Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual merupakan jurnal ilmiah berisi artikel hasil penelitian, kajian teoretik, dan tinjauan buku bidang pendidikan seni rupa dan budaya visual. Qualia berasal dari kata quale (Latin), artinya kualitas rasa yang dialami seseorang dengan fokus bidang yang meliputi: seni rupa murni, desain, kriya, fotografi, videografi, media alternatif, dan berbagai bentuk teks visual Fokus jurnal tidak terbatas pada: Pendidikan Seni Rupa (model pembelajaran, evaluasi pembelajaran, manajemen pendidikan dan berbagai bentuk terkait pembelajaran seni rupa). Manajemen Seni Rupa (Organisasi, Komunitas, Konservasi seni budaya, Museum dan galeri) Pengkajian Seni Rupa dan Budaya Visual Penciptaan Karya Seni Rupa
Articles
10 Documents
Search results for
, issue
"Vol 3 No 1 (2023): April"
:
10 Documents
clear
<![CDATA[Kreasi Serat Jute Pada Bingkai Cermin Hias Berkonsepkan Eco Friendly Craft ]]>
<![CDATA[Farida, Siti]]>;
<![CDATA[Mudjiati]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.01
<![CDATA[Natural fibers are a very prospective commodity to be developed. One of them is jute fiber (Corchorus capsularis), a natural fiber derived from the jute plant from the stem of the plant. Jute trees are perennial plants that grow well in alluvial soils, which are dry, slightly sandy soils in humid tropical climates, one of which is Indonesia. Most of the utilization of jute fiber in Indonesia is only limited as a basic material for making sacks and rug coatings. This research was conducted with the aim of insight into creative creation that has the potential to develop and utilize jute fiber as the main material in the creation of works of art in the form of decorative mirror products by taking the motif structure and adaptation of the macramé technique. The research method uses the concept of practice-based research as a research that begins with research related to preliminary studies of objects and practices, recording and collecting data that are considered important in the creation process. Through exploration, research and practice, jute fiber can produce a product in the form of an ornamental mirror by applying the makramé technique and utilizing natural dyes.]]>
<![CDATA[Pembelajaran Menggambar Dengan Teknik Digital Pada Beginner Class di Ageru Art Studio ]]>
<![CDATA[Banifa Anggraeni, Enggar]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.02
<![CDATA[In the modern era, drawing is no longer limited to traditional methods like paper and pencil—it can also be done digitally. One institution offering digital drawing training as a form of non-formal education is Ageru Art Studio, which provides a Beginner Class for novice artists. This research aims to explore the learning concept at Ageru Art Studio, particularly in its Beginner Class, as a digital drawing training center. Using a qualitative method with a participatory approach, the researcher observed and actively engaged in the learning process. The findings reveal that the operational learning concept is managed directly by operational managers, with close collaboration between tutors and students. The Beginner Class is divided into two levels: Basic Class, which focuses on teaching elementary school students how to draw and color using a tablet, and Basic Manga Kids, which introduces students to manga-style drawing techniques. However, challenges such as insufficient tutors and low student attendance occasionally disrupt the class’s conduciveness.]]>
<![CDATA[Eksplorasi Mainan Seni Dengan Pendekatan Berbasis Praktik ]]>
<![CDATA[Fadhillah, Alam]]>;
<![CDATA[Hadi Prayitno, Eko]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.03
<![CDATA[Toys as a Media for Self-Emotional Representation, Thesis for Creation of Fine Arts, Department of Fine Arts Education. Faculty of Languages and Arts, State University of Jakarta. An art or designer toy is a product made by artists and designers who are self- produced or made by small, independent toy companies, usually in very limited editions. A personal journal is made, designed by carrying the concept of telling stories and expressing each emotion through sketch images, summarizing various sketches that have been made into one character that represents these emotions during the work, 3D modeling and printing with 3D printing tools. Responding to the trend of pop culture by contributing to the creation of Art Toys, nowadays many toy designers are starting to make their own characters into art toys, the product can be judged in an authentic style as a toy product targeted at adults. The product is designed based on surveys and input on the needs of the community and has been tested among the upper middle class starting from early adulthood in the Jakarta area as a target market. Of course, this art toy product will be an option as well as an answer to pop culture trends and provide education about psychological conditions, especially in emotional disorders, as a work of art or a collection of art toy products can last for an indefinite period depending on the treatment technique.]]>
<![CDATA[Media Pembelajaran Interaktif Sebagai Upaya Pemanfaatan Limbah Kain dan Pakain Dalam Lokakarya Daring Kolase Fesyen ]]>
<![CDATA[Anandhia Sifa Tyana, Cynthia]]>;
