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Hendra Santosa
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Program Studi Seni Karawitan Fakultas Seni Pertunjukan Institut Seni Indonesia (ISI) Denpasar Jalan Nusa Indah Denpasar Bali, 80235. Telp. (0361) 227316 Fax.(0361) 236100.
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Ghurnita: Jurnal Seni Karawitan
Published by Institut Seni Indonesia Denpasar
ISSN : -     EISSN : 27986128     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Social Sciences
Ghurnita, Jurnal Seni Karawitan. Ruang lingkup keilmuan mencakup pengkajian dan penciptaan karawitan
Arjuna Subject : Seni dan Humaniora - Musik
Articles 323 Documents
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The Creation Of Rare Musical Instruments | Penciptaan Tabuh Kreasi Karawitan Rare Pratama, I Gusti Ngurah Juli
GHURNITA: Jurnal Seni Karawitan Vol 4 No 1 (2024): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i1.3386

Abstract

Childhood is an exciting period to explore; why is that? It is because childhood can determine which direction the child will go. As the creator knows, the term children in Bali is also called Rare. Tabuh Kreasi Rare is a work created due to the creator's anxiety regarding the nature of Rare (children). Rare is a Balinese term for an adult who still has the characteristics of a child. Rare's traits include being easily excited, sometimes crying easily, and getting angry if his desires are not fulfilled. Percussion creation is a Balinese musical composition that has been newly arranged. However, the traditional material elements are still very prominent; what is created are its musical elements, such as content, playing technique, tempo, dynamics, and so on. In the work Tabuh Kreasi Rare, the artist uses the media, said Gamelan Gong Kebyar. Musically, Gamelan Gong Kebyar is a traditional Balinese orchestra with a loud sound ensemble. This percussion work created by Rare uses the Tri Angga structure, which consists of the kawitan, pengawak, and pengecet. In work Tabuh Kreasi Rare, the creator describes three childish traits that will later be analogous to the kawitan, pengawak, and squeak. The kawitan section contains two parts, including flashbacks and joy. The crew part describes the sadness of Rare's character, and in the part of the writer, he makes an analogy about Rare's emotional nature and ending as he grows into an adult.
Udaya Parwata's Innovative Music | Musik Inovatif Udaya Parwata Putra, I Wayan Gede Rikiana Adi; -, Wardizal
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3403

Abstract

This article explains the process of creating music entitled Udaya Parwata to describe the beauty of Mount Agung, which is the highest volcano on the island of Bali. Mount Agung has an essential role in the lives of the surrounding community. The close relationship between Mount Agung and the diversity of Karangasem's traditional arts reflects the harmonious balance between humans and nature. The innovative musical artwork "Udaya Parwata" is based on typical Karangasem arts and instruments combined into one whole. In this work, the stylist wants to highlight the local wisdom of Karangasem with the concept of Mount Agung. The stylist combines Selonding gamelan instruments with Karangasem "important" instruments to create an atmosphere of majesty, holiness, and Mount Agung, which is the source of life, especially for the people of Karangasem.
Music Creation Wajaprani | Tabuh Kreasi Wajaprani Surya Adinatha, Made Surya; Andayani, Ni Putu Tisna
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3409

Abstract

Coral rocks, as an iconic element of Bali's coast, have a central role in the island's art and culture. Music, musical arts and dance in Bali often use the character and unique shapes of coral rocks found along the coast to become inspiration for works of art. In Jembrana district, precisely in Pengeragoan village, there is Yeh Leh Beach, on this beach there are beautiful coral rocks which later became the inspiration for the creation of the creative percussion work entitled Wajaprani. The rock's sturdy character even when hit by waves is an inspiration for creating dynamic rhythms. with the character of the coral rocks on Yeh Leh Beach, the stylist thought it would be very suitable to use the medium of gamelan gong kebyar to implement the characters on the coral rocks.
Karawitan Musical Work Surya Kala | Karya Musik Karawitan Surya Kala Mahesa, Dewa
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3433

Abstract

The solar system is a collection of celestial bodies consiting of the sun and all the objects that revolve around it, inclouding the eight known planets with elliptical orbits. The aim of creating the musical piece “Surya Kala” is to find out the process of creating this work, to know the musical elements contained in this work and to know the structure of the musical piece “Surya Kala”. In creating the musical “Surya Kala” the stylist based on I Wayan Dibia’s art creation process which consists of five stage, namely the conception stage (ngarencana), exploration stage (ngewacak), inspiration stage (ngawirasa), execution stage (ngewangun), ngebah/maedeng (Dibia, 2020:33). “Surya Kala” takes the form of musical music which moves from the cycle of sunrise to sunset by creating a new atmosphere which will be expressed in the Semarandhana Gamelan media owned the Çudamani Art Studio, but in this case the creator only processed the gamelan instruments because in this work doesn’t require vocal training. The reason creator used Gamelan Semarandhana was so that the creator could get a wider range of tones in carrying out the exploration process in this work. The musical piece “Surya Kala” will use a division system which will represent each phase of the sun which is divided into three, namely part one ehich depicts the atmosphere of the rising sun. These three parts will be arranged in such a way that each part has its own character to suit the ideas and atmosphere interpreted by the creator.
Music Creation Garbebu | Tabuh Kreasi Garbebu Praginatha Purnama, I Made Gede Adi; Kariasa, I Nyoman
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3437

Abstract

Garbebu's work is a work of musical art that was inspired when the creator saw directly the life events that occurred, namely the incident when a woman was married and carrying a baby in her stomach and seeing how a mother feels and waits to be able to experience pregnancy and have a baby. In other words, this work is inspired by the human life cycle. The human life cycle occurs by combining spermatozoid cells (Kama Petak) with ovarian cells (Kama Bang), which appear in the mother's womb. The process of unification or initial formation until the birth of a baby in a mother's womb is called Garbebu. The expression media used by the creator in expressing the idea of the work is the barungan gamelan Gong Kebyar, including Terompong, kendang cedugan, bebende, and kempli, which are the determining waits in pegongan (lelambatan) works which are still related to tabuh kreasi pepanggulan. This idea is expressed in an intertwining of tones in a musical work by processing musical elements, namely melody, rhythm, tempo, and dynamics, to create a harmonious order. Tabuh kreasi pepanggulan Garbebu uses the Tri Angga structure, which consists of Pengawit, Pengawak/pengadeng, and Pengecet, and the composition of the work is innovated with several parts that remain based on traditional standards. In realizing this Garbebu work, the creator used a creation method that refers to the book Panca Shtiti Ngawi Sani, written by Mr. I Wayan Dibia in 2020, which consists of the Inspiration Stage (Ngawirasa), Exploration Stage (Ngewacak), Conception Stage (Ngarencana), Stage Execution (Ngewangun), and Ngebah/maedeng Stage.
Musical Composition Jurung-Jurung | Komposisi Musik Jurung-Jurung Suradinata, I Kadek Bagas; Sudirga, I komang
GHURNITA: Jurnal Seni Karawitan Vol 4 No 2 (2024): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i2.3438

Abstract

This article refers to the lack of literacy regarding the Jegog Jembrana gamelan in terms of musicality. The Jegog Jembrana gamelan has many techniques, one of which is the jurung-jurung technique. The jurung-jurung or transition technique is one of the stylists' interests in creating a new work. Jurung-jurung is one of the Jegog techniques, which means types of transitions in classical Jegog compositions and not all classical Jegog percussion transitions have the Jurung-jurung technique, but they are in accordance with the classical composition of Jegog percussion. The method I use is based on the creation method according to Alma. M Watkins namely exploration, improvisation, and formation. This method is very influential in making this composition because the stages are simple and easy to understand. The relevance of this work will be very useful for the community and artists who want to develop Jegog Jembrana art.
Introduction to Contemporary Music “Ngegong” | Pengantar Musik Kontemporer “Ngegong” I Nyoman Kariasa; I Kadek Tunas Sanjaya
GHURNITA: Jurnal Seni Karawitan Vol 1 No 1 (2021): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i1.141

