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INDONESIA
Ornamen Jurnal Pengkajian dan Penciptaan Seni Kriya
Published by Institut Seni Indonesia Surakarta
ISSN : 16937724     EISSN : 2685614X     DOI : 10.33153
Core Subject : Humanities, Art,
Arts Humanities
Art craft journal contains scientific articles on the results of research on the art of craft and the creation of craft art within the scope of Indonesian culture. The substance presented is in the form of a mission to preserve the cultural values of the archipelago as well as the development of concepts and aesthetics, along with the development of the complexity and dynamics of people's lives. The critical approach method in an interdisciplinary scientific perspective can open the widest possible opportunity for scholars, researchers, and stakeholders to work together in advancing a dignified national culture in the midst of global competition. ORNAMENTS art craft journals are published twice a year.
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Articles 242 Documents
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Studi Kasus Serat Eceng Gondok Pada Produk Kerajinan Di Industri Kreatif Bengok Craft Aisyah Aisyah; Felix Ari Dartono
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4593

Abstract

Rawa Pening has many benefits as farming abd fishery resources. But now, the whole surface is covered by weeds like the water hyacinth. The water hyacinth utilized have been applied in the Rawa Pening area by using it to be a crafstmen product. To become a craft product of work, the water hyacinth must go through many processes. This study focused on analysis of the waterc hyacinth fiber in the creative industry Bengok Craft. Industrial materials produced by Bengok Craft have their own signature. This research ids descriptive qualitative research using method or way of thinking M.A.C.A.K from Guspara. The result of this study can be concluded several things: 1) the water hayicnth fiber can be served as materials hand made of many processes. The material of a product is closely related to the creation of works/products. The water hyacinth fiber is processed with various techniques/processed affect the characteristics/uniqueness of the Bengok Craft products. 2) the implementation of the water hyacinth fiber in the creative industry Bengok Craft in some products in the form of home decor, fashion, and merchandise products. 
KAJIAN MOTIF BATIK GONGGONG CV LAWANA DI TANJUNG PINANG Nancy Hanna Lumban Gaol
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3904

Abstract

Gonggong CV Lawana in Tanjung Pinang using a textile design method approach. This research is formulated in one question "How is the design of the Batik Gonggong motif in the Production of Batik Gonggong CV Lawana, Tanjung Pinang with a textile design method approach through aesthetic, material, process, function, and fashion aspects?". This research uses a descriptive qualitative research method with a textile design method approach. Data analysis techniques using interactive analysis models include data reduction, data presentation, and concluding. The results of the research reveal the stages that are passed in designing based on aesthetic aspects, materials, process functions, and supporting aspects, namely fashion. (1) The aesthetic aspect that is considered in the main and supporting motifs, especially the main motif of Batik Gonggong CV Lawana has identical characteristics with the character of a snail shell that bulges in its belly. (2) The material aspect is a consideration in selecting the type of yarn fiber, the structure of the weave, nature and absorption capacity or suitability of the fabric as well as the different alternative fabrics for stamped and written batik products. (3) The process aspect of Batik Gonggong begins with determining the design from the main source of inspiration, the shell of the barking snail, the design will go through a sublimation process, then continue to be produced in certain quantities. (4) Functional aspects are related to consumers who use the product as a choice of use, as regional souvenirs, uniforms, and fashion. (5) The fashion aspect is found in the development of motifs through three periods ranging from natural suggestion patterns, creative patterns, and combined patterns. The development of the coloring technique, namely gradation is done by brushing using a sponge with a combination of giving light and dark colors which when soaked will fade and produce a gradation effect. 
PERANCANGAN TEKSTIL PAKAIAN DENGAN PEWARNA DARI SAMPAH MANGROVE DAN PENERAPAN MOTIFNYA DENGAN PADUAN TEKNIK IKAT CELUP DAN ECO PRINTING Dewi Diana Safitri; Tiwi Bina Affanti
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4590

