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Contact Name
Indarti
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journalfashion@unesa.ac.id
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+6281218448862
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journalfashion@unesa.ac.id
Editorial Address
Jurusan PKK, Fakultas Teknik, Kampus Ketintang, Jalan Ketintang, Surabaya 60231 Universitas Negeri Surabaya
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Jawa timur
INDONESIA
BAJU: Journal of Fashion and Textile Design Unesa
ISSN : 27472574     EISSN : 27472574.     DOI : https://doi.org/10.26740/baju
Core Subject : Humanities, Social,
BAJU mempublikasikan artikel-artikel dari mahasiswa, dosen, guru, para peneliti dan profesional yang berisi hasil penelitian, penciptaan, gagasan pemikiran, dan kreasi atau inovasi lain dibidang desain mode dan tekstil, baik dalam bahasa Indonesia maupun bahasa Inggris. Diterbitkan setahun empat kali, memberikan kesempatan artikel anda untuk segera publish. BAJU menyediakan forum ilmiah untuk topik penciptaan atau praktik busana maupun tekstil. BAJU mendorong penelitian interdisipliner dan pengembangan komunitas akademik yang akan berbagi teori, teknologi, dan teknik yang baru di industri fashion dan tekstil, termasuk: - inovasi dalam desain dan praktik mode - keberlanjutan dan etika dalam industri mode - teknologi mikro dalam konteks fashion dan tekstil - smart and digital fashion dan tekstil - konsumsi dan produksi fashion - materials, design, concepts and process Kontribusi yang sesuai untuk jurnal ini terbagi dalam kategori berikut: - Research papers menyajikan temuan baru yang penting - Technical papers yang menjelaskan perkembangan atau inovasi baru - Academic discussion papers yang membahas tren dan prediksi jangka menengah hingga panjang.
Articles 12 Documents
Search results for , issue "Vol. 6 No. 2 (2025)" : 12 Documents clear
Fashion Design Based on Baduy Culture: The Fusion of Essentiality, Spirituality, and Exploration in Seba Baduy 2024 Soemardi, Ardita Ayulestari; Lestari, Tetes Annisa; Rachman, Rizki Maulana; Annurul, Annurul
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p189-196

Abstract

 Seba Baduy is a series of events held annually as a tradition as a form of gratitude and a symbol of harmonious relations between humans, nature, and ancestors. This study aims to identify Baduy cultural elements that are integrated into fashion design works and analyze the values ​​of essentiality, spirituality, and exploration in these fashion designs with a blend of local Baduy culture. The research method used is qualitative, with data collection methods through literature studies and observations regarding Baduy culture, especially Baduy weaving and batik. This Baduy culture is collaborated with a more modern style, with the theme of Essentiality, Spirituality, and Exploration, which is related to simplicity and the elevation of local traditions. The final result of this research is a design titled "Sawarga," inspired by the Baduy tribe's house as a spiritual place, elaborated with traditional Baduy fabrics, packaged in a modern form. The values ​​of essentiality, spirituality, and exploration are reflected in the design, through the use of natural materials, silhouettes, and exploration of textile materials.
Estetika Teknik Slashing pada Produk Tote Bag Nugraheni, Desneysha Muji; Radiona , Vivi; Zahra , E. Lutfia
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p197-209

Abstract

This study aims to obtain aesthetic data on five tote bag products with slashing technique decoration applications which include three aspects of assessment, namely the form or form aspect which includes the application of design elements and design principles, the weight or content aspect which includes the delivery of ideas or ideas, and the appearance or presentation aspect which includes the application of means or media. The research method uses quantitative with a pre-experimental design of one shot case study type. The data collection technique used a mixed questionnaire. The instrument in this study consisted of 18 statements with a rating scale measurement scale distributed to 5 expert panelists in their fields. The results of the research on the aesthetics of slashing techniques on tote bag products obtained an overall score of 91.4 which is included in the very good category. The aesthetic aspect that gets the highest score is the appearance or presentation aspect with a score of 93.3 which is included in the very good category. While the product that received the highest score was product 2 with a score of 92.2% which is included in the very good category. This shows that the aesthetic aspects of form or appearance, weight or content, and appearance or presentation in accordance with A.A.M Djelantik's aesthetic theory are very good in their application to tote bag products with slashing techniques.
CELOSIA CRISTATA SEBAGAI SUMBER IDE PENCIPTAAN BUSANA PESTA MALAM Rahmi, Olivia; Yulistiana, Yulistiana
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p179-188

