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International Journal of Visual and Performing Arts
Published by Association for Scientific Computing Electronics and Engineering
ISSN : -     EISSN : 26849259     DOI : https://dx.doi.org/10.31763/viperarts
Core Subject : Humanities, Education, Art,
Arts Humanities Education
nternational Journal of Visual and Performing Arts draws its contributions from academics and practitioner-researchers at the interface of new visual and performing arts. It acts as a forum for critical study, innovative practice, and creative pedagogy, addressing themes that may be domain-specific (e.g., theatre, dance, music, live art, visual arts) or situated at the convergence of two or more disciplines. The journal invites original, significant, and rigorous inquiry into all subjects within or across disciplines related to visual and performing arts.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 8 Documents
 1 
Search results for , issue "Vol 5, No 1 (2023)" : 8 Documents clear
Development of a drama gong performance model: an effort to preserve the traditional Balinese drama in the digital era I Wayan Sugita; I Gede Tilem Pastika; I Made Gde Puasa
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.910

Abstract

Drama Gong is a traditional Balinese performance art that enjoyed popularity. However, since the 1990s, the advent of television and the internet has led to a decline in the prominence of Drama Gong. Therefore, there is a pressing need to revitalize and innovate this traditional art form. One such effort by Balinese artists involves the creation of a digital adaptation known as 'Drama Keraton Cilinaya.' This qualitative descriptive research aims to explore the development model of Drama Gong in the digital era. The research data were collected through a comprehensive document analysis, which included the examination of seven episodes of 'Drama Keraton Cilinaya,' as well as direct observations and interviews with the creators. The findings revealed that 'Drama Keraton Cilinaya' has undergone significant internal and external innovations. Internally, the artists emphasized the importance of having an open mindset to embrace global changes, packaged stories for enhanced appeal and comprehension, incorporated contemporary dialogue, employed multiple languages, engaged younger talents, enhanced makeup and costume artistry, introduced digital music, and improved stage layouts. External innovations involve collaborations with artists beyond the Drama Gong tradition, utilizing digital technology in production, and distributing the performances through TV media and YouTube channels to broaden their audience reach. It is anticipated that the findings of this research will serve as a valuable digital packaging model, not only for Drama Gong but also for the development of other traditional Balinese performing arts, ensuring their sustainability in the digital era.
Transformation and diversification of Banten TV business as local television industry in the digital era Amin Aminudin; Ana Nadhya Abrar; Novi Kurnia
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.906

Abstract

The digital era has changed all aspects of life, including the aspects of the broadcasting industry. The presence of Internet technology also presents a new system in the broadcasting industry. changes in the broadcasting system have also resulted in business diversification in the broadcasting industry. in this digital era, it has also tightened the business competition in the broadcasting industry, such as Banten TV. The formulation of the problem in this study is how to transform and diversify Banten TV's business in maintaining the broadcasting industry business. The method used in this study is a qualitative method with a case study approach by exploring the transformation and Diversification of the Banten TV Business; the paradigm used is constructivism with the theory of media ecology from Marshall McLuhan. Hasi research shows that Banten TV, as the largest local television in Banten province, transforms broadcast content by broadcasting entertainment and local wisdom, such as the local culture and religion in Banten province. With broadcast coverage using a 5000-watt transmitter, it certainly has a potential role in raising local wisdom with a very wide radiance; the transformation of Banten TV broadcast content is carried out by raising a religious superior program with the name of the Sholawat program (Solusi Tepat Per erat Umat) as a superior program in raising local wisdom in Banten which is religious and also the exploration of tourist destinations in the Banten region. In addition to transforming content, Banten TV also diversified its business by creating television program programs in collaboration with the Banten provincial government as a strategy for increasing the company's economic value
Kelong in the context of the gandrang bulo dance in Makassar Ade Kurniawan Suhardi; Bambang Sunarto
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.960

Abstract

Kelong is a Makassar term meaning 'song,' which is one of the main elements in the Gandrang Bulo dance. Kelong, in this case, is presented simultaneously with elements of Pakakkala' (funny) dance and satirical drama or acting. Kelong is meant to educate, while pakakkala' and satire are humorous to entertain. So far, most appreciators are more interested in entertaining humor than curiosity about the meaning of kelong. This paper aims to reveal the description of the portion of the presentation of kelong in the phenomenon of the Gandrang Bulo dance. This article also tries to articulate the meaning of education and motivation to raise awareness that teaches that life is not in vain. Using a descriptive qualitative methodology, this study. Textual and musical data were specially extracted from poetry using the kelong method, including audio and visual perception. One of the achievements of this research is to provide information that there is an educational meaning tucked into the kelong. The research implementation used a descriptive qualitative method by prioritizing the collection of music data and verbal data as the unit of analysis. The finding of this research is to get the educational value tucked inside the kelong behind disproportionately contrasting elements. The significance of this research is that it really contributes as a driving force for the enthusiasm of artists in educating through the arts, especially kelong.
A generative deep learning for exploring layout variation on visual poster design Peter Ardhianto; Yonathan Purbo Santosa; Yori Pusparani
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.920