Abstract

“Ngegong” merupakan sebuah karya komposisi musik kontemporer yang menggunakan delapan jenis instrumen gong yang dipakai dalam berbagai barungan gamelan Bali sebagai media ungkap. delapan instrumen gong yang dimaksud adalah, gong lanang dan wadon (dalam gong kebyar) gong tanggung (dalam gamelan bebarongan), gong bor ber (gong bheri) , gong pulu (geguntangan), dan gong ageng gong alit (dalam ansambel gamelan selonding). Tujuan yang diinginkan oleh penata adalah untuk merealisasikan imajinasi penata ke dalam garapan komposisi musik kontemporer yang mengangkat keberagaman instrumen gong di Bali. Proses penciptaan karya komposisi musik  ini dibagi menjadi tiga tahapan yang diambil dari konsep Alma M. Hawkins dalam buku Creating Trough Dance tahapan yaitu, eksplorasi, improvisasi, dan pembentukan (forming)”. Karya Ngegong diwujudkan dalam bentuk bingkai komposisi musik kontemporer yang mempertimbangkan unsur bunyi dan  musikalitasnya. Musik kontemporer mempunyai konotasi karya baru yang disusun rmenggunakan berbagai sumber suara baik instrumen tradisi maupun non tradisi atau segala benda yang dapat menghasilkan suara atau bunyi sesuai dengan kebutuhan.
Contemporary Music Composition “Embryo”| Komposisi Musik Kontemporer “Embrio” Tri Haryanto; I Gede Ydana
GHURNITA: Jurnal Seni Karawitan Vol 1 No 1 (2021): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i1.147

Abstract

The life of living things (humans) is something that begins with various processes and stages of growth and development. Such as the embryonic stage as a living body that is still in the early stages of development (growth), but does not have a clear form yet, it will become something. From this process, the composer turned into an artwork entitled embryo, through gamelan Semar Pagulingan Saih Pitu and Tenganan Selonding style mediums , with a duration of 10-15 minutes. The work of the embryo is divided into 4 (four) parts, each part representing the embryonic phase, each of which has its own characteristics. Genesis which forms the organs of new living things (humans). The growth and development process is divided into several stages, starting from fertilization, that is the meeting of male and female gametes, cell division at the morula and blastula stages, then gastrula forming 3 (three) layers, and finally organogenesis which forms new organs of living things (humans).
Musical Composition "Sedimentasi" | Komposisi Karawitan "Sedimentasi" Gede Risa Sutra Gita; Ni Wayan Masyuni Sujayanthi
GHURNITA: Jurnal Seni Karawitan Vol 1 No 1 (2021): Maret
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i1.148

Abstract

Sedimentation is the process of formation of sedimentary rock originating from the deposition of chemical solutions and the deposition of certain organisms activities, sedimentary rocks are also formed from the deposition of several abiotic components in the environment such as soil and sand. Sedimentation undergoes three processes, those processes are actualized into a structure consisting of three parts in the sedimentation karawitan musical artwork. Sedimentation karawitan musical artwork used barungan gamelan Gong Kebyar as the media to express it, including Pemade pengumbang, Pemade pengisep, Kantil pengumbang, and some of the Joged Bumbung gamelan, namely Rindik pengumbang, Rindik pengisep, and Kantil pengumbang made from bamboo. This artwork refers to musical elements such as melody, rhythm, tempo, dynamics, and harmony. Sedimentation karawitan musical artworks are presented in a concert, supported by 3 musicians including the composer, performed at Siwer Manis studio, located in Banjar Samu, Singapadu Kaler, Sukawati, Gianyar. The  Penabuh (musicians) or players are divided according to their expertise, the first musician played the Pemade Pengumbang Instrument and the Pengumbang Rindik Instrument alternately, the second musician played the pemade pengisep and rindik pengisep instruments, and the third musician played the kantil pengumbang and bamboo kantil pengumbang instruments.
Campuhan: A New Music Creation | Campuhan: Sebuah Musik Kreasi Baru Gede Made Rama Pratama; Saptono -
GHURNITA: Jurnal Seni Karawitan Vol 1 No 2 (2021): Juni
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v1i2.149

Abstract

Mixed means mixed, which in this case is a mixture of human moods or emotions. Campuhan is an innovative musical work that tells the mood of someone who has bipolar mental disorder (drastic emotional changes), by implementing it into a new musical composition with the express media, Semara Pegulingan, Angklung Klentang, and Balaganjur as a form of three emotional bases, namely neutral (tranquility). or happiness), depressive (sadness or sadness), and manic (excited or ambitious). The structure of Campuhan's work is divided into three parts, the first part is a symbol of a neutral emotional state using the medium of saying Semara Pegulingan, the second part is a symbol of a depressive emotional state using the media of Angklung Klentang, and the third is a symbol of a manic emotional state. with the media said Balaganjur. The venue for the performance was in Banjar Antap Kaja Office, Antap Village, Kec. Selemadeg, Kab. Tabanan, precisely at the stylist's house. The supporting members of the work are thirteen personnel, including the stylist, from the Natya Praja Studio and the Kapiwara Studio.

Page 16 of 33 | Total Record : 323

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