Abstract

Celosia Cristata is a flower that is in great demand as an ornamental plant and is used as medicine, has a unique shape like a cock's comb, which is generally red in color making it a source of ideas for the creation of evening party clothes. The purpose of this research is to know the process of making and the finished result of creating an evening party dress that can visualize the characteristics of celosia cristata flower. The research method used in this study is the double diamond model, which has a four-stage process. The first stage involves discovering, searching, determining, and collecting information related to the idea source of the celosia cristata flower. The second stage was defined by determining the criteria and details used in the creation of an evening party dress. The third stage of develop was done by making a fashion sketch design according to the source of idea and moodboard. The last stage of deliver was the process of making evening party clothes with the celosia cristata flower as the source of idea. The finished result of the evening party outfit is in accordance with the research design and can contribute to the development of the fashion industry, especially in the utilization of flora.
Upcycle Jaket Denim Sebagai Media Eksplorasi Teknik Slashing Kombinasi Limbah Perca Sumber Ide Fireworks Ayu Artamevia Katerina Putri; Prihatina, Yuhri Inang
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p167-178

Abstract

The slashing technique is a technique of manipulating the fabric by sewing several piles of fabric and then cutting according to the bias while still showing the bottom layer.  This study aims to find out the process of exploring the design and finished results of the denim jacket upcycle as a medium for exploring slashing techniques in combination with patchwork waste and fireworks ideas. The research method using the double diamond method includes 4 stages: Discover collects information about the final effect of fireworks and designs slashing motif exploration, Define creates a moodboard "De'Slash Fireworks" to create a slashing exploration table on denim jacket design, Develop into 9 designs and makes initial trial/prototype experiments, Deliver design selection and realize the manufacture of 3 denim jacket upcycle products,  Then a feasibility test was carried out. The data collection instrument for this study uses observation sheets to textile experts on the details of fabric slashing. The data analysis technique uses quantitative descriptive analysis techniques by determining the mean or average. The results show that based on the total results of the overall aspect, it was obtained that design 1 is more in demand by observers. The inspiration for the final effect of the fireworks can be visualized into the exploration of slashing techniques with the right contrast with the colors of red, yellow, blue patchwork fabric.  
Penerapan Teknik Cording Pada Busana Pesta Dengan Sumber Ide Menara Lonceng Venesia Ayuni, Icha Riga; Suhartini, Ratna
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p250-258

Abstract

The Venetian Bell Tower, or Campanile de San Marco, served as the main inspiration for designing men’s and women’s evening wear through the application of the surface cording decorative technique. This study aims (1) to describe the application of cording in evening wear inspired by the architectural details of the Campanile, and (2) to examine the design process and final results. The research employed the Double Diamond model consisting of four stages: discover, define, develop, and deliver. In the discover stage, the architectural inspiration was explored, followed by the define stage where ideas were summarized into a moodboard. The develop stage produced two selected designs, one for men and one for women, while the deliver stage focused on garment realization with input from experts. The results show that architectural forms such as strong lines and relief details of the Campanile can be transformed into ornamental fabric design using surface cording. The technique creates raised textures that highlight both aesthetic and functional aspects, enhancing the garment’s visual identity. Overall, the study demonstrates that cording not only enriches fabric texture but also elevates the artistic and conceptual value of evening wear design.
PENCIPTAAN DESAIN MOTIF BATIK SIDOARJO PADA SYAL DENGAN SUMBER IDE CANDI DERMO Hurrin, Aissyah Febi Alamanda; Arifiana, Deny
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p210-226

Abstract

Abstract The design of batik is one of stages in batik making process. The development of motif ideas can create patterns and motifs on batik fabric. The making of batik decorative motif design in this study is inspired by cultural heritage found in Sidoarjo. This research an art based study that describes the batik motif design from Sidoarjo, this research also inspired by Dermo Temple. The objective of this research are: (1) To describe the process of exploring the Sidoarjo Batik motif with the source of the idea of Dermo Temple which will be applied to products in the form of scarves.  (2) to describe the process of creating Sidoarjo batik design inspired by the Dermo temple to be applied to a product in form of scarf. (3) to describe the final result of the Sidoarjo batik design creation inspired by Dermo Temple to be applied to a product in form of scarf. The method used in this research is the artwork creation, that’s consist four stages: exploration or pre design, design development, realization of the work, and also the presentation of the work. At the design stage of the work, alternative designs are made, so that 3 motif designs can be selected that will be applied to products in the form of scarves. The results of the creation stated that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik Sidoarjo and Dermo Temple motifs. The results of the creation state that the scarf product measuring 35 cm x 180 cm was created according to the characteristics of the Batik motif of Sidoarjo and Dermo Temple as the main motif of batik. The results of the creation state that: (1) Scarf products measuring 35 cm x 180 cm were created according to the characteristics of the Batik motifs of Sidoarjo and Dermo Temple as the main motif of batik. (2 The motifs created on the product in the form of scarves go through the design development stage, so that batik patterns can be created in accordance with the results of the motif exploration. (3) The finished product is in the form of a scarf created with the written batik technique.  
PENERAPAN MOTIF BATIK BERPOLA KOMBINASI BATIK TULIS REMEKAN PADA JAKET BOMBER DENGAN SUMBER IDE IKAN KOI Hariyanti, Tri; Wahyuningsih, Urip
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

