to collect data through a literature review of references relevant to the topic of study and documentation on videos of several Jaipongan works. The motion characteristics of Jaipongan were analyzed through Keser Bojong, Rendeng Bojong, Kawung Anten, and Pencug Bojong. The creation of Jaipongan was an outgrowth of Gugum Gumbira's experience as a dancer of Ketuk Tilu, Bajidoran, and Pencak Silat. Gugum's understanding and mastery of these three West Javanese folk dance genres led him to choreograph Jaipongan as a phenomenal new creation dance genre in West Java. The footwork technique is the foundation of the dance, to avoid the danger of slipping while dancing with the agile and attractive character of Jaipongan Dance. Therefore, mastery of pencak movement is important to be able to dance Jaipongan aesthetically.
THE ELABORATION OF SACRED AND PROFANE IN FINE ART WORK ENTITLED "WHEN HANDS AND FEET ARE TALKING” Zarkasi, Much. Sofwan; Suwasono, Bening Tri
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.6028

Abstract

The article "Sacred and Profane Elaboration in a Work of Art Titled When Hands and Feet Speak" by Much. Sofwan Zarkasi and Bening Tri Suwasono explores the intersection of sacred and profane elements in art, a convergence rarely seen in modern works that typically separate art and religion. This meeting of sacred and profane is grounded in Islamic prophetic values derived from Quranic knowledge. The authors argue that since the purpose of human life is to worship, and art is a part of human activity, art should also encompass the concept of worship. Thus, art becomes a blend of sacred and profane activities, presenting visual beauty and values that remind humans to protect the world from harm. The method used in creating "When Hands and Feet Speak" follows the stages of creation by L.H. Chapman: a) finding ideas, b) refining, developing, and solidifying initial ideas, and c) visualizing in the medium. This process is enhanced by adding d) the intention to work for worship at the beginning and including evaluation and gratitude at the end. The technique combines printmaking and collage to produce the final artwork. Keywords: Elaboration, Sacred, Profane, Fine Arts
EXOTICISM "KALA" IN TRADITIONAL MOTIF ON WOOD AND METAL MEDIA Prabowo, Rahayu Adi
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.6029

Abstract

Kala is one of the decorative motifs or ornaments carved on temples in Indonesia. Kala is in the shape of a giant head or face which is an imaginary ornament or imaginary motif which is a form of art from past cultures. The appearance of the kala motif usually does not refer to fragments of the storyline, but rather to a form of display that symbolizes protection and honor. The development of the form of the kala motif has been widely carried out as an act of cultural preservation which has the aim of expanding the meaning of the essence of the existence of the kala motif. Efforts to develop the kala motif in various forms and styles refer to deepening its aesthetic meaning, namely how its existence can be recognized and understood as a form of fine art wealth which is very important to maintain its continuity. This article about kala works is an attempt to develop the aesthetic appearance of kala forms in wood and metal media that have never been presented before. This research uses media and technique exploration methods, namely presenting works in wood and metal media using traditional carving techniques. This method provides a strong understanding of traditional artistic works with presentations that prioritize the main characters of the kala motif, namely firmness, valor, and authority.
DESIGN OF THE ANIMATED FILM SRI TANJUNG THROUGH THE PANATARAN TEMPLE RELIEF TRANSFER Rahmad, Cito Yasuki; Adisukma, Wisnu
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.6030

Abstract

Research was conducted to create animation as a vehicle for the relief of Sri Tanjung in Panataran Temple as an education of cultural insight of the archipelago. The development of technology has brought changes in various aspects, one of which is education and entertainment (edutainment) media. Temple reliefs, which are one of the cultures of Indonesian literature, are starting to be less attractive to the younger generation now, especially the onslaught of foreign cultures that enter Indonesia. Preservation efforts need to be made because the temple reliefs contain local wisdom of Nusantara culture, which contains moral values that are beneficial to today's generation. By transforming the reliefs of Sri Tanjung stories in Panataran Temple into animated form, it is hoped that literacy through technological adaptation and education of Nusantara cultural insights is expected to be disseminated to the younger generation. The method of creation and presentation is carried out through stages: (1) exploration of ideas and ideas for the creation of Sri Tanjung animation creations; (2) model design to find animation designs through the outsourcing approach; and (3) the presentation of animated films to facilitate the delivery of educational messages of Nusantara cultural insights for today's generation. The results of the research are expected to be through the transfer of vehicles and technology adaptation, namely animation, the younger generation will have a reference to the extraordinarily rich cultural insights of the archipelago. So that a sense of national nationalism grows and is aware of the cultural richness of one's own nation.

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