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INDONESIA
Gelar : Jurnal Seni Budaya
Published by Institut Seni Indonesia Surakarta
ISSN : 14109700     EISSN : 26559153     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
Gelar focuses on theoretical and empirical research in the Arts and Culture.
Arjuna Subject : -
Articles 426 Documents
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Sekartaji Mask Ballet in Surakarta Darmasti Darmasti; Eko Wahyu Prihantoro; Suharji Suharji; Budi Setyastuti
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3514

Abstract

ABSTRAKSendratari  Topeng Sekartaji merupakan tari tradisi garapan baru yang diilhami oleh Serat Panji yang ditulis pada Jaman Jenggala Kediri abad XI-XII. Tujuan penelitian Sendratari  Topeng Sekartaji adalah untuk menggali kreativitas tari di sekitar Surakarta serta menemukan bentuk dan elemen-elemen pendukungnya. Metode penelitian yang digunakan meliputi pengumpulan data dengan tekhnik observasi, wawancara dan dokumentasi. Pengolahan data dilakukan dengan tekhnik analisis bentuk dan struktur. Evaluasi validitas data dengan tekhnik trianggulasi. Penelitian menggunakan pendekatan antropologi seni yang beranggapan bahwa karya seni merupakan ekspresi karya seniman. Hasil penelitian menunjukan Sendratari  Topeng Sekartaji merupakan karya tari kelompok bertema percintaan sebagai ungkapan kreativitas seni yang popular pada zaman akhir orde lama dan awal orde baru. Sendratari dalam kurun waktu, dipentaskan dengan berbagai variasi sesuai dengan pendukung, situasi dan kondisi serta waktu yang disediakan. Bentuk kreativitas seni dapat berupa frahmen, pethilan, tari tunggal  dan yang paling utama adalah sendratari. Tata urutan sajian tergantung pada bentuk pertunjukanya.  Gerak tari pada tokoh antagonis berupa gagahan gaya Surakarta, tokoh protagonis dengan alus luruh, sedang tari putri dengan putri luruh. Pada akhir pertunjukan selalu bermuara kepada keberhasilan hubungan cinta kasih. Kunci: sendratari, topeng, sekartaji, Surakarta.ABSTRACTThis research entitled “Sendratari Topeng Sekartaji” proposed exploring dance creativity in Surakarta and finding its formats and support elements. This research used data collection with techniques such as observation, interview and documentation as the research method. Data is processed by the technique of format and structure analysis. The technique of triangulation is used as a technique to evaluate data. This research used an art anthropological approach. It is assumed that an artwork is an expression of an artist’s work. Research results showed that Sendratari Topeng Sekartaji is a colossal dance with a romance theme. It was a representation of artwork that has been popularized since the end of the old order and early new order. During that time, sendratari has presented narratively, according to situation, condition and support elements. Art creativity manifested into fragment “pethilan”, single dance and especially “sendratari”. Its arrangement for presentation depends on its performance format. They have “gagahan” in Surakarta style for their dance moves, “alus luruh” and “putri lurah” for antagonist, protagonist, and female dance, irrespectively. The last performance always refers to romantic relationship successfully.Keywords:Sendratari Topeng; Sekartaji; Mask balet 
Visual Language of Javanese Script on Shoe Design as Cultural Identity Cynthia Ayu Purnomo; Soteria Adia Mahanaim; Fang-ying Riva Lo; Viqi Ardaniah; Peter Ardhianto
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3951

Abstract

Various culture in Indonesia is slowly being forgotten by the majority, for people now uses another way of communication to deliver the message from one person to another. One of the examples that could see is the usage of Javanese script or usually called Hanacaraka. Therefore, studying the visual language of shoe design from Flymax Indonesia case study will help the public to understand how urgent creative cultural product is. This research uses qualitative research regarding the case study based on the in-depth interview through the owner of Flymax Indonesia and visual language analysis regarding the visuals. This study has implications for the creative industry practitioners in conveying visual language and impacting methods in developing creative products by including cultural elements in popular products. From Flymax study case, implementing cultural to modern shoes is to strengthen cultural identity, user identity, and local brand identity, moreover supporting local economic growth and cultural preservation.
Virtual Art Innovations for Maintaining the Existence of Riau Malay Culture Rizkiki Utami; Andra Wahdini; Augusto Prastyo Yoshuhiro Prakoso
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3591

