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Regina Veronica Edijono
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Wacana: Journal of the Humanities of Indonesia
Published by Universitas Indonesia
ISSN : 14112272     EISSN : 24076899     DOI : https://doi.org/10.17510/wacana
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Wacana, Journal of the Humanities of Indonesia is a peer-reviewed, open-access journal published by the Faculty of Humanities, University of Indonesia. It invites original articles on various issues within humanities, which include but are not limited to philosophy, literature, archaeology, anthropology, linguistics, history, cultural studies, philology, arts, library and information science focusing on Indonesian studies and research. Wacana seeks to publish a balanced mix of high-quality theoretical or empirical research articles, case studies, review papers, comparative studies, exploratory papers, and book reviews. All accepted manuscripts will be published both online and in printed forms. The journal publishes two thematic issues per year, in April and October. The first thematic issue consists of two numbers.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 647 Documents
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Panji in the Age of Motion; An investigation of the development of Panji-related arts around Java Perkasa, Adrian
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 2
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Abstract

The first half of the twentieth century in Indonesia is often remembered as the Age of Motion. The term “motion” (pergerakan) is invariably used in history textbooks for students and in the official Indonesian historiography: Sejarah nasional Indonesia (Kartodirdjo, Poesponegoro, and Notosusanto 1975; Poesponegoro and Notosusanto 2008) and in the new edition, Indonesia dalam arus sejarah (Lapian and Abdullah 2012). Political movements in Indonesia always dominated the discourses of pergerakan at the expense of developments in other sectors, including culture. This cultural development, particularly in Java, was intricately intertwined with the upsurge in Javanese and then Indonesian nationalism, an expansion of modernity and Islamic revivalism. Topeng Panji with all of its forms around Java is symptomatic of this development. This paper is an initial investigation into the developments of topeng Panji across Java in the Age of Motion. By tracing the social and cultural histories from the perspective of the bureaucrats, artists, and government officials who wrote in books, journals, and other contemporary sources, this study aims to highlight topeng Panji and its development during that period.
Reconstructing the history of Panji performances in Southeast Asia Vickers, Adrian
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 2
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Abstract

The circulation of Panji stories throughout Southeast Asia has been studied as a textual phenomenon. These same texts, however, provide evidence of how theatrical forms were important as a source for the dispersal of Panji stories. The textual evidence demonstrates that dance-dramas presenting Panji stories were performed in Majapahit times. These dance-dramas, known as raket are continued in the gambuh of Bali as well as in Javanese topeng. They were also widely known in the Malay world, and were connected to Thai and Cambodian theatrical forms.
Lydia Kieven, <i>Menelusuri Panji & Sekartaji; Tradisi Panji dan proses transformasinya pada zaman kini</i> Maulani, Abdullah
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 2
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The rhetoric of paintings; The Balinese <i>Malat</i> and the prospect of a history of Balinese ideas, imaginings, and emotions Worsley, Peter
Wacana, Journal of the Humanities of Indonesia Vol. 21, No. 2
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Balinese paintings from the nineteenth and early twentieth centuries shed light on how painters and their works speak to their viewers both about how Balinese in this period knew, imagined, thought, and felt about the world in which they lived, and about the visual representation and communication of these ideas, imaginings, and feelings through the medium of narrative paintings. In this paper I discuss five Balinese paintings of the Malat. The first two illustrate the episode in which Raden Misa Prabangsa stabs Raden Ino Nusapati’s horse. The third and fourth paintings illustrate Prabu Melayu’s rescue of his sister Princess Rangkesari of Daha from the court of the King of Lasem, and the fifth, the reuniting of Princess Rangkesari with her parents, the King and Queen of Daha. However, before I consider the paintings, I discuss briefly a number of historiographical issues concerning the reception of ideas, imaginings, and feelings conveyed in these five narrative paintings of the Malat and which need to be kept in mind when assessing interpretations of them.
The pearl rush in Aru, 1916; A case study in writing commodity history in Southeast Asia Vickers, Adrian
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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Abstract

