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INDONESIA
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 27154351     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art,
Arts Humanities
Seni, teknologi, dan masyarakat dewasa ini telah menyatu dalam praktik penelitian dan pengabdian masyarakat di perguruan tinggi seni. Tidak ada lagi jarak antara praktik seni dan teknologi, terutama dengan masyarakat. Pemisaha antara disiplin sain dan teknologi dengan sosial, humaniora, dan seni tidak lagi populer saat ini. Praktek seni sudah seharusnya melebur dan kehadirannya mewarnai teknologi dan masyarakat . seni tidak lagi terbatas menjadi menara gading yang berlindung di balik kredo seni untuk seni. Kehadiran seni semakin diperlukan dalam dunia yang kian berlari menuju kecanggihan teknologi. Seni telah membuktika hal tersebut dengan munculnya disiplin-disiplin baru dalam ilmu pengetahuan seperti disiplin desain, kajian budaya dan sebagainya. Dengan demikian terjadilah dialog antar disiplin yang memungkinkan seni memberi manfaat lebih bagi peradaban. Lembaga Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Surakarta konsisten mewadahi praktik seni dalam penelitain dan pengabdian masyarakat dengan perspektif yang lebih holistik. Seni dikembangkan tidak terpisah dengan masyarakat dengan segala dinamikanya.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 162 Documents
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KREATIVITAS SEBAGAI UPAYA MENINGKATKAN KUALITAS DAN MELESTARIKAN TARI ADOK PADA MASYARAKAT SOLOK SUMATERA BARAT Yarlis; Risnawati; Adjuoktoza Rovylendes
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT No 1 (2016): Seni, Teknologi, dan Masyarakat #1
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

the accompaniment of traditional ceremony. Nowadays, this dance is less desirable by people development by conducting creativity or more interesting innovation by developing aspects found in dance composition knowledge. General purpose of this research is improving Adok dance quality by applying dance composition knowledge that results on new product and then this new product is given back to society through tourism program. Method used in achieving this research purpose is qualitative and R&D methods, by using four chosen scientific approach namely: (1) Observation, (2) Library research, (3) Development, by applying R&D method (4) Experimental study and marketing, as effort to promote and preserve traditional art so it through tourism program. This research is scheduled in three stages. First stage is conducted in 2016 by doing observation, searching literature and collecting data related to Adok dance. Second one is conducted in 2017 by doing creativity in form and technique development/innovation according to choreography aspects so that new product of Adok dance is born. Third stage is conducted in 2018 in which the new product of Adok dance is given back to its supporting society through tourism program. This research result can be used by local government, particularly tourism office of Solok city, as teaching material in the subjects of Dance Knowledge, Performing Arts, Dance History, and Traditional Dance in the Faculty of Performing Arts, Dance Department, Indonesia Art Institute of Padangpanjang, West Sumatra.
Wanda Listiani TEKNOLOGI DIGITAL AUGMENTED REALITY : LITERASI, MEDIASI, DAN EDUKASI SENI BAGI MASYARAKAT Wanda Listiani
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.94

Abstract

Di Indonesia, aplikasi AR mobile masih jarang digunakan pada pembelajaran di perguruan tinggi seni. Padahal penggunaan AR dapat digunakan sebagai literasi, mediasi dan edukasi yang berkontribusi pada peningkatkan pemahaman akademik. Sementara penggunaan AR dalam dunia permainan (game) dan medis sudah begitu luas. Hal yang sama belum banyak terjadi dalam pelestarian seni budaya khususnya seni budaya Indonesia.
Kezia Clarissa Langi STUDI LAPANGAN: TRADISI BAJU PERANG NIAS MASA KINI DI KOTA GUNUNGSITOLI DAN DESA BAWOMATALUO Kezia Clarissa Langi; Setiawan Sabana; Hafiz Aziz Ahmad
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.95

Abstract

For centuries the title ‘warrior’ is embedded in Nias society. As a warrior, the person, their duty, and its costumecannot be separated. To become the protector of a village, a series of task are needed. Therefore, being awarrior is a prestigious status. Today, Nias and its war costume are on the edge of modernity. The thin linebetween tradition and attraction is created due to globalization and its tourism purpose. To understand theimportance of the tradition of Nias war costume, it is crucial to analyze the history through literature and theimpact of globalization in Nias today. The result of this research could adapt into creating future Nias warcostume that is suitable for the Ono Niha (term for the people of Nias). To fully understand about the conditionof this tradition, field research is needed. This research aims to obtain data from Gunungsitoli city andBawomataluo village regarding the tradition of Nias war costume. The results of this research are the untoldstory of Nias and the needs of the society regarding Nias tradition in the future.
Niko IDENTIFIKASI RAGAM HIAS ACEH PADA ILUMINASI MUSHAF AL-QURAN KUNO KOLEKSI PEDIR MUSEUM Niko Andeska; Indra Setiawan; Rika Wirandi
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.96

