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Pendhapa
Published by Institut Seni Indonesia Surakarta
ISSN : 20868138     EISSN : 27457249     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art, Social, Engineering,
Arts Humanities Civil Engineering, Building, Construction & Architecture Environmental Science Social Sciences
Jurnal Desain Interior, Seni dan Budaya adalah jurnal yang mempublikasikan wacana dan hasil penelitian berterkiat dengan desain, desain interior dan diskursus desain interior terhadap kajian seni dan budaya. Pendhapa dalam susunan rumah tradisional Jawa merupakan ruang terbuka untuk menerima tamu, tempat pertemuan, tempat pertunjukan. Pendhapa memiliki fungsi yang cukup kompleks yakni fungsi sakral maupun profan, ritual sekaligus seremonial, publik sekaligus privat, meleburnya bagian luar dan bagian dalam interior-arsitektur bangunan, bertemunya tamu dan tuan rumah. Pendhapa sebagai paseban, merupakan medium bagi bertemu, bertukarnya ide, pemikiran, gagasan, informasi, strategi maupun formulasi menyangkut banyak hal untuk kemaslahatan. Selaras dengan fungsi pendhapa yang strategis hadir Pendhapa: Jurnal Desain Interior, Seni dan Budaya terbit berkala setahun dua kali pada bulan Juni dan Desember sebagai media penyaluran dan publikasi ide, gagasan, inovasi, hasil penelitian para ilmuwan desainer dan desainer ilmuwan.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 139 Documents
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SEMIOTIKA DALAM PERIKLANAN Sri Hesti Heriwati
Pendhapa Vol 1, No 1 (2010)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (64.871 KB) | DOI: 10.33153/pendhapa.v1i1.1675

Abstract

To send the message of communication by entrusting it on an object, in this case advertisement or an event in which many people show interest, should use accurate words. Using words inaccurately,  the message can not be understood well. A language as a means of communication and communication itself is self-expression. Not only can each language be used to analyze structurally but also using semiotic approach, especially to advertisements. Besides an activity of communication, advertising is an activity of marketing. Basically an advertisement is the product of mass culture and of industrial society culture indicated by mass production and consumptions. It means that the mass are only viewed as consumers. Communication activity creates personal interactions using clear signs. Communication is also the division of behavioral elements or life style with a set of rules and the use of signs. From communication point of view, the manipulation of elements of a message depends on who the target is and through what media the advertisement should be expressed.The presence of advertising as  public service is meant to counter commercial advertisements because  they are often accused of increasing consumerism. Apart from that, advertising as a public service advertisement can be viewed using semiotic approach. Key words: language, advertisement, semiotics
ALTERNATIF DESAIN VITRIN UNTUK MUSEUM RADYAPUSTAKA Agung Purnomo; Basnendar Herryprilosadoso; Ranang Agung Sugihartono
Pendhapa Vol 3, No 2 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1537.423 KB) | DOI: 10.33153/pendhapa.v3i2.1193

Abstract

Tulisan ini bersumber dari hasil penelitian Pengembangan Desain Interior MuseumRadyapustaka Berbasis Ergonomi (Kenyamanan dan Keamanan) sebagai Pusat Budaya,Informasi dan Tujuan Wisata Kota Surakarta tahap ke-2. Telah dilaporkan sebelumnya tahappertama dalam penelitian bertujuan mengidentifikasi interior Museum Radyapustaka. Untukmenggali data yang berupa artefak, literatur, dan informan dilakukan melalui observasi,studi literatur, wawancara, dan dokumentasi. Sudah dilakukan Identifikasi desain interiormuseum Radyapustaka, meliputi aspek organisasi ruang, pola sirkulasi, elemen pembentukruang, elemen pengisi ruang termasuk di dalamnya sistem display dan benda-benda koleksimuseum, tata kondisi ruang ,faktor keamanan, dan aspek estetis yang membentuk atmosphirruang. Triangulasi data dipilih sebagai alat untuk menjaga tingkat validitas data, sedangkanmodel analisisnya bersifat interaktif . Eksperimen desain dilaksanakan di kampus ISISurakarta dengan melibatkan tim dosen dan mahasiswa Program Studi Desain Interior danpihak lain yang terkait.Pada tahap ke-2 dilakukan kegiatan uji-coba desain melalui kegiatanmewujudkan desain (vitrin sebagai produk eksperimen) dan penerapannya (implementasidesain), evaluasi, dan penyempurnaan konsep desain. Model analisis SWOT dipakai ketikaakan melakukan perumusan desain vitrin Museum Radyapustaka. Vitrin merupakan bagianpenting di dalam museum karena sebagai tempat untuk memajang benda koleksi. Dengandesain vitrin yang baik akan mampu memberikan keamanan terhadap benda koleksi sertamemberikan kenyamanan pengunjung di dalam mengamatinya.Key words: Museum Radyapustaka, vitrin, kenyamanan, keamananwe find in works of art do not consist of concepts but sense impressions.
SENI DAN DESAIN SANG PRIMADONA,SENI KRIYA SANG PENYELAMAT Dharsono Dharsono
Pendhapa Vol 3, No 1 (2012)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2081.049 KB) | DOI: 10.33153/pendhapa.v3i1.1175

