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INDONESIA
Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 139 Documents
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MANIERA SEBAGAI MANIFESTASI KONSEP MA PADA KARYA INTERIOR ARATA ISOZAKI Harmilyanti Sulistyani
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1969.418 KB) | DOI: 10.33153/pendhapa.v2i1.1161

Abstract

Arata Isozaki is known as Japan's Postmodern architect.  Japanese culture knowledge and the influence of Western clasissme are the advantages possessed of Isozaki. He combine the Japanese architecture that thick with the composition of form and detail with clasissme from the West. The view of eastern culture influences Isozaki productivity as interior architects to produce works that the artifacts spread in various parts of the world. The uniqueness of the works that influenced by family background and environment makes his work have more value.That’s way the Isozaki work so worthy to be explore to get a concept which is applied to his interior work.The purpose of this research is to find the embodiment of the Japanese concept called Ma on the Isozaki interior work. This article is the result of desk study research with rationalistic paradigm.  Literature is used as a source of study. Statements and writings have ever published is the main source of study, the physical results of the interior work as the product is used to find the application from view in the work Isozaki.Maniera is the embodiment of traditional Japanese concept called Ma combined with mannerism from European used by Isozaki in his interior work. These conditions can’t be separated from the family that raised and pursued education environment. Although live in the modern era but he still maintaining Japan traditional values. From many different function, Isozaki's work shows the concept of Ma as a source of ideas on his interior work.Keywords: Arata Isozaki, interior, concept of Ma, Maniera.
Bentuk, Struktur Dan Makna Ragam Hias Singep Tumpangsari Ruang Pendapa Hotel Sahid Kusuma Haryanto, Eko Sri
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku Buwana X. It has changed ownership several times and been renovated on a number of occasions, and the last renovation was in the middle of 2008, as part of the owner’s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel.The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments in relation to the culture of the surrounding community. It is hoped that the results of this research will be beneficial for current efforts to preserve and encourage the use of traditional Javanese ornament variations on buildings today. The process for collecting and analyzing data and information uses a qualitative research method. The description of the style, structure, and the meaning of the ornament variations uses Gadamer’s hermeneutic phenomenological approach.In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pressure, and balance. It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superiority, determination, strength, and the essence of discovering the meaning of a perfect life. Key words: style, structure, meaning, ornament 
INTERIOR DALEM SASONO MULYO DAN PURWODININGRATAN SURAKARTA DIKAJI DALAM KONTEKS KONSERVASI Agung Purnomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (917.225 KB) | DOI: 10.33153/pendhapa.v1i1.1671

Abstract

The government and society should pay special attention to the existing historical and old buildings and keep them eternal. The rapid and dynamic development in every field can sometimes put forward a policy that does not support their existence. Some old buildings like Sasono Mulyo and Purwodiningratan buildings are Javanese traditional buildings existing in the milieu of Kasunanan palace of Surakarta. The interiors of the two buildings have different conditions. Some objectives of conservation among others are to return to the origin, to make use of the conserved object to support the present life, to lead the present development harmonized with the plan in the past reflected in the conversed object, and to present the history of growth/surroundings in three dimension physical appearance. Through descriptive qualitative approach, it is known that generally the condition of the interior of Sasono Mulyo is maintained more than that of Purwodiningratan. In view of the condition, it is hoped that the government and those involved pay attention to and provide funds for culturally protected buildings such as Sasonomulyo, Purwodiningratan buildings and many others. Key words: old and historical buildings, conservation, Sasono Mulyo, Purwodiningratan.
KESINAMBUNGAN SENI RUPA INDONESIA (DITINJAU DARI BAHASA RUPA TRADISI) Sri Marwati
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2257.41 KB) | DOI: 10.33153/pendhapa.v3i1.1189

Abstract

Indonesia is a rich country with tradition cultural which heritaged from ancestral. As relics of the reliefs in some temples in Indonesia. We have the different character from other nations and the most important is the Indonesia human has features works of art that has existed since prehistoric times and the characteristic can still be found in the present. There is a continuity of the Indonesian art with the art of first ancestor. The characteristics include the Flat Time Space system (in Indonesian called Ruang Waktu Datar) that is different directions, different place, and different time. Many artists of Indonesia implementing this RWD system is realized or not, this is definitely RWD system is a system that has been done by the ancestors of Indonesia. Keyword: continity, fine art, tradition
TRANSFORMASI POLA TATA RUANG RUMAH TRADISIONAL JAWA KE DALAM POLA TATA RUANG RUMAH TINGGAL SEDERHANA Joko Budiwiyanto
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (7212.523 KB) | DOI: 10.33153/pendhapa.v2i1.1171

