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Acintya

acintya
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Published by Institut Seni Indonesia Surakarta

ISSN : 20852444 EISSN : 26555247 DOI : -

Core Subject : Humanities, Art,

Arts Humanities

Arjuna Subject : -

Articles 512 Documents

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AKOMODASI BUDAYA SEBAGAI MODEL KEBERTERIMAAN KESENIAN BARONGSAI Ansari, Isa
Acintya Vol. 10 No. 1 (2018)
Publisher : Institut Seni Indoensia Surakarta

The main objective of this research was to create a model of social integration in the performance of Barongsai Dance and to build understanding of multicultural awareness based on traditional arts. The target of this study was the formulation of a social integration model in the performance of Barongsai Dance. To achieve this goal, researchers used descriptive analytical methods. The data were obtained by conducting interviews, observation, documentation.Â The results of this researchhave formulated an accommodation model through an adaptation process. Adaptation that is done is in the attitude adaptation which is by strengthening the emotive and cognitive elements. The second is functional adaptation by adapting to ritual functions, entertainment functions, and sports and competition functions.Â Keywords: Integration Model, BarongsaiDance, Acceptance

TIPOLOGI-MORFOLOGI INTERIOR RUMAHTINGGAL DIBALUWARTI SURAKARTA Sulistyani, Harmilyanti
Acintya Vol. 2 No. 2 (2010)
Publisher : Institut Seni Indoensia Surakarta

House as a shelter relates with the life style in community. On the other hand, the environment conditions influence the life style and the interior of the house. Those conditions occur in Baluwarti Surakarta, the settlement which is placed surrounding the Surakarta Palace. The settlement has a chain with the history of Surakarta Kingdom, at the moment it has changed because of the changes of social culture in their community. Architecture has diversity and uniformity to describe the objet group based on their basic property by sorting or classifying their diversity and uniformity. Typology is used to categorize the formal structure in each architectural object, furthermore, morphology has a function to see and interpret the development of design in their environment especially interior design. Settlement in Baluwarti has a unique interior because of the changes of people who use it.Baluwarti community, in the early, was Javanese people who had their own vision about house. Nowadays,the community changes are more complex than before and that it causes the shape and form of the environment development. The result of typology and morphology are important for the community. It can be used to make the prototype which can be useful for the conservation of the Baluwarti environment. Keywords: Baluwarti, typology, morphology, interior, home living

UNSUR SOSIAL BUDAYA DALAM SERAT ANGLINGDARMA Masturoh, Titin
Acintya Vol. 6 No. 2 (2014)
Publisher : Institut Seni Indoensia Surakarta

This research aims to find answers of the questions: (1) how the Serat Anglingdarma as the literarywork is; (2) how the Socio-Cultural Elements of Serat Anglingdarma are. Focus of this researchdiscusses about the text of Serat Anglingdarma, so the use of genetic structuralism approach to theanalysis of intrinsic and extrinsic elements are the elements of social culture.This result of the research shows that Serat Anglingdarma contains message that can function as thekingdom dynasty relationship and strengthening or authority at the time as a complementary chain ofgenealogical ancestors. Serat Anglingdarma as a literary work contains the important elements, theyare: (1) element of plot; (2) element of characterizing; (3) element of setting; (4) element of theme (themain theme and additional theme); (5) element of message. The social elements of Javanese culture inSerat Anglingdarma can be seen from the kinship system. It can also be seen from the language,because the language used in Serat Anglingdarma is Java krama and Java ngoko language. SeratAnglingdarma can be seen from the farm system containing the ways of farming. While viewed fromthe art, Karawitan is used for the ceremony and certain days.Keywords: Socio-cultural, Serat Anglingdarma, Javanese.

PEMBELAJARAN MEDIA VISUAL BAHASA INGGRIS UNTUK ANAK-ANAK PAUD/TK DI SURAKARTA Prasetyo, Johnny
Acintya Vol. 7 No. 1 (2015)
Publisher : Institut Seni Indoensia Surakarta

The swift technological advances can make a great contribution in the field of education. Because ofÂ this, the experts in education have a wish to improve the system of learning models. One of the learning models developed recently is the learning model made use of visual media. Due to that, the learning model in PAUD/TK is beginning to be developed into visual media. The visual media developed isÂ in English to make the teacher easier in mastering the subject matter of the language. The subjectÂ matter of the lesson could be in the form of pictures, video, film and so on. The research entitled TheÂ Innovative Technique of Visual Media in Learning English for PAUD/TK in Surakarta is qualitativedescriptive in nature. The goal of this research is to describe the facts, natures and relations of theÂ phenomena systematically, factually, and accurately. The results of the research are a visual mediaÂ learning model for English for PAUD/TK students and the usage of the visual mediaKeywords: visual media, English, PAUD (play group), TK (elementary school), model.

