cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Riyana Rizki Yuliatin
Contact Email
riyanarizki.y@gami.com
Phone
+6281803736337
Journal Mail Official
riyanarizki.y@gami.com
Editorial Address
Jln. TGKH. M. Zainuddin Abdul Madjid No. 132 Pancor Selong, Lombok Timur, NTB, 83611, Telp. (0376) 21394, 22953, Fax. (0376) 22953
Location
Kab. lombok timur,
Nusa tenggara barat
INDONESIA
Tamumatra : Jurnal Seni Pertunjukan
Published by Universitas Hamzanwadi
ISSN : -     EISSN : 26217244     DOI : 10.29408/tmmt
Core Subject : Education, Art,
Arts Education
Jurnal TAMUMATRA (e-issn: 2621-7244) mempublikasikan hasil penelitian dan kajian analitis dalam bidang pendidikan seni dan seni pertunjukkan drama, tari, dan musik. TAMUMATRA terbit dua kali setahun yaitu Juni dan Desember
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
 2   3   4   5   6 
Reproduksi Lagu India pada Industri Lagu Aceh Erlinda, Erlinda; Anwar, Humaira; Juliana, Rena
TAMUMATRA Vol 1, No 2 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i2.1355

Abstract

Dengan perkembangan industri lagu Aceh yang semakin pesat, perhatian masyarakat semakin tinggi pula terhadap industri lagu Aceh. Tidak jarang masyarakat Aceh menemukan irama lagu India yang sudah mereka tonton sebelumnya diadopsi oleh irama musik Aceh dengan hanya mengganti liriknya ke dalam Bahasa Aceh. Penelitian ini mengemukakan alasan masyarakat Aceh menyukai lagu India dan bagaimana tanggapan pelaku musik Aceh terhadap perkembangan lagu Aceh yang dipengaruhi lagu India.Penelitian ini menggunakan pendekatan kualitatif dengan instrument penelitian kuisioner, wawancara, dan dokumen. Populasi dalam penelitian ini adalah masyarakat Aceh dan sampelnya adalah 5 orang masyarakat asal masing-masing kabupaten/kota di Aceh (secara random) dan 3 produser/penyanyi Aceh. Hasil penelitian menunjukkan bahwa alasan masyarakat Aceh menyukai lagu India adalah karena seringnya menonton film India dan lagu-lagu soundtrack­-nya sering diputar di tempat-tempat umum di Aceh. Selanjutnya, tanggapan produser/penyanyi musik Aceh terbagi menjadi dua, yaitu menolak adopsi lagu India ke dalam lagu Aceh dengan hanya mengganti liriknya dengan alasan seorang artis seharusnya menghormati artis lainnya. Ada pula produser/penyanyi yang menerima adopsi ini karena hanya ingin menyajikan musik yang diinginkan masyarakat Aceh itu sendiri.
Penyelenggaraan Sala Hatedu 2021 Secara Virtual Wujud Mempertahankan Eksistensi Event Budaya Di Era Pandemi Azizah, Syifa Fiqri
TAMUMATRA Vol 3, No 2 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i2.3666