Abstract

When emerging dichotomy in art  around 1970s, people who do art (perupa)  in the tradition, are called the artist, meanwhile  people who do craft (pelaku) are called the craftsman or artisan. Especially painting gain a superior position, because the success of western artists in the seat as part of the painting,  that reflect part of intellectuality,  meanwhile craftsmanship is the only mechanical arts. Therefore, fine art becomes to a  marginalized craft and pure art become into the favorite of the timeFurther development, the emergence of trichotomy of art, design and craft (the 1980s), the more visible and tangible. Craft positions below, even debased or is inferior by fine art or design. Then became the belle of the design.But what is the reality?! ...... When Indonesia’s economic crisis in 1998, the craft is thrown down, craft-hall was thrown into marginal, in reality it is an important role to create jobs and even contributed to significant improvements in the economic wheel moving on layer, Even with the collapse of the capital-intensive, it sparked the birth of entrepreneurs to move the craft-based industries such as in Jepara, Cirebon, Surakarta. Even fine art became the savior. Keywords : art, design, fine art, Futuristic University.
DESAIN INTERIOR MUSEUM KOTA DENGAN GAYA POST-MODERN DI SURAKARTA Anis Rachma Ningrum; Dhian Lestari Hastuti
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2608.69 KB) | DOI: 10.33153/pendhapa.v9i2.2414

Abstract

ABSTRACT Surakarta City is a city full of history and cultural nuances. Surakarta city must have an educational tool to get to know the city’s history. The interior design of the City Museum with a post-modern style in Surakarta is designing the interior space in a building with a concept regarding collecting and interpreting the history of the city of Surakarta to facilitate research, conservation, education and recreation city of Surakarta. This design aims to create an interior that can give the facility a museum with the theme of the S ati and post-modern style. John F. Pile design methods used to achieve the visual impression and visual perception. The results are designs lobby space, showrooms, multimedia room, library, cafeteria, gift shop and administrative technical work space, all the results of the design is expected to meet all aspects of the museum in the city of Surakarta.Keywords: City Museum, Matah Ati, Post-Modern, Surakarta.
SEMIOTIKA IKLAN AQUA “VERSI NARJI DAN SANDY SANDORO “ Anintya Wanda Permana; Ana Rosmiati
Pendhapa Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1090.033 KB) | DOI: 10.33153/pendhapa.v9i1.2404

