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Pantun: Jurnal Ilmiah Seni Budaya
Published by Institut Seni Budaya Indonesia Bandung
ISSN : 24077143     EISSN : 27157350     DOI : 10.26742/pantun
Core Subject : Humanities, Art,
Arts Humanities
Pantun merupakan jurnal ilmiah seni dan budaya, ilmu pengetahuan, dan disiplin ilmu yang berkaitan dengan kedua wilayah kajian tersebut. Pantun memiliki tanggung jawab untuk mengembangkan seni dan budaya lokal-tradisi, sekaligus perhatian terhadap dinamika seni dan budaya mutakhir (kontemporer) yang berlangsung di tengah-tengah tradisi kosmopolit.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 166 Documents
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Pemetaan Pola Progresi Chord Berdasarkan Kombinasi Interval Pamuji, Ilham
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1337

Abstract

Makna Visual Karakter Denmas Aria Kendor dalam Komik Strip Panji Koming dengan Pendekatan Ikonograf Hedi Hadiansyah
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1692

Abstract

Denmas Aria Kendor is one of the characters in Panji Koming’s comic strip which is periodically published by Kompas newspaper on Sunday. His roles are both as the one opposed to the character of Koming and Pailul and the one who delivers an opinion and messages through that comic strips. Denmas Aria Kendor have distinctive visual image so it becomes easily recognized and symbolizes certain meaning. The purpose of this research is to interpret the visual image of Denmas Aria Kendor in Panji Koming’s comic strip, especially seen from the physical features, posture, pose, expression and gesture. This research applies the iconography analysis method on the character design and body language of Panji Koming comic strip. This study reveals the character of Denmas Aria Kendor’s character. He is the character reflecting the government official image with superior attitudes. Keywords: Denmas Aria Kendor, Visual Meaning, Comic Strip Panji Koming, Iconography
Estetika Film Animasi 2D “ Bawang dan Kesuna” Sudi Anggara, I Gede Adi; Mudra, I Wayan; Sariada, I Ketut
PANTUN Vol 3, No 1 (2018): Estetika Budaya Urban
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v3i1.879

Abstract

2D Animation flm of Bali folktale “Bawang and Kesuna” tells about two sisters, Bawang and Kesuna. Bawang is a girl who is lazy, jealousy, and sly. Meanwhile, Kesuna is a kind, calm, honest, and hardworking girl. The folktale is from Sengkidu village, Karangasem. The paper is aimed to reveal the aesthetics of 2D “Bawang and Kesuna” flm approached by Djelantik Aesthetic theory. It discusses the form and structure, the mood, idea and message, as well as the presentation. The study applies qualitative method. The data are collected from interview and documentation of related literatures. The result shows that the form comprises illustration, typography, and colour, meanwhile the structure applies flm structure, namely shot, scene, and sequence. The mood shares village atmosphere giving traditional impression shown from the accessories of costumes and buildings. The film is full of moral messages useful for children character education.Keywords: Aesthetics, 2D Animation Film, Balinese Folktale, Bawang and Kesuna
Lisunagara: Karya Kolaborasi Rebab dan Musik Digital Seftiyana, Gelar
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1334

Abstract

Ekofeminisme pada Tokoh San dalam flm “Princess Mononoke” Karya Sutradara Hayao Miyazaki Dirgantari, Alisca Putri
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1343

Abstract

Transformasi Kesenian Genye Kabupaten Purwakarta Kania Rahmatul Ulum; Endang Caturwati; Enok Wartika
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1693

Abstract

The focus of this study is on the transformation of Genye art as an icon of Purwakarta Regency. The study has been conducted starting from the formation of genye art to the process of changing appearances at various events, namely from 2009 to 2021 at this time. The Transformation theory of Anthony Antoniades (1990) is used to examine the process of changes occuring in genye art gradually regarding the performances in the context of its society as well as internally from the aesthetics sides. Qualitative data are collected by observation both through interviews and documents including performance photos, videos, and other visual objects. The results of the analysis show that the art of genye experienced dynamic changes from the aesthetics elements associated with music, dance, and artistic. Its existence as an icon of a region shows the community’s identity for their concern and taste for art.Keywords: genye art, transformation, icon, Purwakarta.
“Biografi Garam” Etnografi Masyarakat Madura pada Tubuh Teater Wail, Moh.
PANTUN Vol 4, No 1 (2019): Fenomena Kultural Dalam Paradigma Multikultural
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v4i1.1108

