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Tuturan: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Published by Sekolah Tinggi Agama Buddha Nalanda
ISSN : 29859743     EISSN : 29859204     DOI : 10.47861
Core Subject : Humanities, Education,
Humanities Education
Jurnal ini memublikasikan artikel-artikel yang berkaitan dengan Jurnal Ilmu Komunikasi, Sosial dan Humaniora. Pengajuan naskah terbuka sepanjang tahun, naskah harus sesuai dengan fokus dan ruang lingkup TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 290 Documents
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Etnografi Komunikasi pada Tradisi Sedekah Ketupat di Desa Jambu Kecamatan Gelumbang Kabupaten Muara Enim Safa Rora Amelia; Ginting, Eraskaita; Ritonga, Muslimin
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2212

Abstract

The sedekah ketupat tradition in Jambu Village, Gelumbang District, Muara Enim Regency, is a local cultural practice preserved by the community as both an expression of gratitude and a medium for social interaction. Rather than a mere ceremonial activity, this tradition serves as a dynamic process of cultural communication, carrying rich symbolic meanings and social values passed down through generations. This study aims to examine the cultural communication process within the sedekah ketupat tradition and to identify its embedded symbolic meanings and cultural values. Utilizing a qualitative method with an ethnography of communication approach, data were collected through observation, in-depth interviews, and documentation, with informants selected via purposive sampling. The analysis applies Dell Hymes’ ethnography of communication theory, specifically the SPEAKING model, to explore the communicative elements of the tradition. Findings reveal that the communication process in the sedekah ketupat unfolds systematically through the stages of preparation, ritual enactment, and the distribution of the ketupat, incorporating verbal, nonverbal, and symbolic forms of communication. As a cultural symbol, the ketupat conveys historical, religious, and social meanings that are collectively understood by the community. Furthermore, this tradition reflects the values of togetherness, mutual cooperation, and reverence for ancestors, thereby functioning as a vital medium of cultural communication in sustaining the community's social values and cultural identity.
Pengembangan Obyek Daya Tarik Wisata Kembang Soka di Perbukitan Menoreh, Kulon Progo, Yogyakarta Pramudya, Wisnu; Fauzia, Shifa; Rahayu, Nurul Asri; Sukma, Tiara
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2177

Abstract

Kembang Soka, in the Menoreh Hills of Yogyakarta, is a nature-based tourist attraction with distinctive landscape such as waterfalls and turquoise pools. Earlier studies emphasized managerial strategies, while the site’s intrinsic identity received little attention. This study identifies the “energy” of Kembang Soka through four aspects (originality, authenticity, uniqueness, and beauty) and formulates branding and a development concept rooted in these values. A descriptive qualitative method was applied through field observation, literature review, and interviews with local community and tourists. Findings show that originality is tied to folklore, particularly the legend of Prince Diponegoro and the Tuk Jaran spring, and natural phenomena such as dual-colored waters and rich biodiversity. Authenticity emerges from the convergence of three waterfalls, seven springs, and the geological formations of Jonggrangan and Kaligesing. Uniqueness is reflected in wooden bridges, natural dams, and the interplay of water and rock colors that create distinctive landscapes. Beauty is experienced visually, psychologically, climatically, and socially, reinforced by the hospitality of local people. Based on these energies, the study proposes branding with the tagline “Feel, Breath, and Jump!” and a development concept called Natural Spring. The research contributes theoretically to energy-based destination development and practically to sustainable development and branding strategies.
Pemaknaan Generasi Z terhadap Lagu “Akad” Karya Payung Teduh: Analisis Resepsi Stuart Hall Muhammad Luthfie; Zahra Karina Restu Wijaya; Agustini Agustini
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2178

