cover
Contact Name
koko hari pramono
Contact Email
kokoharipramono88@gmail.com
Phone
+6285655454121
Journal Mail Official
jurnalterobstkws@gmail.com
Editorial Address
Perumahan Wisma Mukti, Jl. Klampis Anom II, Klampis Ngasem, Kec. Sukolilo, Surabaya 60117
Location
Kota surabaya,
Jawa timur
INDONESIA
Terob : Jurnal Pengkajian dan Penciptaan Seni
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Articles 49 Documents
Transformation In Virtual Dance: The Existence Of Dance In The Dance Art Study Program sama, iwayan
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.53

Abstract

 The article "Transformation in Virtual Dance: The Existence of Dance in the Dance Art Study Program "explained the change that occurs when a dance work performed on a performance stage is artistically transformed into a virtual dance work. This study employed a qualitative ethnographic methodology along with methodologies from observation, interviews, and literature study to explore the idea of metamorphosis in dance works. Following the completion of this research, it was evident that there had been a change in the character, situation, and presentation of virtual dance works in terms of form and presentation. The character feels light and instant while the situation clarifies that the virtual dance work can be viewed anytime, anywhere, and under any circumstances. The dance work's form is realized through editing a video recording document
The Impact Of Art Puzzle On Preschool Children's Autonomy In Kb Hidayatul Islam Pakuniran Probolinggo Kusuma, Jihan; Apriliya, Riska
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.54

Abstract

This study discusses the impact of a puzzle to increase the autonomy of early childhood at KB Hidayatul Islam Probolinggo. This study aims to assist teachers in increasing children's autonomy with a puzzle. This type of research uses a quantitative research method. This research was carried out at KB Hidayatul Islam Probolinggo with all teacher and student councils as subjects. Researchers carried out observations, tests, and data analysis documentation using statistical data analysis techniques to obtain this data. The data collected was in the form of pretest and posttest scores. The results of this study indicate that puzzles done correctly can boost early childhood autonomy. It is also essential to pay attention to the processes involved in adopting puzzles to improve children's independence so they are pleased, cheerful, and always autonomous.
Creating Personal Expressions In Expanded Drawing Artworks Through A Synectic Approach mubaroh, mufi; Arifin, Mohamad
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.55

Abstract

Expanded drawing is an investigation of the evolution of drawing techniques and media/materials that have given artists the freedom to experiment, venture outside of their comfort zones, and change their routines. Extended drawing offers difficult activity engagements by fusing media and techniques with imaginative concepts. It also expands and reframes traditional drawing disciplines and approaches to produce works with a vibrant, modern personality. To create works that allude to distinctive traits and processes, media and technique development is done while keeping a larger context in mind. New media or media that has been used frequently are both used in this process. With its ability to create a dynamic and imaginative arena, Drawing Expanded is full of exploration, responding to medium and drawing styles in accordance with the concept being created. Expanded drawing is a new definition that arises from redefining, based on the individual's choice of media and technique as well as the environment. American artist Robert Morris first used the word in 1946 to describe a three-dimensional approach outside galleries that highlighted the value of creative exploration and interaction with materials, media, techniques, locations, and ideas.
Star Sticker Rewards' Influence On Group B Children’s Arts Learning Discipline At The Dharma Wanita Kindergarten Bendunganjati ummah, nahdiyatul; Fauziah, Syifa
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.56

Abstract

The discipline of group B students at the Dharma Wanita Bendunganjati Kindergarten, which had not developed effectively, served as the driving force for this study. The pretest findings, which indicate that 12 of the 19 children's disciplines still meet the criterion for not progressing, are evidence of this. An experimental research model is combined with a quantitative research method to conduct this study. One group pretest-posttest, or one group study with a sample of 19 children, was the type of experiment that was used in this work. This is evident from the average improvement in children's discipline before and after therapy, which is 26.6 to 55.1, based on the research results, sig < 0.05, or 0.000. Therefore, H0 is refused, and H1 is approved, indicating that rewarding children with star stickers impacts their behavior both before and after therapy. Based on the conducted research, it can be inferred that rewarding group B children at Dharma Wanita Bendunganjati Kindergarten with star stickers affects their behavior.
Contemporary Art On Fashion In Jember Fashion Carnaval (2016-2021) Bramantijo, Bramantijo; Aprilia Lani Kartini, Rose
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 1 (2023): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i1.57

