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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 139 Documents
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BATIK DERMAYON SUATU KEINDAHAN DALAM SEBUAH KETERBATASAN Muh. Arif Jati Purnomo
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1291.383 KB) | DOI: 10.33153/pendhapa.v2i1.1159

Abstract

Indramayu batik or people used to call the Dermayon batik is one of the coastal batik that had its own uniqueness and beauty of the coastal batik among others. One hallmark of this Dermayon batik is the emergence of technique "cocohan" on some batik fabric. Technique "cocohan" is a technique for making “isen-isen” of batik that form "cecek" or dots using “complongan” tool. It is made of wood that there is a lot of nails at the bottom that used to pierce the layers of wax (malam) that has been attached to the fabric. “Cocohan” technique is emerging as a creative effort of batik paintings who incidentally are the fisherman's wife who tries to find an additional income while waiting for their husbands come home from fishing. From the limited time available to make a piece of batik cloth, then comes the staining technique “cocohan” with a very minimalist but capable of producing batik works of unique and interesting.Keywords: Dermayon batik, “cocohan”
ESTETIKA ARSITEKTUR DALAM PERSPEKTIF TEKNOLOGI DAN SENI Tri Prasetyo Utomo
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (360.425 KB) | DOI: 10.33153/pendhapa.v1i1.1687

Abstract

Philosophical Aesthetics here is considered to center on these latter-day developments. Some aesthetic effects available in architecture, technology, and visual arts include tonal variation, juxtaposition, repetition, field effects, symmetry/asymmetry, perceived mass, subliminal structure, linear dynamics, tension and repose, pattern, contrast, perspective, 3 dimensionality, movements, rhythm, unity, and proportion. An aesthetic experience is just the experience of aesthetic properties and formal relations of a work. But this leads to problems concerning the attribution of aesthetic properties and whether we detect them or they are merely projected. Carroll suggests that the mere fact that we disagree about the attribution of aesthetic properties gives us at least some minimal reasons to presume that aesthetic properties are objective. Our response to art is unique and not precisely intellectual; beauty and perfection that we find in works of art do not consist of concepts but sense impressions. Key words : aesthetics, architecture, technology, art.
Interior Dalem Sasono Mulyo Dan Purwodiningratan Surakarta Dikaji Dalam Konteks Konservasi Purnomo, Agung
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

The government and society should pay special attention to the existing historical and old buildings and keep them eternal. The rapid and dynamic development in every field can sometimes put forward a policy that does not support their existence. Some old buildings like Sasono Mulyo andPurwodiningratan buildings are Javanese traditional buildings existing in the milieu of Kasunanan palace of Surakarta. The interiors of the two buildings have different conditions. Some objectives of conservation among others are to return to the origin, to make use of the conserved object to support the present life, to lead the present development harmonized with the plan in the past reflected in the conversed object, and to present the history of growth/surroundings in three dimension physical appearance. Through descriptive qualitative approach, it is known that generally the condition of the interior of Sasono Mulyo is maintained more than that of Purwodiningratan. In view of the condition, it is hoped that the government and those involved pay attention to and provide funds for culturally protected buildings such as Sasonomulyo, Purwodiningratan buildings and many others. Key words: old and historical buildings, conservation, Sasono Mulyo, Purwodiningratan.
BENTUK DAN MAKNA MOTIF PORONG NAGA RAJA PADA INTERIOR PENDAPA AGENG TAMAN BUDAYA JAWA TENGAH DI SURAKARTA Indarto -
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (847.724 KB) | DOI: 10.33153/pendhapa.v3i2.1205

