Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang
Jurnal DARUMA merupakan jurnal ilmiah mengambil kajian bidang Linguistik, Sastra dan Budaya Jepang, yang diterbitkan oleh Program Studi Sastra Jepang Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar. Jurnal ini memuat artikel-artikel yang ditulis oleh para mahasiswa untuk dipublikasikan agar diketahui oleh khalayak umum dan para mahasiswa di Program Studi sastra Jepang khususnya. Jurnal DARUMA terbit sebanyak 2 kali dalam setahun, pada bulan April dan September
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<![CDATA[ANALISIS TOKOH KAGURA SEIICHIRO NOVEL REAL FACE KARYA CHINEN MIKOTO ]]>
<![CDATA[Muliani Moeliono]]>;
<![CDATA[Wayan Nurita]]>;
<![CDATA[Ladycia Sundayra]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This study aims to determine the personality of Hiiragi Takayuki using Sigmund Freud's Psychoanalytic theory in the novel Real Face. This study used descriptive qualitative method. The primary data source of this research is the novel Real Face. The data obtained were analyzed using psychoanalytic theory, namely id, ego, super ego. The method used in this study uses the listen and note method. For the presentation of the data, an informal method was used, namely data in the form of dialogues and Japanese narration which were translated into Indonesian. The results show that the personality theory experienced by the character Kagura Seiichiro is, the id is shown through Kagura's desire to achieve her wish, the ego is shown to arise when Kagura's conscience wants to refuse, the super ego arises when Kagura Seiichiro thinks that the proposal offered by Hiiragi is unreasonable.]]>
<![CDATA[TINGKAT TUTUR RANAH KELUARGA PERNIKAHAN ANTAR BANGSA JEPANG DAN BALI ]]>
<![CDATA[I Made Yawara Sumi Putra]]>;
<![CDATA[Anak Agung Ayu Dian Andriyani]]>;
<![CDATA[Ni Wayan Meidariani]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This research aims to analyze the function of speech acts in the dialogue of Japanese and Balinese intermarriage family and identify the type of speech level in speech acts contained in the results of Japanese and Balinese intermarriage family. The research uses the theory of sociopragmatics, supported by the theory of speech act function, another supporting theory is the theory of context. The methods and techniques of data collection used in the research are listening method and chap method followed by note-taking and classification techniques. The methods and techniques of data analysis used are qualitative descriptive methods. While the method and technique of presenting data analysis using informal methods. The results showed that in the Japanese and Balinese Intermarriage Family Spoken Level there are ten data of speech act functions consisting of, assertive speech act functions as much as two data, expressive speech act functions as much as three data, directive speech act functions as much as three data, and commissive speech act functions as much as two data, and five data of speech level types consisting of, three data of futsuugo speech level types, two data of teineigo speech level types.]]>
<![CDATA[MAKNA LIRIK LAGU “INOCHI NI KIRAWARETE IRU” KARYA KANZAKI IORI ]]>
<![CDATA[Anak Agung Putu Wahyu Adiarta]]>;
<![CDATA[Anak Agung Ayu Dian Andriyani]]>;
<![CDATA[Ni Luh Gede Meilantari]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This study aims to discuss the analysis of meaning in the lyrics of the song Inochi ni Kirawarete Iru with the research subject being the researcher himself. The object of research is the lyrics of a song by Kanzaki Iori entitled Inochi ni Kirawarete Iru. The method used in collecting data in this research is the method of discourse analysis/observation and focused discussion with the data source of the song lyrics of Inochi ni Kirawarete Iru. The data were analyzed with a qualitative descriptive semiotic approach, which resulted in data in the form of sentences or words contained in the lyrics of the song Inochi ni Kirawarete iru. The results of this study are the meaning of the lyrics of a song by Kanzaki Iori entitled Inochi ni Kirawarete iru about the bitterness of life that is felt by someone with feelings that require choosing in life.]]>
