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Tuturan: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Published by Sekolah Tinggi Agama Buddha Nalanda
ISSN : 29859743     EISSN : 29859204     DOI : 10.47861
Core Subject : Humanities, Education,
Humanities Education
Jurnal ini memublikasikan artikel-artikel yang berkaitan dengan Jurnal Ilmu Komunikasi, Sosial dan Humaniora. Pengajuan naskah terbuka sepanjang tahun, naskah harus sesuai dengan fokus dan ruang lingkup TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 254 Documents
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Tindak Tutur Ilokusi dalam Video “Membedah 100 Hari Kabinet Prabowo” di Kanal YouTube Raymond Chin: Kajian Pragmatik Alifya Aenatul Nabila; Athia Az-zakia Anwar; Hidayatul Afifah; Nur Saidah; Qurrota Ayu Neina; Tommi Yuniawan
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1756

Abstract

This research discusses the use of illocutionary speech acts in videos uploaded on Raymond Chin's YouTube channel. The main purpose of this research is to identify and analyze the types of illocutionary speech acts that appear, such as assertive, commissive, directive, expressive, and declarative. This research uses a descriptive qualitative approach with data collection techniques in the form of listening and recording, and data analysis through agih and padan methods. Assertive speech acts are used to convey the speakers' opinions and beliefs about social and political situations. Directive speech acts function to invite the audience to engage and think critically. Declarative speech acts are used to state facts or emphasize the speaker's views. Meanwhile, commissive speech acts show the speaker's ability or intention in responding to the topic being discussed, and expressive speech acts show the speaker's emotions, both in the form of appreciation and criticism. Raymond Chin utilizes various illocutionary strategies to deliver criticism in an analytical way, build audience engagement, and express his opinions politely and effectively in the context of digital communication.
Pengaruh Promosi Program Studi Ilmu Komunikasi terhadap Minat Mendaftar Mahasiswa Ilmu Komunikasi Universitas Mbojo Bima Erika Fajar Subhekti; Irham Irham; Rahmi Rahmi; Erick Fajar Subhekti
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1780

Abstract

Promotion is one way to introduce products or services owned by a person or a company. Promotion is used by campuses to show the image of the campus to a large audience. Promotion is one of the factors that influence student interest in registering at a university. Data from the Communication Science Study Program at Mbojo Bima University shows a decrease in the number of students, which previously had 92 students and then in the following year only 67 students. This study aims to determine whether there is an influence of the promotion of the Communication Science Study Program on the interest in registering Communication Science students at Mbojo Bima University. This research is quantitative research, with a sample of 75 samples calculated using the slovin formula. The research instruments used were Likert scales and questionnaires. Data analysis using the chi square test SPSS version 25.00. The results of the study were that there was an effect of the promotion of the Communication Science Study Program on the interest in registering Communication Science students at Mbojo Bima University by 56.1%. Promotion carried out by the Communication Science Study Program must be maintained or if necessary increased again so that the Communication Science Study Program at Mbojo Bima University can be known to a large audience.
Komunikasi Lintas Budaya di Era Digital sebagai Strategi Mengurangi Stereotip terhadap Masyarakat Madura Rizal, Muhammad Syaiful
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1808

Abstract

This study explores how cross-cultural communication in the digital era can serve as a strategy to reduce negative stereotypes against the Madurese community. Stereotypes portraying Madurese people as harsh or aggressive often circulate in digital spaces, reinforcing unfounded prejudices. Using a descriptive qualitative approach, this research involved interviews with ten informants, five Madurese individuals and five non-Madurese individuals who actively use digital media. The findings indicate that digital platforms can serve as effective spaces for fostering intercultural dialogue, offering more accurate representations of Madurese cultural values, and minimizing misunderstandings through digital cultural literacy. However, without proper management, digital media may also amplify harmful stereotypes. Therefore, cross-cultural communication strategies grounded in education, open dialogue, and government-supported policies are essential to cultivating inclusive digital spaces and promoting fairer intercultural understanding. This research highlights the importance of using digital communication to bridge cultural divides and address bias, especially in a diverse and multicultural society like Indonesia.
Dinamika Wacana Kemiskinan dan Implementasi Program Keluarga Harapan di Kota Makassar: Perspektif Sosial dan Politik Mario Mario
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1834