Abstract

Artikel ini adalah hasil dari penelitian tentang motif Porong Naga Raja pada elemen estetikainterior Pendapa Ageng Taman Budaya Jawa Tengah di Surakarta. Permasalahan penelitianini terkait dengan ‘bentuk dan makna’, dimaksudkan untuk mengidentifikasi bentuk danmengungkap makna motif Porong Naga Raja. Mengungkap bentuk menggunakan KajianEstetika dengan pendekatan konsep desain berdasarkan struktur seni, yaitu: unsur rupa,meliputi unsur garis, bangun, rasa permukaan, warna, ruang dan waktu. Dasar-dasarpenyusunan atau prinsip disain, meliputi paduan harmoni-selaras, paduan kontras, paduanirama-repetisi, dan paduan gradasi-harmoni menuju kontras. Hukum penyusunan atauasas disain, meliputi kesatuan, keseimbangan, kesederhanaan, aksentuasi, dan proporsi.Mengungkap makna digunakan pendekatan estetika nusantara oleh Dharsono yaitu,seni merupakan tuntunan (mempunyai makna filosofi) sekaligus tontonan (bentuk yangterdiri dari pengulangan pola yang terdiri dari kumpulan motif, ditata dengan indah). Hasilpenelitian menunjukkan motif Porong Naga Raja muncul dengan tiga bentuk, yaitu: 1). Figurnaga dengan tampilan visual berupa kepala naga memakai mahkota raja. Keberadaannyamenempati bidang saka dan balok blandar. 2). Figur naga dengan tampilan visual nagasecara utuh, kepala naga dengan mahkotanya, badan posisi berdiri (seperti huruf S), danekor dengan ujung berbentuk kudhup bunga melati. Keberadaannya pada singup dan padalampu gantung utama pendapa ageng. 3). Figur naga dengan tampilan visual naga berkakiempat, mempunyai rumbai seperti jilatan ujung api pada keempat kaki dan ujung ekornya.Keberadaannya terdapat pada lampu payung terbalik. Pemaknaan figur naga dalam bentukmotif porong naga raja secara keseluruhan adalah mengenai ajaran kepemimpinan dansebagai falsafah yang mengandung nilai-nilai tuntunan dalam kehidupan.Kata-kata kunci: Motif Porong Naga Raja, tuntunan, tontonan.
MUATAN ECO-DESIGN PADA LOMBA DESAIN FURNITUR JATENG TAHUN 2010 DAN 2011 Sumarno -
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2856.016 KB) | DOI: 10.33153/pendhapa.v3i1.1187

Abstract

Criteria on a design are reference or parameter of the success in a planning or designing. The criteria of the design competition of furniture products industry in Central Java consist of originality, ergonomic, environment friendly, market orientation, raw material efficiency, and the combination of alternative materials. The design criteria above, if they are grouped, will create rigid ecologic criteria domination, so that it can be categorized into an eco design planning and designing. This study tries to find out why the ecologic criteria are emphasized, and what kinds of design will become the winners and nominators. The point of view used in this study is ecologic and aesthetic study on the works of design competition. The sampling technique of this study is cluster sampling.The application of ecologic criteria in the design competition above is based on the global society’s demand on environment friendly products, and a consideration on the environment problems in Central Java. In determining the winners and the nominators, the juries more emphasize on the marketable aspects, whereas the environmental aspects have not got an appropriate portion. In doing the evaluation, the juries have done inconsistencies to the determined criteria. The design works of the finalists, in these design competition activities, have not fully applied the eco design principles. The application of environment friendly product design by the finalists generally is only on the finishing stage that is the using of finishing water base. Key words: eco design, design competition, and furniture industry
BLUES UNTUK BONNIE KARYA WS RENDRA DALAM KAJIAN SEMANTIK Sri Hesti Heriwati
Pendhapa Vol 2, No 1 (2011)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (6388.735 KB) | DOI: 10.33153/pendhapa.v2i1.1169

Abstract

Memasuki bulan Sumpah Pemuda menjadikan teringatsosok pemuda yang sangatkreatif, aktifdan romatik, dia adalah Mas Willy (sebutan akrab WS Rendra) - dalam ingatan kita bagaimana gegap gempitanya sambutan umum terhadap Rendra pada malam “Puisidi bawah Represi”sepuIuh tahun lalu di Amsterdam. Suatu kegiatan kebudayaan yangtak lepas dari rangkaian perjuangan demi kemerdekaan, demokrasi dan hak-hak azasi manusia itu juga ikut serta penyair tenar yang mengalami represi Orba Iainnya. Sebagai rasa kepeduliaan terhadap mendiang W.S Rendra, tulisan ini mencoba mengenangnya kembali dalam nostalgia dengan menyimak karya-karya puisinya. Apabila dilihat puisi dewasa ini kian kompleks yang mengilhami para penyair untuk memanifestasikan ke dalam tema-tema yang kompleks pu/a. Kadang-kadang tema diangkat dari adanya kehidupan manusia yang harus mempunyai keseimbangan antara pikiran akal yang harus menganalisis dan memecahkan perasaan. Penyair begitu kreatifsehingga memberikan kesempatan kepada kita untuk melepaskan himpitan-himpitan kenyataan sehari-hari dengan membaca /ewat puisi para penyair Pada prinsipnya puisi merupakan sebuah struktur yang komplek, untuk dapat memahaminya perlu dianalisis, sehingga dapat diketahui begian-bagian sertajalinannya secara nyata. Analisis yang bersifat tepat dapat dilihat melalui strata norma.Kata Kunci: puisi, tema.
Fenomena Budaya Desain Minimalis Masyarakat Kota Badriyah, Siti
Pendhapa Vol 1, No 1 (2009)
Publisher : Pendhapa

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (35.059 KB)