Abstract

ABSTRAKArtikel berisi tentang kajian semiotika iklan AQUA versi “Narji dan Sandhy Sandoro”. Penelitian difokuskan pada tanda yang terkandung dalam iklan AQUA versi “Narji dan Sandhy Sandoro” agar makna dan pesan tersampaikan kepada konsumen atau masyarakat dengan baik. Iklan memberikan cerita pesan edukatif serta kreatif. Metode penelitian menggunakan metode deskriptif kualitatif dengan teknik analisis data semiotika Charles Sanders Pierce. Hasil penelitian menunjukan bahwa iklan AQUA versi “Narji dan Sandhy Sandoro” terdapat tanda-tanda pesan non verbal dan pesan verbal yang berkesinambungan sehingga mempunyai makna tersendiri. Iklan mengandung makna pesan sosial serta pesan sehat bahwa AQUA adalah air mineral nomer satu yang menyehatkan. Iklan AQUA juga menyampaikan pesannya melalui bahasa tubuh, ekpresi wajah, dengan kontak mata yang mengandung sebuah makna. Kajian iklan AQUA diharapkan dapat memberikan pemahaman tentang makna komunikasi dalam sebuah iklan sehingga konsumen atau masyarakat dapat lebih mudah memahami suatu tanda atau makna yang terkandung dalam iklan AQUA versi “Narji dan Sandhy Sandoro”. Kata kunci : Semiotika, Iklan, AQUA, Tanda Pesan, dan Makna.  ABSTRACTThe article is about the study of AQUA ad semiotics version “Narji and Sandhy Sandoro”. The research focused on the signs contained in the AQUA ad version “Narji and Sandhy Sandoro” so that the meaning and the message delivered to the consumer or public well. The ad gave the story of educative and creative messages. The research methods using qualitative descriptive with the Charles Sanders Pierce semiotics data analysis techniques. Research result show that AQUA ad version “Narji and Sandhy Sandoro” contains sustainable non verbal and verbal message of sign so that has its own meaning. The ad contains the meaning of social message as well as the healthy message that AQUA is the number one healthy mineral water. The AQUA ad also delivered its message though body language, facial expressions, a meaning eye contact. The review of AQUA ad is expected to give understand the meaning of commuication in advertisement so that consumers or the public could more easily understand the signs or the meanings contained in AQUA ad version “Narji dan Sandhy Sandoro”. Key Words : Semiotics, Advertisement, AQUA, Message Sign and Meaning.
DESAIN SHOW ROOM BAGI PARA PERAJIN ROTAN DS. TRANGSAN, KEC. GATAK, KAB. SUKOHARJO Sumarno Sumarno; Indarto Indarto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (325.865 KB) | DOI: 10.33153/pendhapa.v9i2.2419

Abstract

ABSTRACTThe purpose of this study is to realize the building of a product show room in the center of the Trangsan rattan handicraft industry, Gatak, Sukoharjo through cooperation between various elements. The existence of a show room is to facilitate prospective tourists in looking for rattan handicraft products and increasing the sales of rattan crafters is the purpose of this study. The method used to achieve these results is by planning, designing, building and displaying products in the show room. The collaboration between various parties involved, therefore researchers are more focused on the activities of planning, designing, and monitoring development. The planned location of the construction of the show room is in the Trangsan Village Hall complex. The process of designing data sources is obtained through existing conditions, literature, and informants. Data collection techniques are through interviews, literature review, documentation and Forum Group Discution (FGD). Data analysis is through interactive analysis which includes three components which include data reduction, data presentation (data display) and data validation (verification). The results of the study are in the form of design drawings which include work drawings, perspectives and detailed drawings ... Keywords: displays, products, rattan 
KURSI ESTETIS SEBAGAI UNSUR PENGUAT CITRA PADA INTERIOR RUMAH SAKIT Siti Badriyah
Pendhapa Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1045.567 KB) | DOI: 10.33153/pendhapa.v9i1.2409

Abstract

ABSTRAKThe design of the chair can be an alternative aesthetic enrichment for the visual appearance of a hospital . Many hospitals concerned in presenting the image and quality of service for the community even though the level kabupaten.Usaha complementary infrastructure , health care , medical needs and the interior architecture is also increasingly encouraged hospitals to meet the demands of society . Innovation in packaging designers help the image you want presented . Public awareness to use the services of interior designers began to increase in line with the demands of people's lifestyle is in line with industry asesories furniture and architecture , people are not enough to design the interior of the house or his hotel is not professional , but began to trust the experts . Departing from the above phenomena seat design aesthetic to the hospital is an answer to the demand for image performance wise a hospital . The design uses a systematic design method of imagination to reality through several processes namely : searching , planning , inventing and constructing . Chair design aesthetic even this is a process that starts from imagination to become reality design that is able to answer the demands of time for the service and comfort of a wellness center for the community . Keywords : aesthetic seats , interior lobby hospital
PERENCANAAN INTERIOR GRIYA SPA DAN KESEHATAN UNTUK IBU HAMIL DI BLITAR Galang Sukmana; Putri Sekar Hapsari
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1302.719 KB) | DOI: 10.33153/pendhapa.v9i2.2415

Abstract

ABSTRACT In general, spa spa planning and health for pregnant women in Blitar can generally be interpreted as planning activities of the inner space of a building that is the center of the whole body care activities aimed at mothers who are pregnant (pregnant). In addition to being used as a body treatment for spa, the spa is also expected to be able to interact or exchange experiences about pregnancy between pregnant women with one another or also between pregnant women and therapists on duty. Therefore the need for a body treatment such as a spa. In this work using several approaches, the approach includes the ergonomic approach to know the human dimension and everything related to the five human senses, and the theme or style approach that supports identity / coorporyte identity. This work takes the Mediterranean style with the concept of the park. This style and concept is applied to furniture and interior elements in the form of floors, walls, ceilings.Keywords: Spa interior, Mediterranean style, garden concept.
GALERI KOTA SURAKARTA SEBAGAI ALTERNATIF DESAIN REVITALISASI PASAR GEDHE SURAKARTA Akhmad Sidiq Fathoni; Dhian Lestari Hastuti
Pendhapa Vol 9, No 1 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1613.384 KB) | DOI: 10.33153/pendhapa.v9i1.2405

