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Neologia: Jurnal Bahasa dan Sastra Indonesia
Published by Universitas Negeri Makassar
ISSN : 20872496     EISSN : 28299612     DOI : -
Core Subject : Science, Education, Art, Social,
Arts Education Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
NEOLOGIA: Jurnal Bahasa dan Sastra Indonesia is a peer-reviewed scientific open access journal, with e-ISSN 2829-9612 and p-ISSN 2087-2496. It has been published by the Department of Indonesian Language and Literature, Faculty of Language and Literature, Universitas Negeri Makassar. NEOLOGIA is published since 2010. NEOLOGIA is issued semiannually: in February and Auguts. NEOLOGIA publishes manuscripts on research in linguistics and literature. NEOLOGIA features research novelties and significance for scientific advancement in one of the fields of the published manuscripts. This journal welcomes submissions from around the world as well as from Indonesia. Manuscripts published include but are not limited to the following. Linguistics; phonology, morphology, syntax, discourse analysis, psycholinguistics, sociolinguistics, and critical discourse analysis. Literature: local literature studies, Indonesian literature, foreign literature studies, children literature, literature studies for character education, and other literary studies. The editorial board would like to receive manuscripts submitted via the online submission system. Make sure that the manuscripts meet the scope and submission guidelines of the journal. For more detailed information, please refer to the terms and conditions of NEOLOGIA.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 10 Documents
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Search results for , issue "Vol 7, No 1 (2026): February" : 10 Documents clear
FENOMENA HIBRIDITAS DALAM NOVEL 1890 KARYA AYU DEWI: POSTKOLONIAL HOMI K. BHABHA Sakti M, Reztu Dwi; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82453

Abstract

This study aims to examine the phenomenon of hybridity in Ayu Dewi's 1890 novel using Homi K. Bhabha's postcolonial concept. This study uses a descriptive qualitative method through text content analysis. Data collection was conducted through thorough reading and recording of relevant quotations, while data analysis used the Miles and Huberman model (reduction, presentation, conclusion drawing). The results of the study show the phenomenon of hybridity that gives rise to a new identity as a result of the mixing of colonial and local cultures. This phenomenon appears in three forms: linguistic hybridity (the use of Dutch and Malay), lifestyle hybridity (the adoption of European lifestyles), and character identity hybridity (such as Pamungkas and Utari). Hybridity functions as a mechanism for negotiating power, a form of resistance, and an attempt to build social mobility for colonized subjects.
NILAI SPIRITUAL DALAM NOVEL WA’ALAIKUMUSSALAM, PELENGKAP IMAN KARYA IMA MADANIAH Nur'alim, Muhammad; Usman, Usman; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82284

Abstract

This study aims to describe the forms of spiritual values in the novel Wa’alaikumussalam, Pelengkap Iman by Ima Madaniah. This study employs a descriptive qualitative approach. The data sources for this study are sentences, phrases, or dialogues from the novel Wa’alaikumussalam, Pelengkap Iman by Ima Madaniah. The data collection techniques used in this study are reading and note-taking. The results of the study indicate that the forms of spiritual values in the novel Wa’alaikumussalam, Pelengkap Iman by Ima Madaniah are revealed in depth through its intrinsic elements, such as characters, setting, and point of view. The forms of spiritual values identified are compassion, empathy, patience, honesty, integrity, gratitude, trust, responsibility, and purity of heart
PENULISAN PEREMPUAN DAN BAHASA PEREMPUAN DALAM MENGUNGKAPKAN FENOMENA KEHIDUPAN PADA NOVEL BELENGGU MERAH MUDA KARYA TYAS DAMARIA: KRITIK SASTRA FEMINISME ELAINE SHOWALTER Aprilia, Arzety; Nensilianti, Nensilianti; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82591

Abstract

This study describes women’s writing and women’s language in the novel Belenggu Merah Muda by Tyas Damaria using Elaine Showalter’s gynocritics approach. This qualitative descriptive research uses textual data from the novel that reflect the female characters’ life experiences. The analysis focuses on three aspects: explicit and implicit sentences, body expressions, and multifocal elements in women’s language. The results show that Damaria portrays women’s experiences through emotional, metaphorical, and reflective language. Explicit sentences reveal the burdens and roles of women, while implicit sentences appear through metaphors that signify the protagonist’s emotional wounds. Body expressions emerge in open, fragmented, and flowing forms, illustrating the character’s psychological conditions. Furthermore, the multifocal aspect reflects women’s layered and complex perspectives on life. These findings affirm that women’s literature serves as a space to articulate women’s experiences authentically
CINTA DAN PENGORBANAN DALAM NOVEL KEMBALI KE PELUKAN CINTA KARYA FREDY S: KONSEP CINTA ERICH FROMM Selvi, Selvi; Nensilianti, Nensilianti; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77878

