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Ali Mustofa
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Litera Kultura
Published by Universitas Negeri Surabaya
ISSN : -     EISSN : 23562714     DOI : -
Core Subject : Humanities, Art, Social,
Arts Humanities Social Sciences
Litera Kultura : Journal of Literary and Cultural Studies accepts articles within the scope of Literature and Cultural Studies. The journal is published three times in a year: April, August, and December.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 9 Documents
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Search results for , issue "Vol. 13 No. 3 (2025): December" : 9 Documents clear
The Inner Conflict and Shadow Self in Estella’s Identity in Cruella (2021): A Jungian Literary Film Analysis Nurkumaila, Farah
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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Abstract

The film Cruella (2021) portrays the main character Estella as she navigates an inner conflict in her quest for identity. This research aims to analyze Estella’s identity struggle and transformation into Cruella through Carl Jung’s theory of the Shadow Self. Using a descriptive qualitative method, this study examines selected scenes and dialogues from the film as primary data. The findings reveal that Estella initially rejects her clever and ambitious side, but later embraces it as an integral part of her identity. This study contributes to a deeper understanding of how accepting one’s shadow can lead to personal power and narrative complexity.
“Everyday Resistance”: Women and Sexual Violence in Women Talking Film Suci
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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The research analyses the women's resistance to sexual violence in religious communities. This research aims to understand how the portrayed sexual violence against women and how women resist to sexual violence in religious communities. The research method applied is the descriptive qualitative method. Resistance theory by James Scott, including Covert resistance and Public resistance also applied in this research. The results show that women in religious communities resist sexual violence, such as rape, that they have experienced for generations committed by men in the community. The resistance carried out is in the form of covert resistance and public resistance. Covert resistance is carried out by discussing in a closed room without any of the authorities knowing, the resistance is in the form of a hidden transcript so that it does not create any changes. Furthermore, public resistance is carried out openly and has an impact on both life and future changes. This research highlights women’s resistance against sexual violence and the importance of understanding of sexual violence against women’s in a male-dominated as portrayed in Women Talking.
Stephen Kumalo’s Individuation Process in Alan Paton’s Cry, the Beloved Country: Jungian Psychoanalysis Gogani, Daniel Rino
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This study explores a novel entitled Cry, the Beloved Country by South African writer Alan Paton. The purpose of this study is to analyze the literary work using Carl Gustav Jung's Jungian psychoanalytic approach. By focusing on archetype theory which is reflected in the interaction or social relationship between the main character, Stephen Kumalo and other characters such as, Teophilus Msimangu, James Jarvis, and Absalom Kumalo. In addition, this study also uses individuation theory to analyze Stephen Kumalo by focusing on his traditional and conservative cultural values that confront the modern and urban values of the big city of Johannesburg. The study found that the main character's social relationships with other characters reflect several archetypes such as, Hero, Shadow, Self, Wise Old Men, Father. In addition, Stephen Kumalo's individuation process can also be indicated as successful. It can be seen from how the main character shows a significant change by becoming a more mature, whole, and authentic person.
Trauma and Insecurity in Kimetsu no Yaiba: A Cognitive Psychology Study Riyanti, Alifiah
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This study examines how trauma and insecurity influence the cognitive processes and decision-making of characters in Kimetsu no Yaiba, using Aaron Beck’s cognitive psychology as the primary framework. Focusing on Giyuu Tomioka and Akaza, this research explores how their past experiences shape cognitive distortions, maladaptive schemas, and coping mechanisms. Data were gathered through close reading of the manga’s visual and narrative elements, then assessed using selected items from BDI-II and BAI to identify traits of trauma and insecurity. The findings reveal that trauma and insecurity profoundly shape the characters’ cognition and decisions. Giyuu’s unresolved guilt over his sister’s and Sabito’s deaths leads to self-doubt, emotional withdrawal, and a coping style marked by avoidance and social isolation, despite his position as the Water Pillar. Akaza’s life as Hakuji shows compounded grief from losing his father, Keizou, and Koyuki, resulting in intense rage and psychological decompensation. This culminates in dissociative amnesia after he becomes a demon, erasing memories tied to his trauma yet leaving an unconscious drive for strength to protect against further loss. Across the characters, trauma emerges as a catalyst for either destructive decisions or reluctant perseverance, shaping their journeys toward heroism or tragic downfall. This study highlights how unresolved sorrow and insecurity distort perception and guide choices, enriching the literary portrayal of guilt, vulnerability, resilience, and the silent struggles beneath outward strength.
The Architect of Prophecy: A Literary Analysis of Lady Jessica’s Religious Engineering in the Dune: Part Two Screenplay Salamun
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This research explores the mechanisms of "Religious Engineering" executed by Lady Jessica in the screenplay of Dune: Part Two by Denis Villeneuve and Jon Spaihts. While the narrative often focuses on Paul Atreides’ journey as the "Lisan al-Gaib," this study posits that his messianic status is a calculated political construct orchestrated by Lady Jessica. Utilizing a qualitative literary analysis with a focus on political dramaturgy and discourse analysis, the study examines key scenes and dialogues that reveal how Jessica hijacks indigenous Fremen spirituality to secure the hegemony of House Atreides. The findings identify four primary strategic pillars: the utilization of ritual as a tool for spiritual legitimacy, the strategic collaboration with her unborn daughter (Alia) as a "coalition partner," the geopolitical exploitation of Southern fundamentalism, and the manipulation of psychological confirmation bias in local leadership. Furthermore, this research highlights the antithesis provided by the character Chani, whose resistance exposes the "Missionaria Protectiva" as a form of colonial epistemic violence. Ultimately, this analysis concludes that religion in the Dune universe serves as a weaponized alien invention, where the "Holy War" is not a spontaneous religious awakening, but a controlled demolition of indigenous agency designed for political survival.