<![CDATA[Despriliani, Ririn]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.04
<![CDATA[This research aims to increase public awareness to take part in preserving the environment, by processing fabric and clothing waste into works of art using the fashion collage method. As well as developing people's skills and creativity, as well as knowing the right methods and techniques to produce a fashion collage work. This research uses descriptive qualitative methods. The data collection techniques used are through observation, interviews, questionnaires, literature, documents and documentation. The work is assessed based on the participant's creativity and skills using Brent G Wilson's modified assessment table. The research results show that the participants' ability to create fashion collages for Zero Waste Indonesia Instagram social media followers in the 20-30 year age range needs to be further developed so that the research results in the form of interactive learning media and syllabi can be implemented by many groups and become a workshop activity that can be recommended as an artistic activity in an effort to utilize fabric and clothing waste.]]>
<![CDATA[Kucing Sebagai Motif Hias Batik Pada Kemeja Pria ]]>
<![CDATA[Rahmawati, Septi]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.05
<![CDATA[Cats are friendly animals, they are sensitive to their surroundings, and sometimes their behavior attracts attention. This behavior became a source of inspiration in designing shirts with fabric made using the batik technique. The design method uses practice-based research. The shirt that will be made this time is a men's shirt with short sleeves, without pockets, and a variety of buttons covered by fabric. There are 3 steps in making a work, namely exploring motifs, designing the work, and evaluating the results. The results of the motif exploration obtained 4 motifs, namely the cat motif as the main motif and the fish bone motif as a complementary motif. From the work that has been created, there are several shortcomings caused by problems that occur, such as the color bleeding out of the lines due to the wax breaking on the surface of the fabric. Therefore, the process of applying wax on fabric needs to be carefully considered to ensure it can block the color effectively.]]>
<![CDATA[Toko Jamu “Kwat Shae” Untuk Menyuarakan Isu Street Harassment Catcalling ]]>
<![CDATA[Wattimena, Louisiana]]>;
<![CDATA[Murwanti, Aprina]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.06
<![CDATA[Catcalling is a verbal sexual harassment that is a fraction of an underestimated street harassment but have a huge impact towards its victim, which is women at any age. The root of this problem is the normalization of catcalling by society that leads to bigger problems among civilization. Herbal Shop is one of the solutions for people to gain access to traditional medicine. People’s understanding in herbal medicine efficacy is an interesting approach to deliver a sensitive issue; where in this case, catcalling. By using a parody of a herbal shop analogy, issue of catcalling could be wrapped into a familiar and a lighter form to deliver. Installation of “Kwat Shae” herbal shop as an introduction of street harassment issue of “catcalling” appropriates a herbal shop installation that evoke false way of thinking from society about catcalling that “heals” people’s perception just like herbal medicine.]]>
<![CDATA[Penelitian Kualitatif Untuk Penciptaan Karya Seni Rupa Topik Rendah Diri ]]>
<![CDATA[Graciela, Eleonora Maria]]>;
<![CDATA[Moerdisuroso, Indro]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.07
<![CDATA[This study aims to explore and prove the existence of the invisible lower self as a concern for the process of self-healing and a means of reflection and expression related to psychological processes in art. This study summarizes the data from the questionnaire results for several participants with the following provisions: Indonesian citizens who have experienced low self-esteem or who have or are currently looking for media or solutions to reduce low self-esteem. Steps From planning to development, simulation, distribution of questionnaires, data processing and analysis, and evaluation, several stages were completed. This study examines the relationship between low self-esteem and the creation of works of art. Descriptive research method with data collection in the form of a questionnaire to describe the actual findings in the field. The creation of works of art can help someone who feels inferior be more appreciated and more expressive in expressing thoughts and feelings, and it can also serve as a therapeutic medium for self-healing. Low self-esteem has opportunities for positive and negative impacts depending on the self-management process of each individual who experiences it. For this reason, the process of reflection and application of mindfulness is needed to achieve better change. The results of the questionnaire show participants' patterns of low self-esteem and show the benefits of art activities as a therapeutic medium for self-recovery.]]>
<![CDATA[Mitos Maung Putih Dalam Karya Lukis Modern ]]>
<![CDATA[Fauzih, Vebriyan Tri]]>;
<![CDATA[Pahala, Agam Akbar]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.08
