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Humaniora

jurnal-humaniora
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Published by Universitas Gadjah Mada

ISSN : 08520801 EISSN : 23029269 DOI : 10.22146/jh

Core Subject : Humanities,

Humanities

Humaniora focuses on the publication of articles that transcend disciplines and appeal to a diverse readership, advancing the study of Indonesian humanities, and specifically Indonesian or Indonesia-related culture. These are articles that strengthen critical approaches, increase the quality of critique, or innovate methodologies in the investigation of Indonesian humanities. While submitted articles may originate from a diverse range of fields, such as history, anthropology, archaeology, tourism, or media studies, they must be presented within the context of the culture of Indonesia, and focus on the development of a critical understanding of Indonesia’s rich and diverse culture.

Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra

Articles 950 Documents

84 85 86 87 88

The Connection between Arabic and Western Culture in the Rise of Populism Fadlil Munawwar Manshur
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article discusses the rise of populism in Arabic and Western cultures as well as the connection between them. This study shows that populism in the Arab and Western world have several common characteristics: resistance against the mainstream, xenophobia, isolation, intolerance, hostility towards strangers, extremism, radicalism, anti-multiculturalism, and anti-globalization. The rise of populism has aﬀected Arabic and Western cultures, as well as their interactions. Because of populism, Western culture’s views of the outside world, strangers, immigrants, and Islam has changed significantly. Western culture, inﬂuenced by populism, tend to be intolerant, isolated, xenophobic, and lack trust in multiculturalism. Meanwhile, populism in Arabic culture tends to be more anti-Western, anti-capitalist, and anti-liberalist. With the rise of populism, relations between these two cultural entities have become colored by tension, distrust, suspicion, and xenophobia.

“We believe in democracy…”: Epistemic Modality in Justin Trudeau’s Political Speeches Tofan Dwi Hardjanto; Nala Mazia
Humaniora Vol 31, No 2 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article investigates epistemic modality in political discourse. It focuses on modality markers in terms of their word classes, semantic meanings and discourse functions in political speeches. The data were taken from three speeches delivered by the 23rd Canadian Prime Minister Justin Trudeau. The results show that the markers found in the three speeches are of five different types, i.e., lexical verbs, modal adjectives, modal adverbs, modal auxiliary verbs and modal nouns, with meanings ranging from possibility, probability, to certainty. The markers also indicate the speaker’s commitment whose degree reflects the function in the social context. The speaker’s commitment is divided into three degrees of engagement, each of which serves as a means to be polite, to be diplomatic, and to be persuasive. The findings suggest that Trudeau tends to use reasonable judgment expressions to sound diplomatic and persuasive in his speeches.

[Book Review] Homegoing Louise Ling Edwards
Humaniora Vol 31, No 2 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

In Yaa Gyasi’s debut novel Homegoing, two sisters separated by circumstance are born in 18th-century Ghana not far from the Cape Coast Castle. One sister, Effia, marries a white officer employed at the Castle and lives a comfortable life there with her husband and son. The other sister, Esi, is captured during a raid on her village, marched to the Castle, and held in appalling conditions in its dungeons. They reside in the castle together, yet without knowledge of the other’s presence or situation. The two sisters’ stories diverge when Esi is shipped to the southern plantations of the United States as part of the Trans-Atlantic Slave Trade. The rest of the novel follows the two branches of the family through seven generations in portrait-like chapters that alternate between describing the descendants of Effia and those of Esi. Not only does the story illustrate how the legacy of slavery impacts the two lineages generations after emancipation, but it describes an expansive scope of Black history and the relations between Africans and African-Americans through personal narrative. What is impressive about the tale is that it utilizes thorough and complex character development to move forward the histories of two nations over the span of 300 years. The shortness of each characters’ individual story builds the intensity of each chapter packing every paragraph with emotion. Understanding Gyasi’s deep personal connection to the story makes it clear why Gyasi was able to depict each character with such nuanced detail. She is telling a fictionalized version of her own family history, based off of her experience straddling Ghana’s and America’s two histories.

Remembering the "People's Painter" Dhania Putri Sarahtika
Humaniora Vol 31, No 2 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Postcolonial Discourse in Coogler’s Black Panther: A Multimodal Critical Discourse Analysis Albert Tallapessy; Indah Wahyuningsih; Riska Ayu Anjasari
Humaniora Vol 32, No 1 (2020)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This article deals with the investigation of the existence of postcolonial discourse in Coogler’s Black Panther (2018). The study aims to reveal and examine the existence of social issues related to Bhabha’s notion of postcolonialism represented through visual and linguistic elements in the movie. Fairclough’s (1989,2001, 2010) Critical Discourse Analysis, Kress and van Leeuwen’s (2006) Reading Images, Halliday’s Systemic Functional Linguistics (2004) and Bhabha’s (1994) Postcolonialism are used to conduct this research. The result of the study shows that postcolonial discourse is proved represented in the movie. The findings imply that the post colonialism affects the characters in term of how they see and reflect themselves towards the dominance. They are also identified as possessing hybrid identity, ambivalence, and mimicry. It seems that the result of the research opposes the director’s intention to bring the theme of the movie. Theoretically, it is proved that the social irregularities representing black supremacy and exploitation of the citizen of Africa, Wakanda, is depicted in the movie. Empirically, the existence of nondemocratic social practices in black citizens is also seen in the movie.

