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Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 166 Documents
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Ekofeminisme pada Tokoh San dalam film “Princess Mononoke” Karya Sutradara Hayao Miyazaki Alisca Putri Dirgantari
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1344

Abstract

This study focuses on the perspective of eco-feminism as a theory of environmental ethics in the film "Princess Mononoke" (1997) by Hayao Miyazaki. This study analyzes how a human girl who was raised by the wolf goddess (Moro) named San who considers herself a wolf. Her main concern is protecting the forest and the animals living with her from the human race that has harassed and destroyed nature for industrial purposes. San shows the efforts and ethics of eco-feminism as well as Deep Ecology in opposing the exploitation of nature and the capitalist system by Lady Eboshi, the leader of Iroha Town who is considered the source of the problem. Environmentalist issues and modernization are in sharp opposition to the detriment of nature as well as humans. The data are taken from the film "Princess Mononoke" by Hayao Miyazaki in the form of dialogues, quotes, phrases and descriptions based on the Environmental Ethics of Ecofeminism specific to the San character. San is a symbol of women who fight against human arrogance which is the main cause of the destruction of nature.Keywords: Feminism, Ecofeminism, Nature, Capitalism.
Mitos Kala dalam Arsitektur Wolff Schoemaker pada Gedung Landmark Bandung Ganesha Wibisana
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1332

Abstract

The interesting aspect of various architectural works of Wolff Schoemaker in Bandung city is the interaction between the sphere of Western and Eastern influence expressing full Indonesian ornamentation. This can be seen in the use of Kala’s head in the Landmark building. The figure is depicted with a face without a lower jaw placed on the building through a symmetrical shape, but with a dynamic ornament. The purpose of this research is to examine the meaning and influence of Kala’s head in Schoemaker’s architecture. This study is qualitative research using descriptive analysis methods. It explains the conception of the times in terms of form, characteristics and their translation in the myths of Javanese society. It was adopted in colonial buildings which made a cultural acculturation in architecture. The results of the analysis show that the Kala ornament in the building is influenced by the shape of the temples in the Central Java period. It has an identical shape to the Kala at the Gedong Songo temple and the Semar temple functioning as an antidote to negativity in the building.Keywords: Ornaments, Architecture, Kala, Wolff Shoemaker
Open Knowledge Pada Gerakan Free Culture Sebagai Preservasi Budaya di Media Siber Suherman, Anggung
PANTUN: Jurnal Ilmiah Seni Budaya Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1180

Abstract

This research aims to reveal and analyze the movement of free culture on the website Aural Archipelago as audio library which preserve the culture through archiving. The emergence of free culture in the provision of data and information through archiving provides an opportunity for the public to be able to access unlimited various information legally. The collection in Aural Archipelago is a digital audio library that focuses on traditional music. Its completeness and freedom of access is better than the Indonesian government departments assigned to related issues. The research method uses qualitative with Cyber Media analysis approach, exploring how free culture becomes a movement in a new media preserving culture through archiving. The theory applied is the combination theory of Cyber Media by Rulli Nasrullah with the Virtual Ethnography by Christine Hine who thoroughly examines the world of reality with the world of cyber. Aural Archipelago provides information data generated through ethnographic processes. The expedition and its documentation are archived through the digital library model and has granted permission for the user to redistribute the archives to others. The result of open knowledge including new works to be the subject of research, academic needs, innovation, inspiration and collaboration.Keywords: Free Culture, Open Knowledge, Cultural Preservation, Digital Library
Ikonologi Gambar Karya Anak TPA An-Nawawi Cikeusal Syarifah Nur Hajja; Yanti Heriyawati; Supriatna Supriatna
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1425

Abstract

Expressions in the imagination process of making fine art works naturally have a positive impact on children's intellectual, emotional, creative and social development. In this case, art activities are associated with mental health because art activities are a medium for expressing feelings, either sad or happy ones. In drawing activities there is a process of imagination with the innocence of children. Through a unique image, even with minimal knowledge of drawing and coloring techniques, children still produce interesting works. The approach used is the Psychology of Imagination from Jean Paul Satre and Iconology from Erwin Panofsky. The research method used is a qualitative with participatory methods letting children play and express themselves without being directed and commanded. The drawings that TPA An-Nawawi children produced shows that the work uses four images according to Jean Paul Satre: images of consciousness, images of spontaneity, images of imitation, and mental images.Keywords: Imagination, Creativity, Child Image
Photobook Siti Kewe The Highland Of Gayo Muhammad Irfan Nugraha Kamil Abdullah
PANTUN Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i1.1111

