Garuda - Garba Rujukan Digital

Article Per Year (5 Year)

All

Humaniora

jurnal-humaniora
Website

Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 10 Documents

Search results for , issue "Vol 23, No 3 (2011)" : 10 Documents clear

The Quest for Reading: A Reception and Aesthetic Response Criticism on Hypertext Fiction of Pride and Prejudice Ida Rochani Adi
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The development of internet which provides hypertext information results in significant change in many aspects of life. Literature is not exceptional. The argument is therefore, since hypertext literature is presented in different mode, it must propose different kind of reading. Based on reception and reader-response or aesthetic response theories, this study finds out that there is a change in the way readers enjoy Pride and Prejudice. The process of reading become active experience because it allows the readers to take control of the narrative. The result is that hypertext Pride and Prejudice provides different meaning to the readers. The novel exists by providing not only the narratives but also informations on the narratives. The study finds out that there is a change in how the hypertext Pride and Prejudice wanted and needed. The hypertext does not come from the enjoyment in the process of reading the narratives but the satisfaction in getting the information on the narratives. It is not reading for pleasure that is traditionally offered by romantic novels but the satisfaction in the process of getting information on the text since self actualization in the readers is fulfilled.

Analisis Sosiologis Cerpen “Si Padang” Karya Harris Effendi Thahar Yasnur Asri
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper aims at describing the reflection of social reality of Minangkabau Society in the short story entitled “Si Padang” written by Harris Effendi Thahar. The theory used in this study is the sociology of literature by using the mimetic approach. The analysis begins from the text by explaining the social factors in the text, then examining the social factors in the society that become the topic of the story. The result of the analysis shows that the short story “Si Padang”is the short story that is able to describe the social reality of Minangkabau society at present that is the inharmonious relation between maternal uncle and his nephew. As the reflection of the Minangkabau social reality this short story is social justification of Hoggart’s opinion that states the literary work at all level is enlightened by the prescript values and applied values. Because of that what Harris has written shows that his work is truly integrated with the individual and society life in the structure of the society.

Representasi Dominasi Perempuan dalam Rumah Tangga: Analisis Tekstual terhadap Situasi Komedi (Sitkom) “Suami-suami Takut Istri” Sri KUsumo Habsari; Fitria Akhmerti Primasita; M. Taufik Al Makmum
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article aims at describing how women domination in domestic sphere is represented and exploited—whether to promote feminism or to sustain patriarchy in sitcom Suami-Suami Takut Istri”and what social dan political consequences of such representation have on women's image, men's image, and their relations. It is presented descriptive qualitatively applying textual approach and feminist cultural studies. The analysis shows that women domination is represented and exploited to sustain patriarchal ideology by negatively constructing women power to dominate not as a real domination, in which women can command respect from their domination. The way the women show domination is also constructed negatively, that is by engaging in all kinds of domestic violence. The análysis also shows that such negative construction results in negative image of women and gender relations, but maintains the positive image of men. Thus, in this way, patriarchy is sustained in sitcom Suami-Suami Takut Istri.

Analisis Kontrastif Perspektif Bahasa dan Budaya terhadap Distingsi Gender Maskulin Versus Feminin dalam Bahasa Arab dan Bahasa Indonesia Tajudin Nur
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This paper discusses the reflection of gender in Arabic and Indonesian languages and then connects it to their each cultural contexts. Gender in Arabic grammar is important subcategory that distinguishes between masculine and feminine in almost every part of speech, whereas gender in Indonesian is not an important subcategory. After data analysis through comparison and elaboration phases obtained the following results: (1) the gender markers in Arabic are dominated by the grammatical markers, while the gender markers in Indonesian are dominated by the lexical markers and if it not significant the gender markers in Indonesian are not presented, and (2) Arabic strictly applies the gender system and is closely related to the rules of concord (agreement), while Indonesian loosely does it and does not own the rules of conformity. The distinction of gender system between the two languages shows the different of cultural system also. Based on social structure system, the Arab society emphasizes the gender segregation like man versus woman, while the society of Indonesia emphasizes the age and status distinctions. Based on genetic relationship system, the Arab people tend to be individual, while the Indonesian people tend to have mutual cooperation and collectiveness. Based on cultural system, the Arab people applying strict patriarchy, while the Indonesian people applying loose patriarchy.

