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Ranang Agung Sugihartono
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INDONESIA
ARTISTIC : International Journal of Creation and Innovation
Published by Institut Seni Indonesia Surakarta
ISSN : 27219445     EISSN : 27219321     DOI : https://doi.org/10.33153/artistic
Core Subject : Education, Art,
Arts Languange, Linguistic, Communication & Media
The publishing of "ARTISTIC: International Journal of Creation and Innovation" specializes within the focus and scope including: 1. Creative and conceptual thinking related to the practice of art works and creative problems (Artistic Creation Thought). 2. The results of artistic research in the fields of : a. Batik b. Keris c. Crafts d. Karawitan e. Pedalangan (Puppetry) f. Dance g. Music h. Theater i. Painting j. Sculpture k. Graphics l. Interior Design m. Stage Design n. Visual Communication Design o. Product Design p. Television q. Film r. Photography s. Animation t. Games u. Visual Effects, and v. other arts. 3. New insights about the practice of art, resulting from the creative process. 4. New knowledge generated from the practice of art and artwork produced. 5. Values and meanings of novelty produced in the creation of art works, or studies of innovation in art.
Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan
Articles 116 Documents
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SURONO'S CROSS-STYLED CREATION IN THE SHADOW PUPPET PERFORMANCE Rhama, Chatur; Harpawati, Tatik
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5068

Abstract

Surono Gondo Taruno's shadow puppet (wayang kulit) performance has a distinctive cross-style, making him a famous puppeteer in East Java. Accordingly, this discussion seeks to answer the question, "What is the cross-style of Surono's wayang figures in the Wahyu Wijaya Kusuma play? This discussion uses a qualitative method with Sunardi and Umar Kayam's cross-styled approach. Observational and interview-based were analyzed descriptively and qualitatively. The study results indicate that Surono's performance uses a cross-styled approach between the Surakarta style as the dominant style and the East Java and the Yogyakarta styles as the supporters. Surono's cross-style has made his performance attractive to contemporary spectators.
THE CREATION PROCESS OF THE PELUK JIWA DANCE WITH DEAF CHILDREN Wardanny, Smirna; Widyastutieningrum, Sri Rochana
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5069

Abstract

Adopting a distinctive dance with movements and musical accompaniment to children with hearing impairments is exceptional. One can imagine the process and complexity that surrounds it. This article illustrates the PelukJiwa dance creation process by Jonet Sri Kuncoro and WasiBantolo with deaf children. This analysis employs a qualitative method by observing the creation and staging of the dance and conducting interviews with dancers, choreographers, and directors, which are then descriptively analyzed qualitatively. The analysis outcomes indicate that the process of creating this dance incorporates dance movement, theme selection, technique, exploration, organization, cohesion, and presentation. In addition, the performance conveys a message of social equality for deaf and normal children.
BADUI HOUSE AS AN IDEA SOURCE FOR CREATING CHILDREN'S BATIK MOTIFS Agustin, Lisa Tri; Purnomo, Muhammad Arif Jati
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5075

Abstract

Badui (Bedouin) tribe is one of the ethnic groups that continues to exist and thrive today, including the traditional house-building method. Accordingly, the Badui traditional house is transformed into a batik motif for the children's casual dress to maintain continuity. This creation seeks to design and implement the traditional Badui house batik motif in casual clothing for 10-year-old girls. Exploration, design, and embodiment were the means of creating works. The process of creating works startedwithexploring motifs, clothing, material, and technique, followed by motifs and children's casual clothing designs. This work utilizedthe written batik technique;colet-tutup-celupcoloring;Remasol, Naptol, and Indigosol dyes; Japanese cotton and Primissima; and bright colors as embodiment techniques. Implementing batik motifs (ImahSawarna,ImahNgahiji,ImahSalonjor,ImahKahuripan) to children's casual clothing resulted in 4 pieces of clothing, namely: Inleum, Makaul, Galis, and Bageur.
WATER AS THE IDEAS FOR KERIS CREATION Fajri, Muhammad Ra'uf Dwi; Suwasono, Bening Tri
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 1 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i1.5076

Abstract

Water is a natural element that inspires artistic creation. Water is crucial for life. Almost all organisms inhabit habitats ecosystems with sufficient water availability. Water as a source of inspiration in the creation of this artwork is embodied in the dhapurkeris. This work uses the Mor-Jo-Si-Ngun aesthetic approach, with exploration, design, and embodiment serving as its production method. There are three keris made with the names dhapurTirtaPanguripanluk-7, TirtaSegara luk-5, and TirtaAwang-awang. Each created work carries a meaning according to the title and philosophy of water as a symbol of life.
ARESTOP BULLYING SONGS USED EFFECTIVELY TO STOP BULLYING BEHAVIOR IN ADOLESCENTS? DARIYO, AGOES
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i2.5543

Abstract

Bullying victims feel psychologically traumatized by the malevolentbullying behavior perpetrated by an individual or group of people. They suffer from psychological distress, including depression, social anxiety, social withdrawal, fear of recurrence, and in severe cases, suicidal ideation.Meanwhile,bullying perpetrators fail to comprehend the adverse consequences resulting from their actions. It is imperative that prior bullying cases are not repeated and are promptly handled, prevented, and halted. One effective method to combat bullying behavior is to produce artistic creations in the form of anti-bullying songs. This study is a research project that utilizes the ADDIE approach (Analysis, Design, Development, Implementation, and Evaluation). The data collection method employed a questionnaire encompassing several elements of poetry, rhythm, beat, style, tempo, instrument, and visual display. The sample technique employed was purposive sampling, resulting in 87 participants. Utilizing the ADDIE idea, this study employed a thematic method for data analysis. The findings indicate that the development of anti-bullying songs has adhered to the ADDIE framework. Stop bullying songs have fulfilled the criteria of excellent musical compositions, including lyrics that are easily comprehensible (77 = 88.6%), melody (71 = 81.6%), rhythm (74 = 85.1%), beat (73 = 83.9%), style (73 = 83.9%), tempo (76 = 87.4%), and instruments (70 = 80.5%). Moreover, the stop-bullying songswere efficient in curbing bullying tendencies among adolescents(73 = 83.9 %).
INCREASING VISUAL IMPACT IN MSME STUDY CASE: KUE GIPANG TIGA BUNDA Alrazi, Camila Zahra; Rachman, Anung
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i2.5555

Abstract

Micro, Small, and Medium-Sized Enterprises (MSMEs) are vital for Indonesia's economic growth, specifically in promoting local products. However, numerous MSMEs in Cilegon face difficulties due to an absence of robust visual branding. Accordingly, this study seeks to explore the influence of visual branding on MSMEs in Cilegon, with a specific focus on Kue Gipang Tiga Bunda by applying design thinking approach. Creating a strong brand identity requires the use of visual branding elements such as logos and key visuals. The objective of this research is to develop a distinct brand identity for Kue Gipang Tiga Bunda to set them apart from competitors and enhance brand awareness. Branding may improve brand recognition, attract customers, and facilitate MSME expansions, thereby promoting Cilegon's socio-economic development and competitiveness in the tourism industry.
EMBODIED EXPERIENCES OF DRAWING: A PHENOMENOLOGICAL INQUIRY INTO STRESS AND EVERYDAY LIFE IN ART EDUCATION Ankyiah, Francis
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v4i2.5556

Abstract

Drawing's impact on students' stress levels and coping with daily life is underexplored. This study used a phenomenological approach to understand how undergraduates experience drawing in art studio courses. Five art students were interviewed during regular assignments, and Moustakas' method was used to analyse the data. Three themes emerged: drawing as an "escape" from worries, a mindfulness practice fostering relaxation and present moment awareness, and beneficial for stress management and coping skills applicable to other areas of life. Immersion in drawing cultivates mind-body awareness, aiding students in managing stress. It buffers academic demands and enhances overall well-being, but can also induce stress during heavy workloads. This study offers qualitative insights into drawing as stress relief and emotional regulation for art students navigating educational and everyday demands.
THE CREATIVE PROCESS OF THE SI KENYA KENA LENA DANCE WORK Rahmadani, Rahayu; Wahyudi, Didik Bambang
ARTISTIC : International Journal of Creation and Innovation Vol. 4 No. 2 (2023)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Teenage problems and traditional arts are attracting themes of the creation of dance works.  This creative research explores the issue of dance compositions, specifically focusing on the process involved in developing the dance work Si Kenya Kena Lena. The dance work incorporates a synthesis of notions derived from Alma Hawkins and Sumandyo Hadi. The implementation of this theory was conducted in four distinct steps, specifically preparation, organization, arrangement, and presentation. The process of creating a dance piece involves five distinct stages: sensing, valuing, envisioning, embodying, and shaping. This artistic research generates innovative dance pieces that effectively showcase the emotional upheaval experienced by teenagers in their quest for self-discovery, skillfully incorporating Sandur traditional art and East Javanese dances. The use of traditional art aspects in the creative process can generate choreography that imparts a fresh and nuanced perspective.
CONTRIBUTION OF SOME NIGERIAN ARTISTS IN TERTIARY INSTITUTIONAL ADMINISTRATION Rom Kalilu, Razaq Olatunde; Odeniyi, Akinkunmi Olatunbosun
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 2 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i2.5675

Abstract

Modern Nigerian Art emerged as a result of the efforts of artists. The later generation artists, particularly those with significant contributions to visual arts departments in Nigerian Universities deserve adequate scholastic attention. This study is a biographical examination of selected Nigerian artists who function in professional, academic, and administrative capacities in visual art departments in Nigerian universities. Eleven academics who are pioneers, administrators, and sustainers of visual arts departments in Nigerian universities were selected for biographical study based on set criteria. Findings revealed that these academics are material to the establishment, development, and sustenance of their visual art departments and Nigerian visual arts, as heads of department, deans of faculty, heads of university, visiting lecturers, lecturers on sabbatical leave, external examiners, academic assessors, resource persons in programme audit and accreditation exercise, and consultants on the establishment of visual art departments.
MOTHER'S LOVE AS AN INSPIRATION FOR CREATING PAINTING WORKS Guhmana, Teguh Djaka Sudarmana
ARTISTIC : International Journal of Creation and Innovation Vol. 5 No. 1 (2024)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v5i1.5905

Abstract

The study of the creation of this work began with an interest in mothers’ love in sincerely nurturing their children and families. Once elaborated, a mother's love is eventually the fruits of the spirit (Galatians 5:22-23). This creation study uses an emic approach to understand the meaning of maternal love as perceived by mothers at the Bhakti Kasih Bunda nursing home in Surakarta. This creation study stage was divided into several steps in creating the work: (1) data collection through field observations, literature studies, and in-depth interviews with mothers at the Bhakti Kasih Bunda nursing home as well as Christian and Confucian religious leaders; (2) data analysis and conclusions as a source of work creation; (3) the process of creating works, which involves stages of experimentation, contemplation, and execution. he result of this creation study was a painting that uses mixed media with collage techniques. The works were divided into four parts based on subject matter, all of which are metaphors for maternal love as the fruit of the spirit. The four parts are the earth and the solar system, humans, animals, and plants.

Page 10 of 12 | Total Record : 116

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