cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Muizzu Nurhadi
Contact Email
jurnalanaphora@untag-sby.ac.id
Phone
+6281336980311
Journal Mail Official
jurnalanaphora@untag-sby.ac.id
Editorial Address
Faculty of Cultural Sciences Universitas 17 Agustus 1945 Surabaya Jl. Semolowaru No. 45 Surabaya East Java 60118 Indonesia
Location
Kota surabaya,
Jawa timur
INDONESIA
Anaphora: Journal of Language. Literary and Cultural Studies
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : -     EISSN : 26563967     DOI : https://doi.org/10.30996/anaphora.v6i1
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Anaphora : Journal of Language, Literary and Cultural Studies is a double-blind peer-reviewed journal, open access, and biannual academic journal dedicated to the publications of research in the areas of language, literature, and culture studies. Anaphora: Journal of Language, Literary and Cultural Studies focuses on publishing research with the following areas: Applied Linguistics Language Acqusition Interdisciplinary Linguistics Literary Criticism Literature Theory Interdisciplinary Literature Cultural Studies Culture and Language.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 98 Documents
 4   5   6   7   8 
SOCIAL ISSUES IN JACQUES LOB’S “SNOWPIERCER” Monica Alivia Hani Pratiwi
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 4 No 2 (2021): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v4i2.6076

Abstract

This study entitled “Power Relation In Jacques Lob’s Snowpiercer” is about social issues between passengers in front sections to tail sections, depicted through the story and characters in this novel. In this study, there are two questions to be answered: The forms of power relationships shown in Jacques Lob's novel Snowpiercer and the individuals involved. The purpose of this study is to look at the many forms of power relationships and the persons that are involved in them using numerous characters from the novel. The author applies Michel Foucault's (1977) theory to illustrate how passengers in front and back sections interact in terms of power. The descriptive technique is used in this study, and extrinsic approaches are used. The findings reveal that there are two distinct forms of power relationships. To begin with, sovereign power is a sort of authority that has total control over all persons in a community. Second, disciplinary authority seeks to establish discipline bodies. The outcome also exposes that certain characters have manipulated information and truth via the use of power relationships.
FRONT AND BACK MATTER VOL. 4 NO. 2 Muizzu Nurhadi
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 4 No 2 (2021): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Front Matter Anaphora: Journal of Language. Literary, and Cultural Studies Volume 4 Number 2, December 2021
Grammatical Errors in Using Tenses Made by ESP Students Arni Fitri; Nyayu Yayu Suryani
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6262

Abstract

Sometimes the students of ESP or Non-English majoring error in using tenses. The low level of students' understanding of tense is one of the factors that greatly influences errors in making sentences. The objective of this research was to describe the students’ errors and its causes in using tenses. In this research, the writers used a qualitative method in a form of descriptive analysis (percentage) that included observation, collecting the students’ test, analyzing, and interpreting the data. For collecting the data, the researcher used test as the instrument. This research was conducted to 35 ESP students of Pharmaceutical Study Program of Institute of Health Science of Siti Khadijah Palembang. The result of the research showed that the percentage of the error made by 35 students as the samples in using tenses was 75%, consisted of the error of selection was 30%, the error of omission was 24% and error of ordering 21%. It means that the students of Pharmaceutical Study Program of Institute of Health Science of Siti Khadijah Palembang made error in using tense, because more than 70% of the students made error. The probable sources of the students’ error were interlanguage error and context in learning error, where 52% errors were caused by interlanguage.
The Elements of Multiculturalism in Dwilogi “Angin dari Tebing” by Clara Ng. Zulfikar Alamsyah
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6409

Abstract

This study discusses the values of multiculturalism contained in the dwilogi of "Angin Dari Tebing" by Clara Ng. This research aims to reveal the multiculturalism elements in Clara NG's dwilogi of “Angin Dari Tebing”. This research is based on the value theory of multiculturalism which Thobroni and Nurgiyantoro coined. The values of multiculturalism in the text are analyzed using Barthes' semiotic theory of connotation and denotation. The results of this study state that there are five values of multiculturalism contained in this dwillogi of children's stories: solidarity and brotherhood, gender equality, family values, a sense of contentment in life, and sharing and control of power. Of the five values, the values ​​of solidarity and brotherhood are described more by Clara. Each character with a different background has a high sense of tolerance and empathy so that no ethnocentrism can damage or negatively influence child readers. This study concludes that this book can be used as good reading material for children with good multiculturalism values. This book can teach about the importance of tolerance and mutual respect despite being in an environment with differences in race, ethnicity, religion, and language, as in Indonesia.
Picturing Homosexual Gesture in Call me by Your Name: Gender Performativity, Sexual Identity, and Sexual Activity Aisyah Nur Faidah; Ida Rosida
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6410

