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Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 49 Documents
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The Analysis of Sekartaji’s character Movement In Sekartaji Tandhing Dance Trinil Windrowati
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 2 (2022): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (527.785 KB) | DOI: 10.20111/terob.v12i2.33

Abstract

The analysis of Sekartaji Tandhing’s movement in Sekartaji Tandhing dance aims at figuring out the factual factors and aspects of the characters in the movement found in Sekartaji Tandhing dance. By employing Agus Tasman’s Analysis of Dance Moves and Character, including space, time, energy, movement, and a character concept consisting of typology, character, and temperament, it was found that the Sekartaji Tandhing’s characters met a good quality of character and movement analysis. The inner and outer reflection used as aspects in analyzing the Sekartaji Tandhing’s characters discovered an aesthetic point that its beauty can be felt and was scientifically justified
The Creativity And Motif of Tetuko Written Batik In Nganjuk Regency Yekti Herlina
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 2 (2022): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (588.96 KB) | DOI: 10.20111/terob.v12i2.34

Abstract

Nganjuk regency is known for its textile craft with itscharacteristics called Nganjukbatik. Nganjuk batik has some unique motifs such as the Ajuk Ladang, Sera Rumput, Sido Mukti Tungkak, Sundut Sate, Acacia Flower Tumpal, and Rambutan Flower Tumpal.These motifs are usually worn in any formal and informal events.Tetuko written batik of Nganjuk Regency as one of the sub-sectors of the creative industry is createdbased on local wisdom or the nation's cultural heritage. The creativity inmaking and developing this batik is needed to produce competitive and high-quality products. Thus, this study aims at determining the creativity and motifs of Tetuko written batik used during the batik-making process. It was done by employing a descriptive qualitative and experiment along with observation, interview, and documentation. The targets of conducting this study are to provide a contribution, inspiration, and innovation to encourage creative and critical thinking ability related to creativity and motifs in Tetuko written batik of Nganjuk Regency. It is expected that this batik appealsto more people and becomes a high-quality product.
Theater Elements of Mandiek Anak In Salareh AIA Risa Erdila; Nur Sahid; Surya Farid Sathotho
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 12 No. 2 (2022): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (248.057 KB) | DOI: 10.20111/terob.v12i2.35

Abstract

This study aims to analyze the theatrical elements found in mandiekanak. Mandiekanak is a ritual that is part of BaralekGadang and only found in the Salareh Aia region. This research uses Schechner's performance studies approach to analyze research subjects. According to Carlson, the concept of cultural performance is used to look deeper at the events of mandiekanak. It also uses Dramaturgy theory to see the theatrical element while qualitative research methods collect data in purposive sampling. The collected data is then analyzed descriptively using ethnographic methods. The analysis results showed that the mandiekanak has the purpose of maintaining the family of the bride's father or bako, as for the theatrical elements in the form of scripts, performers, audiences, and venues. Manuscripts are rules that ensure the survival of a mandiekanak. The player refers to all people who are involved in it. The mandiekanak audience is participatory, while the place refers to the area where the mandiekanak exists
Making Promotional Media through YouTube at the Bantengan Turangga Jaya Art Group, Wiyu Village, Pacet District, Mojokerto Regency Indar Sabri; Koko Hari Pramono; Mujib Alfirdaus
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (194.527 KB) | DOI: 10.20111/terob.v13i1.38

Abstract

The Wiyu village's traditional arts have not developed or made much progress in the last two years since the outbreak began. As one of the reinforcements of the village, this traditional art must be revived so that the tourist village can be re-run with more varied programs. For instance, in the form of incentive tourism locations where the village potential is fully developed to support the success of the existing tourist destinations. One of the bantengan arts groups that requires special attention in order to compete is Turangga Jaya, which is located in Wiyu Village, Pacet Subdistrict, and Mojokerto Regency. In this case, researchers packaged the performances for welcoming and also created a Youtube channel as a means of promotion and documentation to increase marketing success. It is necessary to use promotional materials as part of a marketing strategy to connect with art enthusiasts so that the younger generation knows about it. This art will have viewers among the younger generation if it can use social media as a promotional tool. Thus, to assist the survival of the Turangga Jaya bantengan art, this community service strategy was implemented.
Character Analysis Analysis of Deconstruction on the Character of Kiran in ‘Tuhan Izinkan Aku Menjadi Pelacur!’ Novel by Muhidin M Dahlan Deny Tri Aryanti
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 1 (2022): October
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (313.913 KB) | DOI: 10.20111/terob.v13i1.39

Abstract

This study aims to describe the deconstruction form of Kiran’s life, the main character in the ‘Tuhan Izinkan Aku Menjadi Pelacur!’ novel, by Muhidin M Dahlan. In this study, the novel itself served as the source of data and it was analyzed by using Jacques Derrida’s deconstruction method. This study shows how the main character's desire to struggle against a religious culture is being deconstructed. She ultimately carried out the destruction and rebellion in the construction that he had previously accepted and solemnly believed in because of the disappointment felt by God and men. A reversal situation of someone who was once quite religious, to someone who no longer obeys his religion and God. She even disregarding His teachings and eventually losing faith in God's power. There are attempts to shake, break, and destroy Kiran's resistance in this instance.
An Analysis Of The Structure Of The Performance Of Traditional Arts Jheren Kencak Probolinggo Indra Tjahyadi; Koko Hari Pramono; Abdurrahman Abdurrahman
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.42

