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Riyana Rizki Yuliatin
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Jln. TGKH. M. Zainuddin Abdul Madjid No. 132 Pancor Selong, Lombok Timur, NTB, 83611, Telp. (0376) 21394, 22953, Fax. (0376) 22953
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Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
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BAHASA PERLAWANAN DAN POLITIK TUBUH DALAM TEORI DRAMA PASCA-KOLONIAL HELEN GILBERT DAN JOANNE TOMPKINS Khurosan, Herpin Nopiandi; Yuliatin, Riyana Rizki
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This paper is a review and preparation of concepts, ideas and theoris of post-colonial drama in Helen Gilbert andTompkins?s sense. I use ?Post-Colonial Drama: Theory, Practice, Politics? as a main source of their ideas about post-colonial Drama. I limited this paper in theories of canonical counter-discourse, the language of resistance, and body politics in post-colonial context. The result of this reconstruction to their theories is developed to become theoretical and methodological framework which can be used to analyse post-colonial drama in later researches.
Bentuk Penyajian Gendang Beleq Guntur Tlu Desa Songak Kecamatan Sakra Lombok Timur NTB Rohin, Wiwin Familia
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1632

Abstract

This study aims to describe the form of serving Gendang Beleq Guntur Tlu Songak village, Sakra Lotim district, NTB. The approach used in this research is descriptive qualitative. The object in this study is Gendang Beleq Guntur Tluwhich includes the performance. The subjects in this study were supporters of Gendang Beleq Guntur Tlu itself. The study focused on the form of gendang beleq gutur tlu. Data collection by observation, interviews and documentation. Data is done bydata reduction, data presentation, conclusion. To check the validity of the data, the data validity technique is used by triangulation technique. From the results of the study, it has been found about: (1) The form of the presentation Gendang Beleq Guntur Tlu is a form of dance orchestra music using various traditional musical instruments and covers Gendang Beleq Guntur Tlu itself, performance, performance procedures, floor pattern, dance, place of show, cosmetology, fashion, and music; (2) musical instruments used by gendang beleq, petuk, cemprang / ceng-ceng, reong, gong, oncer.
Kesenian Reyog Ponorogo dalam Teori Fungsionalisme Kristianto, Imam Kristianto
TAMUMATRA Vol 1, No 2 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i2.1171

Abstract

Kesenian reyog Ponorogo adalah kesenian rakyat yang tumbuh dan berkembang pada wilayah Ponorogo dan berkembang di Jawa dan luar Jawa, yang mana syarat akan nilai-nilai yang terkandung didalam pertunjukannya. Maka Penelitian ini bertujuan untuk memaparkan dan menganalisis Kesenian Reyog Ponorogo dalam teori fungsionalisme. Pelaksanaan penelitian dilakukan di Kabupaten Ponorogo Jawa Timur. Metode yang digunakan adalah metode penelitian kualitatif dengan pendekatan, seni pertunjukan dan antropologoi. Objek dalam penelitian ini adalah kesenian Reyog Ponorogo meliputi fungsi dalam kajian kontekstual. Dari hasil penelitian ditemukan tentang fugsi kesenian reyog Ponorogo terdiri dari a) agama b) sosial ekonomi c) pendidikan d) birokrasi dan e) estetika.
ESTETIKA PERTUNJUKAN DRAMA TRADISIONAL CUPAK GURANTANGDI SANGGAR DEWI ANJANI DUSUN KELOTOK DESA WAKAN KECAMATAN JEROWARU KABUPATEN LOMBOK TIMUR- Rahmani, Uhya Ruri Yuapi; Yuliatin, Riyana Rizki; Imtihan, Yuspianal
TAMUMATRA Vol 3, No 2 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i2.3735

