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Javanologi: International Journal of Javanese Studies
Published by Universitas Sebelas Maret
ISSN : 25806122     EISSN : 30251877     DOI : https://doi.org/10.20961/javanologi.v6i1.71588
Core Subject : Religion, Humanities, Art,
Religion Arts Humanities
Javanologi: International Journal of Javanese Studies focuses on the areas relevant to the scope of the interdisciplinary Javanese studies which include social sciences, antrophology, archaeology and history, architecture, and urbanism, economics, education, geography, law, management studies, media and communication studies, political sciences and public policy, population studies, psychology, sociology, technology management, tourism, humanities - arts and culture, dance, historical and civilization studies, language and linguistics, literature, music, philosophy, religious studies and other scopes about Javanese studies
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 102 Documents
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Jaka Tarub as a Reflection of Javanese Cultural Values and Social Norms: An Ethnographic Approach Djosetiko, Giorgio Sudirman
Javanologi: International Journal of Javanese Studies Vol 9, No 1 (2025): Javanologi Volume 9 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v9i1.109934

Abstract

The story of Jaka Tarub is one of the most well-known traditional Javanese narratives, having existed for centuries. The story of Jaka Tarub is a continuation of older traditions: tales, legends, and babad. In other words, this indicates that Jaka Tarub is not just a standalone story but part of a long, deeply rooted cultural and literary Javanese tradition. Analyzing the story of Jaka Tarub offers a small window into Javanese culture and traditions, partly because of the rich symbolism, cultural values, norms, and morals it conveys.This article aims to explore the cultural value, storytelling, and legacy of Jaka Tarub, both tangible and intangible, within Javanese culture. An ethnographic approach is used to do this, studying the stories in their cultural context to understand their social, historical, and symbolic meanings. Literature review, cultural studies, and field research, including interviews and oral traditions, support the analysis.The findings indicate that the Jaka Tarub story reflects the values and norms of Javanese society, is rich in cultural value, a tangible and intangible heritage, and is essential to Javanese culture. Moreover, it can contribute to education, self-esteem, cultural awareness, and traditional values and norms.
Retno Kahuning Dance Learning to Increase the Character Educational Values of Students at Smp Penda Tawangmangu District, Karanganyar Regency Setyowati, Endang
Javanologi: International Journal of Javanese Studies Vol 7, No 2 (2024): Javanologi Volume 7 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i2.86478

Abstract

Dance education opens up broad opportunities for freedom and development of students' creativity in the form of expression, creativity and appreciation activities. One of the greatest contributions of educational dance to human life is in emotional education, because in learning dance, apart from teaching knowledge, it also sharpens emotional sensitivity which will require students' motor skills to be included in character education. Retno Kahuning's basic dance movements show activeness and integrity when doing work. In the head movements in the dance, Retno Kahuning shows a view of life that leads to goodness, skillful hand movements show creativity,The Retno Kahuning dance can be used as a unifying bridge in people's lives, living side by side in achieving mutual prosperity. Meanwhile, character education can be instilled in students to understand the importance of developing attitudes of tolerance and mutual respect, respect for each other, and cooperation as a form of social harmony. Arts and culture education as a medium to develop appreciation, creativity and sensitivity
Figures of Speech and Imagery in The Digital Geguritan Anthology: A Stylistic Study Erwinsyah, Husein; Endraswara, Suwardi; Triyono, Sulis
Javanologi: International Journal of Javanese Studies Vol 8, No 1 (2024): Javanologi Volume 8 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v8i1.97152

Abstract

Literary works are the manifestation of human thought. Geguritan is one of the interesting but complex literary works. Figures of speech and imagery are widely used in geguritan. This study aims to analyze figures of speech and imagery in the geguritan anthology in the GEGURITAN TEMBANG ATI Facebook group. This study uses a stylistic approach with a qualitative descriptive method. The data sources for the study were two geguritan entitled "Ibu" by J. Sumarto and "Ora bisa kasawang" by Van Ndeplok. The data collection technique used direct analysis, recording, and document analysis related to the data flow model of analysis technique. The results of the study showed that there were several figures of speech in both geguritan, namely metaphor, personification, hyperbole, simile, irony, and alliteration. The dominant figure of speech is hyperbole. In terms of imagery, the most dominant imagery was found in both geguritan, namely visual imagery, while olfactory imagery was not found in either.
Ki Demang's Ideological Hegemony Towards The Mojo People Through Folklore and Myth at The Tomb of Mount Kendeng Anisyah, Lina Nur
Javanologi: International Journal of Javanese Studies Vol 7, No 1 (2023): Javanologi Volume 7 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i1.84124