Abstract

Artikel ini bertujuan untuk 1. Mendiskripsikan dampak pandemi covid-19 pada event Sala Hatedu, 2. Mengidentifikasi tantangan yang dihadapi oleh seluruh pihak yang berkaitan dengan event Sala Hatedu, 3. Mendiskripsikan eksistensi event Sala Hatedu. Metode yang digunakan pada penelitian ini adalah metode kualitatif. Metode yang melibatkan transkrip wawancara secara langsung dengan penyelenggara event Sala Hatedu yaitu Turah Hartanto, serta hasil-hasil observasi yang telah dilakukan secara langsung dengan menyaksikan event Sala Hatedu di Taman Budaya Jawa Tengah saat event berlangsung, serta menyaksikan secara virtual melalui live streaming youtube event. Hasil dari wawancara yaitu, mengetahui bahwa event Sala Hatedu 2020 harus dibatalkan meskipun persiapan dari peserta dan penyelenggara sudah matang. Dampak yang dirasakan oleh kedua belah pihak yaitu pada segi tenaga, waktu, biaya, dan lain-lainnya. Selanjutnya, tantangan harus dihadapi oleh penyelenggara dan peserta event Sala Hatedu 2021 pada saat persiapan event, serta saat event sedang berlangsung. Semua tantangan berhasil dihadapi oleh penyelenggara dan peserta event Sala Hatedu dengan berbagai cara sehingga event dapat berjalan sesuai dengan rencana. Dengan dapat berlangsungnya event Sala Hatedu tahun 2021, hal ini dapat dikatakan bahwa penyelenggara berhasil mempertahankan eksistensi event Sala Hatedu yang sempat tidak terlaksana pada tahun 2020.
Organologi Selober pada Sanggar Selober Pejenengan Desa Pengadangan Pringgasela Lombok Timur Baha, M Abdi; Murcahyanto, Hary; Imtihan, Yuspianal
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2308

Abstract

This paper aims to describe and describe the organology of a traditional musical instrument as seen from its physical classification at the Selober Pejenengan Studio in the Village of Inflation in the Pringgasela District, East Lombok using organology theories. The approach used in this research is descriptive qualitative. From the results of the study found about: 1) organology and the process of making a traditional musical instrument as follows, consisting of: the level of dryness, the process of selecting materials, the process of contracting, the process of making tongue lines, the process of making the head and feet of musical instruments, and the refinement process. 2) the production of tones on a traditional musical instrument that consists of tones produced by Selober Mame and Selober  nine.
KEANEKARAGAMAN PENGERTIAN YANG MELIPUTI ILMU DAN SENI Indiana, Jaduk
TAMUMATRA Vol 2, No 1 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i1.1519

Abstract

In this journal there is the essence of diversity of notions that include science and art is a qualitative research. It is a study of a view in the field of the understanding of science and art, which has meaning and usefulness in the form of science. Understanding of science can improve understanding and functions that are systematic, orderly, organized and methodical. These problems are characterized as: 1). Presentation of understanding of knowledge that contains extensive knowledge. 2). About the difference in understanding of science and understanding of art. 3). Factors of understanding science and art towards knowledge of concepts. 4). About the number of basic understandings of art such as technical, artistic, artistic forms, and skills to make it happen, as well as content knowledge that adheres to a technical reality and artistic form. 5). About the development of art that can be done by the creation of art in order to know the form of science in the form of art. If the main problem is formulated regarding the various meanings of the form of science and the form of art includes 2 things, namely: (1). What Is the Difference of Understanding of Science and Art. And (2). What is the connection between the definition of science and art in the concept. Whereas the purpose of this research is to know clearly the background of Wujug art and art form which contains the diversity of understanding and knowledge. This research was carried out using a oriented approach from the ethnographic workings of describing diversity based on three aspects: understanding, form of art and form of art. Based on the results of this study it can be concluded that the notion of science is a method. Considering the above, it is emphasized that in art works have similarities to existence with science. Thus the essence of the work of art is also a manifestation of symbolic expressions initiated, worked on and realized using methods.
The Love and Fool Tragedy in “King Lear” Drama by William Shakespeare Wahidah, Nurul
TAMUMATRA Vol 1, No 1 (2018)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i1.1126

Abstract

Literary work is one of the ways to show some phenomena in this world. Social condition in one country or city can be read in a novel or drama. All of the events and situation at the time become basic idea for author to elaborate his idea through imagination. The story which appeared in that work will be didactic matter for some people. The story also can be end by happy catastrophe or sad. The purpose of this written is to know and to gain social event that happened behind the story. The only key to get the meaning of that story is by reading process.  Beside that through reading, the meaning of the story in that work will be emerged.  Reading is a very important action to check the meaning of literary work or playwright. In this drama the story talks about foolish character which cannot get happiness. The story is so sorrowful and full of tragedy. The main character feels sadness and hopeless.  Without reading the meaning of that drama cannot be understood.  
Koreografi Tari Kreasi Bala Anjani Nahdlatuzzainiyah, Nahdlatuzzainiyah; Yuliatin, Riyana Rizki; Imtihan, Yuspianal; Murcahyanto, Hary
TAMUMATRA Vol 4, No 1 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v4i1.4337

