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Humaniora
Published by Universitas Gadjah Mada
ISSN : 08520801     EISSN : 23029269     DOI : 10.22146/jh
Core Subject : Humanities,
Humanities
Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 950 Documents
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STREET THEATRE - THE THIRD THEATRE: AGENTS FOR SOCIAL ENGINEERING IN INDIA Shrimati Das; Asha N. Rabb
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (139.584 KB) | DOI: 10.22146/jh.1059

Abstract

Street Theatre in India, referred to as the 'Third Theatre' as a form of social and cultural communication, is deeply rooted in the Indian tradition. Many complex social issues be it gender related, child labor, imparting knowledge about HIV and AIDS, the need to educate a girl child, social and political systems, dynastic politics, are all enacted through the genre of 'street plays'. There is a'stage discussion' through varying perspectives of a number of characters, bringing an 'immediacy and urgency' to the theme under consideration. It is a situation, where the audience has not come prepared to watch a play, may not have time on hand, hence the impact of a 'street play' is direct, close, intimate and effective. The impact is 'immediate'. A 'convince-convert' strategy is employedaccompanied by a 'Dholak' (Indian percussion musical instrument) or a 'choir' to attract the crowd at the cross roads or any street corner.Keywords: Street Theatre, revolutionary, proscenium, complex social issues, stage discussion, revitalizing theatre using 'bhasha', instrument for immediate impact
NYALAP-NYAUR: MODEL TATAKELOLA PERGELARAN WAYANG JEKDONG DALAM HAJATAN TRADISI JAWATIMURAN Wisma Nugraha Christianto Rich
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (186.605 KB) | DOI: 10.22146/jh.1060

Abstract

Pergelaran Wayang Jekdong di komunitas tradisi Jawatimuran hidup subur dalam kebiasaan penyelenggaraan hajatan. Hajatan dilaksanakan oleh individu, keluarga, kelompok keluarga, lembaga dusun, dan/atau desa. Wayang Jekdong adalah seni pertunjukan wayang kulit purwa yang hidup dan berkembang dari rakyat untuk rakyat desa dan kampung di Jombang, Majakerta, Sidoarjo, Gresik, Surabaya, Pasuruan, Lamongan, dan Malang. Kelangsungan praktik hajatan dan pergelaran Wayang Jekdong didukung oleh tradisi buwuhan (sumbang-menyumbang) dengan sistem nyalap-nyaur (memberi dan mengembalikan). Oleh karena itu, tata kelola modal sosial berperan strategis bagi dalang dalam mengembangkan kelangsungan pergelaran Wayang Jekdong. Demikian pula halnya dengan anggota masyarakat Jawatimuran yang masih melembagakan penyelenggaraan hajatan senantiasa mengelola modal sosialnya demi resiprositas dan solidaritas sosial.Kata Kunci: Wayang Jekdong, hajatan, nyalap-nyaur, modal sosial, resiprositas
KECENDERUNGAN SISWA SMA DI BEKASI DALAM MEMILIH TOPIK ESAI DITINJAU DARI PERSPEKTIF GENDER Sri Hapsari Wijayanti; Yohanna Claudia Dhian
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (185.559 KB) | DOI: 10.22146/jh.1061

Abstract

Gender dan bahasa lisan atau tulis sudah banyak diungkap memiliki hubungan yang signifikan. Penelitian ini mengamati (a) sejauh mana siswa SMA laki-laki dan perempuan di Bekasi memahami esai serta (b) kecenderungan pemilihan topik dari segi gender. Data penelitian berupa esai yang ditulis 136 siswa/i dari 6 SMA (3 SMA negeri dan 3 SMA swasta) di Bekasi, Jawa Barat. Selain melalui tesmenulis, pengumpulan data juga dilakukan melalui wawancara, kuesioner, dan pengamatan langsung. Penelitian yang dilakukan secara deskriptif kualitatif dan kuantitatif ini mengungkap bahwa topik yang dipilih siswa perempuan tidak terbatas topik personal, tetapi juga topik publik, sama dengan laki-laki. Baik laki-laki maupun perempuan cenderung menulis esai dengan topik masalah sosial (47%), teknologi (14%), personal (12%), nasionalisme (6%), dan kesehatan (5%). Siswa perempuan menyukai topik seputar masalah sosial, sedangkan siswa laki-laki menyukai masalah teknologi informatika/komunikasi. Perempuan juga lebih terbuka mengungkap perasaan di dalam menulis daripada laki-laki.Kata Kunci: gender, esai, menulis, topik, wacana
WOMAN’S RECONCILIATION OF DOMESTIC LIFE AND SELF DEVELOPMENT IN ELIZABETH STUART PHELPS’S THE ANGEL OVER THE RIGHT SHOULDER Juliasih K.
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (161.321 KB) | DOI: 10.22146/jh.1062

Abstract

Women face an everlasting issue of dividing their time for domestic life and self-development as the work of Elizabeth Stuart Phelps, The Angel Over the Right Shoulder, portrays. It shows that there is inequality between man and woman. The research aims to investigate the main reasons of the problem. It shows that men and women have their own language. This research applies Ecriture Feminine which bases itself on the belief that feminity is qualitatively different from masculinity andit needs an alternative form of language in order to express adequately the difference, something which would benefit both men and womenKeywords : system, unity, reconciliation, Feminine Ecriture
METAPHORICAL FORCES OF EXPRESSIONS IN LETTERS TO THE EDITORS IN BAHASA INDONESIA Deli Nirmala
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (153.592 KB) | DOI: 10.22146/jh.1063