While the long history of “commerce” in Southeast Asia is well studied, less examination has been made of the histories of capitalism, particularly in terms of the encounters that took place around commodities. This article provides a translation and analysis of a description of Dobo on Aru in 1911. At the time it was a “Klondike”, on what Julia Martínez and I have termed “the pearl frontier”. The Aru islands were the site for an Australian-led pearl shell consortium that ran from the beginning of the twentieth century until the 1940s, which brought in a large number of Japanese divers and other Asian and Pacific workers. Examining relations around the pearling industry provides a number of general methodological points of entry into the ways that commodity relations created encounters with modernity.
Mies Grijns, Hoko Horii, Sulistyowati Irianto, and Pinky Saptandari (eds), <i>Menikah muda di Indonesia; Suara, hukum, dan praktik</i> Sarwono, Solita
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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Tamalola; Transregional connectivities, Islam, and anti-colonialism on an Indonesian island Hägerdal, Hans; Wellfelt, Emilie
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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Abstract

The present study focuses on a set of events in the Aru Islands, Maluku, in the late eighteenth century which are documented in some detail by Dutch records. A violent rebellion with Muslim and anti-European overtones baffled the Dutch colonialists (VOC) and led to a series of humiliations for the Company on Aru, before eventually being subdued. As one of the main catalysts of the conflict stands the chief Tamalola from the Muslim island Ujir. Interestingly, this person is also a central figure in local traditions from Ujir. Moreover, his story connects with wider cultural and economic networks in eastern Indonesia. Thus the article asks how the imprints of the Tamalola figure in textual and non-textual sources can add to our knowledge of how communities of Eastern Indonesia ordered their lives outside colonial control.
The lives of things on Pulau Ujir; Aru’s engagement with commercial expansion Whittaker, Joss R.
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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In places with limited access to manufactured goods, people must develop creative strategies to make the most of available materials, both those produced by humans and those taken from the natural world. Although Pulau Ujir, in the Aru Islands, has a long history of engagement with global trade networks, until recently the community’s access to manufactured goods was limited and infrequent. As a result, in the past objects there tended to take on new lives, and still do today: they are modified, re-purposed, and recycled in ingenious ways. This article explores the relationship between people and things in Ujir from the perspectives of object biography and Actor Network Theory. I argue that the complex “life stories” of material things in such conditions of scarcity deserve special attention, because they may explain not only puzzling archaeological phenomena, but also aspects of the social lives of the people who used and reused them. Two modified and repurposed fragments, one of porcelain and one of glass, serve as examples.
Between resistance and co-operation; Contact zones in the Aru Islands in the VOC period Hägerdal, Hans
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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Abstract

The article is focused on early colonial interaction with the Aru Islands, geographically located in southern Maluku, at the easternmost end of the Indian Ocean world. The study examines how relationships were constructed in the course of the seventeenth century, how they were institutionalized and how this engendered forms of hybridity. Moreover, it discusses forms of resistance and avoidance in relation to the Dutch East India Company (VOC). Aru constitutes an interesting case as it is was one of the easternmost places in the world in which Islam and Christianity gained a (limited) foothold in the early-modern period, and it also marked the outer limit of Dutch authority. Aru differed from most geographical areas approached by the VOC because of its lack of any large-scale political structures and its relatively non-hierarchical society. The article discusses the forging of Dutch-Arunese political ties after the Banda massacre in 1621, as well as the role of Asian competitors of the VOC such as the Makassarese and Ceramese, the increasing adaptation to world religions in an Arunese setting, conditions in the European-indigenous contact zones and, finally, the conflicts arising from the imbalances between western and eastern Aru, in which the VOC repeatedly intervened to suppress the villages of the Backshore (east coast).
Money and <i>masohi</i>; An anthropological review of copra commodity management Rudyansjah, Tony; Tihurua, Ode Zulkarnain Sahji
Wacana, Journal of the Humanities of Indonesia Vol. 20, No. 3
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Abstract

In discussions on exchange, as well as an object in gift exchange money is often seen as a medium of exchange and a universal equivalent in the circulation of commodities. However, in the case of the management of the copra commodity which we researched on the island of Seram, money had become a factor in shaping a dynamic of gift continuity and transformation in the realm of the copra economy (in this context of the customary practice masohi). It transpires that money has promoted both the observance and erosion of masohi custom. Masohi is a tradition of community work in the island of Seram. It is based on non-capitalist social relations and the principle of reciprocal exchange. This article seeks to describe how money, originally a capitalist medium, has simultaneously served to preserve and transform masohi, which, in its essence, is a non-capitalist institution.

Page 7 of 65 | Total Record : 647

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