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Creativity And Research Theatre Journal Institut Seni Indonesia Padangpanjang Jln. Bahder Johan. Kel.Guguk Malintang. Kec. Padang Panjang Timur. Kota Padangpanjang Sumatera Barat Telepon : 0752 (82077)
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Creativity And Research Theatre Journal
Published by Institut Seni Indonesia Padang Panjang
ISSN : 27155404     EISSN : 27155412     DOI : http://dx.doi.org/10.26887/cartj
Core Subject : Humanities, Education, Art,
Arts Humanities Education
Creativity And Research Theatre Journal welcomes full research articles in the area of creativity and research on performing Art .following subject areas: Practice, Process, performing Art Discourse, Dramaturgy.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 83 Documents
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PEMERANAN TOKOH BANIO DALAM NASKAH BARABAH KARYA MOTINGO BUSYE DENGAN MENGGUNAKAN METODE AKTING STANISLAVSKY Fauzi Akbar
Creativity And Research Theatre Journal Vol 8, No 1 (2026): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v8i1.6318

Abstract

Pemeranan tokoh Banio dalam naskah Barabah karya Motingo Busye dengan metode aktingStanislavsky merupakan bentuk upaya penciptaan yang dilakukan oleh pemeran untuk mewujudkan tokoh Banio yang bertumpu pada penafsiran tokoh yang dipertunjukkan di atas panggung. Perwujudan tokoh Banio menggunakan metode akting stanislavsky (Magic If). Proses perwujudan tokoh Banio meliputi: relaksasi (pengenduran urat), kosentrasi dan observasi, imajinasi, ingatan emosi, menumbuhkan tokoh, mengekang dan mengendalikan. Naskah Barabah karya motingo busye yang berisikan cerita realitas sosial masyarakat tentang kisah Banio, seorang kakek tua yang hidup harmonis dalam pernikahannya dengan Barabah, seorang wanita muda.
Menghidupkan Kembali Suara Perempuan : Adaptasi Teks-Teks Siti Rukiah Kertapati dalam Pertunjukan Api Kartini Edisi Khusus: Mencatat Kerja dan Pemikiran Perempuan oleh Mirat Kolektif Mochammad Salman Alfaris; Wahyu Novianto; Tafsir Huda; Bagong Pujiono
Creativity And Research Theatre Journal Vol 8, No 1 (2026): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v8i1.6346

Abstract

This study examines the adaptation process of texts by Siti Rukiah Kertapati carried out by Mirat Kolektif in the performance Api Kartini Special Edition: Recording Women's Work and Thoughts. Siti Rukiah, as one of the editors of Api Kartini magazine in the 1960s, was an important figure in Indonesian feminist journalism and literature whose contributions are often overlooked in mainstream historiography. Mirat Kolektif adapted poems, short stories, and magazine columns from Siti Rukiah's book Tandus Siti Rukiah's book Tandus into a contemporary theater performance medium through a collaborative and multidimensional approach. This research uses a descriptive qualitative method with data collection techniques in the form of performance observation in-depth interviews with the creative team (director, scriptwriter, actors, and artistic director), and audio-visual documentation studies. The results of the research show that the adaptation was carried out through four main strategies: (1) transformation of the form from text to audio-visual performance; (2) compilation of historical and biographical narrative contexts; (3) reinterpretation of themes with a contemporary feminist approach; and (4) reconstruction of symbolic space through stage artistry. This adaptation is not merely a transfer of medium, but a cultural and political strategy to revive the voices of marginalized women, deconstruct patriarchal narratives, and strengthen the audience's critical awarenessof gender inequality. This performance becomes a form of living archive that connects
Intermedia in Ekosdance Company’s Garda the Musical: A Dick Higgins Perspective Adi Wibowo; Tafsir Hudha
Creativity And Research Theatre Journal Vol 8, No 1 (2026): Creativity And Research Theatre Journal (CARTJ)
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/cartj.v8i1.31390

Abstract

Ekosdance Company’s Garda the Musical brings together the actors’ bodies, choreography, music, lighting, digital animation, and stage space within an intermedia dramatic construction. This study examines the dramatic function of each medium, the relationships among media, and their effects on performance coherence. It employs a qualitative case-study design using performance videos and photographs, production archives, and interviews with artists and the creative team. The data were analyzed by categorizing media functions and scene structures through Dick Higgins’s concept of intermedia and George R. Kernodle’s dramatic anatomy, followed by source triangulation. The findings show that the integration of bodies, choreography, music, lighting, and digital animation creates synergies that reinforce exposition, conflict development, climax, and resolution while producing an aesthetic experience unattainable through a single medium. However, media density in several scenes leads to functional overlap, shifts in dramatic focus, and the risk of narrative fragmentation. These findings indicate that intermedia effectiveness does not depend on absolute equality among media but on a contextual hierarchy of dramaturgical functions that enables visual and auditory richness to support the actors’ bodies and narrative clarity.

Page 9 of 9 | Total Record : 83

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