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Contact Name
Maya Sandra Rosita Dewi
Contact Email
are.me9@gmail.com
Phone
+6282136316001
Journal Mail Official
profetik.jurnalkomunikasi@gmail.com
Editorial Address
Communication Science Departement Faculty of Social Sciences and Humanities UIN Sunan Kalijaga Yogyakarta
Location
Kab. sleman,
Daerah istimewa yogyakarta
INDONESIA
Jurnal Profetik
ISSN : 19792522     EISSN : 25490168     DOI : -
Profetik: Jurnal Komunikasi is a peer-reviewed journal, published biannually by Communication Science Department, State Islamic University (UIN) Sunan Kalijaga Yogyakarta. It is available online as open access sources and printed. The main focus of the journal is researches in communication studies which is integrated with Islamic perspective. PJK focuses on disseminating researches, especially related to issue of strengthening civil society in its various aspects. Besides, PJK also receive an article based on a library research, which aims to develop integrated communication theories, such as a discourse on Social Science, and other perspectives
Articles 234 Documents
THE SHIFTING PARADIGM IN INDONESIAN FILM DISTRIBUTION DURING THE COVID-19 PANDEMIC Muhammad Yunus Patawari; Dyah Rachmawati Sugiyanto
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2352

Abstract

Cinemas or movie theaters are one of the industries that can hold its own amidst digital disruption. As a means of distribution and exhibition of conventional films, cinemas have the ability to adapt themselves to various digital innovations; starting from the audio-visual projection device, ticketing, payment system to 3D technology. The existence and survival of a cinema rely on two factors, namely film distribution and moviegoer factors, the COVID-19 pandemic has shifted these two factors. If previously movie distribution and moviegoing occurred conventionally, the two activities have shifted considerably to online distribution/streaming. This study analyzed the paradigm shift in film distribution and moviegoing during and after the pandemic using a “three-stage model of theory building” as an analytical tool which is part of the descriptive-qualitative methodology. The results showed that the COVID-19 pandemic is an anomaly that is shifting the paradigm in conventional film distribution as evidenced by the fact that it is not new media that pose a threat to the existence of cinemas, but the insubstantial social functions and cinema activities during the pandemic. There are five factors why cinemas will continue to develop as a film distribution and exhibition medium post COVID-19: cinema adaptation, big screen sensation, entertainment and social values, historical values, and economic factors.
ATTRACTION OF CULINARY TOURISM DESTINATIONS TO PROMOTE SUSTAINABILITY DEVELOPMENT DURING THE PANDEMIC Agustina Multi Purnomo
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2320

Abstract

Culinary tourism had the most extensive product portfolio and was one of the tourism sectors most affected by the pandemic in Indonesia. The website was a specific communication tool for promoting tourism. The study objective was to examine how the government's promotion of culinary tourism in official website content strengthens the sustainability of culinary tourism development during the pandemic. This study used qualitative content analysis on the official tourism promotion website of the Indonesian government, namely https://www.indonesia.travel. Two hundred twenty-four articles on the "Culinaries'' and "Culinaries & Wellness" links were analyzed in seven data groups and 17 keywords. The placement and number of keyword analysis on the website found that tourism promotion had identified culinary resources but not enough to promote culinary as a tourist attraction. Business actors with small capital have not been promoted adequately, and promotion has not offered virtual culinary tour packages and online purchase messages sufficiently. It was concluded that the promotion of culinary tourism still required improvement to strengthen it’s sustainability during the pandemic. The government must promote culinary tourism by increasing the messages specifically for culinary tourism, information on culinary tourism attractions, business actors, local food, small-capital business actors, supporting online promotion, and integrating culinary tourism into other tours.
INVESTIGATING HOW THE NATIONAL ONLINE MEDIA REPORTED THE LGBT COMMUNITY DURING THE COVID-19 PANDEMIC Isni Hindriaty Hindarto
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2577

Abstract

At the beginning of the Covid-19 pandemic, intolerance against sexual minority groups (SMGs) were recorded in online media. SMGs were accused of spreading the coronavirus. This study aimed to determine the extent to which online media took sides in reporting LGBT issues during the first year of the pandemic. News balance analysis was performed using the “Westerstahl” Concept of objectivity for the coverage of Republika, CNN, and Kompas online.  The measurement of media balance was carried out by employing the content analysis method that is used forsame-topic news, which also measures the sources of bias, news tendencies, and source’s representation. Previous research suggested that Republika chose to highlight LGBT’s negative sides. The results of the present study negate this assumption. It was also found that there was no discrimination against SMGs as has often been claimed in the comments on social media. This result may not be surprising for Kompas or CNN. It can even be said that when the outbreaks began, no media coverage associated the pandemic with SMG discrimination. The imbalance was found not in the online news pages but in what the viewers who chose to offer comments concerning the imbalance in LGBT news on social media had to say. At the same time, reader hesitation about offering comments on online media forums is interesting and calls for further research.
“CATFISHING” : EXPOSING TEEN RECEPTION ON MTV CATFISH ONLINE DATING Garini Tiara Senja; Santi Delliana
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2380

