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Acintya
Published by Institut Seni Indonesia Surakarta
ISSN : 20852444     EISSN : 26555247     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Arjuna Subject : -
Articles 512 Documents
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Kajian Estetik Batik Jombangan Motif Jula-Juli sebagai Petuah Kehidupan dalam Bermasyarakat Kholis, Achmad Nur; Budi, Setyo; Nurcahyanti, Desy
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5062

Abstract

A Batik is a work of art that has a teaching value in the form of advice. The aim of this study was to determine the aesthetic value of visualizing Jula-Juli batik as a guide in society. The research method used to collect and present the data is descriptively qualitative. The aesthetic value assessment approach uses the elegant design theory of Luca Iandoli and Giuseppe Zello. Data were collected using observation, interviews and documentation of Jula-Juli Batik as a medium for preserving local wisdom in the form of advice with novelty value.Keyword: batik, aesthetic value,  Jombang, local wisdom, motifs
Pengaruh Musik Dewasa pada Anak di Masa Pandemi Wadu, Ryanty Putri Sari
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5071

Abstract

This research examines explicitly adult music’s influence on children’s age at the Early Childhood Education level. The aim is to explore the theory of empathy in dealing with the impact of adult music on children during the Covid-19 pandemic. Where the problems faced by children related to the influence of adult music have influenced attitudes and behavior in everyday life. The method used to answer this problem is a participant. Researchers will be involved in conducting this research assistance. The study results show that parental empathy for children regarding adult music is essential to note. The condition of the covid-19 pandemic that forces children to spend a lot of time at home can cause children to feel bored quickly. Playing games and listening to adult music through gadgets owned by children can affect the development of psychology, behavior, and children’s partnerships if there is a lack of empathy and assistance from teachers at school. For this reason, compassion for children is essential in anticipating the harmful effects or influences of adult music that children listen to.Keywords: adult music, early childhood, empathy theory
KAJIAN ESTETIKA DESAIN UANG KERTAS SERIBU RUPIAH TAHUN 1980 KARYA SUDIRNO DEL Sucihati, Wiwin Trisning Kasih
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5089

Abstract

This study aims to find out the idea of creation, to describe the symbolic meaning, and to find out the aesthetics of the visual form of the RP.1,000 banknote by Sudirno Del. This study uses a qualitative descriptive. The sampling technique using purposive sampling and snowball sampling. Research data collection was carried out by interview, observation, and documentation techniques. This study uses a Flow Model of Analysis. The results of the study are as follows, (1) The idea of creating a design for the banknotes began with a process of contemplating the identity of the cultural history of the Indonesian nation. Sudirno Del was inspired to choose ideas about the natural beauty that exists in Indonesia. Influenced by the psychological factor of longing for his hometown, and also a sense of admiration for the beauty of the Canyon Cliffs Sianok which is felt to represent the beauty of Indonesia. The chosen hero Dr. Soetomo, related Sudirno's personal experience. Related to the services of the movement's figures, Dr. Soetomo is a figure engaged in organizations for people's welfare in the fields of education, health and agriculture. (2) The design of the banknotes functions as a medium that accompanies messages through icons, indexes, and symbols to remember and honor the services of heroes, as well as displaying the beauty of the natural landscape in Indonesia so that it can be seen by the people of Indonesia and the world. (3) The design on the banknotes contain aesthetic value based on the successful fulfillme
Karya Tari Dewaruci Sebagai Tari Sesaji Dalam Rangka Dies Natalis Isi Surakarta Nuryanto, Nuryanto
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5099

Abstract

The dance work Dewaruci is a new work inspired by Bima's attitude and character in wayang so that it is danced in the dashing male dance of the Surakarta style. The make-up and fashion design refer to the wayang orang characters in the Surakarta style. The purpose of the research entitled Dewaruci Dance Work is to describe the dashing Surakarta style dance used as offering dance at the Surakarta Indonesian Institute of the Arts (ISI) Anniversary ceremony in 2015. The research method of the Surakarta Style Dewaruci Dance Work is a type of qualitative research. Narrative data sources. Data analysis techniques use form and content. Data obtained from observation studies, interviews and documentation. The results of the research, the Dewaruci Dance Work is a themed group dance danced by seven dashing male dancers, as a symbol of the attitude and behavior of the academic community who have reached the age of 51. The gallant movements reflect valor, perseverance, honesty, firmness in studying and practice knowledge so that it is beneficial to society. The movement begins with offerings accompanied by Yogyan Pelog Nem Sieve.Keywords: dashing, dance, offerings, anniversary
Representasi Kesetaraan Gender Axe Pocket Parfume Versi ‘Dijemput Si Cantik: Kajian Semiotika Barthes Rahmah, Rizka Fatchur; Wibowo, Arif Ardy
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5102