Abstract

The issue of LGBT is becoming one of the research fields investigated in literary studies. This topic has its critical academic discussion, especially how this behavior is related to gender, identity, gender role, and even considered destructive religious. This research aims to explore how homosexuality is depicted through homosexual gestures pictured in Call Me by Your Name, a film directed by Luca Guadagnino and released in 2017 at the Sundance film festival, United Kingdom, and the United States. This film successfully received the Best Adapted Screenplay at the 2018 Oscar. The method used is qualitative and engages with queer, Judith Butler on Gender performativity. The technique is a narrow textual analysis in which we are focused on the insight of the film's narrative text and images. We explore the homosexual gesture in Call Me by Your Name as presented by the film’s main characters, Ellio and Oliver by focusing on three performativities, namely, performance, homosexual identity, and sexual activity. The results show that in the form of homosexual gestures obtained: First, the performativity of the performance describes the general character and clothing worn by Elio and Oliver as a same-sex couple. Second, the performativity of homosexual identity shows that the actors are homosexual men. Third, the performativity of sexual activities such as kissing, and sexual deviations that are carried out in inappropriate places. In addition, the sexual relations between characters show the homoeroticism of sexual role stability, where there is a character who identifies with the sexual experience of the partner.
The Tumultuous Game of Legitimacy: Capital Contestation between Riggan, Mike, and Tabitha in Birdman (2014) Alexei Wahyudiputra; Edi Dwi Riyanto
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6415

Abstract

The contemporary Hollywood cinematic landscape is commonly filled with popular films that seek mass legitimacy. It is different from theatrical works or Broadway that are specifically aimed at connoisseurs. The ample evidence of popular films infers that American cultural field constructs its logicality in effect of this system. It affects at how one distinctively perceives theatre or Broadway as “art” and films as “entertainment", leading the actors within them to seek to be legitimized as an “actor/artist” in a distinctive way. This article specifically aims to diagnose this condition through Alejandro Gonzalez Iñárritu’s film entitled Birdman (2014) that tells a story of a washed-up American film actor who wishes to revive his career on Broadway. The research utilizes Pierre Bourdieu’s theory on the mechanism of symbolic power, capital, and trajectories to reveal the dynamics of the field in legitimizing one’s status as an actor and the paths one takes to be legitimized as an artist. The findings suggest the asymmetrical position between Broadway and films leads to exertions of symbolic violence as portrayed by Birdman. The skillset to act is not a measurement for one to be called as an “actor”, rather it is the complex nexus between the field and the agent’s background that determines the legitimacy.
The Impact and Trust of The Sumbersuko Community on The Three Sources Meyvani Chintyandini; Eggy Fajar Andalas
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6648

Abstract

Trust is a culture born and attached to the community that owns it. One of the beliefs that live in the community is the belief about Sumber Dawet, Sumber Kambang and Sumber Towo in Sumbersuko village, Purwosari sub-district. This study aims to 1) find out the stories that developed in the community regarding the origins of the three sources; 2) Community trust in the three sources in Sumbersuko village; 3) The impact caused by the existence of trust in three sources in Sumbersuko village. This research is descriptive research with a qualitative approach. The data source for this research is the people in Sumbersuko village, Purwosari sub-district, used as informants. The data of this research are in the form of observations: a) research location, b) resource persons (caretaker and the surrounding community), c) caretaker writing, d) condition of the three sources (Sumber Dawet, Sumber Kambang and Sumber Towo). Data collection procedures were carried out in various ways, namely a) Observation, b) Interview, c) Documentation, d) Recording, and e) Notes. The study results indicate various beliefs that live in the Sumbersuko village community towards these three sources, which will later affect how people think, act, and behave. The existence of a belief will give birth to an impact on people's lives. So it can be concluded that the people of Sumbersuko village still believe in the existence of ancestors and other supernatural things that still inhabit the three sources. This is still evident in their view of the sacred places in the form of these three sources.
Narrative Self-Healing in Ian McEwan’s The Atonement Mateus Rudi Supsiadji; Tegar Febrian Putra
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6050

