Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang
Jurnal DARUMA merupakan jurnal ilmiah mengambil kajian bidang Linguistik, Sastra dan Budaya Jepang, yang diterbitkan oleh Program Studi Sastra Jepang Fakultas Bahasa Asing Universitas Mahasaraswati Denpasar. Jurnal ini memuat artikel-artikel yang ditulis oleh para mahasiswa untuk dipublikasikan agar diketahui oleh khalayak umum dan para mahasiswa di Program Studi sastra Jepang khususnya. Jurnal DARUMA terbit sebanyak 2 kali dalam setahun, pada bulan April dan September
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<![CDATA[KONFLIK BATIN TOKOH RYUUJI TAKASU PADA ANIME TORADORA! KARYA YUYUKO TAKEMIYA ]]>
<![CDATA[Ketut Ayu Satyagathita D. Mahiswari, Ketut Ayu Satyagathita D. Mahiswari]]>;
<![CDATA[Made Henra Dwikarmawan Sudipa]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[Abstract This research purpose is to describe and examine the inner conflicts contained in the main character Ryuuji Takasu in the anime Toradora!. This research is descriptive qualitative and use the data source from the anime Toradora!. The data obtained is analyzed using the theory of inner conflict by Sigmund Freud (1923). In this research, the methods and data collection techniques used are using the listening method and the note-taking technique. The methods and data analysis techniques used are descriptive qualitative, the result of the analysis are then described by informal methods, namely descriptions of words in Indonesian that are easy to understand. The result of this research indicates that the main character Ryuuji Takasu experiences an inner conflict which is analyzed by using three structures of inner conflict namely id, ego and superego.]]>
<![CDATA[FAKTOR PENYEBAB KONFLIK BATIN TOKOH UTAMA DALAM FILM KONO SEKAI NO KATASUMI NI ]]>
<![CDATA[Ni Putu Jyothi Laksmi Dewi]]>;
<![CDATA[Ni Wayan Meidariani, S.S, M.Hum]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This study aims to determine the factors that cause inner conflict experienced by the main character in the film Kono Sekai no Katasumi ni named Urano Suzu. This research is descriptive qualitative. The data source used in this study is a primary data source in the form of conversations between characters in the film Kono Sekai no Katasumi ni. The theory used in analyzing the data is Sigmund Freud's psychological theory of personality to analyze the form of inner conflict and Abraham Maslow's hierarchy of needs theory to analyze the causes of inner conflict. This study uses note-taking techniques in data collection, while the method used in analyzing data is a qualitative descriptive method. The method of presenting the results of data analysis uses informal methods. The results obtained from this study are that the main character experiences inner conflict as a result of a lack of need for security and need for self- actualization.]]>
<![CDATA[KEIGO KEIGO DALAM DRAMA SARIES コーヒー&バニラ ]]>
<![CDATA[made_lady_aridayani24, made_lady_aridayani24]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This article discusses keigo in the drama series コーヒー&バニラ “Coffee&Vanilla” by Yuko Shimoda and Sorami Date. The method used in this study was the method of observing and noting. Listening to the series drama entitled コーヒー&バニラ “Coffee&Vanilla” and then criticizing the keigo that appears in the series drama, analyzing the use of keigo and the factors influencing the use of keigo in the series drama entitled コーヒー&バニラ “Coffee&Vanilla”. This research refers to Tsujimura's theory (1991) about keigo and Mizutami's theory (1998) about the factors influencing the use of keigo respects. Based on the results of the study, it can be concluded that in the series drama entitled コーヒー&バニラ “Coffee&Vanilla” there is more use of teineigo to soften the words between the speaker and the interlocutor. The results of the study found four words using teineigo. Three words to use songkeigo and 1 word to use kenjougo.]]>
<![CDATA[KONFLIK BATIN TOKOH NAGISA DALAM ANIME KANOJO MO KANOJO KARYA HIROYUKI ]]>