Abstract

This study focuses on the metaphorical forces conveyed in the metaphorical expressions used in the letters to the editors, which are considered as the second- order meaning. Classified into existential, quantitative, qualitative, directional, spatial, motion, and temporal, these forces imply living experiences showing the existence, development, quality, movement, and space and time used by humans intheir lives in the world. The experiences built in the mind are activated when language is used.Keywords: metaphors, metaphorical forces, metaphorical expressions, second order of meaning
KONSTRUKSI DETERMINAN DALAM FRASA NOMINA BAHASA PRANCIS DAN BAHASA INDONESIA Roswita Lumban Tobing
Humaniora Vol 24, No 2 (2012)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (181.959 KB) | DOI: 10.22146/jh.1064

Abstract

Artikel ini bertujuan untuk memaparkan konstruksi determinan pada frasa nomina bahasa Perancis dan bahasa Indonesia. Analisis yang digunakan adalah analisis kontrastif. Hasil analisis menunjukkan bahwa nomina bahasa Perancis memiliki jenis kelamin (maskulin/feminin) dan jumlah (tunggal/jamak). Gender dan jumlah dalam bahasa Prancis memiliki aturan konkordansi yang dapat memengaruhi bentuk dan makna nomina. Dalam bahasa Indonesia, meskipun nomina memiliki konsep gender tunggal dan jamak, jenis dan jumlah dalam bahasa Indonesia tidak muncul secara eksplisit. Bentuk ini hanya ditandai dengan karakteristik semantik tertentu yang dapat menunjukkan jenis kelamin, bentuk tunggal, dan bentuk jamak.Kata Kunci: determinan, gender, frase nomina, analisis kontrastif
Redefinition of the Existence of Migrant Women the Case of Return Migrant in Godong, Grobogan, Central Java Tri Marhaeni P Astuti
Humaniora Vol 18, No 3 (2006)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (50.534 KB) | DOI: 10.22146/jh.1262

Abstract

Tenaga Kerja Wanita (TKW) sudah banyak memberikan jasa bagi keluarga, lingkungan, dan negara. Namun, pengalaman para TKW, baik secara fisik maupun batin, belum disadari secara lengkap. Para tenaga kerja wanita itu meninggalkan keluarga, budaya, status, dan eksistensi mereka sebagai anak dan/atau sebagai ibu untuk bekerja di lingkungan baru dengan budaya yang sebelumnya nelum mereka kenal. Para tenaga kerja wanita itu membantu keluarga dengan mengirimkan sejumlah uang yang dimanfaatkan keluarga untuk berbagai keperluan yang dapat meningkatkan tingkat kualitas kehidupan keluarga. Namun, jarang yang menyadari bahwa para wanita itu berada pada suatu dimensi peralihan budaya. Mereka belum sepenuhnya bisa beradaptasi dengan budaya baru di tempat kerja dan, sebaliknya, merasa ada keterasingan dengan status dan eksistensi mereka di tempat asal beserta budaya yang mereka tinggalkan.
Bantal Tilu Jamparing di KuruSetra: Bisma Gugur menurut Tradisi Mahabharata Manu J. Widyaseputra
Humaniora Vol 19, No 2 (2007)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (3992.659 KB) | DOI: 10.22146/jh.1263

Abstract

This paper describes the narrative on the fall of Bisma, the first marshal of Kaurava, in the battle-field, KurukSetra, according to the Mahabharata of the Sundanese version. I present the epic-myth-ritual approach as Alf Hiltebeitel has conducted in his research on the Mahabharata in the Sanskrit and Tamil versions. My discussion begins with an introduction to the identity of Bisma in the Sundanese Mahabharata, followed by his heroic account in the Kuruksetra and his fall in the hand of srikandi and Arjuna. By applying the myth-ritual approach we can find that Bisma was Dyaus, 'the sky' in the past, so it is not surprising that when he fell in the battle-field, his body did not touch the earth, as it was sustained by the arrows of Srikandi and Arjuna. He lay down on the saratalpa, 'the bed of arrows', except his head. Arjuna helped him by shooting his three arrows to sustain his head. The three arrows means the Vedic fire which is used in the marriage. Bisma is celibate who needed the help of Arjuna to perfect his life.
Beberapa Keunikan Linguistik Bahasa Madura Akhmad Sofyan
Humaniora Vol 19, No 3 (2007)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2207.711 KB) | DOI: 10.22146/jh.1264

Abstract

Linguistic items e.g. phonology, lexicon, and structure or word order in Madurese have uniqueness. Phonology uniqueness in Madurese consists of (1) type of phonem, (2) phonem combination, and (3) syllable pattern. Meanwhile Madurese lexicon uniqueness comprises: (1) no third person pronoun, (2) no plural first person pronoun, (3) no clitic, (4) the same symbol used both for 'nothing' and 'empty', (5) the use of auxilliary verb, and (6) the use of particle. Madurese alaso has uniqueness in its structure particularly in (1) reduplication, (2) passive construction, (3) possessive construction, (4) imperative construction, (5) comparative construction, (6) superlative construction, (7) 'acting like ...' construction, (8) morphophonemic prefix N-, and (9) the distribution of prefix N-.
Penyihir Dalam The Scarlet Letter Karya Nathaniel Hawthorne: Tinjauan Ekofeminisme Juliasih Juliasih
Humaniora Vol 20, No 2 (2008)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jh.1265

Abstract

The term witchcraft can have positive or negative connotations depending on the cultural context. Amongst Puritans it has historically been associated with evil and the devil. Some people think when people say the word witch or witchcraft they think it is evil and traditionally stereotyped as being female. Ecofeminists who self-identify as “witches” see it as beneficent and morally positive.

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