Abstract

Illumination or manuscript (the art of the book), can be interpreted as a decorative visual work that is containedin the manuscript that serves as a decoration. Basically used to beautify certain parts, especially on thefront page of the script (frontispiece). In ancient manuscripts by Acehnese scholars, various forms of illuminationwere adopted which adopted the local Acehnese decorative style. The beauty of the illumination in thetreasures of ancient manuscripts by Acehnese ulama, especially those contained in the Al-Quran Manuscriptscompiled into a collection of non-governmental institutions (private) in the city of Banda Aceh at this time hasnot been fully touched by studies that lead to visual aspects. Both in terms of comprehensive data collectionto in-depth analysis in the perspective of fine arts. This study aims to examine the visual aspects that focus onthe variety of Aceh’s decoration on illuminations in several Al-Quran Manuscripts from the Pedir Museumcollection. This research uses quantitative research methods, using data collection techniques through observation,interviews, documentation, and data collection. The data that has been collected is then carried out theprocess of identifying, categorizing, and analyzing the data by using the digitizing method of ornamentaldiversity in several Al-Quran Manuscripts from the Banda Aceh Pedir Museum collection.
Bismo Jelantik Joyodiharjo PENDEKATAN BIOMIMICRY PADA DESAIN SARANA SEARCH AND RESCUE DENGAN TEKNOLOGI ADDITIVE MANUFACTURING Bismo Jelantik Joyodiharjo; Yasraf Amir Piliang; Dwinita Larasati
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.97

Abstract

As a young species of 200.000 years, human is part of earth ecosystem. For 3.8 billion years, other livingbeings have evolved, adapting and selected by nature, until we came and disrupt the balance. Populationgrowth and climate change impact all of earth’s ecosystem. Urbanization and deforestation resulted in floodingin parts of Indonesia. Flooding is worse in urban areas as more risks involved. The Search and Rescueoperation can benefit from remote controlled unmanned vehicles to help save people. Conventional propulsionuses propeller, however in urban flooding condition, there are lots of debris in the water and the propeller canget stuck. Biomimicry uses nature’s genius to solve problem with emphasis on sustainability. This approachseeks nature’s advice in designing an alternative solution to the propeller problem in certain condition. Mobuliformswimmers, such as Manta Rays, present a model of efficient and debris-proof propulsion that can be used inthe search and rescue unmanned vehicles. This paper will highlight the Biomimicry process in designing aSearch and Rescue vehicle, called RCM3D-SAR that uses inspiration from Manta Ray’s pectoral fins. Thedesign is based on additive manufacturing technology and form follows function approach.
Juanita Priscilla PERANCANGAN PRODUK RAK SENJATA TEATRIKAL UNTUK KOMUNITAS ROODE BRUG SOERABAIA Juanita Priscilla; Hoo Leony Gracia Budi Saputra
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.98

Abstract

Surabaya is the city of Heroes where the war between people of Surabaya and colonial invaders happened inorder to defend the independence of Indonesia. This certainly make a huge impact for the historical storiesthat until now we often hear since we were studying in elementary school. However, history is slowly forgottenand thus make the emergence of many efforts appear in order to maintaining it. Efforts to preserve historybegan to be carried out by many communities that spread all around Indonesia and one of them in Surabaya.Roode Brug Soerabaia, a historical community with its vision of bridging the past to the present, begins topreserve history in a variety of interesting ways. Their activities include theatrical and visits to historic buildingsand work together to clean buildings that are no longer maintained. In order to fulfill their needs, especiallytheatrical, a product design was made that could help in storing theatrical property especially for the weaponsproperty they used. The design of this product is intended to make them more enthusiastic in preservingSurabaya’s history so that it is not forgotten and can attract the attention of young people nowadays.
Devi Lianovanda Prabandani ANALISIS SPECIAL EVENT ANGKLUNG PRIDE #9 OLEH SAUNG ANGKLUNG UDJO Devi Lianovanda Prabandani; Rah Utami Nugrahani
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.99

