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Contact Name
Wahyu eka priana sukmawaty
Contact Email
wahyusukmawaty@gmail.com
Phone
+6282322886501
Journal Mail Official
lppmaksakkyogya@gmail.com
Editorial Address
Jl. Nitikan Baru No. 69 Umbulharjo Yogyakarta
Location
Kota yogyakarta,
Daerah istimewa yogyakarta
INDONESIA
JURNAL SOCIA AKADEMIKA
ISSN : 24425591     EISSN : 27467945     DOI : -
The Socia Academic Journal is a journal containing scientific texts from researchers, academics, and practitioners, in the form of research results, literature reviews and / or other forms of scientific writing, and education observers. Scope of Socia Akademika Journal are: 1. The applied science of Cullinary Art, Technology of Fashion, Apparel Design, and Cosmetology 2. The field education of Cullinary Art, Technology of Fashion, Apparel Design, and Cosmetology 3. Social fields related to Cullinary Art, Technology of Fashion, Apparel Design, and Cosmetology
Articles 14 Documents
Search results for , issue "Vol. 11 No. 1 (2025): Edisi Juni 2025" : 14 Documents clear
PENCIPTAAN MOTIF BATIK DENGAN SUMBER IDE MASJID AGUNG GRESIK Aliya Putri, Shofi; Arifiana, Deny; Nahari, Inty; Nashikhah, Ma’rifatun
Jurnal Socia Akademika Vol. 11 No. 1 (2025): Edisi Juni 2025
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v11i1.389

Abstract

This research is a creative study that aims to describe the stages and results of designing batik motifs inspired by architectural elements of the Gresik Grand Mosque. The creative process was carried out through three main stages: exploration (including concept formulation, technique selection, and material identification), design (from sketching, motif development, to pattern arrangement), and realisation (including the batik-making process, dyeing, wax removal, drying, and finalising the product into batik sarongs). The resulting works are three hand-drawn batik sarongs, namely Agungwara 2, Agungwara 4, and Agungwara 7. All three employ similar basic motifs, but are composed with distinct elements, resulting in unique visuals in each work. Agungwara 2 highlights the shape of a mosque roof and protective ornaments as symbols of tranquillity and spiritual values. Agungwara 4 features hourglass and mihrab motifs that reflect the meanings of time, light, and the direction of worship. Meanwhile, Agungwara 7 combines images of a mosque, gate, and floral elements that symbolise the strength of faith, knowledge, and harmony. The entire collection reflects a blend of aesthetic values, spirituality, and local wisdom in a contextual and functional visual form.
PENCIPTAAN BUSANA GAYA ANDROGYNY DENGAN SUMBER IDE TARI JATHIL PADA KESENIAN REOG PONOROGO Wahyu Laily, Prasidya; Nahari, Inty; Arifiana, Deny; Nashikhah, Ma’rifatun
Jurnal Socia Akademika Vol. 11 No. 1 (2025): Edisi Juni 2025
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v11i1.390

Abstract

Indonesia has a rich culture that can be used as a source of inspiration in the creation of fashion designs, one of which is the Jathil dance in the Reog Ponorogo art form. The Jathil dance is unique because it represents a blend of masculinity and femininity. This is the primary foundation in the design of androgynous fashion, which harmoniously combines masculine and feminine elements. The purpose of this creation is to describe the process of creating androgynous-style fashion and to describe the presentation of androgynous-style fashion creation. The method used is practice-led research, which is a practice-based research approach through the stages of exploration, design, realisation, and presentation of the work. The creation process began with the development of alternative design sketches and alternative colour combinations. The results of this creation are three selected designs: one men's garment and two women's garments. The first work is a three-piece men's garment consisting of a top, bottom, and layered pants. The second work is a three-piece women's garment consisting of a tank top with a jathil silhouette appliqué and woven text, and a long skirt bottom. The third piece is a four-piece women's outfit consisting of a top, skirt, skirt layer, and ruffled sleeves. The presentation of this androgynous-style clothing creation is divided into three parts: pre-event, on-event, and post-event.
PENCIPTAAN BUSANA CASUAL READY TO WEAR DENGAN SUMBER IDE KLONO SEWANDONO DAN BUJANG GANONG PADA SENI REOG PONOROGO Daniswari Syandani, Tsabina; Nahari, Inty; Mayasari, Peppy; Tri Rahayu, Imami Arum
Jurnal Socia Akademika Vol. 11 No. 1 (2025): Edisi Juni 2025
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v11i1.391

Abstract

This research is a study on the creation of casual ready-to-wear clothing that interprets the characters of Klono Sewandono and Bujang Ganong in the art of Reog Ponorogo. Klono Sewandono depicts a brave, authoritative, and wise king. Bujang Ganong depicts an energetic, agile, and unyielding prime minister. The research method used in this study is Practice-led Research, which includes the pre-design, design, implementation, and presentation stages. The purpose of this research is to describe the creative process of creation, the final results of the creation process, and the presentation of the creation of casual ready-to-wear clothing inspired by Klono Sewandono and Bujang Ganong. The benefits of this research are as a form of applying knowledge in the creation of casual ready-to-wear clothing inspired by Klono Sewandono and Bujang Ganong in the art of Reog Ponorogo, as well as an effort to preserve local culture, particularly in the Ponorogo region. The final products of this research comprise two women's garments and one men's garment, with visual inspiration drawn from the colours, silhouettes, and costume elements of each character. The garments created were exhibited at the Grand Jury event, a fashion exhibition and show.
APLIKASI UNFINISHED MANIPULATING FABRIC PADA BUSANA READY TO WEAR DELUXE DENGAN SUMBER IDE PASIR BERBISIK Nurrohmah, Herliendyah; Mayasari, Peppy; Nashikhah, Ma’rifatun; Kharnolis, Mein
Jurnal Socia Akademika Vol. 11 No. 1 (2025): Edisi Juni 2025
Publisher : Akademi Kesejahteraan Sosial AKK Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63864/jsa.v11i1.392

Abstract

This study focuses on applying unfinished fabric manipulation techniques to deluxe ready-to-wear clothing inspired by the whispering sands of Bromo. The objectives are to formulate the manufacturing process, achieve the desired results, and present the clothing designs. Whispering sand was selected as the source of inspiration due to its distinctive characteristics, namely the formation of sand waves caused by gusts of wind that make the sand fly and create beautiful, unique waves. These waves were applied to the garments using thick denim fabric to create a rough texture resembling sand. This creation process employs a practice-led research approach consisting of pre-design, design, realization, and presentation of the work. The resulting designs include three deluxe, ready-to-wear garments: one men's three-piece set consisting of a shirt, outerwear, and pants, and two women's two-piece sets. The first women's garment includes outerwear and a skirt. The second women's garment features outerwear and a jumpsuit.

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