cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
koko hari pramono
Contact Email
kokoharipramono88@gmail.com
Phone
+6285655454121
Journal Mail Official
jurnalterobstkws@gmail.com
Editorial Address
Perumahan Wisma Mukti, Jl. Klampis Anom II, Klampis Ngasem, Kec. Sukolilo, Surabaya 60117
Location
Kota surabaya,
Jawa timur
INDONESIA
Terob : Jurnal Pengkajian dan Penciptaan Seni
Published by sekolah tinggi kesenian wilwatikta surabaya
ISSN : 2087314X     EISSN : 27214869     DOI : https://doi.org/10.20111/terob.v12i1
Core Subject : Art,
Arts
jurnal terob merupakan jurnal dari Sekolah Tinggi Kesenian Wilwatikta Surabaya, adapun fokus dari jurnal terob pada pengkajian dan penciptaan seni. kami menerima berbagai macam artikel yang memiliki latar belakang seni tari, seni teater, seni musik dan seni rupa
Arjuna Subject : Seni dan Humaniora - Klasik
Articles 49 Documents
 1   2   3   4   5 
Wayang Gajah Mada In Visual And Performing Arts: Research-Based Innovation of Javanese Puppetry and its Reception in the Academic and Artistic Environments Rudy Wiratama; Sindung Tjahyadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 14 No. 2 (2024): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v14i2.68

Abstract

Wayang Gajah Mada (WGM), named after its main character and also the initiator university, was one of a few Javanese puppetry which used historical chronicles as its repertoire.This genre of wayang was designed from 2017 and has been performed several times both inside and outside the Universitas Gadjah Mada with various formats, from pakeliran multimedia to a conventional pakeliran semalam (all-night performance). Aside of its particular repertoires that depicted the biography of Mahapatih Gajah Mada, the team of Universitas Gadjah Mada also designed a special figures for the performances, which formed a new kind of puppet genre. The challenge began when it came publicly through many occasions, such as FGDs, national seminar, and the performances themselves. As a new puppet genre, both in visual and performance terms, the WGM have to proof its relevancy and significance to both of the academic and artistic societies, so it could guarantee its own sustainability for a long time. This article aims to answer: (a) what is the main concept of WGM both in visual and performative context, and also (b) how was the reception of both academic and artistic environments concerning the creation of this new puppet. Using the interview and observation methods, this article finds that WGM having a “Nusantara” concept both in visual and performative ways, and it received a good receptions from both academic and artistic environment which used the puppets in their performances. But despite of these positive reviews, it needs to struggle for its continuity in the future.
Secret Analysis of Management Strengthening Strategy to Improve the Quality and Efficiency of Dance Studios Mulyani, Sri; hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.85

Abstract

This article analyzes effective management strengthening strategies to enhance the quality and efficiency of dance studios. Using qualitative research methods, including case studies and SWOT analysis, this study identifies key factors influencing studio quality and efficiency. The results indicate that strategic planning, human resource management, operational management, financial management, and marketing are crucial for improving dance studio quality and efficiency. Recommendations include developing strategic plans, optimizing resource management, and enhancing management capabilities. This article contributes to the development of effective and efficient dance studio management.
The Role of Bissu and Their Existence in Modern Bugis Society of South Sulawesi Rahmat, Laodemuh; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.86

Abstract

In the period before the influence of Islam entered the Bugis Bone kingdom, the Bugis Kingdom was always known for its mabissu tradition. The word bissu itself comes from the word "bessi" or mabesi which means a clean and holy creature. In the ancient Bugis tradition, apart from female bissu, there were also women. male bissu or waria. In Bugis culture in the past, bissu had a high position and were highly respected as well as being mouthpieces for the king and his people, as well as everything that related to the ritual ceremonies of the Bugis kingdom would not take place without bissu. The bissu are also believed to be intermediaries conveying revelations from God to be conveyed to the world. This is possible because the bissu have the ability to master the torilangi language (the language of the sky) where this language can only be known by them and the gods, with this privilege the existence of the bissu is still maintained. among the Bugis tribe to this day. However, in the current era of modernization, many bissu have changed professions to become indoboting (bridal make-up artists) and wedding dressers in order to fulfill their daily needs, because of this profession, many bissu experience social discrimination carried out by people who have minimal knowledge about bissu.
Tracing the Footsteps of Liku: Integration of the Penta Helix Model in Arja Art in Bali Komang David Darmawan, David; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.87