Abstract

AbstractThe COVID-19 pandemic affects all aspects, including cultural arts. Cultural arts have an important role in human civilization as a result of thoughts and traditions from ancestors. The existence of the cultural arts of Malay Riau is decreased during the pandemic. All cultural arts activities have been shifted from the offline stage to the online stage so that the efforts to inherit and develop the cultural arts of Malay Riau are hampered. This research aims to determine the differences in the existence of Malay Riau cultural arts before and after the pandemic in Riau students at the Malay Riau Cultural Unit, Bandung Institute of Technology (UKMR ITB) and in Riau people in general. This research also aims to gather the opinions from Riau students and Riau people about innovations to inherit the Malay Riau cultural arts during the pandemic. The methods which are used in this research to gather the data: study literature, interviews, and questionnaires. Based on this research, Malay Riau Cultural Unit has made an innovation to inherit the values of Malay Riau cultural arts through making cultural archives so that the inheritance of traditions can be carried out, even though the pandemic is still undergoing. Through this research, we hope that the existence of Malay Riau cultural arts can be maintained through continuous innovation, especially in Riau students at the Malay Riau Cultural Unit and in the Riau people.Keywords: Cultural arts; Malay Riau; Existence, pandemic; Innovation
The Change of Concept: the Formation and Reflection of Applied Ethnomusicology Bao Hanshi; Sularso Sularso; Marie-Christinne B Clarisse
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3978

Abstract

If the study of Jesse Fewkes and Frances Densmore in the late 19th century is taken into account, western Applied Ethnomusicology is entering its second century. After more than one hundred years of development, Applied Ethnomusicology has basically become a relatively mature research path in the West, which not only provides scholars with a new research perspective but also enriches the subject connotation of Ethnomusicology to a certain extent with its research philosophy and value pursuit. In China, Applied Ethnomusicology has attracted more and more attention. Therefore, reviewing the development history of the discipline is not only conducive to clarifying the development context of the discipline but also conducive to reflecting on the current problems and better grasping the development trend of the discipline. In the first part of this paper, the factors influencing the birth and development of applied ethnomusicology are further discussed from within and outside the discipline, respectively based on consulting relevant literature and briefly summarizing the existing discussions of scholars. The second part mainly discusses the research characteristics of Applied Ethnomusicology, such as "pragmatic orientation", "change of researcher's identity", and "emphasis on intervention and intervention". The third part of the Applied Ethnomusicology on the "intervention", "the definition of" discipline "and the edge of two issues are discussed.
Feminism in song of jineman kenya ndesa laras slendro pathet sanga Sukesi Rahayu; Katrhryn Emerson; Phakkharawat Sittiprapaporn
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3558

Abstract

AbstractFeminism in Sukesi Rahayu's Jineman Kenya Ndesa laras slendro pathet sanga is a study that reviews feminist discourses on the creation of gamelan music based on the issues of gender equality between women and men. The purpose of this research is to prove and show that the creation of Javanese karawitan is not only based on male paradigm domination, but women also have a role in speaking out about feminism through karawitan works. The research methodology used is descriptive qualitative by positioning the object of study as the primary focus and writings on feminism as supporting sources. The results of this study indicate that in Sukesi Rahayu's Jineman Kenya Ndesa Slendro Sanga, there is feminist content, namely an attempt to elevate the dignity of women, which in this case is sindhen, within the scope of Javanese art culture as well as women in general.Keywords: Feminism; Sindhenan; Javanese culture
Maintaining the Existence of Wayang Golek Punakawan Sunda through Photography Noviana Sabilla; Maya Purnama Sari
Gelar : Jurnal Seni Budaya Vol 19, No 2 (2021)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v19i2.3647

Abstract

Wayang Golek is one of the nation's cultural heritage that grows and develops in West Java, and its existence still exists today but is starting to decline. Photography is one part of the technology that can bridge the Punakawan  Sundanese Wayang Golek  Culture in maintaining its existence. The purpose of the research is to maintain the existence of the Punakawan  Sundanese Wayang Golek  Culture through the media of Photography. The research method uses a qualitative descriptive approach obtained through interviews, observations and is equipped with photographic works. The results of this study indicate that Photography can be one of the media in maintaining the existence of Wayang Golek, especially the Sundanese Punakawan  group, through social media such as Instagram. Photography by researchers and other artists' works shared via Instagram can be spread worldwide and stored forever, with periodic and continuous stages, the existence of Wayang Golek, especially Punakawan  Sundanese, will be maintained.Keywords: Art Fotografi; Punakawan;Culture Wayang Golek.
Development of "Sam Contemporary Font" Typeface Based on Sam Poo Kong Temple Ornament Dzuha Hening Yanuarsari; Agus Setiawan
Gelar : Jurnal Seni Budaya Vol 20, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i2.4452