Abstract

This study examines how Generation Z interprets the song “Akad” by Payung Teduh through the perspective of Stuart Hall’s reception theory. The development of digital media, especially YouTube, has influenced how music is consumed and understood, particularly among Generation Z, who tend to use music as a medium for emotional expression and meaning-making. The song “Akad” is widely recognized for its simple yet meaningful portrayal of love, commitment, and long-term relationships, making it relevant to explore how audiences construct its meaning. This study aims to analyze the interpretation of Generation Z toward the song’s lyrics and to identify the factors that shape their understanding of love expectations. Using a qualitative approach with reception analysis, data were collected through in-depth interviews with Generation Z informants in Bogor City. The findings reveal that audience interpretations vary across three reception positions: dominant, negotiated, and oppositional. Most informants are positioned within the negotiated reading, where they accept the general message of the song while adjusting it based on their personal experiences and social realities. These results indicate that Generation Z actively engages in interpreting media messages rather than passively receiving them. This study highlights that music serves not only as entertainment but also as a medium that shapes emotional understanding, expectations, and perspectives on romantic relationships in the digital era.
Etika Komunikasi dalam Pelayanan Publik di Dinas Perpustakaan Provinsi Sumatera Selatan Na’imatun Salsabila Rifdah; Komaruddin Komaruddin; M. Mifta Farid
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 1 (2026): Februari: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i1.2182

Abstract

Public service is a crucial activity in government administration aimed at fulfilling community needs effectively, transparently, and accountably. This study aims to analyze communication ethics in public services at the Sumatera Selatan Provincial Library Department using the communication accommodation theory approach, which encompasses convergence, divergence, and over-accommodation. The research employs a qualitative method with data collection techniques including observation, interviews, and documentation. Informants in this study are library staff and library visitors. The results indicate that communication ethics in public services at the Sumatera Selatan Provincial Library Department are generally running quite well but still require improvements. Under communication accommodation theory, the convergence aspect that needs enhancement is nonverbal language, which remains inadequate in public services. Divergence occurs in certain situations to maintain staff professionalism, while over-accommodation is not significantly found in the service process. This study concludes that the implementation of communication ethics is quite good but still requires further improvement.
Sarkasme sebagai Bentuk Kritik Publik di Tiktok terhadap Film Animasi One For All: Merah Putih Robi’ah Al Adawiyah; Fera Indasari; Muslimin Ritonga
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2188

Abstract

The rapid growth of social media has transformed public communication into a more open and participatory digital space, particularly in expressing criticism toward cultural products through TikTok. One prominent phenomenon is the use of sarcasm in user comments on the animated film One For All: Merah Putih. This study aims to identify the forms and meanings of sarcasm as a strategy of public criticism in digital spaces. The research employs a qualitative approach using critical discourse analysis based on Teun A. van Dijk’s model. Data were collected from user comments on three TikTok videos posted by both media and personal accounts, and analyzed through the dimensions of text structure, social cognition, and social context. The findings reveal that sarcasm is the dominant form of expression in conveying criticism, manifested through irony, exaggerative expressions, and indirect insinuation. The novelty of this study lies in demonstrating that sarcasm functions not only as a linguistic style but also as a mechanism of public evaluation that reflects audience expectations and quality standards toward national animated films. These findings indicate that social media serves as an active discursive space in shaping public perception and opinion dynamics in the digital era.
Dinamika Proses Produksi Animasi Independen: Studi Kasus Animasi Cuko Boy sebagai Representasi Budaya Lokal Fitria, Suci; Fera Indasari; Muslimin Ritonga
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2189

Abstract

This study aims to analyze the dynamics of independent animation production and the representation of local culture in the animation Cuko Boy. The background of this research is based on the growth of the independent animation industry in Indonesia, which faces various limitations yet is capable of producing creative works rooted in local identity. This research employs a qualitative descriptive method with a case study approach. Data were collected through in-depth interviews, observation, and documentation of the production process of Cuko Boy. The data were analyzed using John T. Caldwell’s Production Culture theory and Ferdinand de Saussure’s semiotic approach to examine the relationship between signifier and signified in representing Palembang’s local culture. The results show that the dynamics of independent animation production are characterized by role flexibility, limited resources, and adaptive creative strategies that utilize local culture as a primary identity. The representation of Palembang’s local culture in Cuko Boy is reflected through visual, linguistic, and symbolic elements, such as city icons, traditional cuisine, and local dialect. This study concludes that independent animation is not only a form of entertainment but also a medium for cultural representation and a creative strategy to overcome industrial limitations.
Pemaknaan Simbol Bendera One Piece sebagai Bentuk Resistensi Kultural: Studi Fenomenologis pada Komunitas Nakama Palembang Marshella, Shelvi; Fera Indasari; Muslimin Ritonga
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2190

