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INDONESIA
Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni
Published by Institut Seni Indonesia Surakarta
ISSN : 14124181     EISSN : 2685287X     DOI : 10.33153
Core Subject : Education, Art,
Arts Education Languange, Linguistic, Communication & Media Other
International Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical scholarship, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g. theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts. It encourages debate and cross-disciplinary exchange across a broad range of approaches. The spectrum of topics includes Ethnomusicology, Karawitanology, Music Education, Dance Theatre, Movie and Television, Interior Design, Industrial Design, Media Arts, Fine Arts, Photography. These topics are addressed in full-length academic articles, critical statements on current issues, developmental practice, and reviews of books and live/media-based visual and performing arts. The journal presents an innovative platform for researchers, students, practitioners and educators to both learn from and contribute to the field. All articles are subject to initial Editor screening and then a rigorous double-blind peer-review process before publication.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 6 Documents
 1 
Search results for , issue "Vol 14, No 2 (2019)" : 6 Documents clear
Ledhug: Syncretic Music Culture in Magetan Dea Lunny Primamona; Dolly Nofer
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (204.574 KB) | DOI: 10.33153/dewaruci.v14i2.2806

Abstract

In Magetan, East Java, Indonesia, the turn of the Javanese and Islamic years is marked by the celebration of Ledhug Sura. The celebration consisted of various events such as the Ledhug music festival, the people's market, the carnival, the night of repentance and the climax at the Andum Berkah Bolu Rahayu procession. This is a carnival for cakes and agricultural products which are considered to bring blessings to the community. This research focuses on the ledhug (lesung and bedhug, which means a combination of mortar and drum) music festival. Mortar and bedhug are the main focus of this article. The purpose of this study is to (1) reveal the form of the conception of ledhug music and (2) recognize the concepts contained in the ledhug music. Data mining methods include fieldwork using observation and interview techniques; literature review; and data presentation methods using descriptive-interpretative techniques. Based on the results of fieldwork and reading or interpretation of the ledhug music culture, it was concluded that the ledhug music performance was the result of a process of cultural syncretism. Ledhug music culture exists as a blend of musical elements from Javanese and Islamic music culture. Cultural syncretism in the context of ledhug is a deliberately produced discourse building, namely as a form of resolution of the reality of cultural contestation between the two ideologies that existed in Magetan.
Words Representation of Postfeminism in Indonesian Heroine Character : Case Study of Valentine Film Daniar Wikan Setyanto; Santosa Soewarlan; Sumbo Tinarbuko
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (654.503 KB) | DOI: 10.33153/dewaruci.v14i2.2797

Abstract

The heroine is a character who has succeeded in embracing the public imagination in terms of self-image and became the ideal image of female, including in Indonesia. The character of Srimaya/ Valentine is a heroine character coming from local comic taken into Indonesia’s movies. The image presented on Srimaya/ Valentine is the symptom of capitalism in the Indonesian’s movies, the character is also one of the case studies in image reconstruction product or the representation of female using their image as a heroine. The discourse of female representation in the character of Srimaya/ Valentine does not only show about image idealized however it also represents the ideology of post-feminism as well as a politic of identity presented in the world of local films. The achievement of identity exceeds physical image from female because, in character, there are many symbols about feminists. This research was done to know the discourse of identity in view of post-feminism delivered in the film of Valentine(2017).
Jagad Ageng and Jagad Alit In Traditional Kayons Pandu Pramudita; Sarwanto Sarwanto; Soetarno Soetarno; Dendi Pratama
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1003.499 KB) | DOI: 10.33153/dewaruci.v14i2.2850

