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Tuty Handayani
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tuty@uinjkt.ac.id
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+6282227208677
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melsasing2023@gmail.com
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Faculty of Adab and Humanities, Syarif Hidayatullah State Islamic University of Jakarta. Jl. Tarumanegara, Pisangan, Ciputat, Tangerang Selatan, Banten 15419
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Muslim English Literature
Published by Universitas Islam Negeri Syarif Hidayatullah Jakarta
ISSN : 29617502     EISSN : 29628199     DOI : -
Core Subject : Religion, Education,
Religion Languange, Linguistic, Communication & Media
Muslim English Literature specializes in Muslim World Literature including US-Muslim, British-Muslim, Asian-Muslim, and other Muslim cultures and literature; and is intended to communicate original research and current issues on the subject. This journal warmly welcomes contributions from scholars of related disciplines, including Linguistics and Cultural Studies related to the Muslim world.
Arjuna Subject : Seni dan Humaniora - Bahasa dan Linguistik
Articles 6 Documents
 1 
Search results for , issue "Vol. 2 No. 1 (2023): Muslim English Literature" : 6 Documents clear
The Dynamics of Communication in Ruqyah Sharia on Youtube: A Pragmatics Analysis of Interactions between Ustadz and the Patients Suparno, Darsita; Saehudin, Akhmad; Nurhuda, Zam Zam; Lutfi, Mukhamamd; Maharani, Sabrina; Mahfudhoh, Vina Ulva
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.28519

Abstract

This study aims to identify linguistic expressions on utterances used in communication during ruqyah sharia happening. It is conducted using a pragmatic perspective and the descriptive qualitative method in analyzing data. Data from this research got from Youtube during the treatment of ruqyah sharia. This study used maxim theory to test the use of the cooperative principles among them during ruqyah sharia so we can get a system of the cooperative principle which is violated or obeyed by them. Based on findings and discussion, it can be seen the following. There are some conversations which violated by Ustadz and the patient conversation. There are about 2% violated the maxim of manner, 8% violated the maxim of relation, 5% violated the maxim of quality, and 3% violated the maxim of quantity. Some conversations are obeyed, namely 40 % obeyed the maxim of manner, 16 % obeyed the maxim of relation, 34% obeyed the maxim of quality, and 10 % obeyed the maxim of quantity. Based on these findings, it can be concluded that in ruqyah sharia, the theory of Grice (1975) about the cooperative principle can be tested in the use of the cooperative principle between ustadz and patients in the Indonesian context. Although the patient did not aware of his conversation, he can make good cooperative principles with Ustadz so the conversation can go smoothly and both speakers understand their conversation. 
Retaining the Readability of Cultural Words Translation: The Case of Indonesian Subtitles in Breadwinner Film Suriadi, M. Agus; Anwar, Alma Nadia
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.28539

Abstract

This study is a translation quality assessment of cultural words translation in the Breadwinner film. It is done firstly by categorizing the cultural words and translation procedures based on Peter Newmark’s theory. Then, to find out the readability level of cultural word translation, the study uses Nababan’s theory. The data is collected by watching the film, underlining the cultural words, and classifying and tabulating the selected data in the source and target text. The film has 12 data of cultural words, which are classified into ecology, material, social, and social-political organization cultural categories. It is also found that transference, naturalization, couplet, and synonymy are categorized based on the theory. In addition, it is found that 6 data are readable, 4 are less readable, and 2 are not readable. Therefore, retaining the readability and meaning of the original text is still needed to be increased to bridge to overcome the lack of meaning in the target language as great different cultures are found, and the readability of cultural words’ translation shows that the original word plays a crucial role.
Gender and Power Relations in Aisha Saeed’s Amal Unbound Fahri, Albi; Rosida, Ida
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.29294