Abstract

ABSTRAK Kota Surakarta sejak 2012 mempersiapkan diri menjadi salah satu Kota Kreatif berbasis desain. Sehubungan dengan hal tersebut maka perlu adanya pembangunan dan pembenahan infrasturktur kota salah satunya fasilitas ruang publik galeri kota. artikel ini adalah hasil dari Revitalisasi Interior PasarGedhe sebagai Galeri Kota. Galeri kota diharapkan dapat menjadi Hub kreatif di bidang industri kreatif sekaligus sebagai destinasi wisata. Berdasarkan hal tersebut maka PasarGedhe revitalisasinya menerapkan konsep adaptasi. Desain interior Galeri Kota Surakarta menerapkan tema Kota Kreatif dan mengangkat gaya interior Avant Garde, keduanya dicapai melalui metode desain visual perception dan visual impression dari John F. Pile. unsur visualperception berupa bidang segitiga lingkaran dan persegi, sedangkan untuk colourscheme menerapkan warna orange sebagai simbol warna kreatif. komposisi unsur visualperception menghasilkan visualimpression atau suasana ruang menarik dan inovatif  PasarGedhe sebagai Hub kreatif diwujudkan dalam beberapa ruang yaitu tourism information center area,souvenir shop area, area galeri kota, culinary shop area, training workshop area, workshop area, dan ruang kantor pengelola. Kata kunci:kota kreatif, PasarGedhe, Galeri Kota, Hub Kreatif, AvantGarde     ABSTRACT Surakarta since 2012 prepare to become one of the city-based Creative Design. With respect to the need for it development and revamping the City’s infrastruktur one of the facilities the public space of the City Gallery. This article is the result of the revitalization of the Interior Pasar Gedhe as City Gallery. Gallery of the town expected to become the creative Hub of creative industry in the areas as well as tourist destinations. Based on the concept of applying revitalization Pasar Gedhe adaptations. Interior design gallery Surakarta City themes apply creative and Avant Garde interior style lifting, both achieved through the method of visual design impression of the John f. Pile. Element of visual perception in the form of a circle and a square triangle areas, while for colour scheme apply the colour orange as a symbol of creative colour. The composition of the visual perception visual element generate the impression of space or the atmosphere is exciting and innovative creative Hub Pasar Gedhe ad manifested in some space that is tourism information center area, souvenir shop area, the gallery area of the city, the culinary shop area, training workshop area, workshop areas, and office space.   Keywords:Creative City, PasarGedhe, CityGallery, Creative Hub, AvantGarde
PERANCANGAN INTERIOR HOTEL RESORT PANTAI KLAYAR DI PACITAN Yusuf Kurniawan; Indarto Indarto
Pendhapa Vol 9, No 2 (2018)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2611.224 KB) | DOI: 10.33153/pendhapa.v9i2.2420

Abstract

ABSTRACTPacitan has a chance is prospective to be developed into tourism industry and tourism to compete with other regions and even abroad. Tourism potential include shore excursions, cave tours, cultural tourism, religious tourism, recreational tourism and travel industry. Pacitan known natural attractions beautiful beaches and charming, one of which is Turkish Klayar, beach has natural charms of the exotic with great views and beautiful natural scenery. Turkish Klayar potential and started to be developed into a tourism destination in Pacitan, because it can make the higher tourist visits, visits of tourist every year the statistics are significant surge. And so we need adequate accommodation such as Hotel Resort considering the number of tourists who come to vacation, this time Klayar Beach travel area there are only a kind of homestay accommodation is still minimal infrastructure facilities. Interior Design Resort Beach Hotel Klayar carries natural style ethnic with ethnic concept for the future should be able to show the identity of Pacitan condensed Javanese cultural traditions that are owned. Featuring designs that are ethnically not display the old-fashioned design, but the design is constantly evolving and is able to keep abreast of the times. Keyword: Interior, Klayar, Pacitan, Design, Resort

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