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Sutasoma : Jurnal Sastra Jawa
Published by Universitas Negeri Semarang
ISSN : 22526463     EISSN : 26865408     DOI : https://doi.org/10.15294/sutasoma.v7i2
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
sutasoma
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 230 Documents
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Upacara Tradisi Ngasa di Dukuh Jalawastu Desa Ciseureuh Kabupaten Brebes Fadlillah, Mia Nur; Supriyanto, Teguh
Sutasoma : Jurnal Sastra Jawa Vol 8 No 1 (2020): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i1.36691

Abstract

Abstrak Artikel ini bertujuan untuk menjelaskan bentuk, makna, dan fungsi upacara tradisi Ngasa bagi masyarakat pendukungnya. Penelitian ini menggunakan pendekatan folklor dengan metode deskriptif kualitatif. Data yang dikumpulkan melalui teknik observasi, wawancara, dan dokumentasi. Analisis data meliputi seleksi data, mengidentifikasi data, dan deskripsi data. Hasil penelitian menunjukkan bahwa: (1) bentuk ritual yang menyertai keberadaan tradisi Ngasa meliputi tradisi bersih desa, ritual ciprat suci, perang centong, arak-arakan gunungan, ritual doa Ngasa, dan tradisi selamatan hidangan Ngasa; (2) fungsi tradisi Ngasa bagi masyarakat pendukungnya memiliki empat fungsi, yaitu fungsi religi, fungsi sosial dan budaya, fungsi pendidikan, dan fungsi hiburan; (3) makna upacara tradsi Ngasa terdapat di setiap prosesi tradisi tersebut. Kata Kunci: tradisi Ngasa, bentuk, makna, fungsi. Abstract This article aims to describe the form, the meaning, and the function of Ngasa tradition ceremony for its supporting communities. The study used a folkloric approach with qualitative descriptive methods. Data collected through observation techniques, interviews, and documentation. Data analysis included data selection, identifying data, and data descriptions. The results showed that: (1) The ritual form accompanying the existence of Ngasa tradition includes the village's clean traditions, ciprat suci rituals, Centong Wars, Gunungan procession, Ngasa prayer ritual, and the tradition of Ngasa dishes; (2) Ngasa tradition has four functions for their supporting community, namely religious function, social and culture function, education function, and entertainment function; (3) The meaning of the ceremony of Tradsi Ngasa is in every procession of the tradition. Keywords: Ngasa tradition, form, meaning, function.
Sinkretisme dalam Tradisi Bucu Kendhit di Desa Sidokumpul Kabupaten Tuban listiadah, Siti inzali; Purnomo, Sucipto Hadi
Sutasoma : Jurnal Sastra Jawa Vol 8 No 1 (2020): Sutasoma
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i1.37018