Abstract

This paper discusses the power relation and gender in the novel Amal Unbound by Aisha Saeed (2018). This study focuses on the four main characters, Amal, Abu, Jawad, and Baji, in which  Abu, Amal ‘s father, has a relationship that puts her as a subordinate one as well as Jawad, who has the power from his economic aspect. The restriction experienced by a female character, Amal, became a gender issue regarding the oppression of women, which must be surrendered to certain power circumstances. This research explores the power relations between female and male characters and their effect on gender. This study uses a qualitative method and applies Michel Foucault's theory of power relations and the concept of gender. The results show that Amal’s resistance is echoed in the desire to destroy the power structure that put Jawad as the highest authority holder. Amal prioritizes resistance to free her choice in her gender identity, and power relations are obliged to change with the resistance. Power in this discourse installs itself and produces real material effects, which social power structure and the prescribed gender norms also affect the relationship between characters. Power relations exist as the main female character, Amal has a certain relationship with the other main male characters and another female character. The power comes from the relation then brings oppression toward women. Power is compiled, established, and realized through certain knowledge and discourse. In addition, Amal’s appearance, which represents her gender identity, also indicates resistance toward the oppression she experienced. To conclude, subordination and oppression toward women are undeniable, as men are socially and culturally designed to be powerful. Meanwhile, women are powerless. 
Love Expressions in Children's Poems before and after 2000 Junaid, Syahruni; Mujizat, Aan; Sumarni, Sumarni
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.31719

Abstract

This study explores the expressions of love in children's poems before and after the year 2000. Seeing the differences in the characteristics of the generation of children before and after 2000, this study aims to find out the children's love expressions to their parents through imagery used in poems as a reflection of Birrul Walidain. This research applies the technique analysis from Miles and Huberman, started with data reduction and presentation to finally come to one conclusion. Furthermore, the result of this research found that there is a distinction between love expressions in two different eras. During the era before 2000, the children expressed their gratitude primarily to their parents for their direct emotional bonding. Furthermore, during the era after 2000, the children tended to deliver their hope and pray for their parents, which portrays that the children missed the direct physical connection with their parents because there are almost no narratives that indicated the use of a physical indicator of imagery; however, they still expressed their loves by writing their wishes in their poems.
Deconstructing Hijabs in Sabyn Javeri’s Hijabistan Parween, Shenaz
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.32492

Abstract

In the contemporary world of racism and Islamophobia, the Hijab is just the tip of an iceberg, while its meanings are far deeper and more complicated. These heterogeneous meanings of the Hijab and its wearer in the outside world are well handled by Sabyn Javeri, a Pakistani award-winning author and Professor, in her short-story collection called Hijabistan. Comprising 16 politically provocative short stories based on the metaphorical interpretation of the veil in the lives of Muslim women, Javeri challenges the single one-dimensional narratives of hijabi identity by presenting the real usage of Hijab in the right and wrong way within the current society. In each story, the Hijab, takes on a new role; for some it becomes a weapon to satisfy one’s urges, while for others it functions as a source of patriarchal oppression or a symbol of segregation from mainstream society. There are also a few who wear the Hijab as a badge of honor, while others do not see it as a barrier within their active sexual life. The paper focuses on these multi-dimensional meanings of the Hijab while critically analyzing how the characters achieved their goals while wearing the veil and how some are seeking their identity.
Hybrid Narratives: Exploring Cultural Fusion in The Goats in the Cemetery by Kanogpong Songsompun Gustiari, Amelia; Sulastri, Sulastri; Zurmailis, Zurmailis
Muslim English Literature Vol. 2 No. 1 (2023): Muslim English Literature
Publisher : UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/mel.v2i1.33023

Abstract

The short story "The Goats in the Cemetery" by Kanogpong Songsompun, a Buddhist writer from Southern Thailand, incorporated Islamic terminologies as its opening and closing lines, highlighting the presence of hybridity between Islam and Buddhism in the region. This research aimed to explore and analyze the depiction of hybridity between Islam and Buddhism in Southern Thailand, as observed in Songsompun's writing. The focus was on the coexistence and mutual respect between the majority Malay-Muslim villagers and the Thai-Buddhist capital holders in the face of a modernization program. This research employs Homi K. Bhabha's postcolonial theory. The analysis revealed that the short story effectively portrayed the villagers' anxiety caused by the modernization program. Despite the religious differences, with the villagers being predominantly Malay-Muslims and the capital holders being Thai-Buddhists, they lived harmoniously, demonstrating mutual respect and coexistence. Moreover, Songsompun's writing challenged the notion of Islam as a restricted religion by presenting it from a global perspective within the context of his work. The research findings emphasized the potential for hybridity to thrive when different religious communities respect and tolerate one another. This research contributes to a broader understanding of the manifestations of hybridity between Islam and Buddhism in societies that embrace multiple religions. It underscores the importance of mutual respect and coexistence, serving as a reminder of the possibilities for cultural hybridity and harmonious coexistence in diverse communities.

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