The Meanings of Sanskrit Loanwords in Thai and Javanese Languages Hamam Supriyadi
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Through history of nation building, Thai and Javanese people interacted with other language speakers. For example, they interacted with Indian mbrchants who also brought their literature and religions. In their contacts, Thai and Javanese speakers adopted Sanskrit words for enriching their own vocabularies. This article attempts to describe the meanings of Sanskrit loanwords. In comparison between the meanings of Sanskrit loanwords in Thai and Javanese languages, there are 14 categories of semantic adaptations which are found in both languages. These changes reflect the changes of the socio-cultural background of the Thai and Javanese speakers.

Antropologi Gerakan Sosial: Membaca Transformasi Identitas Budaya di Kota Manokwari, Papua Barat I Ngurah Suryawan
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article elaborate anthropology of social movement engage transformation of cultural identity. Increasing complexity of the transformation of cultural identity in Papua which resulted from a series of regional expansion, local power struggle for control of the resources of political economy. In this article, anthropology of social movement used reflective method by creating collectively with his subject of study a pattern of relation in order to formulate the problem and give his argumentation. This method of study is categorized as participatory alternative (transformative) study believing that the fact is participative in nature and is created by the (relation) of the mind and the existing environment. It is known as “critical subjectivity” occurring through our participatory transaction with our environment. The ethnographic method in this study contains reflective process rather than objective value-free findings. In the words of Laksono (2009a), the study goes forward with the community whom he investigates in a (new) history-making sociocultural process. Thus, this method of study makes anthropological study as part of the social movement in its community that required participation in creating an inseparable history from the community in which the study is conducted. In reference to the study of Tsing (2005 through Laksono, 2009b), the local people in the Land of Papua is argued live at the frontier, encountering global powers’ exploitation both in natural and human resources. In this context, the strategies applied by the Papuan people in building their cultural identity will be used to inspire other local communities in Indonesia and around the world not being foolish and easily crushed by globalization processes.

Modernity on the Road Traffic of Surabaya in 1920s Johny A Khusyairi
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article explores the process and effects of modernization on the road traffic of Surabaya between 1920 and 1930 as reported by the newspapers. Two issues highlighted are the institutionalization of driver's license and traffic accidents. Besides newspapers, also used were films about the road traffic situation in Surabaya in the late 1920s. The modernization of the road of Surabaya implied social differences. People’s appreciation of modern vehicles was demonstrated by their ability to make use of the road modernly. Riding on modern vehicles did not always mean having modern behavior. Traffic accidents also proved the social differences. Interestingly, the two newspapers reported quite differently about the social differences on the modern road of Surabaya.

Ulama dalam Dinamika Sosial dan Budaya Masyarakat Aceh di Awal Abad Kedua Puluh Satu Aslam Nur
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

The Acheh Ulama who live in the early of 21st century do not play their esential role in multifunctional frame and polimorfict leadership pattern as the characteristic of the Achehness Ulama did in the past. Yet, now they perform one role only (monofunctional) in monomorfic leadership system. Nevertheless, this research found that Ulama’s leadership is still needed by the Acehness community.

Masuk Angin dalam Konteks Kosmologi Jawa Atik Triratnawati
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study examines the meaning of masuk angin among the Javanese society, by the ethnographic approach. In this context, the meaning of masuk angin cannot be separated fromJavanese cosmological doctrine, especially in relation to health and human body. In Javanese cosmology, being healthy or ill is perceived as the result of condition of equilibrium. Thus, the therapy for illness or masuk angin should be conducted by restoring the equilibrium.