Abstract

Advanced technology has made meeting new people less conventional than it used to be. The Internet has taken romance into a whole different world and created a whole different threat with the idea of online dating. Internet users are faced with many threats every day, but online dating has caused a threat with a form of online identity deception called catfishing. Catfishing itself is the theme of an MTV reality show named Catfish: The TV Show. This study aims to find out about the reaction of adolescent online daters on catfishing on the program. This descriptive qualitative study uses Stuart Hall's Reception Analysis method and its three hypothetical positions, such as Dominant-Hegemonic position, Negotiated position, and Oppositional position. Results show different readings on each of the six pieces of information given in the chosen episode. Four pieces of information such as when the client first reached out to Catfish: The TV Show team, the team investigated the catfish, the team to arrange a meeting with the catfish, and the meeting with the catfish are dominated by the Dominant-Hegemonic Position. Meanwhile, the rest of the two pieces of information are dominated by the Negotiated position and the Oppositional position.However, the complete study result is dominated by the Oppositional position.
SATIRICAL HUMOR AS CRITICS OF GOVERNMENT THROUGH EASTERN INDONESIAN STAND-UP COMEDIAN Lambok Hermanto Sihombing
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2484

Abstract

In Indonesia, Stand-up Comedy has become the most popular form of community entertainment, resulting in the emergence of influential youth culture. Stand-up Comedy has become a platform for comics to communicate political aspirations, worries, and criticisms. Three comics from Eastern Indonesia, Arie Kriting, Abdur, and Mamat Alkatiri, have continuously presented Stand-up Comedy material regarding socioeconomic disparity and the availability of public services in their native region. In addition to the aforementioned concerns, education, emancipation, economic, and technological issues are common discussion topics. Typically, Eastern Indonesian comic elements communicate criticisms and worries about inequality and underdevelopment. Due to the presence of some Comics from East Indonesia who regularly expressed and voiced the unrest and backwardness felt by the people of East Indonesia, this issue became popular and garnered widespread attention. This qualitative study analyzes the utilization of satire in stand-up comedy content. This study utilized Barbara Swovelin (2019) concept of Horatian Satire, Friedman's Menippean Satire (2019), and  Van Dijk's Critical Discourse Analysis approach. As a result of this study, Eastern comics used sarcasm and humorto express their dissatisfaction with the government.
MAPPING THE PROMOTION OF COMMERCIAL SEX SERVICES USING THE MICHAT APPLICATION: FROM PREVENTION TO SOLUTIONS Christiany Juditha
Profetik: Jurnal Komunikasi Vol 15, No 2 (2022)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v15i2.2560

Abstract

The disclosure of several cases of online prostitution using the MiChat application in major cities of Indonesia shows that the phenomenon of prostitution is increasing. Prostitution practices are prohibited in Indonesia as it included in human trafficking. Furthermore, prostitution using virtual networks is part of cyber-crime regulated in the Electronic Information and Transactions Law. Despite the existing regulations, online prostitution activity continues. One of the reasons is the use of social media and online applications that facilitate the distribution of sexual services. This study aims to obtain an overview of online prostitution activity through the MiChat application and its solutions. This study used a content analysis method equipped with interviews with informants who are competent in handling prostitution. The results of the study concluded that the 'people nearby' feature in the MiChat application was dominated by accounts aimed at online prostitution, including the promotion of sexual services through profile information, timelines, and uploading photos/ videos related to service offerings, payment execution, also customer testimonials. Various efforts have been made by the government by blocking negative content regarding prostitution, but unfortunately, the platform itself has not been closed. In addition, all parties have taken preventive measures in terms of the prevention and handling of online prostitution.
DECONSTRUCTING CULTURAL STEREOTYPES TO UNCOVER HIDDEN TOURISM POTENTIALS Dwi Rini Sovia Firdaus; Layung Paramesti Martha; Sardi Duryatmo
Profetik: Jurnal Komunikasi Vol 16, No 1 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i1.2482

