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Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 173 Documents
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Pemetaan Pola Progresi Chord Berdasarkan Kombinasi Interval Ilham Pamuji
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1341

Abstract

Various phenomena, concepts and theories in music can be explained by mathematics. Moreover, it can be an approach in the process of song creation, composition, or music arrangement. Related to this, this study discusses the mapping of chord progressions based on interval combinations in chromatic circles. To be more specific, by connecting the musical notes with lines that represent various combinations of two specific types of intervals into a series of notes (chord progression patterns) in one loop ( starts and ends at note C). The interval combination pattern refers to the smallest size, namely m2 (minor second /minor second, 1 semitone step). This research was conducted to produce various patterns of unconventional chord progression patterns viewed through a tonal harmony system. This research is motivated by the strong influence of the tonal harmony system limiting creativity in the music creation process. Therefore, it takes an approach, method, or other system that needs to be tested to get out of the system. The result of this research is that there are 32 variations of chord progression patterns (series of notes) which are summarized in geometric shapes. By comparing the geometric shapes, the patterns appear mathematically, systematic, and symmetrical. In its application, these patterns seem unconventional, come out of a tonal harmony system (it can still be studied through the system, depending on the chord shape used) and produce a unique sound.Keywords: chord progression, interval, chromatic circle, music creation
Struktural Fungsional Seni Kerajinan Bambu Masyarakat Selaawi, Garut Rediansyah, Sandi
PANTUN: Jurnal Ilmiah Seni Budaya Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1183

Abstract

Bamboo Craft in Garut, especially in Selawi, plays a significant role for Selawi people. Bamboo is not beneficial for their own benefit but also for their source of income. The famous bamboo craft from Selawi people is a big bird cage. Moreover, a famous event regarding bamboo in Selawi is the simultaneous planting of one billion bamboos of 100 kinds. The existence of Selawi is the manifestation of utilizing natural resources into beneficial products either for the surrounding people or outside society. This research applies sociology approach regarding how Selawi people utilize their surrounding nature. The method applied is qualitative method with functional structuralism to analyze the structure of the society. Bamboo Craft has become the main daily activity of the people. The people are skilful in making bamboos crafts such as bird cage, plaited bamboo, and bamboo musical instrument such as Angklung.Keywords: Bamboo Craft, Selawi People, Functional Structuralism
Fase Resistensi Komunitas Bandung Pyrate Punk Terhadap Industri Musik Populer di Bandung Yanri Fajar Aghisna Nurcahyana
PANTUN Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i1.1114

Abstract

Punk is a subculture born from the resistance movement. The popular music industry is one of the things opposed by the punk community. In Bandung, music punk was threatened by the dominance of the popular music industry. The entry of industrial elites into the realm of the underground community in Bandung triggered resistance movements from the Bandung Pyrate Punk community. The research methodology used is qualitative using resistance theory from James C. Scott. The focus of the analysis in this study is the phases of resistance from Bandung Punk Pyrate community. The results of this study indicate that resistance from Bandung Pyrate Punk goes through several phases, namely the movement phase, building awareness, influencing target groups and achievements. They fight by marginalizing themselves to avoid the flow of the popular music industry. This leads to creative ideas about producing, marketing, and also creating artworks. These processes are an effort to maintain the continuity of the musical activities of the punk community.Keywords: Punk, Resistance, Music, Industry, Popule
Proses Kreatif Ubiet dalam Mengembangkan Puisi Senja di Pelabuhan Kecil Mirna Nurmala; Yanti Heriyawati; Indra Ridwan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1423