Abstract

The research on "The lnteriorDesign Transformation of a Javanese Traditional house into basichousing in Surakarta ” is a qualitative»descn'ptive research. The research was focused on interpretingthe interior design transformation of a house and their influencing factors. The location for theresearch was Surakarta and its surroundings. The source ofinformation covers written and verbalsources, artifacts, and recordings. The triangulation method of sources and review informantwere used to ï¬nd out the accuracy and reliability of the data. The data was analyzed using atechnique based on an interactive model.The research results show that a Javanese traditional house consists of the rnain house and theadditional house. The main house consists of pendapa (open pavilion-like veranda) pringgitan(section of a traditional-style house), kuncung, tratag, dalem ageng, sentong kiwa (small innerroom on the left), senthong tengen (small inner room on the right), and senthong tengah (smallinner room in the middle). The additional house consists of gandhok (wing of a house), Gadri,Pawon (kitchen) and Pekiwan (lavatory). The interior design of basic housing consists of onebedroom, one versatile room, and one bathroom. The interiordesign of Javanese traditional houseis divided based on social strata and custom while that of Basic Housing is divided based onpractical and pragmatic functions. The transformation can be traced back to the transformation ofform, function, meaning and the interior design. The interior design transformation of traditionalJavanese house into basic housing is caused by some factors such as the cultural factor comingfrom the outside (external), social condition of the society (internal practical function and theowners ï¬nancial condition.Key words: transformation, interior design, Javanese house, basic housing
Makna Penataan Interior Rumah Tradisional Jawa Budiwiyanto, Joko
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

This article is a part of the result of the research on the function and meaning of interior design of dalem pangeran. This research aims at finding out the meaning contained in the interior design of Javanese houses. The result of the research shows that in case of the interior design, dalem pangeranis always oriented towards symbolic classification based on two, four, and eight. The outlook on classification two often manifested in kiwo-tengen(left-right), atas-bawah (top-down), or loroning atunggal (two in one) is always integrated into something greater and absolute. This view is not a contrast but a relation of two different things which is harmonious. The symmetric concept in designing interior elements shows the existence of the symbolic and harmonious meanings. The concept is the manifestation of balance aiming at attaining the harmony of life, that is, to live harmoniously with each other, with nature, and with God. Key words : Javanese house, interior, meaning
MAKNA PENATAAN INTERIOR RUMAH TRADISIONAL JAWA Joko Budiwiyanto
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (384.299 KB) | DOI: 10.33153/pendhapa.v1i1.1681

Abstract

This article is a part of the result of the research on the function and meaning of interior design of dalem pangeran. This research aims at finding out the meaning contained in the interior design of Javanese houses. The result of the research shows that in case of the interior design, dalem pangeran is always oriented towards symbolic classification based on two, four, and eight. The outlook on classification two often manifested in kiwo-tengen (left-right), atas-bawah (top-down), or loroning atunggal (two in one) is always integrated into something greater and absolute. This view is not a contrast but a relation of two different things which is harmonious. The symmetric concept in designing interior elements shows the existence of the symbolic and harmonious meanings. The concept is the manifestation of balance aiming at attaining the harmony of life, that is, to live harmoniously with each other, with nature, and with God. Key words : Javanese house, interior, meaning
KESALAHAN BERBAHASA YANG SERING DILUPAKAN Sri Hesti Heriwati
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (239.407 KB) | DOI: 10.33153/pendhapa.v3i2.1199