Abstract

. Poverty is a multidimensional problem that is not only related to economic aspects but also social and cultural. The Family Hope Program (PKH) in Makassar City is implemented as an effort to empower poor families through conditional assistance that requires active participation of recipients in fulfilling their children's education and health obligations. This study aims to analyze the construction of poverty discourse in the implementation of PKH, discourse contestation between social actors, and its impact on participation and legitimacy of the program. The research method used is qualitative with a descriptive approach, involving in-depth interviews and participatory observations of 15 beneficiaries and 3 social assistants in Makassar. The results of the study show that the official discourse of poverty based on administrative data often ignores the complexity of the experiences of the poor, thus giving rise to resistance and the emergence of counter-discourses that demand recognition of local narratives. This contestation has an impact on the limited space for dialogue and community participation, which results in the social legitimacy of PKH becoming fragile. Social assistants play an important role in facilitating inclusive communication and empowerment of beneficiaries, increasing their sense of ownership and active participation. In conclusion, the success of PKH is highly dependent on the transformation of poverty discourse to be more responsive and inclusive, strengthening the capacity of facilitators, and building a participatory deliberative public space to strengthen the legitimacy and effectiveness of the program.
Dari Netflix Ke Negeri Gingseng: Komunikasi Budaya dan Pariwisata dalam Film 20th Century Girl Bella Afithreea Sari; Putri Dara Maulina; Aurahaliza Mega Narwastu; Andien Ayu Valentina Putri; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1842

Abstract

In the context of globalization, film functions as a strategic medium for cultural exchange and the reinforcement of national identity. This study investigates 20th Century Girl (2022), a South Korean film distributed by Netflix, as a vehicle for intercultural communication and film-induced tourism. Employing a descriptive qualitative method and content analysis, the paper explores how narrative nostalgia, thematic depth, and cultural representation generate emotional engagement and stimulate interest in South Korea as a travel destination. The study also highlights the pivotal role of Netflix in globalizing Korean audiovisual content and strengthening the Korean Wave (Hallyu). Findings indicate that the film not only illustrates essential Korean cultural values such as the importance of friendship, family, and school traditions but also indirectly showcases cultural tourism assets, including filming locations and local lifestyles. These insights affirm the significance of cinema as a tool of cultural diplomacy and soft power for enhancing South Korea’s image on the global stage.
Komunikasi Interpersonal dan Representasi Identitas Lokal dalam Serial When Life Gives You Tangerines: Namira Jasmine Aiswari; Alya Attalya; Vivianne Verna Yedija; Alysha Amanda Adityaputri; Arsih Amalia Chandra Permata5; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1843

Abstract

This study investigates how the Korean television series When Life Gives You Tangerines (2025) depicts the local identity of Jeju Island. The research analyzes dialogue, scenes, and visuals that portray interpersonal communication among characters and Jeju culture using a descriptive qualitative approach with content analysis. The findings show that local values can be transmitted through interpersonal communication via Jeju dialect and calm communication style. Jeju Island is portrayed as a living identity rather than merely a backdrop, the series positions Jeju as a meaningful cultural destination, landscapes and artifacts strengthen cultural identity, and the narrative emphasizes authenticity. Additionally, the series conveys messages of Korean cultural preservation through the depiction of 1950s traditions.
Analisis Dampak Penayangan Film 5 CM sebagai Media Komunikasi terhadap Sektor Pariwisata di Kawasan Gunung Semeru Devista Tria Ananda; Arsya Amala Rosyada; Eva Zahra Hayunda Abadi; Fina Rifa’Tun Nami; Alea Syafa Alfarelia; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1845