Abstract

As a fashion show that includes members of all societal strata, Jember Fashion Carnival (JFC) is regarded as a must-attendcultural event in East Java. In modern civilization, fashion is used as a means of communication to express social, cultural, andpersonal identity. Art and fashion share many similarities in how they portray or convey feelings, expression, amusement, and beingpresented. The term experimental, a subset of contemporary art, has its roots in the creation of clothing that pushes the boundariesof both fashion and performance art, or as it is known in the language of fashion, the avant-garde. This study intends toascertain the evolution of contemporary art at JFC as well as the impact of contemporary art on fashion at JFC events, particularlyfrom 2016 to 2021. The data gathered were examined inductively as a cultural inquiry utilizing ethnographic techniques. The visualcultural portion includes shape, color, texture, fashion, and the arts. Regarding poetry and how to develop and connect ideas, theaesthetics of art and fashion are similarly similar. Avant-garde fashion is contemporary art applied, yet one might also say thatfashion is a costume in contemporary art. In JFC, the focus is on the artists' creative processes, and how innocence and wildness intheir work emerge. They also receive guidance and instruction on creating, applying makeup, walking, and dancing.The Jember Fashion Carnival not only has a theme but also emphasizes the theatricality and soul of the costumes. Values, excitement, and motivation to create fashion pieces fuel the carnival's rebirth. In addition, each theme also incorporates components of values, culture, humanism, compassion, and openness to different viewpoints. 
Traditional Values In The Tetenger Kulkul Karawitan Work Yulianti, Dewi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.58

Abstract

Ancestral heritage in the form of traditional Balinese communication tools made of wood or bamboo operates in banjar activities, especially those in Banjar Palak Sukawati. The strength and character of the sound produced by the kulkul inspired the idea of ​​a creative karawitan piece called “Tetenger Kulkul”. The karawitan art composition entitled “Tetenger Kulkul” is a Bebarongan Kreasi musical composition that uses the five-tone Bebarongan Gamelan as the medium. The purpose of creating this karawitan work is to transform an idea born from a traditional communication tool called kulkul and to describe the traditional values ​​contained in the use of the kulkul communication tool as outlined through traditional karawitan works. This traditional karawitan work "Tetenger Kulkul" is realized through a qualitative method of observation, interviews, and literature study. Then, the molding of the idea was carried out using the creation method from Alma M. Hawkins including the exploration, improvisation and formation stages. The bebarongan musical creation "Tetenger Kulkul" consists of percussion instruments often used to accompany wewali and balihan ceremonies. The “Tetenger Kulkul” percussion incorporates religious, creative, independent, communicative, and responsible values.
Artistic Visualization Of Senja Dengan Dua Kelelawar Script By Kirdjomulyo Through Herry Dim's Art Creation Method purnomo, heny; hari pramono, koko; Indar Moslem, Mochamad Danuar
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.59