Dimensi Simbolik Patung Megalitik Batak: Kajian Menurut Konsep Estetika Susanne Knauth Langer Daulat Saragi
Humaniora Vol 23, No 3 (2011)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Batak megalitic sculpture is an artifact cultured material that is product activated by ancient Batak people. This sculpture is a symbol of supporters feeling, ideas and belieft. Aesthetic theory of Susanne K. Langer calls this art as a symbol of her own: expressed symbol, being symbol. Sculpture is presented symbol of creator’s feeling so it is called living form. Aesthetic Langer opened and formed the frame of Batak Megalitic sclupture’s philosophys comprehension. This sculpture is not only as visual form but living form of build elements contruction such as belieft, status, legitimited symbol, and self image. Batak Megalitic sclupture reality is an art. Symbol, its presentation is not the objective reality but subjective reality, symbolic form which is resulted is living form.

Page 1 of 1 | Total Record : 10

Filter by Year

2011 2011

Filter By Issues

All Issue Vol 37, No 1 (2025) Vol 36, No 2 (2024) Vol 36, No 1 (2024) Vol 35, No 2 (2023) Vol 35, No 1 (2023) Vol 34, No 2 (2022) Vol 34, No 1 (2022) Vol 33, No 3 (2021) Vol 33, No 2 (2021) Vol 33, No 1 (2021) Vol 32, No 3 (2020) Vol 32, No 2 (2020) Vol 32, No 1 (2020) Vol 31, No 3 (2019) Vol 31, No 2 (2019) Vol 31, No 1 (2019) Vol 30, No 3 (2018) Vol 30, No 2 (2018) Vol 30, No 1 (2018) Vol 29, No 3 (2017) Vol 29, No 2 (2017) Vol 29, No 1 (2017) Vol 28, No 3 (2016) Vol 28, No 2 (2016) Vol 28, No 1 (2016) Vol 27, No 3 (2015) Vol 27, No 2 (2015) Vol 27, No 1 (2015) Vol 26, No 3 (2014) Vol 26, No 2 (2014) Vol 26, No 1 (2014) Vol 25, No 3 (2013) Vol 25, No 2 (2013) Vol 25, No 1 (2013) Vol 24, No 3 (2012) Vol 24, No 2 (2012) Vol 24, No 1 (2012) Vol 23, No 3 (2011) Vol 23, No 2 (2011) Vol 23, No 1 (2011) Vol 22, No 3 (2010) Vol 22, No 2 (2010) Vol 22, No 1 (2010) Vol 21, No 3 (2009) Vol 21, No 2 (2009) Vol 21, No 1 (2009) Vol 20, No 3 (2008) Vol 20, No 2 (2008) Vol 20, No 1 (2008) Vol 19, No 3 (2007) Vol 19, No 2 (2007) Vol 19, No 1 (2007) Vol 18, No 3 (2006) Vol 18, No 2 (2006) Vol 18, No 1 (2006) Vol 17, No 3 (2005) Vol 17, No 2 (2005) Vol 17, No 1 (2005) Vol 16, No 3 (2004) Vol 16, No 2 (2004) Vol 16, No 1 (2004) Vol 15, No 3 (2003) Vol 15, No 2 (2003) Vol 15, No 1 (2003) Vol 14, No 3 (2002) Vol 14, No 2 (2002) Vol 14, No 1 (2002) Vol 13, No 3 (2001) Vol 13, No 1 (2001) Vol 12, No 3 (2000) Vol 12, No 2 (2000) Vol 12, No 1 (2000) Vol 11, No 3 (1999) Vol 11, No 2 (1999) Vol 11, No 1 (1999) Vol 10, No 1 (1998) No 9 (1998) No 8 (1998) No 6 (1997) No 5 (1997) No 4 (1997) No 3 (1996) No 2 (1995) No 1 (1995) No 1 (1994) No 3 (1991) No 2 (1991) No 1 (1989) More Issue

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

Phone -

Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA