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Heritage of Nusantara: International Journal of Religious Literature and Heritage
Published by Puslitbang Lektur, Khazanah Keagamaan dan Manajemen Organisasi Badan Litbang dan Diklat kementerian Agama RI
ISSN : 2303243X     EISSN : 24429031     DOI : https://doi.org/10.31291/hn.v11i2
Core Subject : Religion, Humanities, Art, Engineering,
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture
Heritage of Nusantara: International Journal of Religious Literature and Heritage, This journal focuses on religious studies (both contemporary and classical), particularly in the fields of Religious Literature, Cultures, and Heritage in Nusantara and Nusantara (Indonesia), and its relation to the same discussion on Southeast Asia, Asian Continents and other continents within International forum of discussion. The subject covers many perspectives such as philosophy, theology, philology, sociology, anthropology, politics, archaeology, art, history, hermeneutics, linguistics, and media studies.
Arjuna Subject : Seni dan Humaniora - Sejarah dan Filsafat Ilmu
Articles 10 Documents
 1 
Search results for , issue "Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA" : 10 Documents clear
THE FUTURE OF HINDU ALUKTA IN TANA TORAJA POST-INTEGRATION WITH THE HINDU RELIGION I Nyoman Yoga Segara
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.710

Abstract

This research is based on the current situation after many Aluk Todolo believers were integrated with Hinduism. Over time, this integration experienced many obstacles and challenges. The new name resulting from integration, namely Hindu Alukta, does not eliminate the stigma and stereotypes associated with local religion and adherents of animism. To examine the future challenges that they face after integrating with Hinduism, this research uses qualitative methods with an in-depth interview technique with key informants, direct observation at the location, and the study of documents from various existing sources. Employing the Practice Theory framework from Bourdieu, this study found that the challenge that Hindu Alukta adherents faced is largely capital (which sourced from structural supports). This is because structurally, the government, in this case the Ministry of Religious Affairs, especially the Directorate General of Hindu Community Guidance, has not been able to serve and guide them optimally. The Ministry of Religious Affairs of the Province of South Sulawesi, especially the Hindu Community Advisors are not capable enough to provide post-integration services and guidance. Culturally, those are rooted from the local belief of Aluk Todolo, experienced struggles as adherents of the official religion (Hinduism).
Metode Penetapan Fatwa Dalam Membangun Perdamaian Perspektif Imam Ali goma (Studi Analisis Fiqh Tashabbuh Dengan Non Muslim): Metode Fatwa; Perdamaian; Imam Ali gomaa; Tasyabbuh Muhammad Nuruddien Nuruddien; Mahmoud Ismaeil Mohamed Mashal
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.719

Abstract

A fatwa is a matter of great significance in Islam. The issuer of a fatwa represents the role of Prophet Muhammad (peace be upon him) in continuing his prophetic mission by providing explanations in accordance with the will of God. Therefore, issuing a fatwa is not an easy task, and it is not appropriate for everyone to assume the ability to issue fatwas without undergoing a thorough thought process. It is not permissible for someone to issue a fatwa to the general public unless they possess expertise in the fields of Islamic sciences and have a strong command of fiqh (jurisprudence) and usul al-fiqh (principles of jurisprudence), along with the appropriate methods and objectives (maqasid). This raises the question of how to formulate a method for issuing fatwas from the perspective of Imam Ali Gomaa and why scholars pay great attention to the formation of fatwa methods This research falls under normative research using the literature method, which involves reviewing texts from classical and contemporary fiqh books, as well as fatwa rulings. The findings of this study indicate that the process of issuing a fatwa should go through four stages: al-tashwir (defining the issue), al-takyif (exploring the details), explaining the legal ruling, and making the final fatwa decision The issuer of a fatwa must adhere firmly to the fatwa method, which includes understanding the texts and the reality of society, and knowing how to connect the text with existing societal traditions. They should prioritize issuing fatwas that facilitate and bring joy to society, maintaining moderation and balance in their fatwas, and avoiding haste in addressing contemporary issues. Not all acts of resemblance (tashabbuh) with non-Muslims are considered forbidden (haram). There are acts of resemblance that are indeed judged to be outside the boundaries of Islam, while others are merely disliked (makruh), not recommended, forbidden (haram), permissible (mubah), or even commendable. The observance of the Gregorian New Year is permissible since it does not entail elements of resemblance (tashabbuh), provided that it is not accompanied by religiously prohibited behaviors. The permissibly of celebrating new year is in line with the condition of Madura teenagers. Although, the Madura scholars alliance (AUMA) forbids it because it is considered to resemblance (Tashabbuh) with non muslims.
Teke dan Ideologi Wanita dalam Peninggalan Ngada,Nusa Tenggara Timur Watu Yohanes Vianey
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.723