Abstract

The stage serves as a barrier between the artists and the audience, therefore theatrical activities are inextricably linked to it. In order for a theatrical performance to flow smoothly and for the audience to engage with the performers, the stage is a crucial component. Through artistic communication, aesthetic value is created. In the end, this serves as the foundation for artistic endeavours involving the visualization of artistic arrangements on stage. In order for the artistic arrangement in a performance to become more than just a connected component and instead become a whole theatrical production, the director and artistic director must also be able to give meaning to the various elements. Through the visual medium of performing arts, the audience can be given aesthetic gratification through the implementation of a comprehensive creative arrangement. In addition to using Herry Dim's method of art creation, this piece employs a representational theatre style performance approach with accurate and naturalistic environmental descriptions. The artistic arrangement of the script "Senja degan Dua Kelelawar" is another goal in the development of this piece of theatre art. The developed concept was then utilized to visualize the artistic layout of the script Senja degan Dua Kelelawar" and create works of art by combining different parts and elements of the artistic layout that ultimately resulted in a performance. Hence,  it can deliver a visually stunning and harmonic performance on stage
A Gong Angin: Organological and Musical Innovation in Creating Music Based on Flute Instruments Fredy, Catur; Sukerta , Pande Made
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.61

Abstract

The flute is a great source of inspiration in creating new musical instruments. The creation of the Gamelan Flute artwork was carried out to explore the source of ideas for flute instruments, which will then be realized in the form of creating a new set of musical instruments, developments from modified flute instruments with the aim of looking for updates to other forms, both in terms of visual form, technique and function. For this reason, there is a need for organological and musical innovation in the creation of music based on flute instruments. When trying to develop a new musical instrument, creators can take elements of the flute that they find interesting and combine them with creative ideas. By developing flute instruments or using modern technology in making instruments, artists can create unique and interesting sounds, providing a deeper artistic dimension and expressing themselves in new ways in their work. Understanding this cultural background and integrating it into the design of a new musical instrument can hopefully produce something unique and valuable.
Documentary biography films violin luthiers A media education on the nivel of art work Trilaksono, Yunanto
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.65

Abstract

The study aims to analyze the use of signs or symbols in the film to convey deeper messages or meanings as educational media about the value of artwork in the creation of violin instruments in Sidoarjo. The film can be considered as an educational medium because it provides information about the process of making violin instruments in detail. The film can provide knowledge of the materials used, manufacturing techniques, and crafts required in making violin instruments. In addition, the film can also provide an understanding of the value of art in the manufacture of violin instruments. In the film, it may be shown that the creation of violin instruments requires high precision, expertise and dedication. This shows that artwork in the manufacture of violin instruments is not only a technical process, but also involves aspects of art and beauty. This documentary can also provide an understanding of the cultural value and local heritage. In the film, it may be shown that the creation of violin instruments in Sidoarjo has a high cultural value. This enriches our understanding of the diversity of Indonesian culture and increases our appreciation of local crafts. In addition, this documentary can also provide inspiration for audiences interested in art and music. The film can motivate them to develop their interest in the art of making violin instruments or even in the art of the whole. By conducting an in-depth analysis of this documentary, we can understand the art and cultural values of the creation of violin instruments at Sidoarjo and appreciate local crafts. The film can also be an effective educational medium for those interested in art and music.
Tari Ayun-Ayun Sandur Manduro Jombang Windrowati, Trinil
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.66

Abstract

Analysis of the Movement of the Ayun-Ayun Sandur Manduro Jombang Dance has the aim of wanting to reveal the aesthetic value of the form of motion contained in the Ayun-Ayun Sandur Manduro Jombang Dance. The dancers of Sandur Manduro call this dance as Ayun-Ayun Sembadra, because this dance depicts the character of Sembadra who is beautiful, soft and smooth in language. Some players also refer to her as the daughter of Candrakirana, the wife of Panji Inu Kertapati. Using Agus Tasman's Motion Analysis Framework, including space, energy, time and materials as elements of motion. Energy is a force or source of occurrence of a process (form). Energy in motion as a driver of the process of motion form. Space is a vehicle that has a boundary system. Subjectively the limit is dependent on the range of the horizon of vision. Time is a non-physical discourse as a container for a process. Material is something that will be used to create a shape for a specific purpose. The results obtained are that the Ayun-Ayun Sandur Manduro Jombang Dance finds an aesthetic point where its beauty can be felt.