Abstract

People of Minangkabau descent in Indonesia have several negative stereotypes that have long developed in society. Not only can it disturb the psychological condition of these ethnic group members, but it can also trigger intercultural conflict. This condition does not help the local government promote West Sumatra as a cultural tourism destination. This study deconstructs the negative stereotypes in order to correct misperceptions that have occurred so far. The study tests Hofstede’s cultural dimensions in two ways; first is towards the deconstruction process of Minangkabau’s original traditional teachings. The second is towards the nuclear family configuration using ANOVA test to find the shifting cultural values. This study attempts to find the origin of the negative stereotypes and confirm it with the original traditional teachings. This study can ward off bad cultural stereotypes as it corrects misconceptions about the nature of the matrilineal Minangkabau culture. Besides elaborating on the cause of negative stereotypes, this study also finds out the origin of positive ones. They are known to have high social awareness, strong entrepreneurial abilities, and excellent leadership skills. Thanks to these three good stereotypes, the Minangkabau people can then produce crafts that are intelligent and timeless, such as the production of engravings on songket cloth that are full of philosophy, the architectural feature of the Bagonjong house roof, the traditional dress, culinary menus, music, and art. This research produces data artifacts about contemporary Minangkabau culture to benefit the cultural tourism industry. This deconstruction approach has never been tested on the Minangkabau tribe.
HOW TO BECOME A PRODUCTIVE FAN? THE EXISTENCE OF FAN TALKS AS FANDOM PRODUCTIVITY Rina Sari Kusuma; Siti Aminah Munasah
Profetik: Jurnal Komunikasi Vol 16, No 1 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i1.2518

Abstract

Fans draw sharply the line between what falls within their fandom and what does not. Accumulation and appreciation of knowledge regarding fan’s objects of fandom are important for fan cultural capital. Fiske’s pre-internet model of fan productivity occurs at the interface between industrially-produced cultural commodities and the everyday life of the fan. Fan talk is a circulation mechanism of certain meanings of the object of fandom implying the membership of a particular fan community. BTS is a K-Pop group that uses online exposure with a variety of contents ranging from members personal message to behind-the-scenes footage to create deeper levels of intimacy with their fans. This helps them to advance their careers and create alliances with their fans. This study uses a descriptive qualitative approach to explore BTS fan’s participation in fan talk activities shared within face-to-face communication. The data collection techniques used were in-depth interviews and participant observations of four BTS’s fans (called ARMY). The result shows that fan talk is one way of expressing the existence of fans. Digital media and the internet have allowed BTS' fans to share a wide range of signifiers and meanings from their music quickly and easily. This has created a form of symbolic interaction among fans that can be used to communicate concepts and ideas among one another. This enunciative productivity of fans is also serving a widespread promotional function for non-fans.
WOMEN'S ANNIHILATION IN KIDS TV SHOW “SI BOLANG” Mazda Radita Roromari
Profetik: Jurnal Komunikasi Vol 16, No 1 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i1.2533

Abstract

Si Bolang has aired in Trans7 since 2006 and achieved various awards as a kids-friendly show. However, this show never showed a girl as its main character and limited the appearance of women or girls. The contents of Si Bolang become a discourse representation of its producer. This research reviewed the women's discourse in the Si Bolang by elaborating on the screen's symbolic annihilation of girls and women. This research used Norman Fairclough's critical discourse analysis method to analyze through three dimensions: text, discourse practice, and social praxis. This research analyzed the full episode of Si Bolang uploaded on YouTube by the official account of Trans7. The perspective framework used in this research is the symbolic annihilation of Gaye Tuchman. The text analysis shows that there are absences of women or girls. They have a limited appearance and only appear in the domestic realm, which is also a form of trivialization. There are discourse practices of femininity, mothering, the culture of domesticity, and the division of work in the hunting-gathering society that influence Si Bolang's content. Women's annihilation and role restriction of women on the screen shows that Si Bolang formed from patriarchal discourse. This discourse tends to eliminate and limit women's role in society. Researchers need to review women's discourse in TV or other media kids' shows to encourage gender equality in Indonesia's media.
THE INVISIBLE HAND PROGRAM BY PT PERTAMINA MOR IV TO EDUCATE AND INCREASE PUBLIC AWARENESS ON SUBSIDIZED 3KG LPG Trishna Dewi Wulandari; Tri Nuraniwati
Profetik: Jurnal Komunikasi Vol 16, No 1 (2023)
Publisher : Universitas Islam Negeri Sunan Kalijaga Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14421/pjk.v16i1.2277

Abstract

This study explores the Invisible Hand, a cyber public relations program conducted by the Communication, Relations and Corporate Social Responsibility Unit of PT Pertamina (Persero) MOR IV to educate and to increase public awareness on the provision of subsidized 3Kg LPG in Central Java dan Yogyakarta Special Region. Originally intended for lower income households and micro-small businesses, the subsidized LPG is also enjoyed by higher income households and businesses which result in the scarcity of the LPG. PT Pertamina (Persero) MOR IV held the Invisible Hand program by using other parties’ media to promote their mission. This study applied a qualitative research method by conducting participatory observation, interview and questionnaire for its data collection. It indicated that the Invisible Hand program was implemented through two strategies: social media campaigns and media relations. The social media campaigns were promoted by paid promotion through popular local Instagram accounts in Central Java and Yogyakarta Special Region, and the media relations were executed through focus group discussion (FGD) with local journalists. Positive awareness and responses from the public were proven by positive Instagram engagements. Through the media relations, a common understanding between PT Pertamina (Persero) MOR IV and the journalists was achieved, and the messages to educate the public were well-delivered by the media.