Abstract

Kemampuan berbahasa Indonesia yang baik dan benar merupakan persyaratanmutlak untuk melakukan penalaran. Terkait dengan penalaran maka penguasaan tatabahasa Indonesia dan kosakata yang baik perlu dilakukan bagi seorang ilmuan untukmengkomunikasikan gagasannya kepada pihak lain. Aspek mengungkapkan suatu gagasanterkadang muncul kendala yang membawa dampak pemakaian bahasa melakukan kesalahanberbahasa Indonesia. Melalaikan norma dan kaidah berbahasa khususnya tentang ejaanbahasa Indonesia dan penaataan dalam kalimat sering dilakukan para pemakai bahasa.Sarana untuk mengungkapkan perasaan, sikap, dan pikiran melalui bahasa mengalamikendala karena aspek penalarannya. Demikian juga kemampuan berbahasa untuk komunikasiilmiah dirasakan sangat kurang apalagi dalam komunikasi tulisan. Hal ini disebabkanoleh proses pendidikan yang kurang memperlihatkan aspek penalaran dalam pengajaranbahasa. Bahasa keilmuan merupakan salah satu ragam bahasa yang harus dikuasai olehmereka yang berkecimpung dalam dunia keilmuan dan akademik. Ragam bahasa keilmuanpada dasarnya merupakan ragam bahasa yang memenuhi kaidah kebahasaan. Tulisan inimenunjukkan sebagian kaidah bahasa Indonesia yang seharusnya digunakan. Kaidah bahasadifokuskan pada pengalihbahasaan istilah asing ke bahasa Indonesia. Pembakuan bahasamerupakan suatu prasyarat untuk menjadikan bahasa Indonesia sebagai bahasa keilmuan.Publikasi itu merupakan salah satu sarana untuk menuju ke status tersebut. Keefektifanusaha dipengaruhi oleh sikap dan tanggapan kita terhadap bahasa Indonesia. Komunikasiilmiah dalam bahasa Indonesia belum sepenuhnya mencapai titik kesepakatan yang tinggidalam hal kesamaan pemahaman terhadap kaidah bahasa termasuk pemakaian ejaan danpargraf. Tulisan ini mencoba mengingatkan kepada kita betapa sering dilalaikannya normadan kaidah kebahasaan yang sudah dibakukan.Kata Kunci: ejaan, paragraf
An ECOLOGICAL FUNCTIONALISME ARCHITECTURE KARYA GLENN MURCUTT Harmilyanti Sulistyani
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1445.408 KB) | DOI: 10.33153/pendhapa.v3i1.1181

Abstract

Architecture as a cultural product is used to develop human welfare.  Knowledge about the environment and climate are the uniqueness of Glenn Murcutt design. The choices of technology, material and the form show that he consistent to keep alive the natural resource. Modern material and technology selected to support his effort to optimizing the environment use in design.Deductive method is used to explore Ecological functionalism principal. Essay and article that contain about Glenn Murcutt vision and design are taken as a data source. The data indentified to catch the design concept. Graphic analyze are used to find the application in design, by this way ecological functionalism concept in Glenn Murcutt design will be found.Glenn Murcutt is applicative ecological functionalism concept in his design. He used special material with modern technology to optimize the environment potential.  Topography and the climate characteristic is the base of design. Simple and aerodynamic forms are choosing as activity facility. The selected material and form do not just a part of structure but also a piece of the aesthetic. Key words: climate caracteristic, simple kurva, aerodynamic, modern technology.
DINAMIKA PERKEMBANGAN BATIK KLASIK Dharsono (Sony Kartika)
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (4123.411 KB) | DOI: 10.33153/pendhapa.v2i1.1163

Abstract

Batik is a painting or drawing which is made by using a tool called “canting” (a copper vessel with a spouted nib) on a white cambric. A person painting, drawing or writing on a white cambric using canting is called membatik (to do batik work). Doing batik work produces a batik work having a variety of motifs with special characteristics. The emergence of hand-blocked batik (batik cap), although it is not as soft as hand-drawan batik, can keep traditional values existing in hand –drawn batik alive. Hand-blocked batik reproduces previosly prohibited batik works. After that, it is not waxing process in batik that is speeded up but drawing motifs and colouring so that cloth with batik motif which is really similar to batik. This batik cloyh is called “batik printing” (hand-blocked batik).The dynamic of batik development diverts batik consumers. People swift to batik motif textile while Indonesian bourgeois class wear hand drawn batik cloth in the interest of formal occasions or parties. The dynamics will take hand-drawn batik to an exclusive throne. Then batik becomes a source of glorification and then it will be a philosophical exemplar and the source of inspiration to make and develop batik further.  According to Javanese culture, batik is not only esthetically pleasing but the motif of classical batik also become a guidance (principle). That is why, batik is the great work of  Indonesian people and now it has been acknowledged as the tangible and intangible heritage of the world.Keywords: batik,canting,printing

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