Abstract

Senja di Pelabuhan Kecil is a poem by Chairil Anwar which was later made into a song by Nya Ina Raseuki who is familiarly called Ubiet. Ubiet is known as a music composer who is unique in terms of musical ideas and vocal ornamentation, one of which is on the song of Senja di Pelabuhan Kecil. This can be seen from the character of the song which has a different style from other musicians adopting Chairil Anwar's poem. This research study focuses on how the creative process carried out by Ubiet in making the song Senja di Pelabuhan Kecil. The process is starting from the stage of developing ideas, transforming works of art, to becoming complete expressions and works of music. The research was conducted using qualitative methods with data collection techniques such as; observation, interview, documentation, and literature study. The writer uses Mel Rhodes' theory of creativity as a tool to examine the object of the problem taken in writing this study. The Rhodes creativity concept discusses four points, namely; press, person, process, and product or what is known as the 4p concept. This research focuses the discussion on the process point. The analysis method is supported by the approach of the principles of musical poetry according to Hamdy Salad. The results of this study are targeted to find a variety of new musical expressions from the concept of musical poetry and as a musical product with the concept of contemporary keroncong.Keywords: Creative Process, Ubiet, Poetry, Senja di Pelabuhan Kecil
“Biografi Garam” Etnografi Masyarakat Madura pada Tubuh Teater Moh. Wail
PANTUN Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i1.1109

Abstract

The ethnography research toward the body of Madura people is the beginning of creative process which is transformed into the form of body theatre. The methodology of creativity applied is Tubuh Kata Tubuh Tony Broer, based on ethnography research which gradually investigates the emic and etic of Madura people’s body. The basic assumption of this idea is the concept of Folk Body which suggests that theatre body is able to provide information related to some specific communities through inherited body. The biography of salt body reveals the emic of the body of salt society in Madura. Meanwhile the ethnographic research is used as an approach to obtain the most authentic feature toward behavior, character, attitude, as well as the dressing style of Madura community. Pinggir Papas Village is the main focus of this research due to the high consistency of salt farmer activity. It is a village from which salt came first in Madura. Salt is the iconic of subculture landscape. Body theatre based on this folk highlights body culture of Madura people through the intercourse of folklore media, salt farmer activity and madura songs. Those issues become starting point of the exploration of body intercourse in theatre entitled “Salt Biography”.Keywords: Body Theatre, Ethnography Study, South Madura People, Folklore
Representasi Lokatmala dalam Penciptaan Tari Bising dalam Hening N. Wina Resky Agustina
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1342

Abstract

Bising Dalam Hening (Noise in Silence) is a dance work inspired by the atmosphere of Cianjuran song’s mamaos entitled “Lokatmala”. This atmosphere inspires the soul about, a longing for the cool, peaceful, and peaceful rural atmosphere. The poetry of the song then became an expression of contemporary dance works, which later developed into a phenomenon of natural destruction due to human activity. The theory applied in the creative process of creating this dance is the hermeneutic theory by Paul Ricoeur. This is as an interpretation of understanding in explaining, translating, and expressing ideas about natural beauty. The methods used include exploration, improvisation and formation stages. Through the theory and method used, coupled with the creative process of realizing ideas of religious experience about self-memory, this dance work can be realized. The admiration of the divine work reminds us how nature has become a part of human life, which must be maintained as an extension of God’s hand. Furthermore, It becomes a form of dance that has a moral message about the relationship between humans and nature and its Creator.Keywords: Dance, silent noise, natural environment, hermeneutics.
Sakralitas Ritual Sedekah Bumi di Makam Kramat Batok Kabupaten Bekasi Fatimah, Siti
PANTUN: Jurnal Ilmiah Seni Budaya Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1184