Abstract

The background of this design, there is an exploration of manual textile techniques among textile designers, this is in line with the demands of the times, namely, the development of existing trends in order to meet the needs of consumers and the market. The combination of tie-dying and eco-printing techniques attracts attention to be explored again using natural dyes with the addition of embroidery techniques on Bemberg cloth media, which will produce textiles with novelty in their aesthetic motifs. The purpose of this design is to produce clothing textiles with novelty in their unique motif aesthetics among textile designers to meet the needs of consumers and the market. The novelty value offered in this design is the design of clothing textiles according to fashion patterns with a combination of dyeing and eco printing techniques with embroidery techniques. Natural coloring using extraction from mangrove waste. Composing motifs using natural dyes from mangrove waste with two fixations of quicklime and tunjung to obtain varied visual aesthetics in one natural coloring. The media used in this blend of tie-dying and eco-printing techniques is bemberg cloth. Bemberg cloth material was chosen because it has very good absorption. The design method uses the SP Gustami theory. This design produces 6 unique designs with visual ideas of line, plane and color, which can be achieved by a combination of tritik, jumputan tie-dyed and eco printing techniques, three of which are applied to sheets of cloth measuring 200cm long and 120cm wide. It is hoped that the "Design of Clothing Textiles with Dye from Mangrove Waste and the Application of its Motifs with a Combination of Ikat Dip and Eco Printing Techniques" can add variety to fashion products that have unique, distinctive and limited edition characters.
PERANCANGAN MOTIF BATIK TULIS KONTEMPORER UNTUK DIAPLIKASIKAN PADA COVID COVER KIT Mira Evita; Felix Ari Dartono
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3795

Abstract

This research is based on research data that has been carried out by Nuniek Mawardi as a consultant for Indonesia Trend Forecasting (ITF), during this pandemic period everyone is affected, directly or indirectly, so there needs to be innovative thinking to create new products that society needs today. One of them is innovating to redesign the Covid cover kit. The purpose of this research is to realize a contemporary patterned Covid cover kit with batik tulis with the theme of the 3M movement. The design method for the Covid cover kit starts with collecting references for various kinds of similar products on the market through field observations and online shop surveys. Furthermore, conducting a series of trials consisting of material testing, sewing technique trials, and visual trials. The results of this study can be concluded several things: (1) The Covid cover kit consisting of masks, gloves, and coats has a function to protect the wearer from Covid-19 when traveling and make the wearer look attractive or fashionable. (2) The process of creating and visualizing 3M themed batik is the same as the process of batik tulis in general and using the colet technique, but the motif focuses on visualizing the Covid-19 and human characters related to the 3M movement. (3) The impact of testing of materials and sewing techniques, especially on the batik coating material used, has an effect on the consideration of the application of motifs on the Covid cover kit.
PENERAPAN MOTIF TRENGGILING PADA KERIS DHAPUR BETOK PAMOR UDAN MAS Ari Harmawan; Kuntadi Wasi Darmojo
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3259

Abstract

Traditional weapons, especially kris, have developed from their shape and character along with the times. In this final project, the writer makes a new keris, combining the pangolin motif on the kris with the chopping technique in the work. The Pangolin motif gives inspiration to the author, because it has a shape on the scales that is attractive and represents a symbol of self-protection. Pangolins are the only mammals that have scales to protect themselves from predators or predators in the wild. The pangolin motif is adapted to the design and will be applied to tosan aji's work in the form of a kris. The creation methods applied in the creation process are the exploration stage, the design stage, and the embodiment stage. Exploration includes observations, literature study and interviews. The design includes analysis and alternative sketches. The embodiment includes the application of the material that is in accordance with the selected sketch, which produces three kris, namely: Dhapur Trenggiling Sisik Waja, Dhapur Trenggiling Lingkaring Urip, Dhapur Manis Javanica. The creation of this final project rests on the application of the Pangolin motif to the kris using the tinatah technique. The Pangolin motif inspires the writer, because it has an interesting, unique character, and represents a symbol of self-protection. It is hoped that they will produce new kris creations without leaving the tradition that can build the meanings and help preserve works of art.
DEWI SARASWATI DALAM GAUN MALAM Wahyu Nur Hidayat; Aan Sudarwanto
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.3906

Abstract

Dewi Saraswati in this evening gown visualizes the shapes, forms and symbols attached to the figure of Dewi Saraswati into a batik motif which is formed into an evening gown. Dewi Saraswati is the goddes of knowledge or veda. The idea of creation will be focused on (1) how to explore, make sketches, draw designs that come from the shapes, forms and symbols attached to Dewi Saraswati into the new creation batik motifs for evening gown designs? (2) How to create written batik based on a design that has been designed with the motif created by Dewi Saraswati? (3) How are the results of the new batik-patterned fabrics being formed into evening gown? The method used in this approach is to use the creation method which includes the exploration stage, the design stage and the work creation stage. Execution of the process of creating the work The final project is carried out in two stages, namely the batik making process and the evening gown making process. The creation of this work aims to explore the concept of form, appearance, decorative motifs, colors and symbols attached to Dewi Saraswati which is formed into written batik which is then applied to evening gown. The color used for the creation of this final project refers to the color of the Surakarta style batik tradition. The finished batik work is then applied to the evening gown. Evening Gown is a gown worn at night parties with a glamorous look, has sparkling details and is elegantly cut.   
KONSEP ESTETIKA ALUSAN DAN KASARAN PADA PERHIASAN CINCIN DI KABUPATEN JEPARA Mohammad Ubaidul Izza
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.4532

