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Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan

kibas
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Published by Balai Bahasa Papua

ISSN : 18584535 EISSN : 26560607 DOI : https://doi.org/10.26499/kc

Core Subject : Humanities, Education, Art,

Arts Humanities Languange, Linguistic, Communication & Media

Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan aims at providing a media or forum for researchers, faculties, and graduate students to publish their research papers in the field of linguistic and literary studies. The scope of KIBAS CENDERAWASIH includes linguistic, applied linguistic, interdisciplinary linguistic studies, theoretical literary studies, interdisciplinary literary studies, literature and identity politics, philology, and oral tradition.

Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik

Articles 245 Documents

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Mitos dalam Cerita Rakyat Purbalingga: Myths on Purbalingga Folklore Ery Agus Kurnianto
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 1 (2019): Kibas Cenderawasih, April 2019
Publisher : Balai Bahasa Provinsi Papua

In social life, we cannot deny that myths are still something that is believed to be true and have sacred values. Aspects of human life cannot separate from the myths which are created, developed, and believed to be true by humans as individuals and as social groups. This study examines the type of myths and describes the benefits of myths on Purbalingga folklore. This explanatory because it is explaining the meanings contained in oral traditions; words meaning, language meaning and symbol meaning. To analyze the data, the researcher uses a library research. The method for this research is a descriptive comparative analysis. The approach for this research is a discursive approach. The results of the study show that the myths found in Purbalingga folklore are (1) myths of saints and magic, (2) sacred myth, (3) myths of the origin of the place,and (4) myths of the magical beasts. The results of the analysis that mythical Purbalingga community has a function (1) maintain social order. (2) maintain social status.

Keagungan Cinta dalam Puisi “Aku Ingin” karya Sapardi Djoko Damono: The Grandeur of Love in “Aku Ingin” Poem by Sapardi Djoko Damono Sri Yono
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

In spite of the simplicity of his dictions, Sapardi Djoko Damono’s poems have deep meaning inside. It is becoming his peculiar features and extra ordinary esthetical achievement. This paper aims to analyze Sapardi Djoko Damono's “Aku Ingin” by using Riffaterre's semiotics structuralism. Through this method the message of the poem is becoming easier to be interpreted comprehensively. It is library research and the main data of this paper is “Aku Ingin” poem from his poem antology “Hujan Bulan Juni: Sepilihan Sajak” published by Gramedia Pustaka Utama. By reading the poem through Riffaterre's semiotics, heuristically and hermeneutically it is concluded that along with the simplicity of the dictions in “Aku Ingin” poem, they elaborate about grandeur love. It is sacred love that makes “Aku” has no willing to occupy anything and just gives the perfect sacrifice.

Religiositas Suku Biak dalam Lagu Rakyat Wampasi Wambarek: Religiosity Etnics Biak in Wampasi Wambarek Folksong Ummu Fatimah Ria Lestari
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 1 (2019): Kibas Cenderawasih, April 2019
Publisher : Balai Bahasa Provinsi Papua

This study discusses the religiosity of Biak people in the folklore songs Biak Wampasi Wambarek. Religiosity is defined as devotion to religion or piety. Simply put, this religiosity is defined as a religious life. Religiosity is also interpreted as a good attitude, praiseworthy, and straight in accordance with religious values. Song or song in Biak tribe is something important, because the song is an integral part of the wor (ceremonial). The song is considered as a medium for delivering the intent and purpose of the wor. In addition to dance, the song is also a proof of the greatness of a family or clan in holding wor. The approach used in the research through semiotic approach, namely the analysis of signs. A semiotic approach is used to identify sign conventions that show the unity of the meaning of a literary work. The method of this research is analytic descriptive. Data were collected through library research. The data collection technique used is the reading technique. The data analysis steps taken to achieve the objectives of this research are translation, heuristic readings, hermeneutical readings, and semiotic readings of the song array. After analyzing the folk songs Biak Wampasi Wambarek through several processes, it can be concluded that this song line revealed the religiosity of Biak people. The form of religiosity is seen in a line that praises the greatness of God Almighty and grateful for His grace. In this folk song, the word 'God' or the word meaning 'the Creator' is not mentioned implicitly. However, it does not mean that the lines in this song do not praise the Lord.