Abstract

ABSTRAK Penelitian ini bertujuan untuk mendeskripsikan struktur luar dan struktur dalam tradisi Bucu Kendhit serta untuk mendeskripsikan perwujudan sinkretisme dalam tradisi Bucu Kendhit di Desa Sidokumpul, Kecamatan Bangilan, Kabupaten Tuban. Pendekatan yang digunakan dalam penelitian ini adalah pendekatan struktural dengan metode kualitatif deskriptif. Teknik pengumpulan data yang digunakan adalah teknik observasi, wawancara dan dokumentasi. hasil penelitian ini adalah Hasil penelitian ini adalah (1) Tradisi Bucu Kendhit memiliki dua struktur yaitu struktur luar (surface structure) dan struktur dalam (deep structure). Struktur luar (surface structure) meliputi: a) Pra upacara dan komponen penyusun; b) Proses pelaksanaan dan c) Ubarampe. Sedangkan struktur dalam (deep structure) meliputi : a) Kepercayaan masyarakat terhadap Tradisi Bucu Kendhit. b) Adanya fungsi Tradisi Bucu Kendhit yang teridiri dari fungsi sosial dan fungsi religi. c) Makna filosofi Tradisi Bucu Kendhit yang terdiri dari makna kebendaan, makna perilaku, dan makna ucapan atau ujaran. (2) Tradisi Bucu Kendhit di Desa Sidokumpul, Kecamatan Bangilan, Kabupaten Tuban memiliki tradisi slametan sebagai perwujudan sinkretisme yang mengandung tiga unsur yaitu: unsur Hindu, unsur Jawa, dan unsur Islam. Kata Kunci: Sinkretisme, Struktur, Tradisi Bucu Kendhit ABSTRACT This research is aim to describe the surface structure and deep structure the tradition of Bucu Kendhit, and to describe the manifestation of syncretism in the tradition of Bucu Kendhit in Sidokumpul Village, Bangilan District, Tuban Regency. The approach used in this research is structure approach with descriptive qualitative method. Data collection techniques used were observation, interview and documentation techniques. The results of this study are: (1) The tradition of Bucu Kendhit has two structures namely the surface structure and the deep structure. The outer structure (surface structure) includes: a) Pre-ceremony and its components; b) The implementation process and c) Ubarampe. While the deep structure includes: a) Community trust in the Tradition of Bucu Kendhit. b) The function of the Bucu Kendhit Tradition which consists of social functions and religious functions. c) The meaning of the tradition of Bucu Kendhit's tradition which consists of material meaning, behavioral meaning, and the meaning of speech or utterance. (2) The tradition of Bucu Kendhit in Sidokumpul Village, Bangilan District, Tuban Regency has a slametan tradition as an embodiment of syncretism which contains three elements, namely: Hinduism, Javanese elements, and Islamic elements. Keyword: Sinkretisme, Struktur, Tradisi Bucu Kendhit.
Sêrat Bayanolah: Naskah Jawa sebagai Sarana Pelurusan Penyimpangan Akidah Islam Karya Raden Panji Natarata Rahmawati, Mila Indah; Rais, Wakit Abdullah; Wisnu Wibowo, Prasetyo Adi
Sutasoma : Jurnal Sastra Jawa Vol 9 No 1 (2021): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v9i1.40855

Abstract

Abstract Javanese literary works are considered as high-quality literary works. This is closely related to the noble values ​​contained in Javanese literary works. The teachings or noble values ​​in this Javanese literary work are usually referred to as piwulang literary works, namely works that originate from religious values ​​or teachings that come from God. One of the Javanese literary works with piwulang nuances is Sêrat Bayanolah. This work tells about the journey of a panatagama at the Yogyakarta Palace in discovering the true essence of life. To understand this concept is not easy because in reality there are many deviant schools of thought and religion which can derail people from the right path. This research was conducted in a descriptive qualitative manner. The data source used was Sêrat Bayanolah by Raden Panji Natarata, which was collected by the Museum of Reksa Pustaka Pura Mangkunegaran, Surakarta. Based on the research results, it was found that the essence of man as a creature is not the same as the essence of God (God) as the Creator. Besides, interpreting the concept of life and death must be adjusted to Islamic teachings because in reality there are still scholars and knowledgeable people who still misunderstand the concept of life and death. Keywords: Sêrat Bayanolah, Javanese script, deviations, faith
Pemakaian Bahasa Indonesia dalam Lirik Lagu Jawa Kontemporer: Studi Awal Kajian Morfologis Maryani, Zulisih
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42029

Abstract

Along with the times present contemporary Javanese songs with new music genres, including campursari, dangdut koplo, and hip hop. Contemporary Javanese songs are free songs by combining diatonic and pentatonic tones, without having to fulfill basic rules. By maintaining the authenticity of Javanese lyrics, there is the use of Indonesian in contemporary Javanese song lyrics. This research will examine how the use of Indonesian in contemporary Javanese song lyrics from the morphological aspects, especially those in the form of basic words and affixed words. There are three stages of strategy in this study, namely the stage of data filtering, data analysis, and presentation of the results of data analysis. The selection of data through observation is done using the basic technique, which is tapping. The tapping technique is followed by the advanced technique, which is a competent, free listening technique. The note taking technique as an advanced technique is also carried out to record the results of data listening on the data card in the form of transcription. Data analysis was performed to find out how to use Indonesian in contemporary Javanese song lyrics based on morphological aspects, especially those in the form of basic words and affixed words. It can be described that in addition to maintaining Javanese language, contemporary Javanese song lyrics also use Indonesian to convey expression and achieve aesthetics in song. Morphologically, the form of words used in relation to the use of Indonesian in contemporary Javanese song lyrics is the basic word and affix word. Basic words in the form of words that have not undergone a morphological process. Affixes used in contemporary Javanese song lyrics are suffixes, suffixes, and confixes. The affixes used are ber-, di-, meN-, ter-, and peN-. Suffixes in the form of -an, -ku, -mu, -i, -nya, and -pun. Meanwhile, there are also confixes ke-/-an, peN-/-an, di-/-kan, and meN-/-i.
Bahasa dan Pandangan Hidup Masyarakat Jawa Terkait Aktivitas Pertanian Padi di Desa Tladan Kecamatan Kawedanan Kabupaten Magetan (Kajian Etnolinguistik) Anjarwati, Nanda
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42135

Abstract

Ethnolinguistics is a study that connects linguistic concepts related to culture in local communities. The people in Tladan village, Kawedanan district, Magetan regency are still familiar with the terms rice farming activities from generation to generation, so the relationship between Javanese language and culture in the use of the term rice farming activities can be studied with an etnolinguistik approach.The purpose of this research is (1) to describe the form of language in Javanese culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) to describe the lexical, gramatical and cultural meanings summarized in Javanese languages and culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (3) describes the mindset, perspective on life, and the world of the peasant community in Tladan Village in Tladan village, Kawedanan district, Magetan regency. This type of research is basic research, the level of this research is descriptive qualitative.The data was collected using farming activity observation techniques, proficient methods, and literature study. The data research were analyzed by distribution method (distributional) and the equivalent method. This result of this study are (1) the form of language described by monomorphemic, polymorphemic, and phrases contained in the language in Javanes culture related to rice farming activities in Tladan Village, Kawedanan district,Magetan regency (2) the lexical,gramatical, and cultural meanings contained in the language of Javanese culture related to rice farming activities in Tladan Village, kawedanan district, Magetan regency (3)mindset, perspective of life, and the world of the peasant community in Tladan Village, Kawedanan district, Magetan regency. Keywords : ethnolinguistics, rice farming, Magetan, Tladan
The Kajian Sosiopragmatik Strategi Tindak Tutur Kritik Karakter Antagonis Ibu Jawa; Bu Tejo dalam Film Tilik Ridho'i, Nora Dita Zakiah
Sutasoma : Jurnal Sastra Jawa Vol 9 No 1 (2021): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v9i1.42137

Abstract

Abstract The sociopragmatic study is one that can explore the reflection of local wisdom that can be learned by the Javanese and even nationally. This research data is working from the Short Film - Tilik (2018) by focusing on the main character who is also the antagonist, Bu Tejo. Performed with an image of cynical Javanese mothers, it is good to see how the strategy is used and what are the motivations rely upon behind the utterances. Analysis of the study of speech act of criticism strategies can be used to hone of forms this characters often use. To conduct this research, the method used is transcribing all dialogues that are focused on only Bu Tejo's dialogue. There were 81 strategies of critical speech acts classified based on the form of direct criticism speech acts and indirect criticism speech acts. Direct speech acts criticism includes negative evaluation strategies, disapproval, expressions of disagreement, identify of problems, statements of difficulty and consequences. Meanwhile, the strategy of indirect speech acts criticism are corrections, identifying standards, demanding for change, request for change, suggestions of change, expressions of certainty and asking/presupposing. In examining the narrative using these strategies, it is also discovered the social motive implied by the main character of this antagonist through his critical utterances. Keywords: Speech act of criticism, sociopragmatics, film
Gaya Bahasa dalam Singir (Syi'ir) Mutiara Isra' Mi'raj sebagai Puisi Jawa Tradisional Nurianti, Arum Novalia
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.42762

Abstract

Syi’ir is one of the literary works belonging to traditional Javanese poetry which requires a variety of language styles. Therefore, this research aims to examine (1) the form of language style that is in Syi’ir Mutiara Isra’ Mi’raj and (2) the function of language style that is in Syi’ir Mutiara Isra’ Mi’raj. The theory used is the Keraf language style theory with a stylistic approach from Nurgiyantoro. The data from this research in the form of the lyrics in Syi’ir Mutiara Isra’ Mi’raj . Data collection uses the documentation method in the form of personal documents from informants. The results of this study indicate that there are six dominant language styles and their functions in Syi’ir Mutiara Isra’ Mi’raj including; (1) antonomasia language style with labeling and characteristics function; (2) anaphora language style with emphasis function; (3) assonance language style with sound beauty function; (4) antithesis language style with the function of comparing two opposites; (5) anaculoton language style with the function of concentrating meaning in short language; and (6) enumeration language style with image generating function. Keywords: language style, Singir Mutiara Isra’ Mi’raj, javanese poetry
Analisis Intertekstual Timun Mas dan Buto Ijo pada Iklan Marjan dan Cerita Rakyat Indonesia Devi, Ade Anggraini Kartika; Mawadah, Ade Husnul
Sutasoma : Jurnal Sastra Jawa Vol 9 No 1 (2021): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v9i1.42836

Abstract

Abstract This study aims to analyze the intertextuality of Timun Mas and Buto Ijo in the Marjan advertisement with Indonesian folklore. The advertisement is considered as a text derived from the previous text because it uses the characters of Buto Ijo and Timun Mas, namely the legendary figures of folklore entitled Timun Mas and Buto Ijo. The data sources are the Timun Mas and Buto Ijo versions of Marjan advertisements and the Timun Mas and Buto Ijo folk tales. Descriptive analysis was carried out using an intertextuality approach to see the relationship between the two texts. The results showed that the character of Buto Ijo in the Marjan advertisement and Indonesian folklore had some similarities and differences. The similarity is Buto Ijo is tall, big, and green. Buto Ijo, as his name implies, is told as a giant green figure who has great strength. The difference lies at the end of the story. In the advertisement, Buto Ijo has a happy ending by joining the Timun Mas family to celebrate Eid. While in folklore, Buto Ijo has a tragic ending. Buto Ijo died from drowning in a sea of ​​shrimp paste that turned into embers in the ocean.
Apokaliptik Sastra dalam Tradisi Kebo-Keboan Desa Alas Malang, Banyuwangi Rizal, Maulfi Syaiful; Walida, Vina
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43010

Abstract

A tradition that offers a magical element in its implementation always attracts the human senses. This magical element is one of the sacred factors in a tradition. One tradition that is thick with elements of sacredness is the tradition of boredom in the village of Alas Malang, Banyuwangi. Therefore, this research is written as an effort to maintain the existence of the kebo-keboan tradition so that it is in line with the development of the tourism world in Banyuwangi and to explain apocalyptic values ​​in a tradition called kebo-keboan. This apocalyptic value is a form of harmony between humans and nature in the implementation of the boredom tradition. This research is a qualitative descriptive study using ethnographic method approach. The data in this research is the speech or behavior of the people of Alas Malang Village related to apocalyptic elements. In collecting data, researchers used observation and interview techniques. Meanwhile, in analyzing the data, the researcher took several steps, namely data reduction, data presentation, and drawing conclusions. The results of the research show the stages in the implementation of the kebo-keboan tradition which are divided into three, namely the opening, the core in the form of the earth ider, and the closing. Literary apocalyptic in the cultural tradition is described in the figure of Mbah Buyut Karti who is considered a hero, the agricultural environment and pageblug as an apocalyptic environment, and whisik as a vision or prophecy.
Tembang Macapat: Kritik Sosial Sedulur Sikep terhadap Ekspansi Industri Semen di Pegunungan Kendeng Iriyanto, Ery
Sutasoma : Jurnal Sastra Jawa Vol 8 No 2 (2020): Sutasoma: Jurnal Sastra Jawa
Publisher : Jurusan Bahasa dan Sastra Jawa Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sutasoma.v8i2.43185

Abstract

Macapat song is an ancestral heritage that contains life guidance for the Javanese. Each lyric or cakepan of the Macapat song has a deep meaning. However, for Sedulur Sikep Sukolilo Pati, the macapat song was used as a social criticism of the plan to build a cement factory in the Kendeng Utara mountains. Cakepan macapat song is adapted to the social criticism that is to be conveyed through the song. This research uses literary criticism studies (expressive criticism) with a descriptive analysis approach. The research data is in the form of cakepan tembang macapat. Sources of research data, namely Sedulur Sikep figures and social media. Methods of data collection using observation, interviews, and documentation. Data analysis using data reduction techniques, data presentation, and data verification. The results showed that the social criticism used by Sedulur Sikep through the macapat song consisted of five Pangkur songs and one Dhandhanggula song. The social criticisms include, 1) farmers land planted with cement factories, 2) justice must be upheld, 3) casualties caused by miners, 4) the government torments farmers, 5) the earth begins to prosecute nature destroyers, 6) commemoration of earth day is useless. Keywords: macapat song, social criticism, Sedulur Sikep, cement industry, Kendeng mountains.

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