Abstract

The phenomenon of popular culture symbols being used as a medium for socio-political expression has increasingly emerged among young people. This study aims to analyze the meaning of the One Piece flag (Jolly Roger) as a form of cultural resistance within the Nakama Palembang community. This research employs a qualitative approach using a phenomenological method to understand the subjective experiences of individuals in interpreting symbolic actions. Data were collected through in-depth interviews, participatory observation, and documentation. The findings indicate that the One Piece flag is interpreted not merely as a fictional symbol but as a representation of freedom, solidarity, and resistance against social injustice. The use of this symbol reflects a form of symbolic resistance that is subtle, non-confrontational, and rooted in everyday cultural practices. This study concludes that popular culture plays a significant role as an alternative space for youth to articulate social criticism and construct collective identity.
Kritik Marcuse terhadap Kultur Konektivitas dan Performatifitas dalam Jaringan (Daring) Raden Panji Supriyadi; Suharto Suharto; Alexander Seran Bria; Sahrul Ramadhan; Rizky Risdianto
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2192

Abstract

This paper examines the contributions of Herbert Marcuse's thought to the development of the Critical Theory tradition, particularly through his analysis of the relationship between technological rationality, consumer culture, and structures of domination in advanced industrial societies. Marcuse demonstrates that technological progress is not neutral, but rather embedded in the logic of power that shapes patterns of social consciousness and behavior. Through the concept of the "one-dimensional man," he highlights the mechanisms of homogenizing consciousness that lead individuals to accept social conditions without a critical attitude. Furthermore, Marcuse's synthesis of the ideas of Marx and Freud in Eros and Civilization shows that repression occurs not only in the economic realm but also through the regulation of desire and the body. Imagination and aesthetics are positioned as potential spaces for opening up possibilities for liberation, as both present forms of experience that cannot be fully controlled by the system. By highlighting the relationship between material structures, social psychology, and the production of meaning, this paper reexamines the relevance of Marcuse's Critical Theory for the contemporary context marked by the intensification of digital capitalism and consumer culture.
Dinamika Ekonomi Politik Media Digital: Analisis Berbasis Teori Kritis tentang Kasus Kontemporer di Indonesia Suharto Suharto; Raden Panji Supriyadi; Udi Rusadi; Syafrul Syafrul; Sahrul Ramadhan
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2193

Abstract

The development of digital technology has driven structural changes in the media system, information production patterns, and the relationship between media, the state, and society. The author presents a descriptive-narrative analysis of the dynamics of the political economy of digital media by utilizing several critical theories: the political economy of media (Mosco, McChesney, Dwyer), the cultural industry (Adorno & Horkheimer), hegemony (Gramsci), framing (Entman), the propaganda model (Herman & Chomsky), and digital capitalism (Fuchs, Srnicek, Zuboff). This study also combines a literary approach with empirical examples in Indonesia, including the phenomenon of buzzers, political influencers, digital polarization, and the role of platforms such as TikTok, YouTube, Instagram, and WhatsApp in shaping public opinion. The findings show that the media structure in Indonesia is now hybrid, combining conventional media ownership oligarchy and global platform oligopoly, and creating a fragmented public sphere. This research emphasizes the need for a new theoretical model capable of explaining the interaction of the state, capital, and platforms within the framework of digital capitalism.
Ruang Digital sebagai Arena Konstruksi Identitas Sosial Generasi Z : Studi Fenomenologi pada Komunitas Gamer Agung Putra Mulyana; Muhammad Irfan; Khoirul Majid
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humani... Vol. 4 No. 2 (2026): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v4i2.2195

Abstract

The development of digital technology has transformed patterns of social interaction, particularly among Generation Z, who grow and develop within a virtual communication ecosystem. The presence of digital spaces enables the formation of various online communities that function as platforms for social interaction as well as the construction of self-identity. This study aims to understand the process of forming Generation Z’s social identity through interpersonal communication within gamer communities in digital spaces. The research employed a qualitative approach with a phenomenological design to explore individuals’ subjective experiences in their daily digital interactions. Data were collected through observation, in-depth interviews, and documentation involving members of the gamer community at SMK Bina Insan Mandiri. The results show that interpersonal communication within gamer communities occurs intensively and reflects characteristics such as openness, empathy, supportiveness, positive attitudes, and equality among members. These interactions not only strengthen social relationships but also shape social identity through the use of distinctive language, shared experiences, repetitive communication patterns, and a sense of belonging to the community. These findings confirm that digital spaces function as alternative social arenas for Generation Z in building self-identity in a more dynamic way.

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