PENCIPTAAN BATIK Korporat Isi surakarta Sukirno, S
Acintya Vol. 10 No. 2 (2018)
Publisher : Institut Seni Indoensia Surakarta

This research on arts creation focuses on creation of corporate batik for InstitutSeni Indonesia Surakarta. The created model is possible to be applied to other institution. The creation of batik corporate is based on the need of a uniform for institution unity as well as to express good image to the community. This research applies the approach of design creation implemented in the series of batik creation especially of Institut Seni Indonesia. The research method of design creation includes the following steps: (1) identification (2) research (3) formulating ideas (4) prototype (5) selection (6) application (7) evaluation. The result represents the specific batik of Institut Seni Indonesia Surakarta academic staffs according to institution vision. The vision and mission of Institution can be searched from the realized logo and the official color of Institution as well as landscape that can become the icon.Keywords: Batik, corporate, ISI Surakarta

KEKUASAAN JAWA DALAM STRUKTUR KERAJAAN ISLAM AN PEWAYANGAN : SEBUAH ANALISIS STRUKTURALISME LEVI-STRAUS Ansari, Isa
Acintya Vol. 2 No. 1 (2010)
Publisher : Institut Seni Indoensia Surakarta

The purpose of this research is to ï¬nd a model of Javanese power structure by using the perspective ofÂ structuralism, Levi-Strauss. Material object of this research is the history of the pap-Islamic kingdom inÂ Java Starting fmm Demak, Pajang and Mataram Kingdoms, this is certainly an the contrary of theassumption of theoretical structuralism which makes history only supplement and not part of the dataÂ analyzed. The model structure is then transformed into lakon Wahyu Makhutarama. The source data usedÂ in this study consists of two types of data that is written data obtained fmm the writings that have beenrecorded, and research reports. Both data sources are the result of an interview recorded with a tapeÂ recorder. The results of this study indicate that the model is dialectical Javanese power structure consistingÂ of elements of thesis, antithesis. and synthesis. The model is transfarmative to puppet stories in particularÂ lakon wahyu Makhutarama in the Java power system, shows the dialectics of power in establishment ofÂ genealogical and transcendental.Keywords: Javanese Power, Structural Levi-Strauss, Dialectics

STUDI KONSEP DAN BENTUK KARYA SENI RUPA MURNI MODERN INDONESIA YANG TERINSPIRASI SENI TRADISI NUSANTARA Purnomo, Tonny
Acintya Vol. 8 No. 2 (2016)
Publisher : Institut Seni Indoensia Surakarta

This study aims to explain the concepts and forms of modern works of pure art that is inspired byÂ nusantara traditional arts. The nusantara traditional art, here, not on geographical constraints butÂ in cultural areas. This particular study, the research area is the Yogyakarta and Surakarta. This studyÂ also continued to restrict and emphasis on the works of pure art, especially modern art that is inspiredÂ by the art of Javanese tradition, but did not rule on the works of art inspired by the nusantaraÂ traditional arts other than Java. This study uses the aesthetic approach of Clive Bell confirms theÂ significant form. The analysis is the interpretation of the analysis applied to give appreciation to theÂ concepts and art forms that become the object of research. This study takes an object of art createdÂ by I Gusti Nurata Nengah, Heri Dono, and Soegeng Toekio. The findings produced is the conceptÂ and form of the works of modern art that is inspired by the Nusantara traditional art not necessarilyÂ present because the influence of the trend alone, but is the result of a personal experience that inÂ regard to the events in the life of the natural and social environment, and manifested in personalÂ expression in line with experience aesthetic inspired by the concept and the traditional art form experienced and understood. The forms were present were not 100% like in the traditional arts, but stillÂ feels inspiring visual character of locality tradition, both in terms of technique, color or deformationof the display. Forms of the puppets and wayang beber be one option is a reference in the visualÂ reinterpreting the tradition art references terkair especially its art.Keywords: pure visual arts, concept, form, nusantara traditional art.

