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INDONESIA
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT
Published by Institut Seni Indonesia Surakarta
ISSN : -     EISSN : 27154351     DOI : https://doi.org/10.33153
Core Subject : Humanities, Art,
Arts Humanities
Seni, teknologi, dan masyarakat dewasa ini telah menyatu dalam praktik penelitian dan pengabdian masyarakat di perguruan tinggi seni. Tidak ada lagi jarak antara praktik seni dan teknologi, terutama dengan masyarakat. Pemisaha antara disiplin sain dan teknologi dengan sosial, humaniora, dan seni tidak lagi populer saat ini. Praktek seni sudah seharusnya melebur dan kehadirannya mewarnai teknologi dan masyarakat . seni tidak lagi terbatas menjadi menara gading yang berlindung di balik kredo seni untuk seni. Kehadiran seni semakin diperlukan dalam dunia yang kian berlari menuju kecanggihan teknologi. Seni telah membuktika hal tersebut dengan munculnya disiplin-disiplin baru dalam ilmu pengetahuan seperti disiplin desain, kajian budaya dan sebagainya. Dengan demikian terjadilah dialog antar disiplin yang memungkinkan seni memberi manfaat lebih bagi peradaban. Lembaga Penelitian dan Pengabdian Masyarakat Institut Seni Indonesia Surakarta konsisten mewadahi praktik seni dalam penelitain dan pengabdian masyarakat dengan perspektif yang lebih holistik. Seni dikembangkan tidak terpisah dengan masyarakat dengan segala dinamikanya.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 162 Documents
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Eko Sri Haryanto PENGEMBANGAN DESAIN SUVENIR MUSEUM SANGIRAN DENGAN PENDEKATAN LOKALITAS DAN TEKNIK DAUR ULANG Eko Sri Haryanto; Tri Prasetyo Utomo
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Souvenir is one of the media used as a support for the promotion of tourism objects. Good souvenir productsin addition to increasing the economic value of the product, can also be used as a medium of imaging a touristattraction in order to attract visitors to come and make visits. This applied research aims to find out souvenirproducts from traders in the Sangiran Museum, then a new souvenir design is carried out in accordance withthe demands of the function, economy, culture and image of the Sangiran Museum attractions. Souvenirdesigns made are expected to function well in supporting the appearance of the Sangiran Museum’s distinctiveproducts, in the end it is hoped that there will be additional transactions so as to increase the sales turnover ofsouvenir sellers in the Sangiran Museum environment. The design is based on the rules of the functions ofuse, safe and economical, environmentally friendly and has a distinctive character according to tourist destinationsin the Sangiran Museum. The object of applied design research is souvenir products at the SangiranMuseum, the method used in this study is descriptive with a qualitative approach supported by quantitativedata or also called multiple research strategies. Quantitative here uses data that is the result of observationsin the field, then compared with referenced references, resource persons and analyzed based on researchers’interpretation, then the design activities begin with the product discovery stage to obtain the results of innovationin the product design process. The results of this applied research are in the form of design and souvenirmoke up in accordance with the rules; the function, economy, beauty, locality and image of the SangiranMuseum. The results of the applied research are also expected to provide enrichment of the Interior AccessoriesCourse in the Interior Design Study Program, ISI Surakarta.
Satriana Didiek Isnanta MAKNA LORO BLONYO DAN DEFORESTASI DALAM PENCIPTAAN KARYA SENI INTERMEDIA Satriana Didiek Isnanta; Much. Sofwan Zarkasi; Asmoro Nurhadi Panindias
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.114

Abstract

This research was designed as an experimental study of intermedia art creation based research by reinterpretingthe loro blonyo statue as a source of ideas for creating works. Loro Blonyo is a pair of wooden sculpturesconsisting of a female statue and accompanied by a man wearing a Javanese traditional wedding dress in asitting position. Broadly, the meaning of the Loro Blonyo statue for the Javanese people is the unity of thecouple as a reflection of the harmony of the Javanese mind and harmony. The meaning of the loro blonyostatue is then analyzed, elaborated and reinterpreted. This research is an artistic study with a focus on thestudy of the creation of intermedia art creation using various media based on conceptual thinking with aninterdisciplinary approach. The purpose of this creation is to create a multi-media installation art that usesvisual, motion and sound elements. This artistic research method uses Dharsono’s Creative Creation (2016):research with are ethic and emic approach, exploration, experimentation and formation approach. The resultsof the research were concluded and became the basis for the concept of space-based intermedia artwork,namely multi-media installation art with a visual form of local culture as a strengthening of national identity.
Stella Matutina Septania PERANCANGAN INTERIOR DAN PRODUK BAGI KOMUNITAS PRAJANARA DENGAN PENDEKATAN ETNOGRAFI Stella Matutina Septania; Nydia Velita
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.115

