cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
I Komang Suastika Arimbawa
Contact Email
jurnalsanjiwanifbw@gmail.com
Phone
+6283119007995
Journal Mail Official
jurnalsanjiwanifbw@gmail.com
Editorial Address
Jalan Kenyeri Gang Sekar Kemuda Nomor 2 Denpasar
Location
Kota denpasar,
Bali
INDONESIA
Sanjiwani: Jurnal Filsafat
Published by Institut Hindu Dharma Negeri Denpasar
ISSN : 19787006     EISSN : 27229459     DOI : -
Core Subject : Religion, Humanities,
Religion Humanities
Sanjiwani: Jurnal Filsafat hadir untuk memberi ruang dan gerak bagi para penulis yang ingin mengembangkan dan menyebarkan nilai-nilai filsafat Hindu. Implementasi ajaran filsafat ini hampir setiap saat dijumpai dalam setiap aspek kehidupan umat beragama. Sanjiwani sebagai Jurnal Filsafat berusaha melakukan pencerahan melalui kontemplasi hakikat berbagai macam pengetahuan keagamaan. Kajian Filsafat, Ilmu Agama, dan Budaya
Arjuna Subject : Seni dan Humaniora - Filsafat
Articles 80 Documents
 1   2   3   4   5 
KONSEP FEMINISME GAYATRI CHAKRASVORTY SPIVAK DAN UPAYA MEMBANGUN KELUARGA UNGGUL (KAJIAN FEMINISME MODERN) Yunairi, Dewi
Sanjiwani: Jurnal Filsafat Vol 11, No 1 (2020)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v11i1.1538

Abstract

Concept understanding is very necessary in various things as well as understanding about balancing roles in a family, it needs the understanding of feminism concept. The concept which initiated by Gayatri Chakrasvorty Spivak becomes a reference, as the identity of women in post-colonial feminism is understood as an awareness of women's differences. Third world women are considered to have a greater burden of oppression than first world women. The burden is based on colonial and imperial oppression of gender, race, ethnicity and religion, so that women's identity in postcolonial feminism is directed at a more productive domain to understand identity based on nationality awareness. Gayatri Chakrasvorty Spivak as one of the postcolonial theorists carefully sees that sexual oppression directed at third world women is an oppression that leads to subaltern sovereignty. Therefore, a transformation of subaltern women's awareness is needed by understanding the differences in women's experiences as the basis that woman empowerment is important to be able to form women who are more active and productive, and contribute positively to their families and communities. Overcoming subaltern in families who have a patriarchal tradition is certainly not easy, many things and efforts must be carried out. Providing space and opportunities for women is one of the efforts to uphold justice for women to take roles. Efforts to make a superior family can not be separated from the role of women. The existence of cooperation between parts of the family becomes the perfection and excellence of a family.
Garbhadhana Samskara (Perspektif Seks dalam Veda) Sumertini, Ni Wayan
Sanjiwani: Jurnal Filsafat Vol 11, No 1 (2020)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v11i1.1528

Abstract

Having descent in Hinduism is an obligation in Grhasta Asrama. Before entering Grhasta Asrama, the rituals of purification for the bride and groom were carried out to clean the seeds of fertilities from dirty or mala elements, so as to produce good child. Garbhadhana Samskara is one of the ritual ceremonies performed at a wedding that functions as a purification of seeds, whether kama bang or kama petak. Sex in Hinduism is sacred because it is intended to obtain offspring through the path of dharma. The purpose of Garbhadhana Samskara is to reduce the number of abortions due to less responsible sexual activity, and reduce the risk of infectious diseases due to sexual enjoyments. Garbhadhana Samskara views sex as something sacred which is based on the value of holiness and truth, without being just a slave to sexual desires. The stories in Itihasa and Purana are also agree the concept of Grabhadhana where sex is sacred and time in intercourse is an important thing. More than that, Garbhadhana Samskara created the character of satvika in children, which has a positive contribution to the empowerment of human resources.
Mitigasi Spritual dalam Naskah Lontar Roga Sanghara Bhumi Ardiyasa, I Nyoman Suka
Sanjiwani: Jurnal Filsafat Vol 10, No 1 (2019)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v10i1.1629