The research aims to develop patterned batik motifs through a combination of batik tulis and remekan techniques on bomber jacket clothing. The main idea comes from koi fish as a symbol of wealth and strength and a typical icon of Blitar City. The design process uses a three-stage creation method according to Gustami SP, namely exploration, design, and embodiment. Exploration is carried out through visual studies of koi fish, lotus flowers, and other supporting elements which are then developed into batik motifs. The design stage produces 6 motif designs on jackets, and patterned motifs on 250 x 115 cm fabric. The selected designs are realized through batik tulis and remekan techniques. The production process includes coloring, rolling, cutting materials, and sewing to become complete clothing. The results of the work show a combination of traditional artistic values ​​and contemporary design. Data collection was carried out through a questionnaire to 50 respondents to assess the selection of motifs and the assessment of the results of the design analysis aspects, motifs, colors, and final results. The majority of respondents stated that the work has high visual appeal. This work is an innovation in modern batik and encourages the interest of the younger generation in local culture.
Penerapan Teknik Laser Cut pada Busana Convertible dengan Sumber Ide Bunga Daisy Anikmah, Aden Noor Syukurian; Russanti, Irma
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

 In line with the changing lifestyles of modern society, the demand for practical, versatile, and efficient clothing has also increased. Convertible fashion has emerged as one response to this need. However, the decorative elements applied to convertible clothes are mostly limited to surface design techniques such as traditional textiles or digital printing. This highlights the need to explore other more creative and dimensional decorative techniques, one of which is fabric manipulation through laser cutting. This study aims to describe the process and final outcome of applying laser cut techniques as aesthetic elements to convertible clothes with daisy flower as idea source. The research method used is the Double Diamond Model, which consists of four stages: Discover, gathering information related to laser cut, convertible fashion, and daisy flowers; Define, compiling ideas into a cohesive concept through a moodboard; Develop, developing the design and producing the product; and Deliver, finalizing and evaluating the product. The final outcome of this research is the creation of a construction-type convertible clothes with two different styling options, featuring aesthetic laser cut elements with a daisy flower motif on denim material.
PENERAPAN TEKNIK RUFFLE DAN UPCYCLE FASHION PADA BUSANA COCKTAIL DRESS TERINSPIRASI DARI AMERICAN BALD EAGLE Fahira, Dea; Ruhidawati, Cucu
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/baju.v6n2.p238-249

Abstract

This study explores the application of ruffle techniques and upcycle fashion concepts in designing a cocktail dress inspired by the American Bald Eagle, a symbol of strength and freedom. The ruffle technique, which forms wavy and voluminous fabric details, is applied to represent a majestic appearance of eagle wings. Meanwhile, the upcycling concept is implemented on an unused blazer by adding decorative elements that is not only aesthetically valuable but also functionally renewed. Through the Research Project-Based Learning approach, the design process involves the stages of planning, creation, and design evaluation. The theme of the design, Dark Avant-Garde, emphasizes dramatic and romantic nuances through a combination of dark colors, contrasting textures, and asymmetrical silhouettes. The final result is a two-piece cocktail dress with experimental character, suitable not only for semi-formal events but also for fashion editorials and runway show. This research aims to apply ruffle techniques and upcycle fashion inspired by the characteristics of the bald eagle through a combination of textile manipulation techniques and sustainability principles. Therefore, this study seeks to produce a fashion design that is aesthetic, sustainable, and relevant for fashion enthusiasts.
The Fundamental Research Inspiration in Fashion Design Mustafa, Muhammad Khalik; Saleh, Nasyirah; Farahanies, Dayang Intan; Rafee , Mohd Radzuan Mohd; Ramli, Ishak; Rosman, Muhammad Redza
BAJU: Journal of Fashion and Textile Design Unesa Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study explores the fundamental role of inspiration in the field of fashion design, highlighting its influence in integrating functionality, aesthetic expression, and responsiveness to ever-evolving trends. Fashion design is not merely about creating garments; it is a dynamic process that demands a balance between artistic vision and practical innovation. The research investigates a wide range of inspiration sources, such as nature, fine art, cultural heritage, personal experiences, and emerging technological advancements. These sources are critically examined for their ability to shape a designer’s conceptual thinking, fuel originality, and support the forecasting of trends. A key focus is given to distinguishing between tangible sources such as objects, environments, and physical stimuli and intangible sources, including emotions, memories, and abstract ideas. The study reveals how these diverse inspirations contribute to the richness and multidimensional nature of contemporary fashion design. By understanding how designers interpret and translate inspiration into design elements, the research provides a framework for appreciating the creative process. Moreover, it underscores the importance of inspiration not only as a spark for creativity but also as a tool for strategic problem-solving and innovation. This study ultimately emphasizes the interplay between inspiration, creativity, and decision-making within the modern fashion design landscape. Keywords: Fashion Design Inspiration, Creative Process, Trend Forecasting

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