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Zamrud Whidas Pratama
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Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia, 75123
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INDONESIA
Jurnal Mebang
Published by Universitas Mulawarman
ISSN : 27763919     EISSN : 27762513     DOI : https://doi.org/10.30872/mebang
Core Subject : Humanities, Art,
Arts Humanities
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik is academic, open access, peer-reviewed journal founded and first published in 2021 by the Department of Ethnomusicology, Faculty of Cultural Studies, Mulawarman University. Issues are published two times a year in April and October. Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik contains the results of music research, such as ethnomusicology; music performance art; music creation and research; and music education.
Arjuna Subject : Seni dan Humaniora - Musik
Articles 5 Documents
 1 
Search results for , issue "Vol. 4 No. 1 (2024)" : 5 Documents clear
Representasi Kesetaraan Gender dalam Kesenian Gong Waning Masyarakat Sikka Tanjung Labu Provinsi Kalimantan Timur Arafik, Abdul Rahman; Putra, Bayu Arsiadhi; Putra, Agus Kastama
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.69

Abstract

In the Sikka community in Tanjung Labu Village, curently women have the same role as men in socio-cultural life. Inversely proportional to the social conditions in the area of origin which is closely related to patriarchal culture. This situation is even more confusing when the appointment of a woman as head of the Gong Waning art association illustrates the absence of inequality in the social life of the Sikka community in Tanjung Labu. This study uses qualitative methods with observation techniques, data collection techniques and data analysis. Observation techniques include the object of research and the determination of informants. Data collection techniques include literature study, interviews, and documentation. Lastly, the data analysis technique by utilizing field data. The results show that the form of adjustment in Gong Waning art and the social order of the Sikka people is due to adaptation and good communication between individuals in discussions that lead to the values of equality. Discussion of private issues of every individual in society is managed to become a public issue in order to find a solution. Finally, women and men are free to express their opinions explicitly without any pressure from any party. This situation ultimately forms a society that respects each other in social life.
Degradasi Musik Gambus Paser pada Sanggar Seni Sama Duwe di Desa Suatang Keteban Kabupaten Paser Ashar, Saufitria; Gunawan, Asril; Putra, Bayu Arsiadhi
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.89

Abstract

Gambus Paser music is one of the traditional art forms that is now experiencing degradation. The degradation of Gambus Paser's music occurs due to the influence of modernization, which affects the interest of the younger generation, who increasingly forget their traditional arts. In response to the degradation of Gambus Paser music, Sama Duwe Art Studio continues to make preservation efforts to maintain the values contained in Gambus Paser art. This preservation is not only carried out by the Sama Duwe Art Studio; the people of Suatang Keteban Village and the Paser Regency government must also help maintain and preserve the art of Gambus Paser music. This research uses qualitative methodology, including data collection, observation, and analysis techniques. Data collection has been done through literature studies, interviews, and documentation. The research theory used is the AGIL theory from Talcott Parson. The results showed that Paser Gambus music's degradation requires special attention from all parties. One form of community support and role can be observed from the role of the Sama Duwe Art Studio in preserving the art of Paser Gambus music in Suatang Keteban Village.
Tindakan Sosial Pelaku Kesenian Damarwulan di Desa Sebemban Novita, Winda; Vivian, Yofi Irvan; Setyoko, Aris
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.90

Abstract

Damarwulan art is a traditional art originating from Java and developed by the people of Sebemban Village, Kutai Kartanegara Regency. The lack of interest in Damarwulan by the people of Sebemban Village has resulted in social action by cultural actors to protect this art. The sustainability of Damarwulan art to date cannot be separated from the social actions of its artists. There is music and scripts that have not changed from the past until now. This research uses qualitative methodology by applying observation techniques, data collection and data analysis. The observation technique includes the research object, namely focusing on damarwulan art in Sembemban Village. Data collection techniques include literature study, determining informants, interviews, and documentation. The final step is to use analytical techniques to process field data. The results of this research will explain the facts found in the field by the author. The social actions of Damarwulan artists towards the sustainability of this art include traditional, instrumental rational and value rational actions. Traditional acts include aspects such as rituals, male performers, scripts, and musical forms that have been passed down through generations. Instrumental rational action includes the use of musical instruments and other equipment in performance. Meanwhile, value rational actions involve collaboration with village government, extracurricular activities at schools, and arts groups as an effort to ensure the sustainability of Damarwulan Arts.
Dominasi dan Perkembangan Musik Keroncong dalam Ibadah Kaum Muda-Mudi Gereja Injili di Tanah Jawa di Era Disrupsi Simatupang, Jhonnedy Kolang Nauli; Aritonang, Jhon Wesley Boiman Parasian; Lumban Tungkup, Hizkia
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.105

Abstract

The purpose of this study is to understand how keroncong music is dominant in times of change in the musical world, how keroncong music is currently developing, and how they can help the youth of the Evangelical Church of Java were to find out how it is evident in the worship of the Lord. Research methods were used in writing the work. This scientific method is library research. This was carried out by the author. That is a search for articles, books, and encyclopedias on topics related to the dominance and development of Keroncong music. Javanese Evangelical Church Youth Worship in Turbulent Times. The findings of this study are as follows: First, in the middle of the inevitable turbulent times, the dominance of Keroncong music begins to weaken, especially among the youth. There is Java worships evangelical church people, so care must be taken to adapt to existing changes Java evangelicalism continues to evolve with new faces and appearances. Simply as a form of following the development of existing music and maintaining keroncong music in the youth liturgy. Third, the church must embrace existing changes without losing the identity and culture that has existed in the church for many years. But without an openness to existing change, especially during turbulent times, the church will fall behind over time.
Soliditas Nilai Karakter Pendidikan melalui Instrumen Gambus Melayu Riau di Universitas Islam Riau Fitriah, Laila; Ritawati, Tengku; Vivian, Yofi Irvan
Jurnal Mebang: Kajian Budaya Musik dan Pendidikan Musik Vol. 4 No. 1 (2024)
Publisher : Program Studi Etnomusikologi, Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/mebang.v4i1.116

Abstract

Riau Malay Gambus. This research utilizes a descriptive qualitative approach to observe the solidity of educational character values through the Riau Malay Gambus instrument at the Islamic University of Riau. The data collection techniques employed in this research include literature review, informant selection, interviews, and documentation. Three educational character values are embedded in the Riau Malay Gambus: religiosity, discipline, and environmental concern. The religious value inherent in the Riau Malay Gambus lies in the utilization of its lyrics, which are related to the Islamic religion, stories or messages conveyed relating to Allah, prophets, and other Islamic histories. The value of discipline is evident in the students' dedication to practice and presentational efforts to achieve maximum grades.

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