<![CDATA[STRUKTUR KEPRIBADIAN TOKOH UTAMA KANEKI KEN DALAM ANIME TOKYO GHOUL KARYA SUI ISHIDA ]]>
<![CDATA[I Putu Adi Surya Dharma]]>;
<![CDATA[Wayan Nurita]]>;
<![CDATA[Ladycia Sundayra]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This thesis discusses the personality and inner conflict of the main character in the Tokyo Ghoul anime by Sui Ishida. The theory used is Sigumnd Freud's psychoanalytic personality theory and Kurt Lewin's psychoanalysis. Data collection methods and techniques used in this study are the listening method and the note-taking technique. Methods and techniques of data analysis using descriptive qualitative method. Meanwhile, the methods and techniques for presenting the results of data analysis using informal methods. The results of the analysis in this thesis, it was found that the dominant personality possessed by Kaneki's character is the aspect of the superego. Able to make Kaneki able to judge which things are good and which are bad in the midst of temptation from id. The ego has tried several times to realize the wishes of the id but the superego can always mediate between the id and the ego but over time and the many conflicts experienced by Kaneki make his personality begin to change into a cold person.]]>
<![CDATA[WATASHI GA MITA MIRAI : KAJIAN SEMIOTIKA MODEL CHARLES SANDERS PIERCE ]]>
<![CDATA[Devina Cahya Putri Sondang]]>;
<![CDATA[Anak Agung Ayu Dian Andriyani]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This study discusses about dream prediction from the manga Watashi ga Mita Mirai by Tatsuki Ryo. The research type that was used is qualitative research with descriptive method. Data samples were acquired by reading, taking notes, and translating the contents of the manga. The theory was based off Charles Sanders Pierce's Semiothic as the primary source and the manga Watashi ga Mita Mirai by Tatsuki Ryo as the secondary source. Watashi ga Mita Mirai tells the story of dreams predicting things that will happen in the future. One of the dream that will be elevated in this research is the death of Fredie Mercury that has been predicted at 1976.]]>
<![CDATA[KLASIFIKASI EMOSI TOKOH UTAMA MIZUKI ASHIYA DALAM DRAMA HANAKIMI ]]>
<![CDATA[Gusti Ayu Made Yuni Mahadewi]]>;
<![CDATA[Made Henra Dwikarmawan Sudipa]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This article aims to determine the emotional classification of the main character Ashiya Mizuki in the Japanese drama titled Hanakimi. The theory used is David Krech's theory of emotional classification. The data source used is the primary data source, using methods namely listen and record. Based on the results of the analysis of the data obtained, there are 4 types of classification of emotions, namely: basic emotions, emotions related to sensor stimulation, emotions related to oneself, and emotions related to others.]]>
<![CDATA[KONFLIK SOSIAL TOKOH DALAM FILM BEYOND OUTRAGE KARYA KITANO TAKESHI (KAJIAN SOSIOLOGI SASTRA) ]]>
<![CDATA[Kadek Yonita Yona]]>;
<![CDATA[Anak Agung Ayu Dian Andriyani]]>;
<![CDATA[Aritonang, Betty Debora]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This study aims to determine the type of social conflict contained in the film. The data source used in this thesis is a film entitled Beyond Outrage directed by Kitano Takeshi and released in 2012. This thesis is analyzed using the social conflict theory proposed by Lewis A. Coser. Data collection methods and techniques used in this thesis are the method of listening to the advanced technique of note-taking. Data analysis methods and techniques were analyzed using qualitative descriptive methods. Meanwhile, methods and techniques for presenting the results of data analysis using informal methods. The results of the analysis in this thesis, it is found that social conflict consists of two types of social conflict with a total of 4 data. The types of social conflicts are, there are realistic conflicts (2 data) and non-realistic conflicts (2 data).]]>