Abstract

This study aims to reveal the forms of love and sacrifice found in Fredy S.’s novel Kembali ke Pelukan Cinta based on Erich Fromm’s concept of love. This research employs a descriptive qualitative method with a literary psychology approach. The data consist of textual excerpts, sentences, and dialogues in the novel that represent Fromm’s five objects of love: brotherly love, motherly love, erotic love, self-love, and love of God. The results show that the novel portrays love in various dimensions of humanity accompanied by sacrifice as a logical consequence of love itself. Brotherly love appears in the friendships between characters; motherly love is shown through the parents’ care for their children; erotic love is depicted through the relationship between Rosana and Herman; self-love is seen in the characters’ efforts to accept themselves and their past; while love of God emerges from the characters’ religious awareness of divine power. Each form of love is always accompanied by acts of sacrifice—physical, emotional, or spiritual. These findings affirm the relevance of Erich Fromm’s concept of love in understanding the dynamics of love and humanity in literary works
HEGEMONI DALAM NOVEL JALAN MENIKUNG KARYA UMAR KAYAM: PERSPEKTIF ANTONIO GRAMSCI Mukhajir, Alif; Rapi, Muhammad; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82334

Abstract

This study aims to describe the hegemony of the ruling class and cultural hegemony in Umar Kayam’s novel Jalan Menikung. This study employs a qualitative descriptive method, analysing the data obtained in accordance with the theoretical framework used. The data utilised in this study consists of textual passages from the novel, focusing on phrases, sentences and paragraphs within Umar Kayam’s Jalan Menikung. The results of this study indicate the existence of hegemonic control exercised over the character Harimurti through a form of consent-based domination carried out by the authorities, namely the Intel. Furthermore, cultural hegemony was identified, encompassing societal beliefs, Javanese culture, and modern culture, which exert hegemony both directly and indirectly.
HIERARKI STATUS SOSIAL KOLONIAL DALAM NOVEL PANGERAN DARI TIMUR: PERSPEKTIF PASCAKOLONIAL ANIA LOOMBA Matta, Angellika; Abidin, Aslan; Ridwan, Ridwan
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82452

Abstract

This study aims to examine the differences in social status between the natives and the colonizers in the novel Pangeran dari Timur (Prince of the East) by Iksaka Banu and Kurnia Effendi using Ania Loomba's postcolonial perspective. This study uses a qualitative method with a descriptive-analytical approach. The data sources are quotations from the novel that represent colonial relations, including dialogues, narratives, and scene descriptions. The data were collected through reading and note-taking techniques, then analyzed using the concepts of racial hierarchy, social class, education, and modernity. The results of the study show that colonialism constructed a social status hierarchy that placed European colonizers as the superior group and indigenous people as the inferior group. Education and modernity functioned as means of ideological domination that limited social mobility. The conclusion of the study confirms that colonialism normalized the domination of the colonizers and degraded the dignity of the indigenous people.
TINDAK TUTUR ILOKUSI DALAM NOVEL HOME SWEET LOAN KARYA ALMIRA BASTARI Ramadani, Suci; Mayong, Mayong; Asri, Aswati
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.76139