Abstract

Kayon is a shadow puppet character who symbolizes the world. In the Java world, there are two types of world concepts, namely the jagad ageng and the jagad alit. This study aims to examine the concepts of jagad ageng and jagad alit which are symbolized by the traditional kayons in purwa shadow puppets. The focus of this research study is to reveal the existence of Kayon Blumbangan and Kayon Gapuran as traditional kayons that have world essence, namely the jagad ageng and the jagad alit. Therefore, this study aims to reveal the existence and essence of Kayon Blumbangan and Kayon Gapuran as traditional kayons that store the concepts of jagad ageng and jagad alit. The method used in this research is iconography. Form theory which is divided into fields and ornament will become the main scalpel in analyzing the existence of Kayon Blumbangan and Kayon Gapuran. This research results that Kayon Blumbangan and Kayon Gapuran have the same shape structure with different widths of fields. The ornamental elements that form the kayon of the two traditional kayon are basically the same, namely forming four elements, including fire, water, wind, and earth. The four elements are the elements that make up the jagad ageng and the jagad alit. So, Kayon Blumbangan and Kayon Gapuran have a symbol of cosmological concepts regarding the concepts of jagad ageng and jagad alit.
Wacana Drama Korea dalam Iklan Sprite Versi “Kenyataan Gak Kayak Drama Korea” Shani Fella; Fitri Murfianti
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (707.224 KB) | DOI: 10.33153/dewaruci.v14i2.2705

Abstract

The development of the Hallyu, or Korean Wave, has an impact on product advertising in Indonesia, which uses many actors and discourses brought from Korean culture.Starting from this it turns out that growing questions about the possibility of Korean Wave can shape new consumption interests and behaviors that have an interest in Korea. The study, entitled Korean Drama Discourse in the Sprite ad version “Kenyataan Gak Kayak Drama Korea” is an advertisement for Sprite beverage products identified using Korean drama discourse with humor at the end of the story. The research method used is descriptive qualitative research supported by a theoretical basis, namely the structure of advertising discourse to dismantle Korean drama discourse on the Sprite advertisement version “Kenyataan Gak Kayak Drama Korea” using the concept of fashion as communication and storyline and location settings to be peeled off per scene advertisement. The discourse structure of advertising in this study will be explained in three parts, namely the main items of advertising, advertising agencies and closing advertisements. The results of this study indicate that in the version of the Sprite advertisement “Kenyataan Gak Kayak Drama Korea” there is a Korean drama discourse displayed on the advertising body, which functions as an advertisement explanatory item that is a message from a Sprite advertisement that "Nyatanya Nyegerin" can be well received by prospective customers.
TIPIKALIS MOTIF KUPU-KUPU DARI SUKU ENGGROS PAPUA nathalia dwijayanti nathalia
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (253.584 KB) | DOI: 10.33153/dewaruci.v14i2.2693

Abstract

Batik is a cultural heritage of ancestors which is still developing. Batik in Indonesia has its own diversity and distinctive characteristics, including in the Papua region. In Papua batik has characteristics that describe animals, plants and musical instruments. In this study, the use of motifs in Enggros tribe has a different position from each of its clans. Some motifs in the Enggros cannot be used by other clans. Each of these batik motifs has a meaning and hereditary meaning. This study uses a review of the shape of the motif, colour, and aesthetic value. The research method uses a qualitative descriptive method supported by the hermeneutic theory as a method of obtaining a valid interpretation of objectivity. The results of this research discussion reveal about Enggros batik as a characteristic of the Enggros tribe whose surname is from the Iwo Tribe. Expectations achieved in this study can help and find out the motives of the Enggros and the community is expected to understand more deeply these motifs as a legacy of ancestral tradition.
Transformation of Tradition: Incorporating Technology to Transform Local Culture in the Form of Modern Sundanese Script Agung Zainal Muttakin Raden
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 14, No 2 (2019)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1363.792 KB) | DOI: 10.33153/dewaruci.v14i2.2730

Abstract

Sundanese script is a system for writing Sundanese. The traditional writing system in Sundanese began in the 14th century until the 19th century. Sundanese script is related to cosmology that developed in Sundanese society. This research will review the role of technology in transforming local values by comparing the Ancient Sundanese Script and the Modern Sundanese Script through ATUMICS method. The result of this study shows that there is a simplification happening when transforming the Ancient Sundanese Script to the Modern ones. However, the Sundanese cosmology embodied within the Sundanese script is not lost. Thus, transformation of tradition could become one of the options in preserving local traditional values while adapting it into the current world.

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