Abstract

As a mass media with a mirror function, advertising can reflect social reality formed from the media’s construction. Gender issues shaped by advertisements that are aired repeatedly will enter into the mindset of the people. In 2020, AX Indonesia published an ad for its newest product, the AX Pocket Perfume version of ‘Dijemput Si Cantik,’ which shows a female online motorcycle taxi driver picking up male customers. In  contrast  to  the  representation  of  women  in  previous  advertisements,  which  always  showed  women doing household activities. This study aims to determine the depiction of gender equality in the ad for the AX Pocket Perfume version of ‘Dijemput Si Cantik.’ A qualitative approach is used with descriptive explanations. The analysis theory used is Roland Barthes’ semiotic analysis. The data collection technique in this study was to use the documentation method, namely to collect data from books, e-books, journals, and information from official sites on the internet as well as audio and visual materials, advertisements for the AXE Pocket Perfume version of ‘Dijemput Si Cantik.’ The results indicate that the depiction of gender equality in the ad for the AXE Pocket Parfume version of ‘picked up by the beauty’ is incomplete. This advertisement presents gender equality but contains gender bias.Keywords: advertisement, gender equality, representation, semiotic
MULTIPLE EXPOSURE DAN DIGITAL IMAGING SEBAGAI METODE PEMBUATAN PHOTOBOOK BAHASA ISYARAT Susanti, Kristina Novi; Asran, Diana Safinda; Prakoso, Priaji Iman
Acintya Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i1.5111

Abstract

This study explores photographic works that can be utilised as fine artwork and as learning media for deaf people. The research method used in creating works of art is searching for ideas, deepening and developing them. Through this method, the creation of photography works bg visualizing hand movement and expressions using two techniques, namely multiple exposure and digital imaging. The object of this photo is someone who has mastered sign language. This research then produced several photographic works combined into a photobook that can be used as a teaching and learning media for teachers and students at special schools.Keywords: photography, sign language, photobook, learning media.   
PERFORMATIVITAS RITUAL MANGULOSI DALAM PERKAWINAN ADAT MASYARAKAT BATAK TOBA Tama, Krisna; Lephen, Purwanto
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5117

Abstract

ABSTRACTThe mangulosi ritual is part of the ulaon unjuk ritual ceremony in Toba Batak marriages. This research analyzes the performativity of the mangulosi ritual based on an "is" performance perspective. The method used is qualitative with a theater anthropology approach. The results showed that the mangulosi ritual is a spectacle that allows active interaction between the presenter and the audience. The historical condition of the culture of the Toba Batak people who do not have performing arts performances outside of traditional ceremonies, so traditional ceremonies become one of the places to watch performances. As a performance continuum, the mangulosi ritual has some basic similarities with theater. These similarities are that it has a specific time, gives symbolic value to objects, is non-productive, has certain rules, and is often held in special places. It can be a limitation of the mangulosi ritual event ("is") a performance that has similarities with theater referring to the cultural context of the Toba Batak community. Keyword: Mangulosi, Performativity, Theater Anthropology, Performance ABSTRAKRitual mangulosi merupakan bagian dari upacara ritual ulaon unjuk dalam perkawinan masyarakat Batak Toba. Penelitian ini menganalisis performativitas ritual mangulosi berdasarkan perspektif “adalah” pertunjukan (“is” performance). Metode yang digunakan adalah kualitatif dengan pendekatan antropologi teater. Hasil penelitian menunjukkan bahwa ritual mangulosi merupakan sebuah tontonan yang memungkinkan interaksi aktif antara penyaji dan penonton. Hal tersebut didukung oleh kondisi historis budaya masyarakat Batak Toba yang tidak memiliki seni pertunjukan yang dipergelarkan di luar upacara adat, sehingga upacara adat menjadi salah satu tempat untuk menyaksikan pertunjukan. Sebagai salah satu kontinum dari performance, ritual mangulosi memiliki beberapa persamaan dasar dengan teater. Beberapa persamaan tersebut adalah memiliki waktu tertentu, pemberian nilai simbolik pada objek, bersifat non produktif, memiliki aturan tertentu, dan kerap diselenggarakan di tempat-tempat khusus. Hal tersebut dapat menjadi pembatas peristiwa ritual mangulosi adalah pertunjukan (“is”) performance yang memiliki persamaan dengan teater mengacu pada konteks kebudayaan masyarakat Batak Toba. Kata kunci: Mangulosi, Performativitas, Antropologi Teater, Pertunjukan
PERBANDINGAN SAJIAN MAKANAN DALAM UPACARA BESAR SUKU TENGGER: ANALISIS NILAI BUDAYA Lestari, Dwi Indah
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5143