Abstract

This study explores Briony's narrative self-healing to promote her healing. The purpose of this study is to clarify the portrayal of narrative self-healing in Atonement. The author adopts a psychology-analytical approach, focusing on the Four Stages of Psychotherapy in particular (Jung, 1966: 53-75). Confession, explanation, education, and transformation are the four stages of Jung's four-stage psychotherapy. The author also uses qualitative descriptive analysis to examine the various forms of Briony's narrative self-healing in Atonement. Through this study, the author learns how Briony reveals her narrative self-healing in Atonement, including her confession of her guilt that she accused Robbie of doing bad things, her explanation of her guilts to Robbie, her explanation of her effort to make some apologies for her guilty and the transformation of her guilt feeling.
English Register and Its Contextual Meaning in COVID-19 Outbreaks Used in Indonesia Diah Latifah Hanum Pratiwi; Fajar Susanto
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 2 (2022): DECEMBER
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i2.6406

Abstract

The emergence of the COVID-19 outbreak has been gradually changing the condition, which caused the rise of some registers in society to describe the conditions that are impacted by the outbreak. As some of those registers already existed before the outbreak, thus, those registers automatically have different meanings adjusted by the condition or the context. This study aimed to analyze the registers during COVID-19, the contextual meaning of those registers, and how those registers are understood and used in society. In response to the problems, this study utilized descriptive qualitative research. In collecting the data, document review and unstructured interviews were applied, and the data obtained were analyzed by using content analysis. The result of this study revealed that; 1) there were fifteen English registers of COVID-19 found and used in Indonesia; 2) those registers have contextual meanings as it adjusted by the existing conditions; and 3) most of people understand those registers well, provided by their perceptions or thoughts that are close to the actual contextual meaning of those registers. Thus, it can be concluded that people comprehend those register clearly so that they can use those register properly.
Gender Performativity as Asserted on Kate Chopin’s A Respectable Woman Cahyaningsih Pujimahanani; Rommel Utungga Pasopati; Flora Anasis
Anaphora : Journal of Language, Literary, and Cultural Studies Vol 5 No 1 (2022): JULY
Publisher : Universitas 17 Agustus 1945 Surabaya, Prodi sastra Inggris, Fakultas Ilmu Budaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/anaphora.v5i1.6423

Abstract

Literature is colored with gender studies that emphasize female struggle through social construction. The understandings widen from equalities between male and female to how woman should define her self-identity. Identity through gender is not static at all, but dynamic through its process as examined by Judith Butler through her concept of gender performativity. A Respectable Woman is Kate Chopin’s short story that tells Mrs. Baroda who is disturbed with the presence of her husband’s friend, Gouvernail, at her home. She is tempted by him but she realizes that and leaves home. She returns home and speaks to her husband, Gaston that she has made up her mind and be ready if his friend will stay over again. Then, how is gender performativity asserted on Kate Chopin’s A Respectable Woman? Through qualitative method on cultural studies, this writing underlines the wife’s firm state for not being tempted as her own self-definition. It becomes usual for a woman to fall to other man, but the wife thinks differently. She is aware of being tempted and she avoids it. Her identity is not defined by common ideas or dictated by male dominations. She is herself with her own determination by being so earnest. In conclusion, the wife’s resolution to step back, to think, and to return to her husband is her approach to define her identity. This is in line with gender performativity that is stated in line with Chopin’s focus on female subjectivity.

Page 6 of 10 | Total Record : 98

 4   5   6   7   8 

Filter by Year

2018 2025


Reset
Filter By Issues
All Issue Vol 8 No 1 (2025): JULY Vol 7 No 2 (2024): DECEMBER Vol 6 No 1 (2023): JULY Vol 5 No 2 (2022): DECEMBER Vol 5 No 1 (2022): JULY Vol 4 No 2 (2021): DECEMBER Vol 4 No 1 (2021): JULY Vol 3 No 2 (2020): DECEMBER Vol 3 No 1 (2020): JULY Vol 2 No 2 (2019): DECEMBER Vol 2 No 1 (2019): July Vol 1 No 2 (2018): December Vol 1 No 1 (2018): JULY More Issue