cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Yusri
Contact Email
yusri@unm.ac.id
Phone
+6285255602827
Journal Mail Official
yusri@unm.ac.id
Editorial Address
Dg. Tata Raya Street, Parangtambung, Makassar, Indonesia Telp/Fax. (0411) 880508, 861509, 861510/ (0411) 861508
Location
Kota makassar,
Sulawesi selatan
INDONESIA
Interference: Journal of Language, Literature, and Linguistics
Published by Universitas Negeri Makassar
ISSN : 27211827     EISSN : 27211835     DOI : https://doi.org/10.26858/interference
Core Subject : Humanities, Education, Social,
Humanities Education Social Sciences
INTERFERENCE focuses on the publication of research articles which conduct languages as the main object. This articles that contribute to the strengthening of critical approaches, increasing the quality of critique, or encouragement of innovative methodologies. Topics include: Language Learning and Teaching (Applied Linguistics) Linguistics ( Micro and Macro Linguistics) Literature (Comparative Literature, Foreign Languge Literature)
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 132 Documents
 10   11   12   13   14 
Representation of Modernity in the Historical Korean Drama Check-In Hanyang: A Multimodal Analysis Lawrentia Sandracrystally Louisally Alexander; Risa Triarisanti; Jayanti Megasari
Interference: Journal of Language, Literature, and Linguistics Vol 7, No 2 (2026): INTERFERENCE
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/interference.v7i2.88401

Abstract

Abstract. Check-In Hanyang is a Korean fusion sageuk that incorporates modern values and practices into the historical setting of the Joseon Dynasty. This study aims to examine how modernization is represented and how cultural acculturation is constructed through the interaction of verbal and visual modes in the drama     . A qualitative descriptive approach was employed. Data were collected through observation and documentation using scene transcripts and screenshots from all 16 episodes,      the verbal mode was analyzed using Kim et al.'s Korean transitivity framework, the visual mode using Kress and van Leeuwen's visual grammar, and the relationship between the two modes using Royce's Ideational Intersemiotic Complementarity, interpreted through Hall's representation theory. The findings identify four categories of modernization: institutional and workplace modernization (7 scenes), modern hospitality practices (9 scenes), consumer culture and cultural globalization (4 scenes), and shifting social values (4 scenes). The findings further indicate that cultural acculturation is realized through the integration of modern institutional systems, hospitality services, consumer practices, and shifting social values with traditional Joseon cultural elements.      Overall, this study demonstrates how fusion sageuk reconstructs historical settings by embedding modern values within historical narratives offering broader insight into how globally circulated historical dramas negotiate tradition and modernity amid the ongoing expansion of the Korean Wave. Keywords: Fusion Sageuk, Korean Drama, Modernization, Multimodal Analysis, Intersemiotic
Social Criticism In Sukatani Band's Gelap Gempita Album: A Teun A. Van Dijk Discourse Analysis Mursalin Bohari; Andi Tenri Sua; Irna Fitriana
Interference: Journal of Language, Literature, and Linguistics Vol 7, No 2 (2026): INTERFERENCE
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/interference.v7i2.90343

Abstract

Abstract. This study aims to critically investigate and describe the dimensions of social criticism contained in the album Gelap Gempita by Sukatani Band using Teun A. van Dijk’s Critical Discourse Analysis (CDA) framework. The research employed a qualitative descriptive-analytical design. Primary data were extracted from the linguistic and discursive units across eight songs in the album, while secondary data were drawn from scientific journals, academic books, and relevant cultural commentaries. Data were gathered through documentary and read-note techniques, examined via qualitative content analysis encompassing textual, social cognitive, and sociopolitical dimensions, and verified through theoretical triangulation. The findings demonstrate that the discourse across the album is structurally cohesive and ideologically directed. At the macrostructural level, the songs consistently articulate themes of institutional corruption, systemic injustice, agrarian dispossession, existential crises, and pseudo-solidarity. Superstructurally, the songs employ a circular, non-resolutive scheme that underlines persistent socio-political stagnation. Microstructurally, the critical stance is amplified by syntactic parallelism, stark lexical contrasts, repetitive refrains, and organic metaphors. Contextually, the album reflects contemporary Indonesian socioeconomic fractures, particularly transactional bureaucracy and land conversion. At the social cognition level, the discourse mobilizes mental models that cultivate critical awareness and moral reflection among listeners. In conclusion, Gelap Gempita serves as an effective counter-hegemonic medium that bridges popular music culture and critical civic literacy.Keywords: Social criticism, Gelap Gempita, Sukatani, critical discourse, Teun A. van Dijk.

Page 14 of 14 | Total Record : 132

 10   11   12   13   14 

Filter by Year

2020 2026


Reset
Filter By Issues
All Issue Vol 7, No 2 (2026): INTERFERENCE Vol 7, No 1 (2026): INTERFERENCE Vol 6, No 2 (2025): INTERFERENCE Vol 6, No 1 (2025): INTERFERENCE Vol 5, No 2 (2024): INTERFERENCE Vol 5, No 1 (2024): INTERFERENCE Vol 4, No 2 (2023): INTERFERENCE Vol 4, No 1 (2023): INTERFERENCE Vol 3, No 2 (2022): INTERFERENCE Vol 3, No 1 (2022): INTERFERENCE Vol 2, No 2 (2021): INTERFERENCE Vol 2, No 1 (2021): INTERFERENCE Vol 1, No 2 (2020): INTERFERENCE Vol 1, No 1 (2020): INTERFERENCE More Issue