Abstract

This study aims to describe choreography analysis, namely the form of motion, motion techniques and dance style created by Bala Anjani Sanggar Tunggal Galih Denggen Village, Selong District, Lombok Timur Regency. This type of research is descriptive qualitative using analysis of motion forms, motion techniques and motion styles. Data collection techniques in this study use observation techniques, interviews, and documentation. Data validity techniques use triangulation techniques. The results of the analysis of dance choreography created by Bala Anjani obtained that; The form of motion in The Creation of Bala Anjani dance has the Unity Principle of 6 forms of motion which each has elements of space, energy elements and elements of time vary, The principle of variation consisting of variations of movement, tempo of music and floor patterns, Principle of Repetition in each motion is characterized by a different duration of time, the Principle of Displacement is carried out by a pause of movement of one to two seconds to the next movement, the Climax Principle is performed at a fast tempo on the last movement. In Motion Engineering does not have a medium technique but has a complete and different instrument technique on each movement. While in the Style of Motion consists of bejonjong motion that is raised at a high level, Ngampeh motion is flicking with downward and upward movements followed by varied footsteps and ngampet motion that is peeling with fast movements. The conclusion of this study is 1) the form of motion analyzed from the principle of unity between the space forces of time, the principle of variation, the principle of repetition, the principle of displacement and climax; 2) motion techniques are analyzed from; Medium technique and instrument technique 3) motion style consists of Bejonjong motion, Ngampeh motion and Ngampet motion
Analisis Unsur Pokok Musikal Gending Arje pada Gendang Beleq Telaga Waru Pedaleman Daya Kotaraja Hafiz, Alwan; Markarma, Ridwan; Izzah, Ismatul
TAMUMATRA Vol 3, No 1 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i1.3026

Abstract

This study aimed to know and describe the main elemen musical of gending arje in gendang beleq telaga waru of pedaleman daye at kotaraja by using music and song theory. This study was used deskriptif qualitative. Base and result showed that the main musicalof gending arje in gendang beleq telaga waru had asection of song form, homophonis texture. In rhythm music tolls (gendang and kenceng or cemprang) was used rhapsoldic rhythmic and resultant rhythm which was only in gendang music tool. Chord melodiy in gendang beleq telaga waru of pedaleman daye was paudan kemuning
Maracas, Alat Musik Untuk Mengembangkan Kemampuan Seni Anak Usia Dini Ramdhani, Sandy; Suhirman, Suhirman; Hadi, Yul Alfian; Husni, MUhammad
TAMUMATRA Vol 2, No 2 (2020)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v2i2.2290

Abstract

Musik merupakan salah satu kebutuhan dalam perkembangan anak salah satunya adalah seni music. Seni music menjadi sebuah kegiatan pembelajaran yang digunakan dalam mengembangkan kemampuan seni anak. Salah satu alat music yang digunakan adalah maracas. Tujuan dari penelitian ini adalah untuk melihat penerapan alat music marakas dalam mengembangkan kemampuan seni anak usia dini. Metode yang digunakan adalah metode kualitatif dengan pendekatan deskriptif kualitatif. Instrument yang digunakan adalah lembar observasi dengan Teknik pengumpulan data adalah observasi. Sampel yang digunakan adaalah anak usia 4-6 tahun. Teknik analisis data menggunakan tringaluasi data. Hasil yang didapatkan adalah music marakas dapat meningkatkan kemampuan seni anak terutama seni musiknya. Anak dengan menggunakan music marakas menjadi bisa bervariasi dalam proses bermain musiknya. Music marakas juga sangat harmoni Ketika diikuti dengan lagu-lagu atau nyanyian. Selain itu bermain alat music marakas juga mampu meningkatkan kemampuan gerak anak terutama motoric halus anak.
Dekonstruksi Makna dan Peranan Tokoh dalam Struktur Teks Kemidi Rudat Murahim, Murahim; Yulianita, Isnaini
TAMUMATRA Vol 1, No 2 (2019)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v1i2.1367