Abstract

This paper attempt to construct an aesthetic concept that is stored behind the Alusan predicate as justification the beauty of ring jewelry in Jepara. The revealing uses ethnoart paradigm to trace at once gather Craftsmen’s knowledge about the aesthetic parameters of ring jewelry. The operational uses ethnographic method that focused on participant observation and interview techniques. The research result shows that the concept of aesthetic of alusan was built by three interrelated aesthetic criteria. The parameter evaluation of aesthetics alusan is seen by fulfilled criteria Apik as evaluation of quality crafting, criteria Pantês as matching evaluation between ring shape with gemstones also user, and criteria pénak as comfortable evaluation by indicator user.
STUDI AWAL ENERGI TERMAL PADA TOSAN AJI Amos Setiadi
Ornamen Vol 19, No 1 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i1.4349

Abstract

The existence of thermal energy in Tosan Aji recorded with a measuring instrument with an image output (visual) is one learning medium that helps the sense of view. In a Tosan Aji made of iron and steel, metal materials and prestige materials are believed to be stored thermal energy suspected to be a store when creating and forging materials, and other techniques have not been revealed. In the process, heat transfer occurs, called heat transfer, which can be analyzed from engineering disciplines that learn how to generate heat, use heat, change heat, and move heat. Tosan Aji thermal measurements using FLIR Infrared Camera instrument is an infrared camera whose results show images/visualization of thermal gradations of objects caught by the camera. With the method of treatment in the absence of conduction, convection, radiation, and the thermal condition of space, Tosan Aji has a thermal condition of 31.3 to 34.0 degrees Celsius. Unlike other metal objects, sickle and lower crowbar. Thermal distribution on blades and blades in “warangka” is different.
Peran Dalem Hardjonegaran Dalam Pelestarian Batik Indonesia Karya GO TIK SWAN Annisa Sa’a Sakinah
Ornamen Vol. 19 No. 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3903

Abstract

This study aims to describe: (1) The role of Dalem Hardjonegaran in the preservation of "Indonesian Batik" by Go Tik Swan. (2) The process of preserving "Indonesian Batik" by Go Tik Swan in Dalem Hardjonegaran. The form of this research is descriptive qualitative using data in the field to develop theories that are built. The theory used to examine this research uses the Theory of Culture according to Koentjaraningrat. Data sources used: informants, places and events, documents and archives. The sampling technique used was purposive sampling. Data collection techniques used were observation interviews, and documentation. The validity of the data used is source triangulation and informant review. Analysis of the data used is an interactive analysis model. The results show that: (1) Dalem Hardjonegaran plays an important role in the preservation of "Indonesian Batik" because that is where the center of all activities related to its preservation takes place. (2) The process of preserving "Indonesian Batik" has taken place before Go Tik Swan died, until now.
Perancangan Pelengkap Interior Dengan Inspirasi Interior Maroko (Studi Kasus Ruang VIP Marakez Cafe & Resto) Yashifa Anindita Imani; Ratna Endah Santoso
Ornamen Vol 19, No 2 (2022)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/ornamen.v19i2.3827

Abstract

Marakez Café & Resto is a restaurant that serves Middle Eastern specialties in Surakarta. Carrying the Café & Resto, Marakez has several spots and rooms, one of which is a VIP room provided for guests with facilities that can be considered exclusive compared to other rooms. The shape of this VIP room is actually very supportive, with a short sofa that allows customers to enjoy their food in a lesehan style, just like Middle Eastern culture, but unfortunately the interior elements in this room do not reflect the Moroccan feel as the name suggests. Based on the description that has been explained, it is necessary to design interior textile elements to build a Moroccan atmosphere because it has been supported by the shape of the room. This design uses the design method presented by Colin Clipson. The results of this design produce complementary interior styles that are based on ideas from the Moroccan interior, namely arch, zellij and mashrabiya. This design also combines two techniques in surface design, namely digital printing and embroidery, the product is an interior complement in the form of sofa upholstery, curtains and pillowcases.

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