Abstract

The tourism sector is a strategic industry that plays a significant role in economic development. One of the most effective forms of tourism promotion is through film media. This study aims to examine the impact of the film 5 cm on the tourism sector in the Mount Semeru area. The research method used is descriptive qualitative with data collected through literature studies. The results indicate that the screening of the film 5 cm had a significant influence on the increase in tourist visits. Moreover, the film also affected tourists’ motivation to visit Mount Semeru. However, the surge in visitors following the film's release has led to various challenges, such as increased waste generation, pressure on environmental carrying capacity, and potential conflicts between conservation efforts and tourism activities. This study concludes that film-based promotion must be accompanied by sustainable tourism management to ensure that economic benefits do not come at the expense of environmental preservation..
Identitas Pemuda Kelompok Seni Paijo Mochammad Fiki Eko Syahputra Yudhoyono; Rizqi Ahmad Muzaki; Alvina Setiyawati; Dhiyaul Haqqi Al-Mumtaza
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1846

Abstract

This article discusses the Paijo art group as a medium for the formation and expression of the identity of today’s youth or Generation Z through the arts, especially in the field of theater. The shift from the New Order to the Reform Era has created an atmosphere that can lead youth to lose direction in their quest for identity. During the New Order era, "Gondrong" became a symbol of youth at that time, representing resistance and freedom of expression. However, the Reform Era, which has brought youth into the rapid development of technology and information, has created a gap between the millennial and Generation Z. Amidst this advancement, Generation Z is faced with global cultures that were previously difficult to access, resulting in many choices that ultimately lead youth into a crisis of identity. While in the New Order, binding policies produced a uniform and clear identity. The Paijo Art Group emerges as a reflective medium for youth in the process of discovering their identity through a creative and collaborative spirit. The symbols and emblems within the Paijo art group carry strong meanings that underlie the formation of this distinctive art group. This research is conducted to explore the importance of future goals for young people and to rise together, accompanied by the passionate fighting spirit they manifest within the Paijo art group, promoting the symbols and ideology of the group.
Peran Komunikasi Keluarga dalam Interaksi Wisata pada Film Keluarga Cemara Naswa Fajriah; Rania Azelia Afra; Nadia Cesya Aurelia; Laudi Sinta Bela; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1847

Abstract

This study examines how verbal and nonverbal cues in the movie represent interpersonal communication among family members using a qualitative-descriptive methodology, semiotic analysis and Lasswel theory. The results show that openness, empathy, collaborative decision-making, and togetherness—all essential components of good family communication are major themes that influence the characters' ability to bounce back from both emotional and financial adversity. Abah is a crucial character who represents accountability, love, and tenacity. She also illustrates how communication may be used to fortify family ties in times of adversity. According to the study's findings, family communication is essential for settling disputes and building social support within the family in addition to preserving emotional intimacy.
Representasi Komunikasi Remaja dalam Film Dilan 1990 dan Pengaruhnya terhadap Citra Pariwisata Kota Bandung Vanadia Putri Prameswari; Beryl Athalariq Ramadhan; Nazwa Natania Maulidya; Zaskia Alya Maura Alfia; Nur Syifaa Fazilatun Nisaa; Arsih Amalia Chandra Permata; Wiyata Wiyata
TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora Vol. 3 No. 2 (2025): Mei: TUTURAN: Jurnal Ilmu Komunikasi, Sosial dan Humaniora
Publisher : Institut Nalanda

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47861/tuturan.v3i2.1850

Abstract

This study explores the representation of teenage communication in the film Dilan 1990 and its impact on the image of Bandung as a tourist destination. Using a descriptive qualitative approach and open-ended questionnaires, the research analyzes patterns of interpersonal communication between characters and viewers' emotional responses. Findings reveal that Dilan’s character demonstrates a poetic, humorous, and confident communication style, while Milea exhibits a more reflective and expressive approach. The balance of verbal and nonverbal language in the film fosters emotional closeness between the audience and the characters. Additionally, the portrayal of Bandung with a romantic and nostalgic atmosphere enhances its visual appeal, shaping a positive perception of the city. Filming locations such as Milea’s House, Warung Bi Eem, and Buah Batu Street have become tourist attractions through film-induced tourism. These findings indicate that film can serve as a strategic medium in constructing destination imagery through emotional and symbolic representation.

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