Abstract

This study aims to describe the aesthetics of the traditional drama performance of Cupak Gurantang in Kelotok Village, Wakan Sanggar Seni Dewi Anjani Village. The approach used in this study is a qualitative method. The aesthetic value in the traditional drama performance of Cupak Gurantang can be seen in terms of form, content and appearance. The form of the traditional drama drama Cupak Gurantang appears in aspects that support the performance which consists of forming elements such as, theme, setting / setting, plot, language, character and characterization, mandate, and supporting elements such as, stage layout, make up and fashion, lighting or lighting, and sound system. The component  form  of  the  performance  gives a  dynamic  impression  so  that  the message to be conveyed is received by the audience. The contents of the show can be  seen  from  the ideas or  ideas that  come  from the theme  of the  story,  the atmosphere that is displayed, and the message that contains human values that can be an example for social life. Appearances are seen from the talents and skills of the traditional drama drama Cupak Gurantang.
Formula dan Tema Syair Pengiring Tari Aceh Likok Pulo Anwar, Humaira
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2297

Abstract

Likok Pulo Dance is one of the traditional dances from Aceh that is accompanied by song which called syair. Syair sung by the syeh throughout the dance. This dance originated from the Aceh Island (Pulau Aceh), Aceh Besar, Aceh, and was used as a way of preaching. As an oral literature, syair of the Likok Pulo Dance has formulas and themes. This study aims to describe the formula and theme. Descriptions of formulas and themes will be carried out with Albert Lord's formula and theme’s theory. This research method is a qualitative method with from the documents instrument. The results showed that the accompaniment of the Likok Pulo Dance contained the formula hai adôe, Allah, ya Allah, and the lon idang phrases. The theme for the accompaniment syair of the Likok Pulo Dance is zikir which is remember the God from the stories. This relates to the main purpose of the Likok Pulo Dance as one of the means of preaching in the past.
Retracted Notice : KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH Fajrianti, Nur Aini; Imtihan, Yuspianal
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1558

Abstract

Artikel dengan judul "KOMPOSISI GERAK PADA PERTUNJUKAN KESENIAN TARI PETUK DI DESA SADE KABUPATEN LOMBOK TENGAH" telah dilakukan pencabutan pada Volume 01 No 1 2018 pada tautan http://e-journal.hamzanwadi.ac.id/index.php/tmmt/article/view/1558. karena sudah ditemukan terbit pada  Jurnal Kaganga:Jurnal Pendidikan Sejarah dan Riset Sosial-Humaniora dengan nomor volume 02 No 2 2019 dengan link https://journal.ipm2kpe.or.id/index.php/KAGANGA/article/view/831 Isi artikel yang dibuat ini dipublish di 2 jurnal berbeda dengan waktu yang berbeda meski telah dipublish pertama kali oleh jurnal Tamumatra, akan tetapi karena ada oknum yang tidak bertanggung jawab mempublish juga di jurnal Kaganga: Jurnal Pendidikan Sejarah dan Riset Sosial. sehingga pihak dari tamumatra melakukan Penarikan (Retracted) dari artikel ini
Teater Sebagai Wacana: Sebuah Metode dalam Garapan Seni Pertunjukan Padepokan Seni Bagong Kussudiardja (PSBK) Satrya HD, Dharma
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1125

Abstract

This study focuses on theatre theory art resident (PSBK) developed by Bagong Kussudiarda. It applied ethnography research. Researchers is as the audience as well as Brigade Pamungkas Jagongan Wagen (JW) team. This research is about the creative process from the researcher’s experience. Researchers conducted observations actively in his creative process, so this research is an ethnographic writing about PSBK theatre process. The result shows that theatre is stated as a method of early theatre production.  Discourses of theatre are viewed genealogically, from Teater Menyenangkan, Teater Super Menyenangkan, Sandiwara Teater Perempuan, Adi Seni Teater, Sekar Sajen, Jenaka Akting Teater, and Mendadak Teatrik Intrik Musik Asik. PSBK considers theatre not only as the subject, but also as the object of performance art.  
Strategi Pembelajaran Daring Praktik Vokal di Prodi Musik Fakultas Seni Pertunjukan ISI Yogyakarta Nugroho, Titis Setyono Adi; Kusumaningrum, Maria Regina Murti
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4018