Abstract

The ethnography research toward the body of Madura people is the beginning of creative process which is transformed into the form of body theatre. The methodology of creativity applied is Tubuh Kata Tubuh Tony Broer, based on ethnography research which gradually investigates the emic and etic of Madura people’s body. The basic assumption of this idea is the concept of Folk Body which suggests that theatre body is able to provide information related to some specific communities through inherited body. The biography of salt body reveals the emic of the body of salt society in Madura. Meanwhile the ethnographic research is used as an approach to obtain the most authentic feature toward behavior, character, attitude, as well as the dressing style of Madura community. Pinggir Papas Village is the main focus of this research due to the high consistency of salt farmer activity. It is a village from which salt came first in Madura. Salt is the iconic of subculture landscape. Body theatre based on this folk highlights body culture of Madura people through the intercourse of folklore media, salt farmer activity and madura songs. Those issues become starting point of the exploration of body intercourse in theatre entitled “Salt Biography”.Keywords: Body Theatre, Ethnography Study, South Madura People, Folklore
Ekofeminisme pada Tokoh San dalam flm “Princess Mononoke” Karya Sutradara Hayao Miyazaki Dirgantari, Alisca Putri
PANTUN Vol 5, No 2 (2020): Kolaborasi Seni Desain, Film, dan Media Digital
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i2.1315

Abstract

Subjek Pascakolonial dalam Pementasan Teater Shakespeare Carnivora Karya Benny Yohanes Semi Semi; Arthur S. Nalan; Heri Herdini
PANTUN Vol 5, No 1 (2020): Kolaborasi Seni
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v5i1.1340

Abstract

Benny Yohanes (usually written as BenJon for his stage name) is known for his works that are oppositional towards the hegemony of realism in Bandung theater, especially the realism theater of Suyatna Anirun. BenJon’s works generally imply political themes, or at least as comments on political situations or ideological critics. However, he uses different approach, for example from the slogan of Rendra’s Theater Workshop. In some of Benjon’s performances, there is an impression that the stage is dominated by symbolic festivities. Excitement can be found in artistic furniture, props, hand props, costumes, musical furniture, and make up. This paper is aimed at examining one of BenJon’s works, namely Shakespeare Carnivora, which is considered by BenJon as a show that is carried out outside of the ethics of the process and its directing tradition. Not only tried to oppose the tendency of artistic excitement by using significant objects, Shakespeare Carnivora was also directed collaboratively with Irwan Jamal. They work with the actors who are members of the Oyag Forum. This research is specifically intended to discover and investigate the postcolonial conditions in the Shakespeare Carnivora performance. More specifically, through the concepts of appropriation and ambivalence, which intertextually combine William Shakespeare’s Hamlet text, the legend of Sangkuriang-Dayang Sumbi and the narrative of official Indonesian history.Keywords: Shakespeare Carnivora, BenJon, Critical Ideology, Appropriation, Mimicry, Postcolonial Condition
Creative Thinking dalam Manajemen Seni Dangdut Kontemporer Grup “Pasukan Perang” Rini Nur Mega; Endang Caturwati; Suhendi Afryanto
PANTUN Vol 6, No 1 (2021): Glokalisasi Seni Budaya dalam Tranformasi Mitos dan Spiritualitas
Publisher : Pascasarjana ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/pantun.v6i1.1694

Abstract

This paper examines the management of a music group ‘Pasukan Perang’, the Dangdut Orchestra band, in Bandung city. The goal is to reveal the management process in breaking down the music industry in Indonesia and the world in general. Alfred Schutz's phenomenological theory is applied to provide the overview of art management based on creative thinking and work structure innovation to measure the achievement of success. The data were collected through conducting in-depth interviews; reflecting thoughts to seek meaning and a frame of reference for symptoms; constructing the meaning and essence. The results of the analysis show that the Dangdut Music group “Pasukan Perang” is a prism to view Indonesian society. Its existence reflects the state of national culture in economic, political, and ideological practices. It contributes to shape ideas of class, gender, and ethnicity in the modern era. “Pasukan Perang” touches various musical genres so that it becomes a Contemporary Dangdut Icon nicknamed the Loving Band Group.Keywords: creative thinking, contemporary dangdut, war troops, art management

Page 8 of 17 | Total Record : 166

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