<![CDATA[Putra Mahardika, Wayan]]>;
<![CDATA[Gede Meilantari, Ni Luh]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[The research purpose is to descibe and examine the inner conflict contained in the character Nagisa in the anime Kanojo mo Kanojo. This research is descriptive qualitative and use the data source from the anime Kanojo mo Kanojo. The data that has been obtained is then analyzed using the theory of personality psychology by Carl Gustav Jung. The research method used in this research is the method of listening and recording, namely by looking for data and recording any inner conflicts experienced by Nagisa character. The results of this study show that Nagisa character experiences inner conflicts that are analyzed using three types of human psychology, namely introvert feeling, introvert intuition, and introvert thinking.]]>
<![CDATA[FUNGSI PERAYAAN NEBUTA MATSURI BAGI MASYARAKAT AOMORI KEN, JEPANG ]]>
<![CDATA[Rangga Dipthaning Murti, Anak Agung Ngurah]]>;
<![CDATA[Nurita, Wayan]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[A country's culture is an indispensable part of its culture, passed down from ancestors to the next generation. Similar to some other countries in the world, Japan also has a diverse culture, one of which is still running until now is the Nebuta Matsuri (ねぶた祭り) celebration in Aomori Prefecture. This research aims to find out the function of Nebuta Matsuri (ねぶた祭り) in Aomori Ken, Japan. The theory used in this research is Cultural Function Theory. The data source used is primary data collected from documentary videos related to this research used to find solutions to existing problems. The technique used to analyze the data is descriptive qualitative research technique. The results showed that in the celebration of Nebuta Matsuri (ねぶた祭り) in Aomori Ken, Japan there are three types of Nebuta Matsuri festival functions, namely: 1. Nebuta Matsuri can be used as a place to socialize, 2. Nebuta Matsuri becomes a characteristic in a community group, 3. Nebuta Matsuri as a learning medium.]]>
<![CDATA[Pergeseran Nilai Perayaan Hinamatsuri Di Jepang Dewasa Ini ]]>
<![CDATA[Nanik Purnami, Ni Komang]]>;
<![CDATA[Ni Wayan Meidariani]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[Hinamatsuri is a Japanese festival held every 3rd of March to pray for the health and happiness of girls. Japanese people celebrate Hinamatsuri by throwing paper dolls into the river, but with the development of the times and the influx of outside cultures, Hinamatsuri(ひな祭り) festivities take place with great fanfare today. The purpose of this study is to describe and analyze the shifting values of the Hinamatsuri(ひな祭り) festival in Japan. The theory used in this research is social change according to Piotr Sztompka. The method used by the author is library research method and field study by sending questionnaires to 30 Japanese women as supporting data. The results show that there are two causes that make the shift in the value of the Hinamatsuri festival (ひな祭り), namely: 1. The revolution of the times, 2. The situation and condition of Japanese women]]>
<![CDATA[me Makna Cinta Abadi Pada Drama “Koi Wa Tsudzuku Yo Doko Made Mo” Dalam Teori Erich Fromm: Analisis Makna Cinta Dalam Drama Koi Wa Tsudzuku Yo Doko Made Mo ]]>
<![CDATA[Gultom, Mayang Rosalinda]]>;
<![CDATA[I Wayan Wahyu Cipta Widiastika]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[The drama "Koi Wa Tsudzuku Yo Doko Made Mo” is an intriguing literary work that captivates the audience with its central theme of eternal love. This article aims to explore the meaning and interpretation of the concept of eternal love depicted in the drama using Erich Fromm's theory of love. Erich Fromm's theory provides a profound psychological perspective on love, emphasizing active involvement, affection, attention, responsibility, and respect in relationships. Through the qualitative descriptive method, this article will delve into the drama "Koi Wa Tsudzuku Yo Doko Made Mo" in more detail, capturing scenes, dialogues, and character behaviors that highlight the theme of eternal love. The findings of this research contribute significantly to appreciating the drama "Koi Wa Tsudzuku Yo Doko Made Mo" and the theme of eternal love integrated with Erich Fromm's theory of love. This article offers a comprehensive psychological understanding of how the concept of eternal love aligns with human experience and how it shapes the characters' relationships throughout the storyline.]]>