Abstract

Solo (Surakarta) is a cultural city showing a significant progress. Although its transmission process is completely influenced by a cultural border, which is considered by the people as a great matter, the acculturation process that influences a visual culture cannot be ignored. The significant progress can be observed from its physical structure of site plan and other factors. While the city visualization that shows a crowd of business and trade community as well as education reflects its rapid progress.  A variety number of cultural products inevitably support the city visualization, which attract its people’s consumptive behavior. The writer is interested in choosing the phenomenon of the presence of minimalist-style housing complex that is like an epidemic in this city, especially in Adisucipto region and other strategic regions.Observation and interview were used as the methods of this study. The techniques used in this study were content analysis and data analysis using a procedure of:  an analysis done when the process of data collecting was done (Miles and Hubermen, 1984: 21-25) with some steps: (1) data reduction, (2) data reporting, and (3) verification. Those methods were applied by the writer to discuss the phenomenon of minimalist-style housing complex in Surakarta, which focuses on the things that give a background of the presence of it. It consists an interaction between traditional and modern ambivalence as well as between the maintained aspects and conditioned aspects. The two aspects will be mediated with a given concept that is agreed by the visual culture consumers, so that an unwritten agreement that brings the identity of Solo city itself can be obtained in the future in line with the demand of the era. Keywords : phenomenon, minimalist, epidemic.
BENTUK, STRUKTUR DAN MAKNA RAGAM HIAS SINGEP TUMPANGSARI RUANG PENDAPA HOTEL SAHID KUSUMA Eko Sri Haryanto
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (263.185 KB) | DOI: 10.33153/pendhapa.v1i1.1679

Abstract

Dalem Kusumayudhan is a part of the Sahid Kusuma Hotel in Surakarta, and was formerly the residence of Kanjeng Gusti Pangeran Harya Kusumayudha, son of Paku Buwana X. It has changed ownership several times and been renovated on a number of occasions, and the last renovation was in the middle of 2008, as part of the owner’s strategy to attract more tourists to visit and stay in the Sahid Kusuma Hotel.The aim of this research is to discover the style and structure of the ornament variations of the singep tumpangsari in the Sahid Kusuma Hotel, and also the philosophical meaning contained in these ornaments in relation to the culture of the surrounding community. It is hoped that the results of this research will be beneficial for current efforts to preserve and encourage the use of traditional Javanese ornament variations on buildings today. The process for collecting and analyzing data and information uses a qualitative research method. The description of the style, structure, and the meaning of the ornament variations uses Gadamer’s hermeneutic phenomenological approach.In general, the structure of the ornament variations on the object of the research complies with the structural norms of the fine arts discipline, namely: unity, pressure, and balance. It is hoped that the discovery of the meaning of these ornament variations will enable others to benefit from the philosophical values contained in the ornament variations in the Sahid Kusuma Hotel, namely: leadership, superiority, determination, strength, and the essence of discovering the meaning of a perfect life. Key words: style, structure, meaning, ornament 
DESAIN INTERIOR HOTEL SYARIAH Ahmad Fajar Ariyanto
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (464.313 KB) | DOI: 10.33153/pendhapa.v3i2.1197

Abstract

Transformation to a sharia hotel has brough a different treatment for its interior design.Interior as an activity centre has to accomodate the hotel needs which meet with sharia ofIslam. This sharia hotel discourse has been developing, finding a fixed form, and tried toplace itself in anyway between policy, market, rule, and its ideology. As a cultural product, aninterior design can express the life style, ideology, and taste of their sociaty. Economically,the interior design takes part in improving the product quality as well as meeting the sociatytaste and finally it would be a centre to meet all the contradictions that suite in sociaty at large.Keywords : Sharia Hotel, Transformation, Interior Design
PERKEMBANGAN BENTUK DAN FUNGSI PATUNG LORO BLONYO DALAM MASYARAKAT DI SURAKARTA Ersnathan Budi Prasetyo
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3335.108 KB) | DOI: 10.33153/pendhapa.v3i1.1179

Abstract

This study focuses on the shape and function development of Loro Blonyo statue including its application to other media within Surakarta’s society.            The data collection method of this research is observation, reference research and in-depth interview. This research concludes that the statue of Loro Blonyo is the symbol of couples – Male and female, its manifest is  in the shape of sensible and insensible, which represent Dewi Sri and Sadana. This statue is considered sacred in Javanese mystical belief, as the figure symbol of the embryo of Javanese people. Loro Blonyo statue was marked of noble Javanese culture, so for the rural Javanese society which could not afford it, had transformed this statue into the symbol of brides in paddys (manten pari), pestle and mortar (alu-lumpang) and the sickle (ani-ani arit). The advancement in Loro Blonyo statue has experienced friction in shapes and function from scared to profane.Key words: Loro Blonyo, myth, sacred, profane.

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