Abstract

Masyarakat Sasak di Lombok, Nusa Tenggara Barat adalah masyarakat yang sangat kaya akan tradisi dan sudah dapat dikatakan menjadi bagian dari kehidupan sosialnya. Tradisi dalam masyarakat Sasak Lombok mengatur tata perilaku seseorang dalam bermasyarakat, sebagai pengendali social yang dipercaya mampu menghidupi masyarakat menjadi masyarakat yang beradab dan saling menghargai antar sesame.Tradisi tersebut dapat berupa upacara-upacara daur hidup, kematian, tata laku dan juga kesenian. Proses memaknai seni tradisi yang mengikuti perkembangan kebudayaan membutuhkan metode tertentu atau cara pandang melihat tradisi atau kesenian tradisional dengan cara yang berbeda. Dalam penelitian ini, metode yang digunakan adalah metode dekonstruksi, yaitu sebuah metode pembacaan teks dengan memasuki lebih dalam teks tersebut sehingga menemukan pentingnya hal-hal yang selama ini mungkin diabaikan dalam teks tersebut. Metode ini akan membawa makna baru yang dapat disesuaikan dengan perkembangan kebudayaan. Objek penelitian atau teks kebudayaan yang diteliti adalah teater tradisional masyarakat Sasak yaitu Kemidi Rudat.Simpulan yang diperoleh adalah peran tokoh utama terletak pada Jongos dan Khadam yang mampu menghidupkan suasana pentas dan wakil dari kebebasan atau kemerdekaan yang didamba setiap manusia. Peranan tokoh yang berimplikasi pada makna Kemidi Rudat yaitu kerinduan akan kebebasan atau kemerdekaan hidup manusia.
KESELARASAN GERAK, IRINGAN, DAN BUSANA PADA TARI DEWI SARASWATI Fatmasari, Intan; Murcahyanto, Hary
TAMUMATRA Vol 3, No 2 (2021)
Publisher : Universitas Hamzanwadi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29408/tmmt.v3i2.3741

Abstract

This study aims to describe the harmony of motion, fashion, and accompaniment to the dance of Dewi Saraswati. The approach used in this study is qualitative method of descriptor. By using the theory of harmony of harmony is conformity, harmony, harmony, and harmony. Data collection techniques using observation techniques, interviews and data collection with documentation. Data analysis used consists of three stages, namely data reduction, display data, and verification. Harmony of motion, fashion, and accompaniment in the dance Dewi Saraswati can be seen in terms of movement using basic motion (variety of motion) Balinese dance has a happy atmosphere with a sweet face nose cerungu (sweet smile), kekuwub (Authority). The accompaniment sound that also has a happy atmosphere, happy with a slow tempo, while because a dancer becomes a figure of Goddess, fashion in addition to being a supporting element of fashion in the dance Dewi Saraswati is in accordance with the history of the Dance Dewi Saraswati. The results of this study describe that harmony in the dance of Dewi Saraswati can be seen from the motion, fashion, and accompaniment in accordance with the history of Dewi Saraswati dance.

Page 4 of 10 | Total Record : 98

 2   3   4   5   6 

Filter by Year

2018 2025


Reset
Filter By Issues
All Issue Vol 7 No 2 (2025): Tamumatra Vol 7 No 1 (2024) Vol 6 No 2 (2024) Vol 6 No 1 (2023) Vol 5 No 2 (2023) Vol 5 No 1 (2022) Vol 4, No 2 (2022) Vol 4 No 2 (2022) Vol 4, No 1 (2021) Vol 3, No 2 (2021) Vol 3, No 1 (2020) Vol 2, No 2 (2020) Vol 2, No 1 (2019) Vol 1, No 2 (2019) Vol 1, No 1 (2018) More Issue