Abstract

This research explores the role of the Liku figure in Arja art, as well as the application of the penta helix model to support the preservation and development of this art. Liku, as a humorous and passionate character, functions as a symbol of rebellion against social norms and creates dynamic interactions with the audience. Through a penta helix approach, which involves collaboration between historians, artists, communities, government and media, this research shows that Arja's artistic desires can be achieved by utilizing the strengths of each element. Qualitative research methods were used to collect data through direct observation and in-depth interviews with artists and community members. The research results reveal that the penta helix integration model not only strengthens the preservation of traditions but also creates space for the younger generation to be actively involved in the arts. Therefore, this article contributes to a deeper understanding of the dynamics of Arja performing arts in Bali and the importance of cross-sector collaboration in preserving cultural heritage. It is hoped that this research will provide insight for artists, historians and the general public regarding the relevance and adaptation of traditional art in the modern era.
Management Of Preservation Of The Rejang Dance As An Intangible Cultural Heritage Of The Province Of Bali Puspawati, Gusti Ayu Made; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.89

Abstract

This research examines the management of preserving traditional Balinese arts, especially the Rejang Dance, which was developed and preserved by the Balinese people. The aim of the research is to understand the form of management carried out by the community in an effort to preserve the Rejang dance in Bali. In this research, the method used is descriptive qualitative and data collection through observation, interviews and documentation. Meanwhile, the results of this research provide various forms of conservation management such as; (1) history of Rejang dance; (2) supporting factors for Rejang dance performances, as well as (3) management efforts to preserve Rejang dance. Management of Rejang Dance performances by the Balinese people includes maintaining the musical instruments that accompany Rejang dance performances (gamelan), consistency in maintaining traditions, readiness for performances in traditional and modern realms, as well as collaborative innovation with other musical performances. In conclusion, efforts to preserve the Rejang Dance involve various parties and strategies, creating continuity of traditional culture in Bali.
Art Asset Management in Traditional Arts Organizations: A Case Study of Sanggar Cahaya Art, Denpasar, Bali Lanus, I Ketut; Hartono; Purnomo, Sucipto Hadi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.91

Abstract

Art empowers to see artists, art, and society as assets that encourage critical thinking, feeling, and rereading the problems. Artists, art, and society are art assets that have not been understood as important aspects that are interrelated, especially in traditional art organizations. This paper seeks to strengthen art assets as a way to obtain holistic and sustainable art management in traditional art organizations. Data were collected using in-depth observations of the management of art assets in the studio. In-depth interviews were conducted to collect primary data from sources who understand both in terms of knowledge and are actors in the art space. In addition, the data was confirmed and strengthened using previous studies. The results show that there is an art studio institution in the form of an art studio that presents art activities in the form of training, creation of works of art, and performances of traditional art. In addition, in this traditional art institution there is active public (community) involvement in the art space.
Incorporating the Spirit of Sandur into Grafito Akhudiats Work: A Review of Contemporary Music Putri, Ratna; Hari Pramono, Koko; Wicahyo, Oki Dwi
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 15 No. 2 (2025): April
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v15i2.94

Abstract

Modern theatre is a pioneer that has shaped and impacted the performing arts. Currently, educational resources at both school and college levels frequently include content pertaining to modern theatre, contributing to the accessibility of information and expertise regarding this subject across numerous educational tiers. Within the robust and profound discourse surrounding contemporary theatrical materials, one finds the Sedhet Srepet studio in Bojonegoro, which distinctively integrates modern theatre with traditional theatre, specifically Sandur. Notably, while the Sedhet Srepet studio creates new theatre, it fundamentally employs a classic theatrical technique. Therefore, the researcher chose the performance piece titled Grafito for an in-depth examination concerning modern accompanying music. The analysis of music arises from the researcher's preliminary assumption that the musical accompaniment enhances the significance of the Grafito performance within the Sandur approach. Each musical scene encapsulates the atmosphere and effectively supports the actor's role. As a result, this study will employ a qualitative research methodology for analysis.
Adaptation of Aesthetic Experiences as a Method For Creating The Bidhuh Dance Nareswari, Wintang Murti; Maharani Luthvinda Dewi; Nandhang Wisnu Pamenang
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 1 (2025): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i1.93