Abstract

The island of Bali is an island very vulnerable to disaster, it is proven with historical records that Bali has experienced a major earthquake better known as Gejer Bali. Various efforts have been made by the community from the past until now in the effort of mitigation done in sekala and niskala.   In the community, people believe that if they want to avoid the disaster then the community must implement the tri hita karana, while niskala (theologically) done with various upakara. Upakara sources and the types of disasters that occur in this world are believed to be contained in the Lontar Roga Sanghara Bhumi manuscript. But the existence of the manuscript is not much to know so it is necessary to conduct a more in-depth review so that it can be disseminated to the public. To focus on these reviews, we focused on three problem formulas: analyzing the summary of the Roga Sanghara Bhumi lontar manuscripts, the types of disasters mentioned in the Roga Sanghara Bhumi lontar, and the theological attempts made in dealing with the disasters mentioned in lontar Roga Sanghara Bhumi.From the results of the study conducted it is briefly known that the lontar Roga Sanghara Bhumi contains about the causes of catastrophe or disaster occurred in the world, the types of catastrophes or disasters that can occur in the world and some characteristics of the coming disaster or disaster, while the types The disaster mentioned in the lontar of Roga Sanghara Bhumi is a type of disaster that repeats every sasih it and the kind of disaster that occurs which is seen from the bad gesture, in the concept of Lontar Roga Sanghara Bhumi called Durmanggala. The theological efforts undertaken in tackling the disasters mentioned in the lontar of Roga Sanghara Bhumi are performing ceremonies that are shown to Ida Sang Hyang Widhi Wasa with the aim of pleading for salvation such as Prayascita Ceremony, Master Piduka, Labuh Gentuh, Jagat, Pamahayu Bumi and Nangluk Mrana. All these ceremonies are theological (mitigation) efforts in reducing disaster risks that occur on earth.
Prinsip Hidup Kawruh Begja dalam Perspektif Anton Bakker Marsono, Marsono
Sanjiwani: Jurnal Filsafat Vol 10, No 2 (2019)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v10i2.1519

Abstract

This article outline aims to understand the principle of life in this kind of Javanese society based on Anton Bakker’s metaphysical theory. Describes the position of the Javanese as being there among other creators in a structure of reality. Javanese people in this context are assumed to have metaphysics, namely placing themselves as subjects as well as objects of metaphysics, and occupying a position as a being for themselves as well as being for others. The principle of kawruh thus is more dominant showing mental aspects in the form of the soul but, it is emphasized again that the soul and the body remain a unity of reality inseparable with their respective roles. The Javanese do not merely look at reality through their own perspective, but also look at the physical reality of the world outside themselves, then see the range of connectedness between themselves and the reality outside themselves.
Manifestasi Tuhan pada Tubuh Manusia dalam Teks Anggastya Prana Piartha, I Nyoman
Sanjiwani: Jurnal Filsafat Vol 9, No 2 (2018)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v9i2.1620

Abstract

The human body in the concept of Hinduism consists of three layers called Tri Sarira, namely: Sthula Sarira (body), Suksma Sarira (subtle body) and Anthakarana Sarira (causative body). Stula Sarira or coarse body is the outermost layer of the human body which is formed from the Panca Maha Buta, which consists of: Pertiwi (solid element), Apah (liquid element), Bayu (air element), Teja (heat / light element), and Akasa (ether). Suksma Sarira or subtle body which is a layer of the body that cannot be seen or touched, but is present    in mankind for example the mind. Anthakarana Sarira is a fine layer that is the cause of human life called Atman. Birth is closely related to the procurement of offspring, serves to pay birth debt. Debt in Sanskrit    is called Rna, which developed into Tri Rna, including: debt to the Gods (Dewa Rna), debt to parents or ancestors (Pitra Rna), and debt to the Rsi (Rsi Rna). In “Lontar Anggastya prana” it is told that the life of the baby while in the womb the mother is guarded and protected by Hyang Siwa / Siwatma.The process of creation (uttpti) begins with interest or liking at the age of adolescence until the relationship occurs / intercourse until fertilization occurs between spermatozoid (kama petak) with ovum (kama bhang) becomes Sang Hyang Antigajati in the form of the seed of life. When a child is looking for birth, he is called Sang Hyang Siwatma. When humans are born into the world, he is accompanied by four brothers called Chess Sanak in the form of Yeh Nyom (amniotic fluid), placenta, shampoo, and blood. The Catur Sanak accompanies humans from birth as Sang Anggapati, Sang Prajapati, Sang Bhanaspati, and Sang Bhanaspatiraja, until humans die and change their designation according to human development, and continue with the depiction of God in the human body in the form of sacred characters.
Simbol Tri Murti dalam Payas Agung Pengantin Bali Dewi, Ida Ayu Gede Prayitna
Sanjiwani: Jurnal Filsafat Vol 9, No 1 (2018)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v9i1.1611

Abstract

Balinese fashion and dress is one part of Balinese culture with elements of art that have existed in antiquity. The kings of Bali of his day have introduced a distinctive dress culture in their respective regions of power. Some types of Balinese have similarities and differences in forms such as Payas Agung Karangasem, Buleleng, Tabanan, and Badung. Payas Agung The Bali Bridal used to be a dress for the King and queen, but over time now Payas Agung Bridal Bali is used for the wedding of Balinese people in general. The emergence of new make-up artists has made a positive impact in the development of Makeup in Bali, but a study that can be used as a guideline for the tradition of makeup and the value of philosophy is not lost and well preserved. This research is a qualitative type with the theory of symbols, aesthetic theory and religious theory. The research  techniques  are conducted by observation and interviews, document studies. The results obtained are Cempaka flowers and kenanga is a symbol of Tri Murti in Payas Agung Bridal Bali is placed on the head decoration, where this section is the most purified as the embodiment of offerings to Ida Sang Hyang widhi Wasa. The value contained and the influence of this symbol on the bride is as a form of beauty and Taksu.
PEMAHAMAN HOLISTIK TENTANG KARMAPHALA DALAM LONTAR TATTWA WIT: PERSPEKTIF FILOSOFIS Sari, Anggy Paramitha
Sanjiwani: Jurnal Filsafat Vol 11, No 1 (2020)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v11i1.1533