Female Bodies as Objects of Sexuality in Patriarchal Culture: An Analysis of Alice Munro’s “Lichen” Ningtyas, Sulistya; Ningrum, Sulistya
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This article examines the representation of female bodies as objects of male sexuality within a patriarchal framework in Alice Munro’s short story “Lichen” (1985). Using a feminist approach, this study applies Margaret Gullette’s theory of Age Ideology and Decline Narratives. The analysis explores how aging is constructed by culture and how the decline narratives of aging are repeatedly told in literature. Through the two contrasting, leading female characters, Munro portrays the objectification of female bodies: the older wife’s aging body is deemed unsatisfactory by her husband, while the young body of the second wife, encapsulated in a nude photograph, is reduced to an object for male gratification. Within the domestic sphere, the husband’s dominance over his wife reflects Canadian societal norms, which also becomes the setting of the story, where men are seen as leaders and women as submissive. The story’s title, “lichen,” a metaphor for female pubic hair, symbolizes the fleeting value placed on women’s bodies to satisfy male desires. Ultimately, Munro critiques cultural ideologies that perpetuate women’s objectification, challenging the social constructs that subordinate women to the sexual expectations of men.
The Locality of Indonesian Language and Literature in a Global World: Quo Vadis? Marwara, Heru
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This article examines the future and sustainability of Indonesian language and literature in the context of globality. It raises the critical question: quo vadis — where is the locality of Indonesian language-literature headed amid global pressures? Globalization, while offering opportunities, poses significant challenges to the maintenance of local values and cultural identity embedded in the language and literary expressions of Indonesia. Using a critical literature review approach, the study explores threats to and strategies for preserving the uniqueness of Indonesian language-literature, including adaptation to digital platforms, media convergence, international collaboration, and creative innovations in literary production and dissemination. The findings suggest that the sustainability of Indonesian language-literature depends heavily on its capacity for strategic adaptation, innovation, and active promotion, ensuring that local identity is preserved while engaging with global audiences.
Eco-Warning in the Legend of Lake Tondano: An Ecocritical Study of Tourism Literature Husain, Sabrina Wardatul Jannah; Ali, Muhammad Ilham; Pabur, Herminus Efrando; Wuntu, Ceisy Nita
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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This study examines the Legend of Lake Tondano as an instrument of ecological literacy in the context of sustainable tourism through Greg Garrard's ecocritical approach, specifically the concept of eco-warning. The modern tourism industry often exploits local narratives for commercial purposes without considering the substantive environmental messages they convey. This phenomenon creates a gap between the idealistic narrative promoted to tourists and the reality of ecological degradation experienced by Lake Tondano, including silt deposition, water hyacinth growth, and declining water quality. This study aims to analyze the dimensions of ecological warning in the legend and explore its potential as a medium for critical reflection on environmental conditions. Using descriptive qualitative methods with close reading techniques, this study identifies narrative units containing representations of ecological warning based on Garrard's theoretical framework. The analysis focuses on three main aspects: apocalyptic rhetoric, the concept of wilderness, and representations of human-nature relationships. This study proposes a reinterpretation of the legend as an instrument of ecological literacy that emphasizes ecologically conscious tourism, the development of thematic tourism routes that connect past apocalyptic events with present-day ecological challenges, and infrastructure policies that respect the active role of nature.
Anxiety as a Narrative Force: A Freudian Psychoanalytic Analysis of Ian Lightfoot in Onward (2020) Rahayu, Mundi; Arrifah, Zannuba
LITERA KULTURA : Journal of Literary and Cultural Studies Vol. 13 No. 3 (2025): December
Publisher : Universitas Negeri Surabaya

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Abstract

Animated films increasingly address psychological struggles, making them important texts for understanding emotional development in popular culture. This study examines the representation of anxiety in the animated film Onward (2020) through the character of Ian Lightfoot and its role in shaping his psychological development. The study aims to analyze the types of anxiety experienced by Ian and how this anxiety is portrayed through the film's visuals and dialogue. Using a descriptive qualitative method and a film studies approach, the research applies Sigmund Freud’s psychoanalytic theory of anxiety—realistic, neurotic, and moral anxiety—as an analytical framework. Freud’s typology of anxiety functions as the primary analytical framework for categorizing Ian’s psychological responses. The data for this study consists of scenes showing Ian's anxiety in certain situations. The analysis results show that realistic anxiety arises because Ian faces real threats, such as learning to drive on the highway, neurotic anxiety is seen in Ian's anxiety when he interacts with his friends, and moral anxiety arises because Ian feels guilty for failing to fulfil his moral responsibilities to his family. Through the representation of these anxieties, the film Onward depicts the process of Ian's character development from a person who lacks confidence to someone who is more emotionally mature.

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