Abstract

The art of teke, which is a part of the Ngadha people's traditional cultural practices, is the material object of this investigation. The formal object concerns the axiology of women's ideology and its existence. What feminist philosophy is expressed in the teke cultural heritage is the central question of this cultural study. This study explores cultural codes based on traditional Ngada hermeneutics in order to analyze the data through qualitative research methods. The research findings offer a fresh perspective on the distinctiveness of the ine weta ideology, which is a set of beliefs about women specific to the matriarchal Ngadha cultural tradition. More than that, ine weta's ideology actually celebrates gender equality through the joy of dance, poetry, and song. This ideology in the art of teke hermeneutics is a variant of the familial ideology, which must be built and purified through teachings, actions, and celebrations in the light of mesu mora (‘charity love’) harmoniously, closely, roundly, and beautifully in the world of life. The conclusion of this writing is that the authors undertake a cultural study in order to contribute to the discussion of women’s equality by proposing one category of woman ideology found in the matriarchal culture of Ngada, namely, the ideology of ine weta (‘mother-sister’) as a variant of familial ideology uncovered in the art of teke.
GAOK AS A UNIQUE CULTURAL AND RELIGIOUS IDENTITY EXPRESSION FROM MAJALENGKA, WEST JAVA Mahmudah Nur; Asri Saraswati
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.725

Abstract

This article presents an explorative study on the continuity of Gaok traditions amidst social change in Majalengka, West Java, Indonesia. As a cultural heritage, Gaok faced a negative stigma as a bid’ah (heresy). This article investigates how the Gaok serves as a religious expression as well as a form of adaptation for survival. It also explores how Gaok represents the unique religious identity of the Majalengka people with the fusion of Sundanese and Javanese cultures. A folklore approach was employed in this study, involving the texts of manuscripts performed in Gaok, observation of Gaok performances, and interviews with Gaok performers. The study found that Gaok represents the oral religious expressions of the Majalengka people, which contain collective memories about their cultural values, identity, and history. Furthermore, Gaok is an adaptive tradition to the contemporary developments over time, primarily cultural and religious influences in Majalengka. As an oral tradition, Gaok has transformed from participatory and communal art to individual performances.
ACEH'S OLD MOSQUES: RECONCILING OLD AND NEW ARCHITECTURE Aji Sofiana Putri; Muhammad Naufal Fadhil
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.732

Abstract

The growth of congregation activities in Aceh's old mosques has contributed to the area expansion of the old mosques. This article examines three case studies of old mosques in Aceh that represent three scenarios of spatial expansion, including:  mihrab extension integrated into the old mosque, side expansion attached to the old building, and expansion by adding a new mosque building. Three old mosques under study were Teungku Di Anjong Mosque in Banda Aceh, the Asal Penampaan Mosque in Gayo Lues, and the Gunong Kleng Mosque in West Aceh. This paper aims to analyze the mosque's spatial connection from three architectural aspects:  (1) Pattern of Additional Area, (2) Functionality and Other Features, (3) The Architectural Forms and Materiality of the old and new mosques. A qualitative study was employed through the analysis of architectural and visual images of the three mosques. The study found that adding new spaces to the three mosques significantly divides old and new mosques. The main function of the mosque as a place of worship intertwines with its function as a center of cultural activities as found in the old and new spaces. Furthermore, the old mosque architecture influenced modern mosques, although not completely. The old form harmonized with new materials to reconcile with contemporary construction methods.
THE FUTURE OF HINDU ALUKTA IN TANA TORAJA POST-INTEGRATION WITH THE HINDU RELIGION Segara, I Nyoman Yoga
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.710

Abstract

This research is based on the current situation after many Aluk Todolo believers were integrated with Hinduism. Over time, this integration experienced many obstacles and challenges. The new name resulting from integration, namely Hindu Alukta, does not eliminate the stigma and stereotypes associated with local religion and adherents of animism. To examine the future challenges that they face after integrating with Hinduism, this research uses qualitative methods with an in-depth interview technique with key informants, direct observation at the location, and the study of documents from various existing sources. Employing the Practice Theory framework from Bourdieu, this study found that the challenge that Hindu Alukta adherents faced is largely capital (which sourced from structural supports). This is because structurally, the government, in this case the Ministry of Religious Affairs, especially the Directorate General of Hindu Community Guidance, has not been able to serve and guide them optimally. The Ministry of Religious Affairs of the Province of South Sulawesi, especially the Hindu Community Advisors are not capable enough to provide post-integration services and guidance. Culturally, those are rooted from the local belief of Aluk Todolo, experienced struggles as adherents of the official religion (Hinduism).
Metode Penetapan Fatwa Dalam Membangun Perdamaian Perspektif Imam Ali goma (Studi Analisis Fiqh Tashabbuh Dengan Non Muslim): Metode Fatwa; Perdamaian; Imam Ali gomaa; Tasyabbuh Nuruddien, Muhammad Nuruddien; Mahmoud Ismaeil Mohamed Mashal
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.719