<![CDATA[The Personality: KEPRIBADIAN TOKOH HIRO DALAM FILM KOZORA OLEH NATSUKI IMAI ]]>
<![CDATA[Da Cunha, Anastasia Erin]]>;
<![CDATA[Made Henra Dwikarmawan Sudipa]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 1 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[The purpose of this research is to analyze the personality of the main male character, Hiro in the drama of Koizora. The data source used in this study is a romantic love story drama entitled Koizora or in English called Sky Of Love. Using the theory of personality by Sigmund Freud (In Minderop, 2011:21-22) is divided into three parts of personality structure namely id, ego, and super-ego. Based on the analysis of Koizora drama, the results show that the more dominant personality in Hiro is the id. This can be seen from Hiro’s actions at the beginning of the episode.]]>
<![CDATA[METAFORA ORIENTASIONAL DALAM NOVEL KIMI NO NA WA KARYA MAKOTO SHINKAI ]]>
<![CDATA[Wahyuni, Ni Luh Putu Rai]]>;
<![CDATA[Ni Wayan Meidariani]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 2 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[Keberhasilan dalam komunikasi salah satunya ditentukan oleh fungsi bahasa sebagai media atau sarana untuk menyampaikan sesuatu ide atau pikiran kepada orang lain. Dalam penyampaian suatu ide tentunya tidak terlepas dari kognitif (pikiran) untuk menghindari kesalahpahaman dalam berbahasa. Dalam penyampaian pesan agar lebih menarik dan bervariasi dapat menggunakan ungkapan metaforis. Tulisan ini membahas ungkapan metaforis yang tergolong ke dalam metafora orientasional dalam novel berbahasa Jepang. Tujuan dari penulisan artikel ini adalah untuk menganalisis makna metafora orientasional. Data yang digunakan dalam artikel ini berfokus pada kalimat yang mengandung metafora orientasional dalam novel Kimi No Na Wa. Analisis data menggunakan teori metafora menurut Lakoff dan Johnson. Hasil analisis menunjukkan bahwa terdapat tujuh metafora orientasional yang terdiri dari metafora yang menyatakan ruang atas (up) satu buah, ruang luar (out) empat buah, ruang turun (down) satu buah dan ruang dalam (deep) sebanyak satu buah.]]>
<![CDATA[FAKTOR KEPRIBADIAN TOKOH DAZAI DALAM FILM NINGEN SHIKAKKU: DAZAI OSAMU TO 3 NIN NO ONNATACHI ]]>
<![CDATA[Dharma, Wilyem]]>;
<![CDATA[Anak Agung Ayu Dian Andriyani]]>;
<![CDATA[Ni Wayan Meidariani]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 3 No. 2 (2023): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[Artikel ini bertujuan untuk mengetahui faktor yang mempengaruhi kepribadian tokoh Dazai Osamu dalam film Ningen Shikkaku: Dazai Osamu to 3 nin no Onnatachi karya Mika Ninagawa. Yang dikaji dengan teori psikoanalisis dari Carl Gustav Jung yang dimana menjelaskan ketidaksadaran pribadi dan ketidaksadaran kolektif. Sumber data yang digunakan adalah Film Ningen Shikkaku: Dazai Osamu To 3 Nin No Onnatachi karya dari Mika Ninagawa sebagai data primer. Metode dan teknik pengumpulan data yang digunakan dalam penelitian ini yaitu metode observasi nonpartisipasi dan teknik simak catat. Metode dan teknik analisis data menggunakan metode deskriptif kualitatif. Sedangkan, metode dan teknik penyajian data menggunakan metode secara informal. Hasil yang telah didapatkan yang menujukan bahwa tokoh Osamu Dazai yang mempengaruhi kepribadian berdasarkan ketidaksadaran pribadi yaitu faktor kedewasaan, faktor cinta, faktor konflik dan faktor ancaman. Berdasarkan ketidaksadaran kolektif yaitu faktor biologis dan faktor lingkungan.]]>
