Jurnal Rupa
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Articles
128 Documents
<![CDATA[Statement of Memory pada Desain Furnitur sebagai Pleasure Ideology (Studi Kasus: Artes Living, Bandung) ]]>
<![CDATA[Arianti Ayu Puspita]]>
<![CDATA[ JURNAL RUPA Vol 1 No 1 (2016): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v1i1.747
<![CDATA[Furniture has become one of the essential commodities in the country of Indonesia. It also influenced the design development on creative industries that currently appear. Uniqueness and originality of the visual aspect is an important factor in the design of furniture. Various creative methods become the hallmark or identity of the brand. Visual identity of furniture will be studied based on furniture as case study, from Artes Living as one of creative industries in Bandung. Pleasurable product used as main theoritical approach to find the visual identity. Visual narrative and ideology pleasure are the finding of the research, which become two main methods from Artes Living. The results of this research presented in qualitative approach to through design concept, design methods and visual character. It is expected that the design concept may become new ideas and provide inspiration and insight to young designers in the use of cultural elements in Indonesia.]]>
<![CDATA[Kajian Fetisisme Pada Keris Jawa ]]>
<![CDATA[Yunita Fitra Andriana]]>
<![CDATA[ JURNAL RUPA Vol 1 No 1 (2016): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v1i1.735
<![CDATA[Keris is one of many traditional weapon in Indonesia which is believed has an aesthetic side along with its superstition power. Therefore, keris collector divided into two kinds, there are collectors who collecting keris for its aesthetic elements and there are collectors who collecting keris for its aesthetic and also for its superstition power elements. Nowadays, Indonesian people still believe in existance of keris superstition power. The superstition power believed has higher value than its phisical power, which is makes keris as a valuable things that worth to be worshiped by Indonesian people. The worships that Indonesian people do to keris because of their belief for its superstition power is an anthropological fetishism.]]>
<![CDATA[Nilai Karakter dalam Habituasi Budaya Masyarakat Kampung Adat Cireundeu ]]>
<![CDATA[Nia Emilda]]>
<![CDATA[ JURNAL RUPA Vol 3 No 1 (2018): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v3i1.1241
<![CDATA[Cireundeu merupakan salah satu Kampung Adat di Provinsi Jawa Barat yang memiliki keunikan dan kekhasan budaya yang dijaga secara turun temurun. Hal ini menjadikan Kampung Adat Cireundeu banyak dikunjungi dan terbuka bagi tamu atau wisatawan. Oleh sebab itu, masyarakat diharuskan untuk mempertahankan nilai-nilai karakter yang dimiliki agar tidak tergerus oleh budaya lain. Habituasi budaya yang dimiliki oleh masyarakat Kampung Adat Cireundeu ini antara lain menggunakan singkong sebagai bahan makanan pokok, serta penyelenggaraan upacara adat Suraan yang dilakukan sekali dalam satu tahun. Penelitian ini menggunakan pendekatan kualitatif dengan metode studi kasus. Tujuan dari penelitian ini adalah mendapatkan gambaran tentang nilai-nilai karakter yang ada pada habituasi budaya, serta upaya yang dilakukan untuk mempertahankan nilai-nilai karakter tersebut. Kata Kunci: Nilai Karakter, Habituasi Budaya, Masyarakat]]>
<![CDATA[Kajian Kritik Seni Instalasi Tisna Sanjaya - "32 Tahun Berpikir dengan Dengkul" ]]>
<![CDATA[Dea Aulia Widyaevan]]>
<![CDATA[ JURNAL RUPA Vol 2 No 1 (2017): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v2i1.752
<![CDATA[Art critics has become a way to reveal and appreciate content lies behind its appearences. Thus signified an important role on reading an art work by analyze the reasoning behind the artworks, through the artist statement, intention and the translation on relating medium. The process of reasoning require several steps which enhance the art critic's methods. On this case , a method of Feldman' art critics has been applied to anaylize an installation work of Tisna Sanjaya - "32 Tahun Berpikir dengan Dengkul". Feldman theory divide art critics method into four steps: description, formal analysis, interpretation and evaluation. This analysis require contextual reading due the impact of this art works into social, politic relation outside the artworld itself. Tisna's work has become one pioneer on installation artwork in Bandung, which also has a significance role of enggaging public reaction which create a paradoxes. Further more, provoke the government security (Satpol PP) to burn this artwork in Babakan Siliwangi as well as his other works "Doa untuk yang Matiâ€.]]>
<![CDATA[Rupa Ragam Hias Batik Bernuansa Islam Keraton Cirebon Setelah Masa Pra-Islam ]]>
<![CDATA[Aquamila Bulan Prizilla]]>
<![CDATA[ JURNAL RUPA Vol 1 No 2 (2016): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v1i2.740
<![CDATA[Ornament depictions on the archipelago batik fabrics are much influenced by foreign cultures. Indonesia as an Islamic country also majority diverse country with the world's largest Islamic population, but there are still many Indonesian people do not know how such a batik decoration Nusantara Islamic nuances and how the influence of Islamic culture. The Koran does not mention specifically the image or depiction of law. But batik decoration nuances of Islam Indonesia can be based on hadis, decoration that has a historical background of Islam, and the Islamic philosophical or told him about Islam. The study was confined to the nuances of Islamic ornament palace Cirebon batik after pre-Islamic times. With the goal on the basis of the preservation and dissemination of decorative nuances of Islam in the archipelago, in purpose that Indonesian can can be familiar with batik ornament which is has Islamic nuances, specially batik ornament from Cirebon palace pra-Islam which is has Islamic nuances. The study will use qualitative methods by means of a literature study, expert interviews and field surveys.]]>
