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Jurnal Ilmiah Multimedia & Komunikasi
Published by Sekolah Tinggi Multi Media Yogyakarta
ISSN : 25412086     EISSN : 27760006     DOI : 10.56873
Core Subject : Science, Art, Social, Engineering,
Arts Computer Science & IT Control & Systems Engineering Social Sciences
Jurnal Imiah Multimedia dan Komunikasi memiliki fokus di bidang multimedia dan komunikasi seperti desain grafis, teknik animasi dan game, teknik pengolahan audio video, desain dan pengembangan web atau sistem informasi, media interaktif, fotografi, industri media, periklanan, komunikasi pemasaran, dan sebagainya.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 62 Documents
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Pendekatan Subjek pada Produksi Program Dokumenter Televisi Bingkai Inspirasi Edisi “Menerjang Batas, Sang Disabilitas” Khoirunnisa, Pipit Amalia; Relawati, Dwi Korina
Jurnal Ilmiah Multimedia dan Komunikasi JIMK Vol. 8 No. 2, Bulan Desember 2023
Publisher : Sekolah Tinggi Multi Media "MMTC" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56873/jimk.v8i2.270

Abstract

The creation of television documentary production “Bingkai Inspirasi” edition of “Menerjang Batas, Sang Disabilitas” was motivated by a sense of concern for people with disabilities who are often considered helpless and marginalized from social interactions in society. Triyono is an empowered person with disabilities who succeeded in building Difa Bike, an online motorbike taxi specifically for disabilities to help accessibility of transportation for people with disabilities. The author used observation and interview methods to collect data related to Triyono's life story. To support more in-depth data collection, the author also took a subject approach to the sources persons by combining interpersonal communication and non-verbal communication, through persuasive techniques and passive participant observation. The subject approach to the source persons aims to generate emotional closeness, so that the source persons is more comfortable and confident in telling their life story. The subject approach was successfully applied at every stage of production, thus resulting in a portrait documentary work with a story line, and an interesting visual combination. This work could inspire, motivate and arouse the hearts of the audience.
Kontinuitas Gambar Adegan Dalam Penyutradaraan Drama Televisi “Kuwi Nggonku” Hasanuddin, Alfin Nur; Murbaningsih, Ari Mintarti
Jurnal Ilmiah Multimedia dan Komunikasi JIMK Vol. 9 No. 1, Bulan Juni 2024
Publisher : Sekolah Tinggi Multi Media "MMTC" Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56873/jimk.v9i1.304

Abstract

The television drama “Kuwi Nggonku” is an interesting drama show. This drama applies image continuity in several scenes. There are four types of continuity, namely Content Continuity, Movement Continuity, Position Continuity, and Dialogue Continuity. The television drama “Kuwi Nggonku” tells the story of social conflicts that exist in society, specifically regarding the orderliness in the cleanliness of public toilets. In creating this production work, the method used is 3 stages of production, namely pre-production, production, and post-production (including evaluation). The implementation of image continuity in the television drama Kuwi Nggonku aims to maintain image balance so that it does not jump and convey the character's mood well, supported by cut in and cut away editing techniques. The implementation of image continuity in this production results ; Continuity in the production of “Kuwi Nggonku” makes it easier for the audience to understand the story line, Continuity of the images also supports strengthening the conflict of the story being created, the more the continuity of the images is maintained, the more it will support the audience to be able to focus on the conflict.

Page 7 of 7 | Total Record : 62

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