Abstract

Hindu society highly believe in the law of cause and effect that also known as karma phala. Every action will produce an equal result. Every single action of each individual has a power to bring happiness or sadness. The law of karma phala tied all of His Creation without exception, fairly and objectively. Karma come from the thoughts, words and actions. Lontar Tattwa Wit is one of lontar (manuscript) that has the explanation about karma phala tenet in it. This article generally aimed to obtain holistic understanding about karma phala in Lontar Tattwa wit based on philosophical perspective.
Tradisi Pabuncingan Jero Dong Ding di Desa Pakraman Muncan, Kecamatan Selat Kabupaten Karangasem Wira, Ida Ayu Dwidyaniti
Sanjiwani: Jurnal Filsafat Vol 10, No 1 (2019)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v10i1.1636

Abstract

Tradition Pabuncingan Jero Dong Ding is one form of religious traditions god yadnya devoted presented to Ida Sang Hyang Widhi Wasa conducted with the purpose of applying the fertility presented to Ida Sang Hyang Widhi Wasa in his manifestation as Lingga (jero Dong) and Yoni (Jero Ding) ie aspect of God in the form Purusa-Pradana symbol of Lord Shiva and Goddess Parvati or Uma. Based on this analysis, be concluded as the following results: The process of implementation of the tradition Pabuncingan Jero Dong Ding in Pakraman Muncan divided into three stages: The process of making, the process Ngelinggihang and activities Pabuncingan Jero Dong Ding. The reason for the implementation of the tradition Jero Pabuncingan Ding Dong, in theology is to invoke presented to Ida Sang Hyang Widhi Wasa in manifestation of Lord  Shiva and Goddess Uma, in  the mythology is based on the belief or confidence that developed in rural communities Pakraman Muncan.
Pemujaan Barong di Bali dalam Pandangan Animisme Edward Burnett Tylor Darmawan, I Putu Ariyasa
Sanjiwani: Jurnal Filsafat Vol 10, No 2 (2019)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v10i2.1512

Abstract

Edward Burnett Tylor view religion as faith is something spiritual. Religion is not just a theory, memorize, or only an activity, but every religious activity has a spiritual meaning. Edward Burnett Tylor opinion same with Hinduism concept in Bali, that everything all in universe, have a spirit that makes it have such power as man.The worship of Barong in Bali wasn’t worship an object having such a shape an Barong, the entity was created only for ring out God unthinkable to a sort of entity.On the whole, Edward Burnett Tylor opinion emphasize Hindu community confidence in Bali about veneration of Barong, that there is a force the soul a Barong, so that it able to protect people.
Tari Sandar sebagai Benteng Pertahanan Adat di Desa Adat Kedonganan Kuta Sudarsana, I Made
Sanjiwani: Jurnal Filsafat Vol 9, No 2 (2018)
Publisher : IHDN Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25078/sjf.v9i2.1625

Abstract

Performing art in Bali is a cultural repertoire that is very tied to the diversity of forms and goals. The island of Bali, dubbed the Island of the Gods, Khayangan Island (Island of Paradise) has a variety of dances that vary in shape and have a close relationship with the implementation of Hindu religious ceremonies which are the largest in number in Bali. The attraction of Bali is its unique culture, community life and natural beauty. Its cultural life is the unification of religion, culture, harmonious customs, taste and intention as a prominent element of human cultivation taking the form of religion, aesthetics and ethics. This is reflected through cultural arts, solidarity of mutual cooperation as a sense of togetherness.As a tradition, the existence of Balinese art is in line with all aspects of life. In an integrated manner, reflecting on the ideals of the supporting community is not excessive if the Balinese people consider that art (dance, gamelan and wayang) is an integral part of their lives which is always bound by ritual events. Hinduism which has rational, ritual, emotional and belief elements often makes the art as a ritual drama a means to strengthen trust and formulate religious conceptions in people’s lives.

Page 2 of 8 | Total Record : 80

 1   2   3   4   5 

Filter by Year

2018 2021


Reset
Filter By Issues
All Issue Vol 12, No 2 (2021) Vol 12, No 1 (2021) Vol 11, No 2 (2020) Vol 11, No 1 (2020) Vol 10, No 2 (2019) Vol 10, No 1 (2019) Vol 9, No 2 (2018) Vol 9, No 1 (2018)