Abstract

Angklung Pride is an annual event held by Saung Angklung Udjo to commemorate the ratification angklung asintangible cultural heritage of humanity from Indonesia. This event is done to preserve four pillar of UNESCOwhich was given by them. This four pillar were reserved, promoted, protected, and perpetuated. The objectiveof this research is to obtain deep understanding of the event management process of Angklung Pride #9 bySaung Angklung Udjo using Joe Goldblatt’s Special Event Theory in five stages. Those stages are research,design, planning, coordination, and evaluation. The data was acquired by deep interviews, observations, anddocumentations process. The conclusion of this research divided the event management process in fivestages, which are summarized into three part. Those part are planning, execution, and evaluation. Planningprocess included concept, idea, and theme decision process, organization structure making and job descriptiondistribution, risk management planning, and place and time determining. Execution process aim forconcept, place, event contents, entertainment, and promotion activity implementation. The last is evaluationprocess which included things that can be used for the next Angklung Pride event improvement.
Aileen Gabriela Susiana PEMANFAATAN E-WASTE PRINTED CIRCUIT BOARD MENJADI ARMATUR LAMPU Aileen Gabriela Susiana; Gracia Ika Gunawan
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.100

Abstract

Electronic Waste, abbreviated as E-waste, is a product of no longer used electronic devices. E-waste alsoconsidered as dangerous, as it contains 2,70% of toxic substances. The sheer amount of electronic wasteproduced by citizens of Indonesia alone means that any semblance of effort is needed to process thesewastes into something which has usage and economic value. Printed Circuit Board or shorten as PCB is acomponent structure of an electronic devices, unused electronic devices still has PCB left intact inside ofthem, which make PCB also an electronic waste. This design was done to reuse E-waste, in this case is PCBinto an interior accessory. Other than reducing the amount of electronic waste in our vicinity, this design hasanother goal to increase the ingeniousness of the human resources who are going to realize the design into thefinal product, also to teach and engage the public to develop a more creative way of thinking in solvingenvironmental problems of our vicinity. The final product of this design is a lamp armature made of PCBs. Thesurface of PCB has intricate pattern and a futuristic look to it, which when processed into an interior accessorycould increase the visual esthetic of a room. Lamp armature itself has many variations, and the chosen variantfor this design is table lamp, and the lamp will be able to be placed on a nightstand and act as a sleep lamp.To strengthen the armature structure, black painted iron was used as a place where the PCB will be arrangedand the lamp placed. BMC (Business Model Canvas) was used to analyze the market and to help the marketingof the lamp armature. This lamp armature was designed to prove that even an electronic waste such asPCB able to retain economic and usage value.
Stefanny Margaretha PERANCANGAN INTERIOR UNTUK KOMUNITAS RECYCLE SAMPAH PLASTIK SEBAGAI TEMPAT WISATA DAN PEMBELAJARAN Stefanny Margaretha; Alicia Inneke
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.101

Abstract

The city of Surabaya is the second largest city after Jakarta and of course is inhabited by millions of peoplewho produce trash every day, especially plastic waste which is mostly produced from used food containers,plastic cups, straws and plastic bags. Various methods are used by the government to overcome this problemso that the city of Surabaya can become a cleaner and more beautiful city. One community in Surabaya calledthe Waste Recycling Project is a caring community, focusing on the waste recycling activities in Surabaya.The Waste Recycling Project community is able to change the form (transformation) of waste into functionalgoods. This encourages this community to have a place where it can be developed into a community tourismdestination with a Human Centered Design approach where people and tourists can come to visit the WasteRecycling Project to tour and learn together about plastic waste management. This interior design is focusedon designing a community place that can accommodate gathering activities for service learning, space forplastic waste recycle workshop activities, and as a forum for aspirations of creative ideas as well as a gatheringplace for people who have interests and concerns for the surrounding environment.
Sunardi KONSEP DASAR PERTUNJUKAN WAYANG SINEMA LAKON DEWA RUCI Sunardi; I Nyoman Murtana; Sudarsono
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.102

Abstract

This paper aims to describe the basic concepts of wayang cinema performance Dewa Ruci play as an alternativeto the development of Indonesian puppets. Wayang Cinema is an innovative wayang performance in awide-screen film. The problems examined are: (1) what lies behind the creation of wayang cinema Dewa Ruciplay; and (2) what is the basic concept and structure of wayang cinema performance Dewa Ruci play. Thestudy was conducted by applying the methods of art creation, namely exploration, design, creation, andpresentation. The results showed that: first, the creation of wayang cinema Dewa Ruci play was motivated bythe decreasing of younger generation’s interest in wayang. The wayang life is marginalized, responding to thechallenges of the era namely the industrial era 4.0., And as a continuation of puppet show experiments.Secondly, the basic concept of wayang cinema Dewa Ruci play is to emphasize the work on the play and thepresence of the song as a driver of plot, characterization, and strengthening the atmosphere, in addition tobeing packaged in the form of widescreen films. Third, the structure of wayang cinema Dewa Ruci playemphasizes the portrayal of the Bima figure in achieving tirta pawitra with a new style.

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