Abstract

Layout variation is an essential concept in design and allows designers to create a sense of depth and complexity in their work. However, manually creating layout variations can be time-consuming and limit a designer's creativity. The use of generative art as a tool for creating visual poster designs that emphasize layout variety is explored in this study. Deep learning through generative art offers a solution by using an algorithm to generate layout variations automatically. This paper uses the VQGAN and CLIP approach to describe a generative art system, which renders images via a text prompt and produces a series of variations based on the zoom parameter 0.95 and shifts the y-axis 5 pixels. Our experiment shows that one frame can be generated roughly in 10.108±0.226 seconds, significantly faster than the conventional method for creating layouts on poster design. The model achieved a good quality image, scoring 4.248 using an inception score evaluation. The layout variations can be used as a basis for poster design visuals, allowing designers to explore different visual representations of layouts. This paper demonstrates the potential of generative art to explore layout variation in visual design, offering designers a new approach to creating dynamic and engaging visual designs.
A semiotic intertextual analysis of beauty influencers' communication strategies on youtube: uncovering meaning and influence by using Pierce's framework Ariani Wardhani; Hanisa Hasan
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.1066

Abstract

This research aims to conduct a semiotic intertextual analysis of beauty influencers on YouTube. Specifically, the study centers on two prominent beauty influencers, Andra Alodita, and Kornelia Meilinda, and their strategies for effectively promoting recommended lipstick products. The research was conducted employing a qualitative approach, utilizing Peirce's semiotic theory. The findings reveal that beauty influencers strategically employ visual elements to convey meaning and captivate viewers' attention. Both Andra Alodita and Kornelia Meilinda meticulously craft their content, considering factors such as color schemes, backgrounds, and object placement. They adopt distinct approaches to reviewing lipstick products tailored to diverse audiences and preferences. This multiplicity of perspectives enhances the complexity of semiotic elements within beauty influencer content and broadens the spectrum of meanings conveyed to viewers. Furthermore, the findings underscore the significance of semiotic intertextuality as a potent tool for beauty influencers to shape meaning, influence perceptions, and resonate with their extensive audience. These findings offer valuable insights for marketers, brands, and content creators seeking to leverage semiotics' potential in shaping beauty trends and consumer behavior.
The discursive construction of spiritual values and cultural standards in Sang Pemimpi Film Florence Yulisinta; Rustono Farady Marta; Hana Panggabean; Changsong Wang; Al Ryanne Gabonada Gatcho
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.972

Abstract

Spirituality is a contentious human phenomenon that encompasses personal, sociocultural, and transcendent interconnection. In Indonesian society, spiritual experiences are often associated with religion. They are also part of the cultural standards, the way of thinking, feeling, and behaving shared by most of a culture's members. This research aims to examine the spiritual and cultural values of Belitung's Muslim society through the Sang Pemimpi film. The research method in this study was critical discourse analysis, a qualitative approach based on a critical paradigm. This study combines Theo van Leeuwen's critical and multimodality discourse analysis techniques. Spiritual values and cultural standards are used as theoretical elements. The character in the film's text with the background of the Muslim society and the Belitung people's culture is the focus of this study. According to the film analysis, spirituality is formed by socio-cultural interactions in people's daily lives. The Muslim community in Belitung adapts well to religious and cultural differences in their social relationships with other ethnic groups, including the Chinese ethnic groups. According to the findings of this study, religiosity and communal domains are the aspects that appear the most in the film.
Leveraging the modular design approach to enhance variation of SME LORI jewelry Morinta Rosandini; Dewi Isma Aryani; Elliati Djakaria; Riana Plourida Hura; Nadiah Salsabila; Jeng Oetari; Prafitra Viniani; Roro Retno Wulan
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.1044

Abstract

LORI SME (Small and Medium Enterprise), operating as a producer of fashion accessories characterized by local craftsmanship, encounters challenges in accommodating diverse customer preferences due to resource constraints. To unleash its full potential, there exists a pressing need to adopt innovative design methodologies. This research endeavors to investigate the application of a modular design approach as a strategic solution for augmenting the variety of LORI SME accessories, thereby facilitating the creation of a range of jewelry products that can be easily tailored and adapted to meet individual customer requirements. The study utilizes a qualitative research methodology, encompassing literature reviews, interviews with the owner, exploration of visual motifs and materials, and practice-based research. The findings of this research illuminate that the adoption of a modular design approach significantly enhances the diversity of LORI SME's jewelry offerings, particularly in the case of its necklace products. This modular approach provides SMEs with a broader array of customizable necklace options characterized by distinctive local motifs and high craftsmanship value. These findings furnish valuable insights for SMEs within the LORI SME sector aiming to expand their product portfolios. Additionally, they offer guidance to designers and artisans regarding the potential advantages and challenges associated with the incorporation of modular design strategies in the broader context of small business innovation and product development.
Garap Kendhangan in Gendhing Lampah Tiga Ananto Sabdo Aji
International Journal of Visual and Performing Arts Vol 5, No 1 (2023)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v5i1.825

Abstract

This research plan intends to study, analyze, and explain comprehensively but in a more practical format regarding the interpretation and working of kendhang on the structure lampah tiga. Gendhing with the lampah tiga structure is one of the special gendhing structures because it has a bar where not many gendhing repertoires have this bar, so, of course, there are many problems for the composer, especially the ricikan kendang to present this gendhing structure, knowledge is needed to determine the interpretation and garap variant so that it can identify and present gendhing with structure. The method used is a descriptive analysis based on empirical knowledge. Empirical knowledge will help in analyzing the variety and interpretation of the lampah tiga structure, while the garap approach is used as a tool to dissect the musical situation in the intended gendhing structure. The qualitative descriptive data analysis method is carried out by observing the validity of the data through data triangulation. Accurate data collection through library research, interviews, and observations is expected to be able to explore the work on kendhangan gendhing lampah tiga. It is hoped that this research will be able to support teaching and learning activities in the form of textbooks, and it is hoped that it can add references to karawitan knowledge books.

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