Abstract

Indonesia is known by the abundance of culture and art in each of its regions. One of the cities that has adistinct cultural art is Ponorogo City in East Java. Ponorogo city is very well-known for its performance artwhich is called Reog and Jaranan. However, in modern days, Reog and Jaranan have been constantly associatedwith mystical beliefs and dark magic, therefore people start to abandon it. To resurrect the art of Reogand Jaranan, a community known as PRAJANARA (Padepokan Reog dan Jaranan Surabaya) is founded.This community is based in Surabaya and aims to conserve and develop Reog and Jaranan. This communityheld various cultural festivals and performs in numerous government events regularly to raise public’s awarenessabout the culture. They also conduct meetings called Sinau Budaya to share knowledge about Reog andJaranan. This community keeps growing and has potential to be even known, hence it needs a space toaccommodate their activities and needs. Through ethnography method, the author directly study the community’sbehaviours and characters, then comes up with a design of an open-space community space that answers thecommunity’s present and future needs.
Andreas Rio Adriyanto MEMAHAMI PERILAKU GENERASI Z SEBAGAI DASAR PENGEMBANGAN MATERI PEMBELAJARAN DARING Andreas Rio Adriyanto; Imam Santosa; Achmad Syarief
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.116

Abstract

Virtualization in learning provides a barrier between students and lectures. The existence of a digital partitioncreating a boundary that gives freedom of students to collect data and information. Previous studies haveshown the low engagement on students in completing online learning courses. Although there are still weaknesses,the implementation of online learning is a necessity. Students who will use this online learning aregeneration Z. They were born in the period of 1997-2012 when computer technology and the internet haddeveloped. They are more familiar with the concept of digital information technology before getting to know theconcept of school. This generation is also referred to as digital natives. This research uses literature studiesand surveys on digital generation in relation to their digital activities. The results of this study are expected tobe one source of understanding the behavior of Generation Z as the basis of developing online learningmaterials.
Ernest Irwandi EVALUASI PENDEKATAN PARTISIPATORI DALAM SENI, STUDI MURAL KOMUNITAS DI KAMPUNG KOTA Ernest Irwandi; Setiawan Sabana; Andryanto Rikrik Kusmara
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.117

Abstract

Mural art does not only function as decoration but it is an art activity that impact social life. Decorating villageswith murals has become an art movement across Java. Creation of mural in these villages involves manystakeholders (government, universities, students, artists), which can be considered as participatory art, thatemphasize on collaboration and shared experiences. In participatory art, artists’ and facilitator role is to encouragecommunity creativity. This research focuses on art community murals using participatory action researchapproach. This research aim to analyze collaborative art creation models, and examine how art canempower a community.
Thetania Mega Risadewi PERANCANGAN BOOTH PAMERAN KOMUNITAS WARP SEBAGAI HASIL PENGABDIAN MASYARAKAT Thetania Mega Risadewi; Maria Fransisca Listiarini Cahyadi
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.118

Abstract

There are a lot of creative communities in Surabaya, one of them is Waste Recycling Project (WARP). WARPis a community which focused on disposing plastic wastes into creative products. WARP Community providesa solution for environment problems and also supports Surabaya to become a Creative City in design fieldwhich can attracts tourists. The problem that needs to be solved is WARP Community’s needs space especiallyfor an exhibition. The purpose of this design is to support community’s activities. Moreover, it couldexpand WARP’s potential in Surabaya through the design’s appliance. The method used for this design isDesign Thinking, which covers understand, ideate, prototype, and test. The results of this community serviceis creative product in shape of exhibition booth with “Hexatica” as the concept
Vidya Kharishma PELATIHAN TEKNIK ECOPRINT UNTUK GURU PAUD Vidya Kharishma; Ulfa Septiana
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.119

Abstract

One of early childhood education that can help children to convey ideas and imagination is art. Eco-print is atechnique of art that utilizes natural materials as its ingredients. It has the potential to be a teaching materialin early childhood education so children can appreciate and learns environmentally friendly art by harness thenatural material around them. However, an eco-print lesson in early childhood education is still scarce due tothe lack of teaching materials and the lack of the teacher’s knowledge, specifically about eco-print techniquesfor early childhood education. This problem initiates the author to design training and teaching materials abouteco-print techniques for teachers of early childhood education. Before the training conduct, there will beresearch preparation, analysis of participant needs, trial and error design of the eco print. After then, evaluationconduct between trainer and participant. Based on an analysis of participant needs, the best eco-printtechnique for this training is hammering, which is the most straightforward eco-print technique. However, thehammering technique, which usually uses a hammer, is replaced with pestle wood because it is safer forchildren. The implementation of training was carried successfully in the South Jakarta through the POSDAYAcommunity. The result shows that teachers can accept the teaching materials due to the nature of its easyimplementation, easily obtained material, and safety procedures.
Tri Prasetyo Utomo DESAIN AROMATHERAPY DECORATIVE LIGHT DENGAN LAMPU ULTRAVIOLET DAN MINYAK ATSIRI Tri Prasetyo Utomo; Eko Sri Haryanto
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.120