Abstract

This research aims to analyze the Tulungagung Reog Kendang Dance as the primary inspiration for the Bidhuh Dance. The central focus of this study is to explore the choreographer's process in utilizing the Tulungagung Reog Kendang Dance as a source of inspiration for the Bidhuh Dance, as well as to examine the formal characteristics of the Bidhuh Dance. A qualitative research methodology is employed, with findings presented in descriptive form. Data collection techniques consist of three stages: observation, interviews, and documentation. The findings indicate that the Bidhuh Dance is a creative work inspired by the Tulungagung Reog Kendang Dance, characterized by the deconstruction of fundamental movements and the incorporation of Dhodhog beat patterns through body percussion as an idiom.
The Effectiveness of Film Music in Creating Comedic and Dramatic Atmospheres in the Short Fiction Film "Jarene" trilaksono, yunanto; Karsam, Karsam; Tuahuns, Rizky Machmud Adi Pratama
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 1 (2025): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i1.95

Abstract

This research aims to analyze the effectiveness of musical accompaniment in creating a comedic and dramatic atmosphere in the fictional short film titled "Jarene". Music, as an audio element in film, plays a crucial role in enhancing visual narratives and the audience's emotions. The method used in this study is descriptive qualitative with a semiotic and audiovisual aesthetic analysis approach. Data were obtained through direct observation of the film "Jarene", interviews with the filmmakers, and literature studies related to film music theory and dramaturgy. The results indicate that the selection of music type, tempo, harmony, and synchronization with visual scenes can effectively create a contrast in atmosphere between comedic and dramatic segments in the film. Fast paced music with light melodies tends to enhance the comedic tone, while slow tempo music with minor harmonies is effective in depicting dramatic moods. This study concludes that well designed musical accompaniment can enhance the quality of emotional delivery and strengthen the narrative message in short films. These findings are expected to serve as a reference for filmmakers in utilizing music elements to support the atmosphere in their audiovisual works.
Function of Topeng Tunggal Dance in Betawi Society Sabillah, Kholifah; Dewi, Maharani Luthvinda; Putro, Renaldi Lestianto Utomo
Terob : Jurnal Pengkajian dan Penciptaan Seni Vol. 16 No. 1 (2025): Oktober
Publisher : Sekolah Tinggi Kesenian Wilwatikta Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20111/terob.v16i1.97

Abstract

The Topeng Tunggal Dance is a traditional Betawi art form created by Mak Kinang and Kong Djiun in 1930. The inception of the Topeng Tunggal Dance was inspired by a vision experienced by Mak Kinang, which was subsequently brought to life through dance and musical accompaniment by Kong Djiun. This research aims to explore and understand the values and functions inherent in the Topeng Tunggal Dance. The methodology employed in this study is qualitative, utilizing an analytical descriptive approach and the functional theory of RM. Soedarsono. Data collection techniques include observations, interviews with artists, and documentation. The findings indicate that the Topeng Tunggal Dance embodies two primary values: moral and aesthetic. Additionally, this dance serves three functions: as entertainment, as a performing art, and as a medium for education. These values and functions position the Topeng Tunggal Dance not only as a cultural heritage but also as a means for character development and the preservation of the cultural identity of the Betawi people.

Page 4 of 5 | Total Record : 49

 1   2   3   4   5 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol. 16 No. 1 (2025): Oktober Vol. 15 No. 2 (2025): April Vol. 15 No. 1 (2024): Oktober Vol. 14 No. 2 (2024): April Vol. 14 No. 1 (2023): Oktober Vol. 13 No. 2 (2023): April Vol. 13 No. 1 (2022): October Vol. 12 No. 2 (2022): April Vol. 12 No. 1 (2021): October