Bentuk Ritual Budaya Jeknek Sappara (Mandi Safar) Di Desa Balangloe Taroang, Kabupaten Jeneponto: Tinjauan Semiotik: Form of Ritual Culture of Jeknek Sappara (Mandi Safar) in Balangloe Village, Taroang, Jeneponto District: Semiotic Review Indarwati Indarwati; Lina Mariana
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 1 (2019): Kibas Cenderawasih, April 2019
Publisher : Balai Bahasa Provinsi Papua

Jeknek Sappara's cultural customs are traditionized by the Balangloe Taroang community and are believed to bring blessings. This research will focus on the form of rituals in traditional cultural ceremonies. This type of research is a qualitative research with the theme of local culture. Data were collected by observation method, with recording, recording and interview techniques. Data were analyzed using descriptive-qualitative analysis. The results of the study show that there are several forms of ritual in this traditional ceremony, namely: 1) Appasempa; 2) A’lili; 3) Patoeng; 4) A’rurung Kalompoang; 5) Dengka Pada; 6) Pakarena; 7) Paolle; 8) Pabbatte; 9) A’Jeknek; 10) Akraga; dan 11) Manyukkang.

Cerita Rakyat Silancang dan Dampo Awang: Sebuah Kajian Bandingan: Folklore Silancang and Dampo Awang a Comparative Study Mochammad Fikri
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 1 (2019): Kibas Cenderawasih, April 2019
Publisher : Balai Bahasa Provinsi Papua

Indonesia has extraordinary cultural wealth. Folklore is one of the national cultural assets owned by Indonesian people. Some folklore has similarities and differences. For example, Silancang folklore from Sumatra Island, Riau precisely with Dampu Awang which owned by Rembang, Central Java. Both of these folklore are interesting to study because as far as researchers know there is no comparative study. This study, analyze the similarities and differences of the intrinsic elements contained in both folklore. This research is explanatory. The technique that used to collecting the data is literature study. The method that used in this research is descriptive comparative analysis method. The approach used is a discursive approach. The results of the study show that there are similarities and differences in the intrinsic elements of Silancang and Dampo Awang folklore. The similarities appear in the elements of theme, plot, character and characterization, and setting.

Konsep Habitus Bourdieu dan Budaya Populer dalam Cerpen Filosofi Kopi karya Dewi Lestari: The Bourdieu’s Habitus Conceptand Popular Cultural in Filosofi Kopi Short Story by Dewi Lestari Ummu Fatimah Ria Lestari
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

Popular fiction used to the marginally fiction. It was considered disfunction and no has the social goals. So, it was useless. But now, that popular fiction becomes interesting and favourite thing on public literary. This research discusses about habitus and popular cultural of society in Filosofi Kopi short story that written by Dewi Lestari. The goal of this research is to analyze and to describe about habitus and popular cultural of society in Filosofi Kopi short story that written by Dewi Lestari. Habitus and popular cultural of society was researched on intrinsic and extrinsics unsures on that short story. Habitus concept of Bourdieu using for describe the society’s life styles on Filosofi Kopi, so it can influence literary distinction of society. This research uses qualitative methods. This research uses some steps, there consist of the collecting data, manage data, and analizing data. Data was collected by library research. On that short story, the researcher was found the life style of urban society and their popular cultural. The habitus of its writer draws in its setting, characters, and plot. Each character on that short story has their habitus. The forming of their habitus can we found on plot of short story.

The Girl on the Train: Analisis Habitus dan Selera Penonton dalam Film Psychological Thriller: The Girl on the Train: Questioning Habitus and Taste of the Audience on Psychological Thriller Film Sulistyaningtyas Sulistyaningtyas
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

The taste of film is a reflection of the social, economic, and political circumstances in a certain period in history. Taste, as subjective preferences towards symbolic objects, is strongly determined by the habitus of the audience. This study is motivated by the audience’s interest to psychological thriller film, which is questionable given that this genre drives them to experience a set of negative emotions. To examine the research problems, this study adopts a Bourdieu perspective related to habitus and taste. The objective of this study is to find out the interrelation of habitus and taste of the audience in affecting their attraction towards the psychological thriller film. To give a specific context in the analysis process, The Girl on the Train film is chosen as the material object of this study. By using qualitative research methods, the results show that the habitus of the present conditions is engaged in a confrontation of social conflicts. It drives the audience to construct their taste of psychological thriller film as an escape from reality. Though this genre gives a set of detrimental feelings to the audience, they gain satisfaction as they play an important role in solving the problems of the film.