MODEL PENYELENGGARAAN STUDIO PEMBELAJARAN PROGRAM TELEVISI YANG IDEAL UNTUK INSTITUSI PENDIDIKAN PERTELEVISIAN Adji, Titus Soepono; Agung, I Putu Suhada
Acintya Vol. 9 No. 1 (2017)
Publisher : Institut Seni Indoensia Surakarta

The learning studio for television programs was the space used by educational institutions in television program as studio simulations that demonstrate television stations, in organizing the productionof television programs for students. This room was the main infrastructure that should be owned byeducational institutions that run television programs, considering most television programs were produced in the studio. Currently, many educational institutions opened television and broadcastingprograms, but in reality not all television program administrators had studio that met the standards.This caused the learning process did not take place optimally. The number of work produced bystudents each semester were not maximum, the production ability was also not optimum, and thiscaused the expected output from graduates in mastering in-door studio production became not maximum too. The purpose of this research was to arrange the model of organizing studio production fortelevision program in educational institution so that it could increase the target of learning to beachieved. This research was a qualitative research, with data collection methods in the form of observation and interview with purposive sampling model in some educational institutions. The analysisused was qualitative verification analysis. The conclusion was to design an adaptive television studiothat could be held in an existing room while maintaining the standards of television program production.Keywords: Learning studio model,production studio of television program.

MAKNA TANGGUNG JAWAB SOSIAL DALAM STUDI KREATIF GENRE IKLAN DI TELEVlSI Handriyotopo, Handriyotopo
Acintya Vol. 1 No. 2 (2009)
Publisher : Institut Seni Indoensia Surakarta

The development of television media is quickly enough. in indonesia, many television advertisements appear to support the media. Advertisement which is formerly only comercial and non comercial (ILM) advertisement, nowadays there comes a kind of corporate advertisement butÂ itÂ hasÂ social nuance because of CSR (Corporat Social Responsibility) or philanthropy support soÂ thatÂ the advertisement becomes a new advertisement called philanthropy advertisement. As the factory responsibility towards society, philanthmpy advertisement is usually presented appropriately with the suitable moment in orderÂ thatÂ the presented advertisement is exactly on target. To understand the meaning of philanthropy advertisement can be reached by catching the audiovisual advertisement by taking picture frame by frame from moving image advertisement The first thing to do is deconstructing the signs including icons, index, and symbols. The second step is interpretating denotative as well as conotative meaning of the myth from cultural values by narrative, descriptive, and inductive description. By post structuralist semiotics, television advertisement in one moment can be analized in relation to the form and content of message, moment or cultural context, artistic visual aspect offrame byÂ frameÂ as well as the movement in creating advertisement from its sign and signer. A sign is a game so thatÂ theÂ signer is free from meaning. in other words, meaning presents because of intertextual signÂ andÂ a text can be given a meaning freely and endlessly.Key words: meaning, philantrophy, culture

TARI TAYUB SEBAGAI SARANA UPACARA RITUAL DI DESA WONOSOCO KECAMATAN UNDAAN KUDUS Suharji, Suharji
Acintya Vol. 6 No. 1 (2014)
Publisher : Institut Seni Indoensia Surakarta

Wonosoco village, district of Undaan, Kudus has a unique tradition called ritual after planting paddyby farmers. This ritual is arranged by a group of three farmers to expel paddyâ€™s pest symbolicallyespecially rat. This research aims to: a) describe ritual ceremony which uses tayub dance as its toolsin Wonosoco, b) describe factors that support ritual of tayub performance, c) write down a journalarticle. For that reasons, this research uses inductive descriptive analytical method with qualitativedata. There are some steps in research writing included data sampling based on field study, observationof tayub performance, interview with guest speaker and informant. For data processing, it usesserial triangulation system such as data reduction, data reformation or data display, and conclusion.This research also uses dance sociological method (as a science that concerns with correlation amongsociety, dance, and its artist).The findings of this research show that dance performance has major meaning in terms of gratitudeand demand to God for giving people bless, being restraint from trouble, granting for all prays, andall of soul as villageâ€™s guardian feel happy so increase interest for working hard and reach success.Tayub dance performance that has taken place during four years has been ritual, association, andfriendship tools and has given an entertainment to make life balance.Keywords: dance, tayub, ritual ceremony.

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Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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Home Page

OAI Link

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Google Scholar

Contact Name Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

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Location Kota surakarta, Jawa tengah INDONESIA

Abstract

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Abstract

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Abstract

Contact Name
Albertus Rusputranto Ponco Anggoro, S.Sn., M.Hum

Contact Email
acintya@isi-ska.ac.id

Phone
-

Journal Mail Official
acintya@isi-ska.ac.id

Editorial Address
-

Location
Kota surakarta,

Jawa tengah

INDONESIA