Abstract

This research shows that the authority of a dominant group that has power can lead to the practice of hegemony in a society. It is like what happened at the tomb of Mount Kendeng in the folklore and myth in the tomb of Mount Kendeng in Mojo hamlet, Wates village, Simo district, Boyolali regency, there is a practice of power hegemony carried out by the leader in Mojo hamlet in the past named Ki Demang. As a person who is considered a Mojo pedestal, all rules and regulations made by Ki Demang as the owner of the authority must be respected and obeyed by the community from the past to the present. For the community, it would be better if the religious tourism objects of Mount Kendeng's tomb were managed by women because it does not rule out the possibility that new ideas can be born that can make the religious tourism object more advanced. Many potential things can actually also be done by women. Local communities must be able to maintain oral traditions that have existed for generations so that these oral traditions are not simply eroded by increasingly modern times. Stakeholders and policies can support the existence of religious tourism objects eating Mount Kendeng by helping to develop and maintain the sustainability of tourism so that it can help improve the local community's economy.
Conceptual Networks and Research Trends in Javanese Islam Studies: A Bibliometric Analysis Kabir, Gedong Maulana
Javanologi: International Journal of Javanese Studies Vol 9, No 1 (2025): Javanologi Volume 9 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v9i1.108357

Abstract

This study aims to map the landscape of Javanese Islamic studies quantitatively to overcome the limitations of narrative analysis, which often only focuses on specific issues. The hypothesis proposed is that there is a paradigmatic stagnation, where the study is still trapped in the shadow of Clifford Geertz's theory. Using bibliometric analysis and visualization methods from the Biblioshiny application, this study processed 445 relevant documents from the Scopus dataset from 1911 to 2025. The study results show that although this research continues to develop in terms of collaboration and publication, the contributors are dominated by authors, affiliations, and publication sources in Indonesia, but international authors dominate the most productive single authors and co-citation networks. The co-occurrence and co-citation network analyses validate the hypothesis that the study remains under the shadow of the Geertz paradigm, with the abangan, santri, and priyayi issue as the central debate. Nonetheless, the study also identifies emerging themes, such as tradition, slametan, and syncretism. In conclusion, Javanese Islamic studies are a stable field, but they are still tied to the old paradigm. Therefore, future research is suggested to explore promising themes, such as the role of women, the Islamic industry, and the influence of the politics of religion (dominated by Islam) in Indonesia, to open an increasingly dynamic and relevant research direction related to Javanese Islam.
Intertextuality Analysis in Narada Short Story by Y.B. Mangunwijaya Amini, Umu Hana
Javanologi: International Journal of Javanese Studies Vol 7, No 2 (2024): Javanologi Volume 7 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i2.82019

Abstract

Literary works are born from the thoughts of authors who are influenced by other texts. No text stands alone. So, of course there is a connection between a text which in this case is a literary work with other texts. What is meant by text is not always in the form of writing, but also includes oral texts and ideas that influence the author. A work can be known hypogram and its relation or intertextuality with other texts by intertextual analysis. This study discusses intertextuality in Y. B. Mangunwijaya's short story Narada by using Julia Kristeva's intertextuality theory approach. This research is a qualitative research with data collection techniques with the method of observing and taking notes. The data was obtained from Narada's short story in the form of phrases/sentences containing intertextuality and sourced from Y. B. Mangunwijaya's book entitled Rumah Bambu which was published by KPG (Kepustakaan Populer Gramedia) in 2020, the seventh edition. The hypogram of this short story is a wayang (puppet) text whose title is not specifically mentioned because the link or intertextuality is in the form of similarity of characters. In addition to intertextuality in the form of similarities, this short story also contains a modification of ideas by deconstructing the values in the puppet story, showing that the adaptation of the story is adapted to the conditions of the times.
Traditional Dance Training as An Effort to Introduce Indonesian Culture to Thai Students Trisakti, Trisakti; Yanuartuti, Setyo; Anggoro, Raden Roro Maha Kalyana Mitta
Javanologi: International Journal of Javanese Studies Vol 8, No 1 (2024): Javanologi Volume 8 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v8i1.95192