Abstract

In Islam, the issuance of a fatwa is a significant task that not everyone is equipped to do so, as it requires deep understanding of Islamic sciences, jurisprudence, and principles thereof. This study discusses the process of formulating a fatwa, particularly from Imam Ali Gomaa's perspective, emphasizing the importance of methodical approaches in fatwa creation. The paper uses a normative research approach, examining classical and contemporary texts and rulings. The study outlines a four-step fatwa issuance process: defining the issue, exploring its details, elucidating the legal ruling, and making the final decision. It highlights the need for fatwa producers to understand societal realities and connect them with religious texts, while ensuring moderation and balance. The paper also discusses nuances in judgments on acts resembling non-Muslim practices, stating they can range from being forbidden to commendable, depending on specific circumstances. For example, celebrating the Gregorian New Year is permissible, barring any religiously prohibited behaviors. This is despite objections from some factions, like the Madura scholars alliance, who view it as inappropriate resemblance with non-Muslim practices
Teke dan Ideologi Wanita dalam Peninggalan Ngada,Nusa Tenggara Timur Watu Yohanes Vianey
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.723

Abstract

The art of teke, which is a part of the Ngadha people's traditional cultural practices, is the material object of this investigation. The formal object concerns the axiology of women's ideology and its existence. What feminist philosophy is expressed in the teke cultural heritage is the central question of this cultural study. This study explores cultural codes based on traditional Ngada hermeneutics in order to analyze the data through qualitative research methods. The research findings offer a fresh perspective on the distinctiveness of the ine weta ideology, which is a set of beliefs about women specific to the matriarchal Ngadha cultural tradition. More than that, ine weta's ideology actually celebrates gender equality through the joy of dance, poetry, and song. This ideology in the art of teke hermeneutics is a variant of the familial ideology, which must be built and purified through teachings, actions, and celebrations in the light of mesu mora (‘charity love’) harmoniously, closely, roundly, and beautifully in the world of life. The conclusion of this writing is that the authors undertake a cultural study in order to contribute to the discussion of women’s equality by proposing one category of woman ideology found in the matriarchal culture of Ngada, namely, the ideology of ine weta (‘mother-sister’) as a variant of familial ideology uncovered in the art of teke.
GAOK AS A UNIQUE CULTURAL AND RELIGIOUS IDENTITY EXPRESSION FROM MAJALENGKA, WEST JAVA Nur, Mahmudah; Asri Saraswati
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.725

Abstract

This article presents an explorative study on the continuity of Gaok traditions amidst social change in Majalengka, West Java, Indonesia. As a cultural heritage, Gaok faced a negative stigma as a bid’ah (heresy). This article investigates how the Gaok serves as a religious expression as well as a form of adaptation for survival. It also explores how Gaok represents the unique religious identity of the Majalengka people with the fusion of Sundanese and Javanese cultures. A folklore approach was employed in this study, involving the texts of manuscripts performed in Gaok, observation of Gaok performances, and interviews with Gaok performers. The study found that Gaok represents the oral religious expressions of the Majalengka people, which contain collective memories about their cultural values, identity, and history. Furthermore, Gaok is an adaptive tradition to the contemporary developments over time, primarily cultural and religious influences in Majalengka. As an oral tradition, Gaok has transformed from participatory and communal art to individual performances.
ACEH'S OLD MOSQUES: RECONCILING OLD AND NEW ARCHITECTURE Putri, Aji Sofiana; Muhammad Naufal Fadhil
Heritage of Nusantara: International Journal of Religious Literature and Heritage Vol. 12 No. 2 (2023): HERITAGE OF NUSANTARA
Publisher : Center for Research and Development of Religious Literature and Heritage

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/hn.v12i2.732

Abstract

The growth of congregation activities in Aceh's old mosques has contributed to the area expansion of the old mosques. This article examines three case studies of old mosques in Aceh that represent three scenarios of spatial expansion, including:  mihrab extension integrated into the old mosque, side expansion attached to the old building, and expansion by adding a new mosque building. Three old mosques under study were Teungku Di Anjong Mosque in Banda Aceh, the Asal Penampaan Mosque in Gayo Lues, and the Gunong Kleng Mosque in West Aceh. This paper aims to analyze the mosque's spatial connection from three architectural aspects:  (1) Pattern of Additional Area, (2) Functionality and Other Features, (3) The Architectural Forms and Materiality of the old and new mosques. A qualitative study was employed through the analysis of architectural and visual images of the three mosques. The study found that adding new spaces to the three mosques significantly divides old and new mosques. The main function of the mosque as a place of worship intertwines with its function as a center of cultural activities as found in the old and new spaces. Furthermore, the old mosque architecture influenced modern mosques, although not completely. The old form harmonized with new materials to reconcile with contemporary construction methods.

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