Abstract

This study is aimed at revealing the process of the Sacredness of Ritual Sedekah Bumi in Kramat Batok, Bekasi. The study is done toward the structure of the ritual and the sacred elements of Batok sacred tomb, the offerings, ronggeng, masks, shadow puppets, a winding paddy (pocong padi) and buffalo slaughtering. This is to find out how people perceive the phenomena. The analysis of the sacredness uses Mircea Eliades view of sacredness and Victor Turners point on symbolic form. It is found out that the ways in which the community carries out its meaning are influenced by the social facts of the dominance of buhun (ancient) Sundanese culture, Pre-Islam and Hindu-Buddhist in the lives of Kramat Batok people for generations as a legacy from their ancestors.The analysis applying Jacob sumardjos proposition on paradox esthetic shows the harmony understanding between two contrary entities but completing each other. This is formulated as the three of Sundanese people, Tritangtu. The qualitative observation method is used in recording the activities of Kramat Batok community. By conducting interviews, field studies, literature studies and documentation studies, it is known that the Ritual Sedekah Bumi is a paradoxical cultural phenomenon in Kramat Batok community. This is because of the dualism belief in the system of thinking of the people, namely believing in the existence of Islam and its karuhun. The Sacredness of Ritual Sedekah Bumi has become part of the cycle of cultural events. This is as a form of expression of gratitute for the harvest. The ritual shows the primordial view of Kramat Batok community which is passed down from generation to generation, making the ritual activities maintained until todays.Keywords: Ritual, Sacred, Ngukup, Sedekah Bumi
Gandari Menjelaga Pertunjukan Drama Tari Wayang Kontemporer Anggraeni, Anggraeni
PANTUN: Jurnal Ilmiah Seni Budaya Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1179

Abstract

Gandari Menjelaga is a dance drama taken from wayang story, that is Epos Mahabarata. This is a dance composition telling about a female character named Gandari, the daughter of King Prabu Subala of Gandaras Kingdom. She should sacrifice her beauty by covering her eyes with white cloth as her loyalty to her fate. The concept of this work describes a self-denial of a woman toward her life. The combination of traditional and contemporary dance becomes the main element in producing the dance drama. The dramatic structure is arranged into four scenes whose settings are in the Gandara Kingdom Gate, in Gandara Palace, and in Dewi Gandaris Courtyard. This dance drama is accompanied by gamelan compositionKeywords: Dance Drama, Gandari Menjelaga, Wayang Dance
Perkembangan Flat Design dalam Web Design dan User Interface (UI) Dzikri Hasanudin; Oki Adityawan
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1424

Abstract

This writing reveals flat design trends in visual communication design. Visual communication design is how humans communicate with visual images. Every designer has a characteristic in his work. In recent years, flat design has appeared in visual communication design artworks. Many large and well-known companies use flat designs such as Microsoft, Apple, Google, Kompas, and many more. The flat design is very different from the pre-existing flow because it creates simplicity by eliminating all forms of gradation, shadow, glossy, and other effects. It is urged that flat design is the application of a minimalist style and associated it with the Swiss style which was famous in the 1940s to 1950s. In Flat Design, other decorative elements will be seen as unnecessary chaos. If an aspect doesn't serve a functional purpose, it is a distraction to the user experience. This is the reason for the minimalist nature of flat design. However, just because this style doesn't have a flashy design doesn't mean that it will be boring. Bright, contrasting colors illustrate and pop buttons from the background, easily grab attention and catch the user's eye. The goal of a minimalist image also contributes to the functional character of flat design. This paper explains more about the development and application of flat design in visual communication design.Keywords: effect, flat design, graphic, visual communication design.
Modus Dominasi Pada Habitus Masyarakat Nadoman Muhammad Zainal Arifin
PANTUN Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i1.1110

Abstract

The forming of habitus is influenced by the dominance modus of an agent who is successful on applying his capital in a field. The capital meant by Bourdieu in a habitus theory are economic capital, cultural capital, social capital, and symbolic capital. The modus of dominance can be seen through the application of one’s symbolic capital. The higher one’s symbolic capital, the more powerful he is to control his surroundings. The capitals are from pride and prestige possessed. The habitus of Nadoman people on the Mosque Council of Tsamrotul Fuad Islamic Boarding School Cipasung is constructed based on the dominance modus conducted by the people with their symbolic power. The method of this research is qualitative by applying Pierre Bourdieu’s habitus theory. The result shows that Nadoman people behave based on the dominance of an agent’s symbolic power within their relation concept guiding individuals to adapt in their conflicting situation.Keywords: habitus, dominance, Nadoman, behavior, Pesantren/Islamic boarding school

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