Abstract

This research focuses on the performance structure contained in the Jheren Kencak traditional art that developed in Probolinggo Regency. The purpose of this study was to describe the structure of the traditional Jheren Kencak performing arts that developed in Probolinggo Regency. The method used in this research is descriptive qualitative method. Data collection techniques were carried out using interview techniques, observation, and literature study. Based on the analysis conducted, it was found that the Jheren Kencak traditional art that developed in Probolinggo Regency has a performance structure consisting of the following elements: (1) giro ketipungan, (2) jheren kember, (3) jheren tonggel, (4) tapel-napel (5) lawakan, (6) rak-arakan, and (7) mang-temang
Denotation and Connotation of Mandau, A Weapon of Kanayatn Dayak Tribe in West Kalimantan Iwan Pranoto; Nur Iksan; Ika Yuliati
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.43

Abstract

The culture and the cultural product itself that develop in today’s society cannot be separated from the recognition and agreement of some community groups, the philosophical values, or the natural signs that are embedded in everyday life, or usually called myths. One of them is Mandau, a weapon of the Kanayatn Dayak tribe, in Sebetuk village, Ngabang sub-district, Landak district, West Kalimantan. The Mandau is a weapon owned by the Kanayatn Dayak people and is often used for many purposes such as cutting the grass, chopping the wood, cutting the meat from hunted animals, protecting themselves from wild animals, conducting traditional rituals and as weapons of war. This Mandau is differentiated into two categories, the one that has sacred value and another one that does not. In this study, the object of research was the one with a scared value. The Mandau that developed in the Kanayatn Dayak community has its own a message and meaning. The denotation and connotation of the Mandau were discussed in this study based on semiotic of Roland Barthes's thought. By employing a qualitative approach, the fine art elements of the Mandau such as the decorative motifs, colors, and shapes became the main discussion. Each of them has its own meaning and thus it is trusted by the local community.
Teachers’ Role In Introducing Sexual Education Through Art To Early Childhood At RAB Perwanida Bendunganjati Pacet Mojokerto (Efforts To Prevent Sexual Harassment In Early Childhood) Jihan Kusuma; Amalia Rahmawati
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.45

Abstract

Sexual harassment is a serious matter that will damage a child's future both in the short and long term. The consequences do not only affect the victims, but also their parents, families and economics. Indonesia’s current condition about this is very concerning where every year there is a lot of data that collects cases of sexual harassment and is not taken seriously. This has become a concern for parents and the public. Sexual harassment occurs due to the lack of knowledge of parents regarding sexual education for children and they only rely on sexual education in schools. However, sexual education in schools is rarely considered and implemented. Based on the background, this study discusses teachers’ role in introducing sexual education to early childhood at RA B Perwanida Bendunganjati Pacet Mojokerto (Efforts to Prevent Sexual Harassment in Early Childhood). The purposes of this study were to analyze (1) parents’ role in sexual education for early childhood. (2) Teachers’ role in introducing sexual education to students. (3) The media used by the teacher to facilitate the sexual education material. By employing qualitative research, this study was conducted in RA Purwanida group B with 18 students as subjects, one student guardian, and two teachers. The data in this study were carried out through 3 stages: Reduction, Data Presentation, and Documentation. The results of this study indicate that (1) Parents have provided sexual education to early childhood when they are at home. (2) The teacher has played a role in introducing sexual education through the media of images and singing methods. (3) Learning the sexual education in early childhood is more effective if it is explained concretely.
Dance Arrangement Through Child Psycology Lilik Subari
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.46

Abstract

Art, especially dance as an expression of beauty is one of the universal human needs. It does not only belong to the rich and the all-sufficient, but also belong to everyone. When compared with the economy, art can be considered a luxury and is often seen as secondary need. However, in fact art can be found in every layer of society, human beings, whenever and wherever they live. Culture is always attached to human life, both individually and with the surrounding community. The art problem approach should be understood. It is impossible for people to talk about art without paying attention to the messages contained symbolically, in addition to the artistic activities themselves being the embodiment of the functions of certain cultural subsystems. As a dance teacher, the job is not only to provide dance material, but also to take responsibility for students’ behavior which has an impact on the development of learning in class and their psychological. There are a number of things that must be considered, including: the dance teacher must understand the purpose, content, function; the dance teacher must take into account the weight of the material to be taught; the dance teacher must take into account the psychological influence of children. Realizing all of these things, demands are not only on students to be able to understand teaching material but more than that.
Responding to Social Unrest Through Punjari Kumoro Traditional Ritual In Banyuwangi, East Java, Indonesia Mochamad Maskur
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 13 No. 2 (2023): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v13i2.47

Abstract

This research aims to raise public awareness of the importance of social life by prioritizing the noble values contained in the principles of local culture. The packaging of this work is more focused on creating an atmosphere by combining several types of music from Banyuwangi. The music mentioned are angklung paglak, music on Gandrung arts, and Kunthulan which are worked on optimally so that they can strengthen the desired atmosphere and create new nuances on the musical side. Kumarajana's musical work also presents elements of the values embodied in the Punjari Kumoro art. The content and meaning of the Punjari Kumoro Ritual itself are implied by the values of life in a social context. These values are religious values as a means to pray and ask God to give guidance. The value of togetherness, in this case the people of Aliyan village mingle and unite their hearts and minds for the same goal. Other values include the value of mutual respect as an effort by the community to respect nature as a source of life for them.

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