Abstract

The producint of ethno-graphy photobook of Siti Kewe: The Highland of Gayo is the representation of life cycle of coffee seed and the struggle of arabica coffee farmers in Gayo Highland. Coffee has become a significant part in the life of Gayo tribe in Middle Aceh. Moreover, it also becomes the way Gayo peole live. Gayo coffee has become the identity of the Gayo tribe. The photobook is produced through the ethnographic approach involving the artist or the photographer who is also the part of the subject’s life. The photobook is designed into a 20 x 25cm book with colorful paper to show the elegance. The ethnography photobook Siti Kewe: The Highland of Gayo becomes the narrative and visual medium in documenting the tradition of Gayo people in Middle Aceh in their behavior toward arabica coffee and their understanding values toward the viewpoint of Gayo people. The culture documentation may bridge the future generation not to loss values. Keywords: ethno-photography, photobook, Gayo coffee 
Subjek Pascakolonial dalam Pementasan Teater Shakespeare Carnivora Karya Benny Yohanes Anggara, Semi Ikra; Nalan, Arthur S.; Herdini, Heri
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Benny Yohanes (usually written as BenJon for his stage name) is known for his works that are oppositional towards the hegemony of realism in Bandung theater, especially the realism theater of Suyatna Anirun. BenJon’s works generally imply political themes, or at least as comments on political situations or ideological critics. However, he uses different approach, for example from the slogan of Rendra’s Theater Workshop. In some of Benjon’s performances, there is an impression that the stage is dominated by symbolic festivities. Excitement can be found in artistic furniture, props, hand props, costumes, musical furniture, and make up. This paper is aimed at examining one of BenJon’s works, namely Shakespeare Carnivora, which is considered by BenJon as a show that is carried out outside of the ethics of the process and its directing tradition. Not only tried to oppose the tendency of artistic excitement by using significant objects, Shakespeare Carnivora was also directed collaboratively with Irwan Jamal. They work with the actors who are members of the Oyag Forum. This research is specifically intended to discover and investigate the postcolonial conditions in the Shakespeare Carnivora performance. More specifically, through the concepts of appropriation and ambivalence, which intertextually combine William Shakespeare’s Hamlet text, the legend of Sangkuriang-Dayang Sumbi and the narrative of official Indonesian history.Keywords: Shakespeare Carnivora, BenJon, Critical Ideology, Appropriation, Mimicry, Postcolonial Condition
Lisunagara: Karya Kolaborasi Rebab dan Musik Digital Gelar Seftiyana
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1335

Abstract

This paper is aimed to analyze a collaborative musical work between rebab and digital music. The analysis will be both on the content of the work and the media used, as well as the influence of technology on the composer’s work process involving their ideas. The work is entitled Lisunagara which means introducing fiddle to a broader realm. The research method used in this paper is a qualitative research method focusing on the description and analysis of the work. McLuhan’s theory of technological determination is considered in accordance with the object of this study where technology is able to influence human behavior. The results of this research prove that the fiddle cannot only be played in a convention (tradition) setting but can also be played through a digital approach so that it can be juxtaposed with other genres.Keywords: rebab, lisunagara, technological determinism, tradition, digital
Tari Karawitan Manifestasi Simbol Aristokrat Priangan Nugraha, Dea
PANTUN: Jurnal Ilmiah Seni Budaya Vol 4, No 2 (2019): Kuasa Seni Tradisi Dalam Dialektika Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i2.1181

Abstract

Kawitan dance is one of the genres of Keurseus dance created in Priangan Aristocratic society. This study tries to reveal textual and contextual elements in Karawitan Dance. Ernst Cassirers symbol theory is applied to study the Priangan aristocrat symbols on Kawitan dance. Most of the main source persons of this study have passed away. Therefore, the interviews are conducted to etic persons who ever became the dancer or the testator of Kawitan Dance. The data of Kawitan Dance performances are taken from documentation. Meanwhile, the observation is conducted to studio, school, or higher institution which put Kawitan Dance as one of their learning materials. The elements of Kawitan Dance such as dance movement, dance structure, costume, staging style, and gamelan show symbol relation depicting the characteristics of menak priyai called Priangan Aristocrat.Keywords: Kawitan Dance, Aristocrat, Symbol
Bentuk Film Dokumenter Ekspositoris Menggunakan Open Caption untuk Audiens dengan Keterbatasan Pendengaran I Gede Nyoman Wisnu Satyadharma; Arthur S. Nalan; Retno Dwimarwati
PANTUN: Jurnal Ilmiah Seni Budaya Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1426

Abstract

The form of documentary film created in this this research is a documentary film art entitled "Berujar Dalam Sunyi". This is a documentary film with an expository style of exposure, using a comparative narrative style. This research is a creative process creating a documentary film of which applies the use of open caption to give access people with hearing impairments in Indonesia to documentary films. The issue of this research is the reality of the life of people with hearing impairments in Indonesia. This film uses koentjaraningrat’s seven elements of culture to explore the visual potential of the life of a deaf-deaf community. Access to films, especially documentary films for people with hearing impairments in Indonesia is still very limited. The form of access in question is open caption, which can help people with hearing impairments enjoy and understand the contents of a film which is an audio-visual art form. This research is a creative process of making documentary films applying the use of open captions to provide access to documentary films for deaf people in Indonesia. In its application, a combination of voiceover and open caption is used, so that this documentary film can be enjoyed by both hearing audiences and audiences with hearing impairments.The results of this study illustrate how to present the reality in the life of people with hearing impairments into a documentary film that can be enjoyed by audiences with hearing impairments.Keywords: Documentary Film, Expository Style, Comparative Narrative Style, Open Caption
Relevansi Selera Musikal dengan Politik Golongan di Indonesia Era Soekarno Ali, Arhamuddin
PANTUN Vol 1, No 1 (2016): Pra Modern, Modern, Post Modern
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v1i1.738

Abstract

The aim of this study is to explain differences in musical tastes in upper social class. The study alsodescribes the relationship between musical tastes with the political groups in the community of Indonesia in Sukarno era. As a conceptual basis, we use the views of Bourdieu about habitus, arenas, andcultural capital. Also used a conceptual view of the Schuessler relationship of musical tastes and ages.This case study concludes that the old group closed with the development of new music tends to assumethe old music as the best. On the other side, the young man open to the development of new types ofmusic. Besides, the differences in musical tastes of young and old groups lead to a clash between them.Differences in their taste of music creates an identity as a differentiator between them, resulting in aprocess of political groups in it.Keywords: musical tastes, political group, age and identity

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