<![CDATA[This creation aims to convey information about the influence of the Maung Putih myth in relation to ecological preservation and its correlation in maintaining the stability of nature which is visualized in the form of paintings. The weakening of myths as a control of people's behavior makes many people careless in using and exploiting natural resources which results in disrupted natural ecology. This creation departs from internal factors regarding the archetypal story with the late father which then refers to the conceptual, visual and operational aspects as well as several theoretical frameworks for creation with the aesthetic principles of modern art. This creation uses a qualitative method with an artistic research approach, where research and the practice of creating works are carried out simultaneously. Consists of the design of the method of creation, techniques and instruments of data collection, and techniques of data presentation and analysis. The creation of this work visualizes the presence of the white maung myth in preserving natural ecology by using pragmatic artistic interest, semi-figurative interest in forms, and modern aesthetic principles. The work is visualized in the form of a painting. The main tools and materials used are acrylic paint and spray paint on multiplex using a blending technique. The creation of this work is expected to serve as an appeal to the public to care for and always maintain and respect traditional culture in preserving natural ecology.]]>
<![CDATA[Karya Seni Rupa Mixed Media Tentang Persistence Melalui Inline Skating ]]>
<![CDATA[Yunita, Popy Sinta]]>;
<![CDATA[Ok-Jeon, Jeong]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.09
<![CDATA[Inline Skate is a sport that is now gaining popularity again due to the Covid-19 pandemic. this artwork comes from personal experience with inline skates. has an affinity for inline skating, especially aggressive inline skating, and then uses the sport as a source of inspiration for works of art. Starting from remembering the pleasant experience of using roller skates as a child. For artist, inline skating is like therapy and self-discovery so that it makes mentally better and more confident. and persistence in pursuing inline skating made several changes in oneself starting from mental, physical and other achievements. The artist's interest in artistic creations is reflective (a reflection of personal experience), and the form shown is semi-figurative. The method of creating works of art uses Artistic Research (exercise and creation are done together). This work is mixed media art. The artist hopes that this work can provide motivation and positive emotional impressions such as joy, curiosity, fatigue, ambition, high adrenaline, pain and feelings of falling when pursuing Inline Skating.]]>
<![CDATA[Analisis Seni Gambar Kaligrafi Santri Madrasah Aliyah Kelas XI Usia 16-17 Tahun di Pesantren Al Aulia Bogor Barat ]]>
<![CDATA[Putri, Safira]]>;
<![CDATA[Oetopo, Ataswarin]]>
<![CDATA[ Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 3 No 1 (2023): April ]]>
Publisher : <![CDATA[Program Studi Pendidikan Seni Rupa FBS UNJ ]]>
Show Abstract
|
Download Original
|
Original Source
|
Check in Google Scholar
|
DOI: 10.21009/qualia.31.10
<![CDATA[The purpose of this research is to analyze the art of calligraphy painting, as well as to find the meaning of each Qur'anic verse in the work and its implementation. It is based on the background of the fact that the factor in drawing calligraphy is more supportive of Qur'an reading and writing activities or can support the Qur'an tahfiz program and can be a material in preaching, improving the characteristics of santri / nun children to be better guided by the book of the Qur'an. The theories used for this research include Nasir's theory on the definition of religious institutions, Hakim's theory on the pesantren education model, Victor Lownfeld's "Creativity and Mental Growth", the developmental period of fine arts at the age of 16-17, Al-Faruqi's theory on reading the Quran and khat, and Susanto's theory on the definition of calligraphy. The method used is descriptive research with a qualitative approach. The type of analysis used is formalistic analysis using the theory according to Aliakbari and Hatami about "The Role of Calligraphy in Islamic Art and Its Interpretation", and content analysis using the theory according to Stokstad and Cothren and the theory of Sheila S. Blair and Jonathan M. Bloom. The results of this study indicate that there are several works of students who are still beginners in the technique of making calligraphic image decorations. The inhibiting factor in the implementation of extracurricular Al-Qur'an calligraphy at the Al-Aulia Islamic Boarding School is time constraints with other pesantren activities. The supporting factors are students, Islamic boarding school coaches, extracurricular advisors.The recommendation is the importance of improving and optimizing the creativity of students. For calligraphy extracurricular advisors, it is expected to utilize technological media, so that students are faster in the development of calligraphy knowledge and make references for further research related to the analysis of calligraphy drawing art in students.]]>