Biography as a Source and a Methodology in Humanities Research I Nyoman Wijaya
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

This study discusses whether a biography can function as a source and a methodology in the research of humanities. Taking biography as a source, researchers of humanities can use a collection of biographical facts as research material or make it as a resource of writing. While taking it as a methodology, they manage to apply biographical methodology as a science in their research. This is not a simple issue because the 1980s biographical thinking cannot adapt themselves with the latest development in the science of humanities after the emergence of post-structuralist approaches. The approach of scientific biography of 1990s cannot adapt itself either, and seems to be awkward, and difficult to be followed up. Therefore, the authority of history as a science in universities in Indonesia needs to hold a congress to seek a contemporary biographical thinking which can keep up with the influence of post-modern approach [beyond modernism] and post-structuralist theories [beyond structuralism] in the researches of humanities. This study attempts to give some preliminary thoughts by revealing the weaknesses of the previous biographical methodology and also attempts to complete it by offering some alternative thoughts through borrowing or absorbing relevant post- structuralist theories.

Power, Memory, Industry: Nguyen's Search for Justice Anindya Firda Khairunnisa
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Media Ethnography in Diasporic Communities Putut Widjanarko
Humaniora Vol 32, No 2 (2020)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Media and communication technology plays a crucial role in diasporic communities by helping members to maintain complex connections with their places of origin, and at the same time to live their life in the diaspora. The social interactions, belief systems, identity struggles, and the daily life of diasporic communities are indeed reflected in their media consumption and production. A researcher can apply media ethnography to uncover some of the deeper meanings of diasporic experiences. However, a researcher should not take media ethnographic methods lightly since a variety of issues must be addressed to justify its use as a legitimate approach. This article examines various forms of media ethnographic fieldwork (multi-sited ethnography), issues related to researching one’s own community (native ethnography), and the debates surrounding duration of immersion in ethnography research within the context of diasporic communities. Careful consideration of such issues is also necessary to establish the “ethnographic authority” of the researcher.

Religious Leaders and Elections in the Polarizing Context of Indonesia M. Iqbal Ahnaf; Danielle N. Lussier
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Studies of elections in young democracies point to the risk of elections intensifying existing social conflicts, a process observed in Indonesia in recent years. The 2017 mayoral election in Yogyakarta contradicts this trend, presenting an empirical puzzle. Despite the fact that local conditions might encourage electoral mobilization along sectarian lines, we find evidence of restraint. Based on analysis of the contents of sermons in 12 mosques and churches in the month before the election we identify three factors that discourage religious leaders from exercising opportunities to intensify religious tension. These include (a) elites were not motivated to exacerbate communal tension because they do not feel the election will bring about reform or change that would seriously affect their established position, (b) even though sectarian messaging is possible, the elites did not believe masses could be easily persuaded by sectarian political messaging, and (c) political outbidding by using sectarian messages would risk confronting the local dominant culture of harmony. These findings suggest that several factors need to be activated for religious leaders to exercise their moral authority over worshippers for political purposes. The presence of an opportunity structure for intensifying sectarian conflict is not sufficient for that conflict to emerge.

[Book Review] Kura-Kura Berjanggut Sani Asmi Ramdani Lestari
Humaniora Vol 31, No 3 (2019)
Publisher : Faculty of Cultural Sciences, Universitas Gadjah Mada

Page 86 of 95 | Total Record : 950

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Home Page

OAI Link

Editorial Team

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Contact Name Elan Ardri Lazuardi,

Contact Email humaniora@ugm.ac.id

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Journal Mail Official humaniora@ugm.ac.id

Editorial Address Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location Kab. sleman, Daerah istimewa yogyakarta INDONESIA

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

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Abstract

Contact Name
Elan Ardri Lazuardi,

Contact Email
humaniora@ugm.ac.id

Phone
-

Journal Mail Official
humaniora@ugm.ac.id

Editorial Address
Humaniora Office d.a. Fakultas Ilmu Budaya UGM, Gedung G, Lt. 1 Jalan Sosiohumaniora, Bulaksumur, Yogyakarta 55281 Indonesia

Location
Kab. sleman,

Daerah istimewa yogyakarta

INDONESIA