Abstract

The background of this study is based on the impact that occurred due to the Covid-19 pandemic that attacked the world including Indonesia, especially in the education sector which requires learning to be done online. In this case the impact specifically occurred on vocal practicum-based learning in the Music Study Program of the Faculty of Performing Arts, Yogyakarta Indonesian Institute of Arts. Human vocal sound as a learning priority becomes vulnerable to being distorted due to internet network instability, lack of bandwitdh and music facilities owned so that output becomes not maximal. The purpose of the research is to find out the right, effective and efficient online learning strategies in the vocal practice lectures of the Music Study Program of the Faculty of Performing Arts, Yogyakarta Indonesian Institute of Arts. As a theoretical foundation, the study used the concept of interaction by Belawati and the locus of control by Lowes and Lin. This research is qualitative with case study methods and uses purposive techniques, observations and interviews. The results of the study found that the interaction between lecturers in vocal practice, fostered students, vocal learning materials, and the learning system or technical used is a collection of elements that synergize with the attitude of personal reflection or locus of control in an effort to form an online learning strategy of appropriate, effective and efficient vocal practice in the Music Study Program of the Faculty of Performing Arts, Yogyakarta Indonesian Institute of Arts.
Kajian Gerak dalam Pertunjukan Tari Barapan Kebo di Sanggar Sareng Nyer Kabupaten Sumbawa Barat Saputra, Herdyon; Yuliatin, Riyana Rizki; Kailani, Ashwan
TAMUMATRA Vol 3, No 1 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i1.3027

Abstract

This study aims to describe the form of performances and movement of Barapan Kebo Dance in Sanggar Sareng Nyer, Sumbawa Barat Regency. This study uses the theory of performing arts Y.Sumandiyo Hadi (2018: 5) that the performing arts are always associated with aspects of time, space, and the player, the theory of motion dance Robby Hidajat (2018: 81) that the motion of the dance is a process of moving from one posture to the attitude of the other. The study was conducted at Sanggar Sareng Nyer, Sumbawa Barat Regency. This study was a qualitative method. The Primary data sources were Barapan Kebo dance performances and secondary data sources in the form of documents, photos, recordings, videos and others that can enrich primary data. The techniques of data collection were 1) observation, 2) interviews, 3) documentation. The data analysis techniques were used by 1) data reduction, 2) data presentation, and 3) data inference. Meanwhile, to check the validity of the data was done by using the data triangulation technique. The results showed that the form of seven stages of the Barapan Kebo dance performance and dance movements that used several typical Sumbawa Barat movements, the movements in the Barapan Kebo Dance include ngomek ngompeng, bagerik, barue’, marenjang, kaliung luntar, ngijik, bejampi, basalunte, and bakeja. There was a division of meaningful and pure movements, meaningful movements including bejampi, basalunte, ngomek ngompeng, and ngijik. Meanwhile, pure motion includes marenjang, kaliung luntar, bagerik, barue', and bakeja.
Komposisi dan Teknik Permainan Alat Musik Marawis Pada Lagu “Sufna Yuna” di Pondok Al-Muawwanahyuna di Pondok Al-Muawwanah Efrianti, Baiq Ririn Ety
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1629

Abstract

This study aimed to describe the composition and technique of Marawis musical instrument play on the song “Sufna Yuna” in Pondok Al-Muawwanah, Johar Baru, Penujak Village, Central Lombok Regency. The research was conducted in Johar Baru, Penujak Village. The approach used in this study was descriptive qualitative. The object of this research was the marawis music of Al-Muawwanah boarding school which includes the composition and technique of playing musical instruments marawis on yuna sufna songs. Data collections were done by 1) observation, 2) interviews, and 3) documentation. Data analysis was carried out by 1) data reduction, 2) data presentation, and 3) conclusions. To check the validity of the data, the data validity technique is Credibility. From the results of the study found about: 1) the composition of musical instruments marawis on yuna sufna songs include rhythm / rhythm, tempo, dynamics, poetry, and instruments. 2) the technique of playing musical instruments marawis on yuna Sufna songs consists of the technique of playing or technique, and the sound of each musical instrument.

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