Abstract

The ornamental design found in the architectural building of the Sam Poo Kong Temple gives an oriental unique characteristic. As a cultural heritage tourism destination, Sam Poo Kong Temple is required to develop the concept of information as part of good public service for visitors. Typeface design is a form of visual message design that can represent the image of the designed visual object. The purpose of this research is to design and develop an ornament-based typeface design from the Sam Po Kong Temple. The method used in this research is a descriptive-qualitative method with the ATUMICS theory approach for designing the typeface. In this context, the researcher wishes to bring back the decorative relief motifs that exist in the Sam Poo Kong Temple as a building element for new media with the mission of strengthening the image of the Sam Poo Kong Temple.
Batu Tumbuk as A New Creation Dance: Art and Culture Preservation Through Time Muhammad Syafiq Azam; Sumathi Maniam; Muhammad Fazli Taib Saearani
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4019

Abstract

This research aims to analyze the choreography of the New Creation dance, Batu Tumbuk by Muhaldin Jamin, which was staged in 2015. The term ‘New Creation dance’ refers to the dance that undergoes a process of improvement or refinement that is appropriate to the passage of time but does not affect the traditional values of the community. Hence, this research discusses the Batu Tumbuk dance from the aspect of choreography. The choreographic approach by Minton (1997) is used in this article to discuss the choreographic aspects of the New Creation dance selected. The methodology used for this research was qualitative. Data collection was conducted by using observational methods, unstructured interviews, and library methods. The findings of this research show that the choreography of Batu Tumbuk dance has undergone the creative process of movements and development in terms of composition in the performances presented. Based on the various elements of Malay traditional dance, it is shown that the development processes of Batu Tumbuk dance include actions such as casting, floor patterns and additional props as forms of dance creations. The implications of this research could benefit local choreographers in providing the reference for understanding the terms and concepts of the New Creation dance choreography that continues the original tradition, as a source to be processed and developed in accordance with the passage of time aimed to preserve cultural art heritage.
Innovation and Creativity of Indonesian Musicians during the Covid-19 Pandemic Rachzonja Adhy Kirana Putra; Santosa - Soewarlan
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.4098

Abstract

Pandemic Covid has widespread in Indonesia since early 2020 resulting in some artistic activities paralysis. In performing arts artist are banned to make crowd, direct contact between individuals, and to travel to other cities. This causes musicians to loose opportunity to perform on the stage. To fill the void some groups of musicians find a way to make music by using digital platforms. Some of the virtual activities are: Virtual Live Music Concert, Virtual Tapping Music Concert, Drive-in Music Concert, Virtual Online Music Class, and Podjam among musicians. These have revolved in keeping the creative process among musicians in their homeland. 
Innovative Learning Arts and Culture during the Pandemic in Junior High School Ari Irfan Fahruddin; Agus Cahyono
Gelar : Jurnal Seni Budaya Vol 20, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v20i1.3980

Abstract

The online learning is a new thing in learning cultural arts at Islamic Junior High School Al-Azhar BSB City Semarang, it is an interesting and challenging things because of the presence of students who come from several different places. During the COVID-19 pandemic, the teacher applied several different methods to make students more pro-active and think critically. Innovation begins with changing learning strategies, learning patterns and assessments in the learning process. This study aims to determine learning innovations in cultural arts subjects during the COVID-19 pandemic by using a qualitative descriptive approach method which interviews directly with teacher at Al-Azhar 29 Islamic Junior High School, BSB City Semarang. Data analysis using data triangulation with data processing techniques using data reduction, display data and conclusions. The results of this study indicate the existence of innovations in learning cultural arts at Al-Azhar 29 Islamic Junior High School, BSB City Semarang, including; improving learning strategies, learning media, learning management, and critical assessment systems for students.

Page 27 of 43 | Total Record : 426

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