<![CDATA[Ekspresi Kreativitas Fransisco Jose de Goya y Lucientes ]]>
<![CDATA[Rizki Kurniawan]]>
<![CDATA[ JURNAL RUPA Vol 2 No 2 (2017): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v2i2.1005
<![CDATA[As a painter who inspired many of his successor painters, Goya's work not only was trapped by his establishment as a palace painter but also transformed from a portrait painter to a painter with a subversive theme in accordance with the social situation that occured at the time. Goya is always trying to challenge his creativity by trying to bring unusual and controversial themes that are sometimes againts the authority of the palace and the church. With the background of the Goya's creativity process that are so diverse, it is very interesting if we can observe how the creativity process came up with all things that influence it both from the influence of his personal life, environment and socio-political conditions at that time. Keywords: creativity, transformation, challenge, influences.]]>
<![CDATA[Perancangan Instalasi Interaktif Komposisi Musik dan Visual (Studi Kasus: Tari Saman) ]]>
<![CDATA[Grace Caroline Sahertian]]>;
<![CDATA[Hendy Hertiasa]]>;
<![CDATA[Ary Setijadi Prihatmanto]]>
<![CDATA[ JURNAL RUPA Vol 2 No 1 (2017): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v2i1.757
<![CDATA[On such era of globalization, we can’t only focus on utilization of technological advances, we also have to look on the implementation and development of technological advances itself. Creativity of each individual is a basis in the birth of new innovations if supported by the proper technology. We expected the merger of technology and creativity, along with the local culture will be able to maintain the values and integrity of Indonesian national identity. As a case study, “Interactive Installation Design of Music and Visual Composition From Saman Dance†is one attempt to realize the above ideas. The result of the design of this interactive installation is a game tool for composing music and visual. Different from the pre-existing games, on this game the user is the one who controls the system, not the opposite.]]>
<![CDATA[Kajian Desain Perhiasan Tulola Jewelry Dengan Inspirasi Budaya Bali ]]>
<![CDATA[Rika Nugraha]]>
<![CDATA[ JURNAL RUPA Vol 1 No 1 (2016): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v1i1.736
<![CDATA[The potential of jewelry Indonesia in the international high-end segment is Tulola Jewelry that resemble the culture of the archipelago through the inspiration of Balinese culture , thus successfully penetrate the world market .The purpose of this paper is first, Tulola jewelry to produce products worldwide . Secondly, Tulola jewelry inspired by the culture of Bali. Third, how to design visualization of Tulola Jewelry The method used is the qualitative approach to the study of iconography as identification, description and interpretation of icons based on the attributes of the marker .The end result of this research collaboration Tulola Jewelry is a traditional Indonesian jewelry with a modern twist , excellence Tulola Design Jewelry as jewelry Indonesia has a distinctive feature compared with jewelry from other countries . A blend of modern technology and traditional Balinese motifs make jewelry look artistic .]]>
<![CDATA[Limbah Loom sebagai Alternatif Material Mebel ]]>
<![CDATA[Susi Hartanto]]>
<![CDATA[ JURNAL RUPA Vol 3 No 2 (2018): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v3i2.1417
<![CDATA[Furniture factories are one of Cirebon's economy boosters as they employ many workers and produce numerous products for local and export orientation. As a consequence, this industry produces quite a large amount of waste, one of them is paper loom. Loom is a woven paper threads and metal wires which is used to wrap a number of furniture components, such as seat, backrest, etc. Case studies in 2 major factories in Cirebon, total loom waste reaches around 3 tonnes a month. This research provides recommendations of waste usage for furniture.]]>
<![CDATA[Pemanfaatan Pewarna Alam sebagai Trend Baru pada Fashion Brands di Indonesia ]]>
<![CDATA[Arini Arumsari]]>;
<![CDATA[Agus Sachari]]>;
<![CDATA[Andryanto Rikrik Kusmara]]>
<![CDATA[ JURNAL RUPA Vol 3 No 2 (2018): Open Issue ]]>
Publisher : <![CDATA[Telkom University ]]>
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DOI: 10.25124/rupa.v3i2.1620
<![CDATA[As one of the largest sub-sectors of the creative industry in Indonesia, the fashion industry has a great potential and contribution to society and the country's economy. However, the role of the large fashion industry also needs to be balanced with the methods of production and design of fashion products that are environment-friendly. This needs to be done considering the potential for adverse impacts of the rapidly developing fashion industry without any direction. The adverse effects are the use of synthetic materials or raw materials that are harmful to the environment; unprocessed production waste; poor quality of materials and production processes resulting in a low product life-cycle; and social labor issues. To overcome the above problems, the environment-friendly method currently used by various fashion brands in Indonesia and becoming a trend is the use of natural dyes in the process of fashion production. The use of natural dyes has many advantages, namely: using non-toxic and dangerous materials; preserving the traditions of Indonesian ancestors; and producing authentic and trendy color characters if processed properly. This study uses qualitative methods with a sociocultural approach. This study presents the background and development of the use of natural dyes by various fashion brands in Indonesia to become today's trend. Thus, the use of natural dyes is expected to not only become a momentary trend but is also expected to continue to be developed. The biggest reason is that the application of more environment-friendly methods for the Indonesian fashion industry broadly can provide many benefits.]]>