Abstract

The Tengger tribe is one of the majority Hindus, the sect they profess is mostly Mahayana Hinduism, but not a few are also Muslims. The spread of the Tengger tribe community has expanded not only in the Lumajang argosari area, but also to the Malang area. The Tengger tribe is the tribe best known for the least criminal acts in Indonesia, not only that the Tengger tribe is famous for a tribe that has a very strong tolerance value both in religious life and in community life. This research uses research methods of literature studies or literature reviews, data taken from various references ranging from articles, websites, journals, theses and theses. From the various data that the author has collected, the author can provide conclusions about the differences in presentation in each traditional ceremony. Because the Tengger people beieve that with the dishes they give every time there is a major religious event they do, they always have special dishes as a thanksgiving, the Tengger tribe people believe that by giving symbolic food offerings to the spirits that have left, making them more docile and not disturbing living creatures. The dishes given do not have to be luxurious food but complete according to the provisions of each traditional event.  Keywords: tolerance, serving, custom
GARAP TARI CAKIL GAYA SURAKARTA Wahyudi, Didik Bambang
Acintya Vol. 15 No. 2 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v15i2.5367

Abstract

This reseach, briefly, Garap Tari Cakil in Surakarta, were understanding and explaining descriptively existence and development of Cakil dance as genres; wireng, fragmen, wireng pethilan and also as a part of traditional dance drama (wayang orang panggung). Descriptive explanation consist of 1) historical background, function and existence of cakil in shadow puppet player (pertunjukan wayang kulit; 2) Cakil development as a dance performance including form and meaning in a discussion about the dance elements become a unity in garap (totality of form and idea) of the performance. This study wanted to explain the existence of cakil dance through the times in garap of the performance. 3) the existence of people who influenced to the change and development of this dance.
COMBINATION OF MACRAME AND ECO POUNDING WITH COCONUT FIBER DYEING FOR LAMP SHADE Ardina Putri, Tika Devita; Affanti, Tiwi Bina
Acintya Vol. 16 No. 1 (2024)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/acy.v16i1.5400

Abstract

This design is motivated by the use of coconut fiber, which in general the community uses it as fuel and is considered a disturbing waste and causes buildup as coconut production increases. Technological developments and public awareness to return to natural materials will make coconut coir used as a natural dye for fibers (cloth or rope). The use of natural coconut fiber dyes is not widely known even though it has considerable potential to be developed and has a high selling value. The design method used in this design uses the theory of S.P Gustami which consists of 3 stages: namely exploration, design, and embodiment of the work. The exploration stage includes extracting sources of ideas about macrame, eco pounding, lamps and coconut coir. The design stage includes the selection of materials, techniques, and the visual form of the work. The final stage is the embodiment of the work. The final result of this design is in the form of six alternative designs, one of which was chosen to be realized. The realization of the work is in the form of a decorative lampshade on the table which has a function not only as lighting, but also as a decorative element and can beautify a room. This lampshade is presented by applying a combination of macrame and eco pounding techniques which are the novelty of this product. The use of natural coconut coir dyes is one way to preserve the environment.

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