Abstract

The lamp is one of the elements of interior conditioning, aromatherapy decorative lights in addition to beingused as lighting, can also be used to create an interior atmosphere. Aromatherapy decorative lights can bedeveloped into other functions that can support the activities of human needs in the interior, some of which arefor health and comfort. This artistic research is intended to make lighting products using wood that has notbeen utilized to the full. This artistic research is also trying to develop other materials which are still rarely usedoptimally, namely ultra violet lamps and essential oils. Essential oils are available in many tropical environmentswhile this is only used by the community as a medicinal ingredient and cooking spice. This artisticresearch activity begins with product discovery until innovation results are obtained in the product designprocess. The first stage in this published research is to determine the objects needed then conduct analysisand synthesis, then carry out the planning process in accordance with the needs of recovery, health andcomfort. This artistic creation is also trying to utilize the pallet wood waste that is commonly found at loadingand unloading locations of freight forwarding which is then combined with sonokeling wood as the main materialof the lamp. The results of this artistic study consist of several designs of Aromatherapy Decorative Lampsthat are used as room lighting elements, decorative elements and as aromatherapy media. The results of thisartistic research are also expected to provide sifting on the material for the MK Interior Design and MK. InteriorAccessories Design in the Interior Design Study Program at the Indonesian Art Institute in Surakarta.
Muhammad Arif Jati Purnomo TANAH SEBAGAI BAHAN PEWARNA PURBA YANG RAMAH LINGKUNGAN Muhammad Arif Jati Purnomo; Agung Cahyana
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.121

Abstract

Traces of “ ancient colors “ have begun to be known to humans since humans still live in caves. Some artifactsfrom the past are still displayed beautifully in several caves scattered throughout the world with conditions thatare still very good. This means that the colors depicted on the cave walls are still very clearly visible in thedirection of the colors such as red, white, black and brown. They have used natural coloring agents derivedfrom biotic and abiotic natural resources, such as animals, plants and mineral rocks Ancient colors becamean inspiration idea for researchers to conduct more in-depth research on materials and techniques by utilizingrocks or minerals that are around us. Stone, soil, bones, mixed with animal oil or fat can become coloringagents that have their own characteristics. It is possible to develop the potential of ancient colors that exist(plants, animals, soil, water, and rocks / minerals) in the batik center area of Sragen Regency to be exploredinto batik works of a characteristic region. The purpose of this Artistic (Art creation) research is to create anatural coloring formula from ancient rocks as an environmentally friendly natural dye for batik and its applicationto batik cloth.
Anggri Indraprasti PESONA KERATON SUMENEP DALAM DESAIN CINDERAMATA OLEH UKM KAYU UKIR KARDULUK, MADURA Anggri Indraprasti; Imam Santosa; Prasetyo Adhitama
PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Vol 2 (2019): Seni, Teknologi, dan Masyarakat #4
Publisher : LP2MP3M, INSTITUT SENI INDONESIA SURAKARTA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/semhas.v2i0.122

Abstract

Sumenep is a town located at the east part of Madura Island, East Java Province. It has a distinctive historyabout the Keraton and its people. Build in 1762, the Keraton of Sumenep is the only cultural heritage building,existed in East Java which is categorized as a ‘palace’. The people of Sumenep also inherit the skill of craftingwood, specifically in carving. The village of Karduluk is the only local craft industry in Madura which producelocal wooden furniture with its Madurese and Keraton’s flair. As a developing town with its rich cultural andhistorical background of the Keraton, Sumenep also needs to develop its wooden craft industry. This researchstudies the potential of the wooden craft industry of Karduluk in developing distinctive designs which cancontribute to the region’s tourism industry. One of the products that could contribute significantly is the localsouvenir. May it be the official souvenir of the head of the Sumenep Region or the contemporary souvenir forthe global tourism consumer. Using the ‘4D design method’ on developing products, define, design, developand disseminate, this research uncover the hidden treasures of the Keraton’s beauty from the wooden craftpeople of Karduluk.

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