Orientalisme dalam Adaptasi Novel Pride And Prejudice karya Jane Austen ke dalam Pride and Prejudice and Zombies karya Seth Graham Smith: Adaptation of Orientalism in Novel Pride and Prejudice by Jane Austen to Pride and Prejudice and Zombies by Seth Graham Smith A. Nurul Amaliah Darwis; Siti Hardiyanti Amri
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

This paper discusses about the adaptation of Jane Austen's Pride and Prejudice novel to the graphic novel Pride and Prejudice and Zombies using the theory of adaptation and orientalism. The aim of this study is to show the notion of Eastern values in the adaptation. The result of the research indicates the content change from the initial novel which exhibits the lives of British people in the 19th century to the later adding zombies character. In addition, the adaptation version also presents the parody of Eastern culture and values which strongly relates to orientalism issue. The description of Eastern culture and values in this novel seem to be presented the way it is, but it provides stereotypes and satires about the East having bad morals and giving negative impacts which eventuallyhumiliates Eastern nations.

Subalternitas Perempuan dalam Cerpen “Inem” dan “Pelarian Yang Tak Dicari” karya Pramoedya Ananta Toer: The Woman Subalternity in “Inem” Short Story and “Pelarian Yang Tak Dicari” Short Story Written by Pramoedya Ananta Toer Siti Hardiyanti Amri
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 17 No. 1 (2020): Kibas Cenderawasih, April 2020
Publisher : Balai Bahasa Provinsi Papua

This research studies about women subaltern in the two short stories of Pramoedya Ananta Toer. Through his works, Pramoedya potrays gender inequality in which women are positioned marginally. Both characters do not have ability to voice themselves which Spivak mentions as subaltern. The research problems are the structure of the two short stories and the position of subaltern in the structure. This research uses deconstruction analysis method. The results indicate that there is such resistance by those oppressed group. Meanwhile, the author presents not only the subaltern who acts passively throughout the text, but also makes effort to fight for freedom. However, the voice of them are not heard. They remain under the oppression of men.

Ramayana dalam Kitab Omong Kosong karya Seno Gumira Ajidarma: Ramayana in Kitab Omong Kosong by Seno Gumira Ajidarma Hasina Fajrin R.; Andi Indah Yulianti
Kibas Cenderawasih : Jurnal Ilmiah Kebahasaan dan Kesastraan Vol. 16 No. 2 (2019): Kibas Cenderawasih, October 2019
Publisher : Balai Bahasa Provinsi Papua

Classic literature has something distinctive, thus attract interest from writers to retell it with the reduction, addition, or creation of new story versions. This paper will discuss the Kitab Omong Kosong by Seno GumiraAjidarma by comparing Ramayana with the Kitab OmongKosong and rationalize the impact of convention and innovation which is an intertextual reading of Seno against Ramayana using intertextual theory. The results of the discussion showed that Seno GumiraAjidarma through the novel Buku Omong Kosong deconstructed the story and stated that even evil is not always evil, there is always a good side that everyone has. Kitab Omong Kosong is not only inspired by the story of Ramayana, although the story of Ramayana is dominant, but it is also the story of Sutasoma, Jataka-Mala, Siwaratrikalpa, Bubukshah and Handling Aking and Togog, even Maneka and Satya. Seno's repertoire of these stories is very adequate to produce novels that fulfill the readers' curiosity about classic literary canons. Even writers, who are new to the Ramayana story, are made to want to know more about the other classics literary canons. This is also a way for Seno to not only retell the story of Ramayana, but also introduce other stories toreaders who are more interested in reading novels than scavenging the story in classics literary books.

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Ummu Fatimah Ria Lestari

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kibascenderawasih.journal@gmail.com

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+6281248733789

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kibascenderawasih.journal@gmail.com

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Balai Bahasa Papua, Jalan Yoka, Kelurahan Waena, Distrik Heram, Kota Jayapura, Provinsi Papua 99358

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Kota jayapura,

P a p u a

INDONESIA

Abstract

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Ummu Fatimah Ria Lestari

Contact Email kibascenderawasih.journal@gmail.com

Phone +6281248733789

Journal Mail Official kibascenderawasih.journal@gmail.com

Editorial Address Balai Bahasa Papua, Jalan Yoka, Kelurahan Waena, Distrik Heram, Kota Jayapura, Provinsi Papua 99358

Location Kota jayapura, P a p u a INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Ummu Fatimah Ria Lestari

Contact Email
kibascenderawasih.journal@gmail.com

Phone
+6281248733789

Journal Mail Official
kibascenderawasih.journal@gmail.com

Editorial Address
Balai Bahasa Papua, Jalan Yoka, Kelurahan Waena, Distrik Heram, Kota Jayapura, Provinsi Papua 99358

Location
Kota jayapura,

P a p u a

INDONESIA