Abstract

This study aims to describe the forms and functions of illocutionary speech acts found in the dialogues of Almira Bastari’s novel Home Sweet Loan. The objectives of the study are to describe the forms of illocutionary speech acts in Almira Bastari’s novel Home Sweet Loan, and to describe the functions of illocutionary speech acts in Almira Bastari’s novel Home Sweet Loan. This study employs a qualitative descriptive method, with data sourced from the dialogues in Almira Bastari’s novel Home Sweet Loan. The data collection techniques used are reading, note-taking, and documentation. The results of this study indicate that five forms of illocutionary speech acts were identified in Almira Bastari’s novel Home Sweet Loan, namely assertive, directive, expressive, commissive, and declarative. Twenty functions of illocutionary acts were identified. Four functions of the assertive illocutionary act were found: stating, suggesting, complaining, and affirming. Eight functions of the directive illocutionary act were found: commanding, requesting, advising, recommending, prohibiting, asking, warning, and questioning. Five functions were identified in the expressive speech act category: expressing gratitude, offering congratulations, apologising, blaming, and praising. Twenty functions were identified in the commissive speech act category: offering something and refusing. One function was identified in the declarative speech act category: resigning oneself.
REALITAS SOSIAL DALAM NASKAH DRAMA RT NOL RW NOL KARYA IWAN SIMATUPANG (KAJIAN REALISME SOSIALIS GEORG LUKACS) Sam, Nurfatmawati; Hajrah, Hajrah; Faisal, Faisal
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.77877

Abstract

This study aims to describe the forms of social reality in Iwan Simatupang’s drama RT Nol RW Nol based on Georg Lukacs’s theory of Socialist Realism. Using a qualitative descriptive method with a sociology of literature approach, the research focuses on four main aspects: objective reality, dialectical movement, artistic reflection, and emancipatory critical expression. The findings show that the drama reflects social inequality, poverty, and marginalization, while also portraying human awareness and resistance against oppression. Iwan Simatupang’s work illustrates the dialectical relation between individuals and society, emphasizing the human struggle for dignity and freedom.This study aims to describe the forms of social reality in Iwan Simatupang’s drama RT Nol RW Nol based on Georg Lukacs’s theory of Socialist Realism. Using a qualitative descriptive method with a sociology of literature approach, the research focuses on four main aspects: objective reality, dialectical movement, artistic reflection, and emancipatory critical expression. The findings show that the drama reflects social inequality, poverty, and marginalization, while also portraying human awareness and resistance against oppression. Iwan Simatupang’s work illustrates the dialectical relation between individuals and society, emphasizing the human struggle for dignity and freedom.
Pergerseran Dialek Mesolect ke Dialek Acrolect dalam Penggunaan Bahasa Indonesia Artis Ibu Kota Asal Makassar Wulandari, Putri; Nensilianti, Nensilianti; Jahrir, Andi Sahtiani
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82460

Abstract

This research aims to describe the forms of dialectal shift and identify its contributing factors. Employing a qualitative descriptive approach, data were collected from social media content, podcasts, films, and television programs featuring Makassar artists such as Arief Brata, Denny Sumargo, Indah Permatasari, Eca Aura, Maizura, and Musdalifah. The analysis was conducted using Joshua A. Fishman’s domain theory of language use. The findings reveal three forms of shift: functional, domain, and identity shifts. The main driving factors include urbanization, globalization, and the professional demands of the entertainment industry. The study concludes that this dialect shift is both a sociolinguistic and sociocultural phenomenon, reflecting the marginalization of local dialects in modern public communication.
PENGGUNAAN METAFORA VISUAL DALAM FILM “TENGGELAMNYA KAPAL VAN DER WIJCK”: ANALISIS SEMIOTIKA Agung, Muhammad; Usman, Usman; Saguni, Suarni Syam
Neologia: Jurnal Bahasa dan Sastra Indonesia Vol 7, No 1 (2026): February
Publisher : Fakultas Bahasa dan Sastra Indoensia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59562/neologia.v7i1.82530

Abstract

This study aims to describe the use of visual metaphors in the film Tenggelamnya Kapal Van Der Wijck through the semiotic approach of Charles Sanders Peirce, revealing the messages embedded within these metaphors while classifying them into five categories as proposed by Noël Carroll: Potrait Komposit, composite construction, Fotomontase, animation category, and superimposition. The research method used is qualitative, with data consisting of visual elements from the film Tenggelamnya Kapal Van Der Wijck, directed by Sunil Soraya and adapted from the novel by Buya Hamka. Data analysis follows the Miles and Huberman model: data reduction, data display, and conclusion drawing. The findings consist of visual metaphors analyzed using Peirce's triadic sign model (representamen, object, interpretant), uncovering symbolic meanings that enrich the film’s narrative while also identifying the type of visual metaphor. The results show that four out of the five types of visual metaphors appear in the film. This research contributes to a deeper understanding of cinema’s power to convey messages and emotions through visual storytelling

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