<![CDATA[ANALISIS TINDAK TUTUR DIREKTIF TOKOH JIRO HORIKOSHI DALAM FILM KAZE TACHINU ]]>
<![CDATA[Gede Eka Dana Artama]]>;
<![CDATA[Ladycia Sundayra]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This research aims to investigate the meaning of directive speech acts uttered by the character Jiro Horikoshi and describe the responses of interlocutors to the utterances made by the character Jiro Horikoshi in the film "Kaze Tachinu" ("The Wind Rises"). This research falls under qualitative descriptive research, and the source of data used consists of dialogues spoken by the characters in the film "Kaze Tachinu." The method employed in this research is observation and note-taking. The data collected is then analyzed using the theory of directive speech acts by Namatame and the theory of responses by Harvey and Smith. The results of this research include 37 instances of directive utterances, with details as follows: 15 instances of command (meirei), 12 instances of request (irai), 6 instances of prohibition (kinshi), 1 instance of permission (kyoka), and 3 instances of advice (teian). The responses from interlocutors vary between positive and negative responses.]]>
<![CDATA[Analisis Pembentukan dan Makna Kanji 海(umi)、活(katsu)、波(nami)、潮(shio)、港(minato) yang Mengandung Bushu Sanzui ]]>
<![CDATA[Kadek Ivandika Aditya Dharma]]>;
<![CDATA[Ladycia Sundayra]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 01 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This research aims to examine the formation and meaning of kanji which have the sanzui element bushu sanzui on Japanese online news sites. The data source used is primary data in the form of kanji letters on the site https://www3.nhk.or.jp/news/special/saigai/natural- disaster/natural-disaster_23.html. The method used is the library method. The data obtained was then analyzed using theory of Rikusho and theory of semantic. The results of this research obtained 18 data, but 5 data will be studied thaat is kanji 海(umi)、活(katsu)、波(nami)、潮 (shio)、港(minato). With detailed data, namely kai moji 3 data, keisei moji 2 data and all the data that has been researched contains lexical meaning. The kanji that have been researched have real meanings according to their formation.Keywords: formation, meaning, kanji, sanzui]]>
<![CDATA[KEPRIBADIAN INTROVERT TOKOH HAKOBIYA DALAM ANIME AKUDAMA DRIVE : KAJIAN PSIKOLOGI SASTRA ]]>
<![CDATA[Angga Sudharta, Ida Bagus Putu]]>;
<![CDATA[Ni Luh Gede Meilantari]]>
<![CDATA[ Jurnal Daruma : Linguistik, Sastra dan Budaya Jepang Vol. 4 No. 02 (2024): Jurnal Daruma: Linguistik, Sastra dan Budaya Jepang ]]>
Publisher : <![CDATA[Program Studi Sastra Jepang Fakultas Bahasa Asing Unmas Denpasar ]]>
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<![CDATA[This research discusses and describes the inner conflict experienced by the character Hakobiya in the anime Akudama Drive. This study is of a descriptive-qualitative nature and uses data sources from the anime Akudama Drive. The theory used in this research is Carl Gustav Jung's Psychoanalysis theory. The data collection method used in this study is the observation method, where data on the inner conflicts experienced by the character Hakobiya in each episode of the anime Akudama Drive are gathered and recorded before being analyzed. The analysis method used is descriptive-qualitative, where the data is presented not in numerical form but is described and analyzed in detail. The results indicate that Hakobiya experiences inner conflict and has an introverted intuitive-feeling personality type according to Jung's theory.]]>