Abstract

Traditional dance training activities for Thai students specifically aim to introduce Indonesian arts and culture on the international stage. This activity is motivated by the important role of relations between universities and society, especially people abroad. Community Service which uses traditional dance as an object of training material has an important role as an effort to preserve traditional or local culture, respect traditional values, and develop local cultural potential, especially in traditional arts. The dance training which was attended by 12 (twelve) universities in Thailand with 166 training participants was held at the Bangkok Indonesian School Sports Building in Thailand. The aim of traditional dance training is to introduce Indonesian culture to Thai students. Traditional dance training methods use demonstration and practice methods.
The Symbolic Meaning of Ubo Rampe in the Traditional Grebeg Pasa Ceremony at Kasunanan Surakarta Hadiningrat Palace Christmatara, Candraderi; Nurhayati, Nurhayati
Javanologi: International Journal of Javanese Studies Vol 8, No 2 (2025): Javanologi Volume 8 No. 2: June
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v8i2.100929

Abstract

This study aims to reveal the lexical meaning, cultural meaning, and human relationships in cultural practices within the Grebeg Pasa Ceremony at the Kasunanan Surakarta Hadiningrat Palace. This research employs a qualitative descriptive method. The data sources were obtained through interviews with abdidalem (royal servants) of the Kasunanan Surakarta Hadiningrat Palace. Data collection techniques included observation and interviews. The analysis was conducted using content analysis techniques. The results of this study indicate that 22 components of ubo rampe, each carrying lexical and cultural meanings. In addition, ubo rampe also reflects four types of human relationships in culture. This research has implications for cultural studies or cultural preservation in order to uncover the hidden message of traditional ceremonies.
Megengan as a Javanese Islamic Tradition to Welcome the Holy Month of Ramadhan in The Community of Bangunrejo Kidul Kedunggalar Ngawi Village Fatimah, Siti; Masamah, Ulfa; Choiriyah, Isti
Javanologi: International Journal of Javanese Studies Vol 7, No 1 (2023): Javanologi Volume 7 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v7i1.85323

Abstract

The megengan tradition in Bangunrejo Kidul Kedunggalar Ngawi Village has become a habit that is still maintained to this day. The megengan tradition is a form of greeting accompanied by joint prayer activities. Megengan is a concrete form of acculturation between Javanese culture and Islamic religious teachings. Megengan can mean holding back, in the context of the month of Ramadan, this tradition means holding back desires related to eating, drinking, sexual relations, and so on. The megengan tradition can be a marker for Muslims to make special preparations before the arrival of the holy month of Ramadan. Megengan, from an Islamic perspective, has several religious values. Megengan is a means of da'wah and a means of broadcasting the Islamic religion. Megengan is also a symbol of gratitude to Allah SWT, who still provides the opportunity to meet the holy month of Ramadan. Megengan is also a means of strengthening ties between Hamlet residents, with the gathering of residents in one place creating an opportunity for residents to strengthen each other's harmony.
Traces of Pre-Islamic Syncretism in Local Culture: Reconstruction of The Religious Identity of The Indonesian Archipelago Alfionisa, Syafira Nur; Pitaloka, Nindia; Ulhaq, Naila Dhiya
Javanologi: International Journal of Javanese Studies Vol 9, No 1 (2025): Javanologi Volume 9 No. 1: December
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v9i1.111343

Abstract

This study analyzes the dynamics of pre-Islamic syncretism in the Indonesian archipelago by examining the interaction and assimilation of animism and dynamism with Hinduism and Buddhism, as well as their manifestations in social and ritual life and their continuing cultural legacy. Using a descriptive qualitative approach, this research seeks to capture the complex and contextual patterns of syncretism that shaped early Indonesian society. The study is based on secondary data drawn from scientific journals, academic articles, books, and other scholarly publications collected through library research. Data were analyzed using content analysis and thematic analysis, involving data reduction, interpretation, and categorization. The findings reveal that the interaction between animism, dynamism, and Hindu-Buddhist traditions formed a fundamental basis for early religious and cultural identity in Indonesia, resulting in a syncretic framework that structured social practices and belief systems. This framework later facilitated the integration of Islam in an accommodative and peaceful manner with local traditions. The legacy of pre-Islamic syncretism remains evident in contemporary practices such as grave pilgrimages, selametan rituals, and Islamic architectural forms, which continue to function as socio-cultural foundations supporting religious tolerance and moderation in modern Indonesian society.

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